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Lady Violette

The Romantic Lifestyle

Posts Tagged ‘Violette’

What Makes The Picture a Good Portrait? About “Fur is Fabulous!” … Part 2

Sunday, February 27th, 2011

"Fur is Fabulous"

Continued from Part 1, published on 2/16/2011.

*As a portrait the picture “Fur is Fabulous” is good because it captures me as a unique person and tells a lot about me. I also like it and what it says about me. I look like an exotic French bird of some sort. It reminds me of a film still from an old black and white French or Italian movie from the 1950’s or 60’s, an era in film which I love. Several of the kinds of art work I do are shown in the picture – my vintage clothing restoration work, my sewing, my passion for creating and wearing hats. I have often worked as a hat model (for hat designing friend, Princess WOW! several others milliners, and several photographers,) – is that not obvious? (I say in jest!) As well! And I am wearing an antique black silk kimono which I love and am very comfortable in.

Then there is the “hat/sleeve” thing going on. There is a saying, “He is wearing his heart on his sleeve.” which refers to him showing his emotions, what is in his heart, very directly, upfront, not trying to conceal it in deep secrecy. He is being very open about what he truly feels. It just happened that I was admiring and appreciating the softness and Absolute Beauty of the luxurious black Norwegian fox fur cuffs and I put one on my head to try it out as a hat and suddenly I was wearing my sleeve on my head!” Which brings me around to the other reason this photo is successful.

The brain is the center of thought. It is located inside the head. If one calls attention to that which is deep in his heart – by wearing his heart on his sleeve – it follows that one is bringing her thoughts on a subject to the fore by wearing them on her head! As I said, “Fur is Fabulous!” I was expressing my deep appreciation for fur’s Absolute Beauty.

By Absolute Beauty, I mean in the deepest purest sense. As a work of nature, as the coat of a wonderful creature, my appreciation for the beautiful animal from which it came, for that animal’s soul, and for his freedom to live in our world and be himself – running free and exquisite. I was thinking as I stroked the long dark soft fur of the Norwegian Fox, that he must, in his natural habitat, be a shining silky black creature living in a beautiful white snowy place, with deep green fir trees laden heavy with snow …..” And while I was thinking about him out there, blissfully and innocently living his life, streaking swiftly and gracefully through the forest…

I was also thinking about, and appreciating, the exquisite work of the professional fine art furrier who had made these beautiful cuffs and designed the 70 plus year old vintage coat I was rescuing from abandoned oblivion. I was thinking about the old furrier’s skill at working with the exquisite shining black fox pelts and how this ultra-skilled profession is also coming to an end. How it is, sadly, dying out.

I was thinking about my lovely and wise 96 year old friend who was a life-long professional furrier. And was, also, a teacher, in a now closed down fashion institute, specializing in designing and sewing with real and valuable furs. We have talked a lot about her career in the fur industry in the old days and what she knows about furs. She too is a dying breed. Even more in danger of extinction than the animals on the endangered species lists. This too is sad! Is it not?

That is what I was thinking! I was thinking that I must interview her formally and write about her and her work before it is too late. She is healthy now, but she is getting on in years and I have to do this before it is too late.

Lastly, I was thinking about the fact that I was recycling an elegant old coat. I had cleaned it, relined it, changed the buttons as it was missing one, and cleaned and mothproofed the fur. In changing the buttons I had found appropriate vintage replacements from the same era. I was now in the process of putting the cuffs back onto the coat so I could wear it. I am very proud of my textile and clothing restoration abilities and of the part I am doing to restore and reuse elegant clothing from earlier eras. I resurrect it. I give it a new life. I wear it. I photograph and document it. It gets used, seen, admired, enjoyed, generally talked about. The artists and designers who made it long ago and were forgotten about are remembered. In a way, I make all of them, including the animals whose pelts are in the coats live again. I think this is far better for them than having them molder away into total extinction, long forgotten, in a damp closet or attic somewhere!

I feel that, when I am wearing these beautiful vintage clothes elegance is, on some small level, restored to our modern world. I get a lot of interesting comments about my clothes and how I look. It opens peoples eyes to what was done historically and to what is still possible if you care to put the time and effort into dressing this way. In fact, into every aspect of your whole life. If you choose to contemplate on it you will become aware of many more ways in which you can reclaim elegance from the past and incorporate it into the here and now.

Sometimes, when I am asked about my interesting clothes I get the chance to explain that I restore them and sew by hand and on old sewing machines. And that I also find and restore the old sewing machines and other tools of the trade that I use. I may get to explain that I am a major recycler. My entire house is filled with things I have found and gotten second hand. I have, for instance, a vintage Italian Pavoni Espresso machine. I use it everyday. I love it! I love the processes of doing everything from scratch. Doing things this way, by myself, pleases me.

I happen to have met the furrier I told you about because I responded to her posting on Craig’s list when she was downsizing and selling her Singer Featherweight 221 sewing machine. I went to her home to look at the machine, she saw my clothes and my style, we began to talk and we immediately hit it off! Her name is Dorothy.

I did purchase Dorothy’s sewing machine. She told me she also had boxes of old vintage sewing patterns and would I like them? I said yes! As it turned out she gave me a couple of hundred old patterns – and she had made all of them herself at one time or another during her life. The dates of the patterns she gave me began in 1932 when she was 17 with the dress she wore to her high school prom. and extended through to 2008 when she decided to stop making all her own clothes. Each pattern was carefully labeled with the date she made it and what occasion it was made for. In many cases there was a sample of the fabric she had originally used attached to the pattern envelope.

Dorothy gave me the documented story of her life in her sewing patterns. I spent a lot of time listening to her stories which I find fascinating. And from which I learned a lot. She apprenticed with a fine furrier when she got out of high school and spent her entire life working for his firm. She was also married and socially active. She also became a professor at The New York Fashion Institute teaching furrier design, construction and sewing techniques.

She is the only person I know who is able to explain how an older style fur coat or hat was made and identify the unusual types of furs in some vintage pieces. She has an amazing personal collection of vintage fur coats and yes, she still wears them, regularly. Dorothy is a treasure.

The Peta people wouldn’t dare mess with Dorothy. She commands there respect. She is also for the most part, on their side. She loves the animals that produce the fur and wants to protect them. She does care.

Anyway, Dorothy has been a fascinating person for me to get to know. I think she feels the same way about me. She told me that she likes being friends with me because she doesn’t have many of her old friends left any longer. And we have a lot of shared interests.

I am so glad that I have met her! And that we have become friends. And it all happened because we appreciate fur for it’s Absolute Beauty. We both think, “Fur is Fabulous” including the animals it comes on!  Mostly for that reason, actually. And we have become friends because we share this deep appreciation.

Amazingly, all these thoughts were going through my head when I said “Fur is Fabulous” and my son was taking that picture. He only made one exposure by the way. It was a very spontaneous experience.

To be continued with Part III, of “Fur is Fabulous”

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The Cost of Knitting is Always a Concern! A Couple of Cute & Affordable Projects…

Friday, February 25th, 2011

Lady Violette's Vintage Violet Knitted and Felted Clutch & Raspberry Lace Up Like a Corset Gauntlets

The cost of yarns to make a knitted project is always a concern so I called The Weaving Works  in Seattle where I often buy my yarns to check on the current cost of the yarns I used in these two little projects.

Brown Sheep’s Lamb’s Pride Bulky costs $8.15 per skien. Manos del Uraguay’s Wool Classica costs $ $15.25 per skein in solid colors as I used here or $17.25 in varigated colors.

My cost to make the gauntlets pictured was $15.25 for the ball of Manos. I used a bit of leftover yarn from my little Lady Violette Vintage Violet Clutch Purse for the lacings.

The cost of yarn for the clutch purse was $8.15.

You can make both the gauntlets and the purse for a total yarn cost of $23.40! Not bad is it?

The vintage buttons I used were in my button box and cannot be bought. You can use any buttons you already have or find some specifically for decorating your project. I often buy some inexpensive item at a thrift store or rummage sale just for the buttons because they are much less expensive that way than buying them new from fabric stores. I recommend having an eye out for buttons at all times. I have found old stock on cards in junk stores for 15 cents a card. I buy them if I like them because I know I will find a great use for them at some point.

These two projects are affordable, cute, usable and easy to make.

You can substitute yarns as well. If you are going to felt one for the clutch be sure to use all wool. Synthetics will not felt properly. For the gauntlets, anything that gives you a comparable gauge will work. My gauge for the gauntlets is 5 sts per inch. I did knit the Manos tighter than the suggested gauge on the yarn tag in order to get the effect I wanted.

These yarns can be purchased at weavingworks.com in Seattle.

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Lady Violette’s Design for Knitted Raspberry Colored Gauntlets

Friday, February 25th, 2011

Lady Violette's Lace Up LIke a Corset Raspberry Gauntlets

I have just finished designing and knitting this pair of gauntlets which cover the arm from wrist to elbow and are laced together like a corset which allows a flirtatious bit of skin to show through. These are made to fit with negative ease and it took me a couple of tries to get the sizing down (small enough) as I wanted a good tight fit with stress across the lacings to give me the best looking laced up effect.

This was an experiment. I was not sure if it would turn out! But I love them and will now make them again and carefully document the process so I can share it. The yarn I used is left over Manos del Uraguay Wool Classica and required less that one full skein. I recommend winding one skein into two balls of equal size before starting a pair of these so you are sure to end the first one before you have knit over 1/2 the skein’s worth of yarn. The same way one divides a skein of sock yarn.

I used Brown Sheep’s Lamb’s Pride Bulky for the Lacings. The stitches at the end of the gauntlets are left live on purpose. I laced the Brown Sheep Lamb’s Pride Bulky yarn through them so I could try on the gloves for fit and it looked so cute that I decided to leave them live and utilize the lace effect of those stitches rolling a bit and creating a tiny ruffle on the end.

These must be made to measure for the person they are for. You need to make them a very tight fit. I made these up as I knit and did not write down the pattern but they turned out really well after some initial struggle with the sizing, so I have bought some more yarn and will make another pair and document the pattern, then post it. I will then be able to give exact directions for making personalized measurements.(I do get mad at myself when I don’t document the pattern the first time through. But I get carried away with the process and don’t take good notes. It is actually easier for me to write a pattern when I make a thing the second time as I am doing it very deliberately so that someone else will be able to understand it. Now that I am posting it on my blog I will take pictures as I go to illustrate the process as well.

I find it hard to know if I am doing something correctly when I don’t have an in process photo to check my progress against. Most knitting patterns only give you a finished photo to look at. I want to provide a few pictures of the step by step process of a garment underway …. so I am going to experiment with that on this little gauntlet.

This is a nice small project as it can be done quickly, doesn’t require a huge investment in yarn and is fairly easy to make. Then there is the added cuteness factor!

I used size 7 and size 6 needles. Manos del Uraguay Wool Classica for the main part of the gauntlet and Brown Sheep’s Lamb’s Pride Bulky for the lacings. Any yarn of the similar weight should work and you could use ribbon for the laces instead of bulky yarn. I had intended to use ribbon, but when I did my try on with the Brown Sheep’s Lamb’s Pride Bulky yarn lacings I liked the way the yarns look together so much that I decided to leave it in.

I will post the pattern and a photo of the gauntlet on a model soon.

The cost to make a project is always a concern so I called The Weaving Works in Seattle where I often buy my yarns to check on the current cost of these yarns. Brown Sheep’s Lamb’s Pride Bulky costs $8.15 per skien. Manos del Uraguay’s Wool Classica costs $ $15.25 per skein in solid colors as I used here or $17.25 in varigated colors. My cost to make the gauntlets pictured was $15,25 for the ball of Manos. I used a bit of leftover yarn from my little Lady Violette Vintage Violet Clutch Purse for the lacings. The cost of yarn for that purse was $8.15. You can make both the gauntlets and the purse for a total yarn cost of $23.40! Not bad is it? I will post this information as “Cost of Knitting” with an additional photo of both projects shown together for those who are interested.

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Lady Violette’s Knitted Neckpiece ~ The Unique Tie~on Scarf in Fleurific Colors & How to Make a Version of it for Yourself

Wednesday, February 23rd, 2011

Lady Violette's Fleurific Neckpiece/Tie-on Scarf

My Lady Violette Neckpiece is actually a little scarf made of scrap yarn – albeit, very elegant scrap yarn! And scrap ribbon! I used about 10 different kinds of yarns from mohair through shetland wool to novelty yarns, tweeds, smooth, fluffy, sleek, and some bias tape ribbon sort of stuff which is what you see in the grayish sheer lavender bows. I had lots of little odds and ends left over from larger projects or single balls of yarn I had collected in my personal color way.

I began with all my yarns in a basket and a pair of straight 10 ” long size 10 US wooden knitting needles. That’s it! I have found that the yarn looks and knits differently on wooden versus metal or plastic needles and I far prefer the look of knitting done on wooden ones. I have made swatches, even entire gloves on different types of needles using the same yarn in order to compare the end results. If you have a choice, use wood. In my opinion it makes a more beautiful stitch.

I didn’t knit any swatches. You don’t need to! You can just jump in and make this. It took me less than two hours. I made it while a friend was reading a draft of his novel to me. Which just goes to show that you do not have to concentrate too hard on this knitting project either! No counting of stitches or rows is necessary, nor do you have to follow any patterns or chart! Isn’t this easy? This is a simple little knitting project that you can do quite quickly for pure enjoyment with no frustrating side issues!

Finished scarf should be about 5 – 6 inches wide. The length can be whatever you want. I put it around my neck crossing the ends over each other and stopped knitting when I felt it was long enough. At that point I cast off. Then I inserted the ribbon through a few knit stitches on each edge where I wanted to tie the scarf together to hold it around my neck. I tied the dangling ends into little bows and trimmed them to the lengths I decided looked nice. Et Voila! C’est fini!

To start knitting: cast on enough stitches to make a 5 – 6 inch wide finished piece. I worked at an estimated gauge of about 3.5 stitches per inch. I combined yarns of various thicknesses as I went along, maintaining the feeling of the gauge between my fingers. Thus, I begin with a mohair and a tweed held together, knit a couple of inches, then added  in a different  thin yarn, knit a couple of rows, removed one of the yarns I had been knitting with and started with another thicker, bolder one. When I added a yarn I did not weave in or cut off the yarn tails. I left them for incorporation into the design at the end as little ties or dangling tassels. Some yarn ends I tied into yarn string bows.

I tied the over lapped ends in place permanently so there is no fiddling with the positioning of the neckpiece when you put it on. You just pull it over you head and arrange it into your desired wearing position. It will stay in place, never slip or fall off because it is, essentially a collar or cowl neck ring, not a rectangular scarf. It is like a lovely, cozy, soft, knitted necklace around your neck! It is there to envelope you softly and keep you warm and make you beautiful with it’s flattering flower colors.

Choice of yarns: be sure they are soft, non-scratchy or non-itchy types. I cannot tolerate any irritating yarns around my neck. I know, from experience that children will discard itchy hand knits! And adults will make every excuse not to wear them! Of course yours can be any colors you want to use.

I cannot advise you how much to knit up in any one yarn. You have to be the judge of that as you see your handiwork unfurling before you! That is a nice thing about this little project! It will be very personalized because you will be using your own yarn choices and your own unique judgement as to color and textural combinations. I only used knit and pearl stitches, but you could use pattern stitches or combinations if you want to try it. Anything goes! Because this is Making Art!

My finished Lady Violette Fleurific Neckpiece Tie-on Scarf, can be worn over many things. I wear mine over a long sleeved jewel-necked Michael Stars t-shirt or a very plain thin knit rose-colored sweater. I can wear it atop my hand knitted striped poncho for a really dramatic combination which is also extremely warm. It also works for me over a long deep purple wool coat, or over the top of a turtle neck sweater. It is very lightweight and soft so it s an ideal and extra beautiful top layer. A nice final icing to the cake in winter!

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Lady Violette’s Very Personal Color Way ~ Fleurific Shades of Violets, Lilacs, Lavender, Orchids, Cosmos and Roses

Wednesday, February 23rd, 2011

The Fleurific Poncho & Neckpiece by Lady Violette

As Lady Violette, I have my personal flowers – the violet and the rose, and I also have my own favorite and very personal colors ~ the same range of colors ~ the violets and the roses and every variation of lavender, lilac, pansy, orchid, cosmos, and purple in between! These colors remind me of my personal flowers and, if I wear them, do their job, as they flatter me in every way!  I know they will look good on me so I can grab them and go

I have made up and used the word Fluerific, to describe them for years. After all fleur means flower in French so it figures that it would work, as a word, combined with terrific. La Fleur is also feminine! Of course! As Lady Violette, I have created a new word and It is here to stay. Permanently! I have been using it for years. I am now making it available for everyone to use.

I knit. A lot. Period! And I love beautiful fibers and yarns, and ribbons. These luxury yarns and fibers are expensive and hard to come by, and it takes a lot of time and a lot of money to knit a full garment out of one. Not to mention discipline, stick-to-it-iv-ness and determination to  make a garment from start to finish. One can easily spend over $100 on supplies and 100 hours or more on execution of a hand knitted article of clothing. If I am going to do that I am going to end up with a garment that is a work of art.

I cannot possibly knit and crochet everything I dream of making! There is not enough yarn or time available in a lifetime! Thus, I discovered that I could somewhat satisfy my yarn lust by buying  just one ball of yarn that fell into my fleurific color way and adding it into my yarn basket and using it in combination with others to make totally unique items of my own design. Thus I have developed my style of knitting. I draw yarns from the basket and work with them just as I would if I were painting.

I have experimented with knitting like this a lot and have gotten to the point that I can feel the yarns coming together through my fingers in the correct gauges as I work. I develop the shape of the garment I am making as I go. I have made sweaters, scarves, shawls, ponchos. hats, gloves, socks, etc, in this way. No two ever come out alike! and I think making two alike would be incredibly difficult! I also have no idea how it will come out until I am well into knitting it. This is because this kind of knitted work cannot be designed ahead of time ~ it is a flowing design process that just comes out of me while I am doing it rather, I assume, like a silkworm produces as he is spinning his silk!

Pictured is my Fleurific Poncho and separate Lady Violette Neckpiece shown in one way it can be worn ~ over the poncho for extra warmth and dramatic flair at the neck…Both are my own Lady Violette Original Designs. The neckpiece is actually a kind of scarf, tied together with ribbons.

I am working on writing instructions to give other people so they can make their own versions using the techniques I am using. I cannot write exact patterns as all yarns and knitters will differ, but I can explain how it is done so that another knitter can embark on a similar project. You can begin by collecting a big basket of yarns in the color way you desire to work with. I recommend a personal color way of course!

A big beautiful basket of colorful hand made yarns is a nice interior design element in your house as well! People seem to enjoy looking at the balls of yarn, picking them up, feeling them, commenting on the textures, softness and colors. One more example of the enjoyable  “The Feminine Arts!”

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