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Lady Violette

The Romantic Lifestyle

Posts Tagged ‘International Scarf Styling’

Vintage Bags, with Vintage Liberty of London scarves for Fall 2019

Saturday, August 31st, 2019

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After viewing the Liberty of London Foulard Handbag Collection I had to pull out a couple of my own vintage handbags and tie them up with my vintage Liberty of London Scarves. The black frame bag is a vintage snakeskin purse from London made in the 1950’s. I can’t tell you the maker’s name as it has worn off, but it is a darling little lady-like purse. The green clutch is a vintage Brahmin leather bag embossed with a faux alligator skin print. The Liberty scarves are silk and quite old. The black edged one on the black frame purse shows the Liberty of London logo.

I used a scarf clip to help me attach the scarf to the green clutch. I got the idea for doing a scarf on the front flap of a clutch from the Liberty of London Stevie Clutch which has a built on ring on which you attach your scarf. It is a cute idea! Almost every handbag you own should be able to be decorated with a scarf. I can’t tell you exactly how to attach each one, because each bag is different, but I can give you hints. I attach the scarf initially where the strap is attached to the purse on the inside of the flap where it won’t show when the purse is closed. I then pull the scarf out to the front and access how I might be able to wrap or tie the particular purse I am working with. In this case I decided to utilize a scarf clip to add a touch of golden hardware to the front of the purse and to bunch the scarf up and hold it tightly together on the front surface. I moved that around, experimenting, until I found a position I liked. I then brought the ends back to the underside of the clutch flap and figured out a way to tuck tie them up and tuck them in to conceal the extra fabric. I can open and close the purse to get things in and out easily without disturbing the way it is wrapped. You do want to be sure you can use your purse normally once it is scarfed. It could be very inconvenient if you managed to tie your bag shut and you had trouble getting into it in a hurry!

The black frame bag is a simple design that is easy to scarf. I simply looped the scarf over and through the loop on one side, then adjusted the tails of the scarf to make them look pretty.
I love to utilize my scarves. The colors and textures make me happy! And I get a lot of compliments on how pretty my bags look when I have added scarves to them.

People, even Liberty of London, have asked me where I find my vintage scarves! I can’t really send you to any particular place. I have found them at charity shops, thrift shops, estate sales, consignment shops and rummage sales. I have seen them for sale in online vintage shops on Etsy and eBay so you could try there. It is really just a matter of keeping your eyes open so you see one if you are in the right place at the right time. The same advice applies to finding interesting vintage handbags…

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A Lovely Update on Scarves and Scarves on Bags! The Foulard collection from Liberty of London

Friday, August 30th, 2019

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I’ve been advocating personalizing, decorating  and updating your handbags with scarves  for years so I was delighted to receive a tweet from Liberty of London on their new Foulard Collection of Handbags. They have put out four new styles of handbags designed to be decorated with a scarf. A Liberty of London scarf, of course! The bags are simple sleek designs with rings attached that make it easy to add on a scarf. Check it out and then take a look at the foulard scarf tying guide which gives instructions on how they tied their scarves onto their bags.

I have written several previous posts explaining how to decorate your vintage handbags with scarves which I will link below if you care to reference them for ideas and how-tos along similar lines. Here are some of the ways I do it!

Here for reptile bags.

Here for spring and summer bags.

And here is one on my personal collection of Liberty of London vintage scarves.  I think fall 2019 is coming and it is time for me to get these out and use them to redecorate a few of my precious vintage handbags with my own favorite Liberty scarves!

I think, if I am clever, I can be at the height of this fall’s fashion using precious things from my own collection. Liberty of London scarves are total forever classics! I’m freshly inspired now to get them out and use them this way for fall.

Thank You Liberty of London! For these stimulating ideas for upcoming 2019 fall fashion! I will post pictures of my own Liberty Scarves on bags 2019 as inspired by their new collection over the next few days.

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Restoring Vintage Reptile Purses & Skin Bags From the 1950’s Using Vintage Scarves for Handles & Ties

Saturday, April 28th, 2012

Lady Violette de Courcy's Collection of Vintage 1950's Reptile Handbags with Scarf Wrapped Handles

I have several reptile skin handbags from the 1950s that are in good condition except for one thing – without exception the handles were all unusable because they were made out of a thin strip of leather with the reptile skin glued over the top. That skin had deteriorated from use, age, and the glue used when they were made. In many cases it was too cracked and had broken off and it looked terrible. This is why other people threw these handbags away and I managed to get them for very reasonable prices.

My first try was to take them to a good shoe and leather repair shop to find out what they could do to replace the handles. I actually visited three shops for estimates. The verdict was unacceptable as they could not, match the skins and any other repairs they suggested wouldn’t be as pretty and would cost way too much – more for fixing one bag than I had already invested in my entire collection of 6 of them! I didn’t think these shops were being very creative!

I love the styles of these purses. Very lady like and formal and to be carried not flung over your shoulder. They are just so feminine and civilized. And, of course this is currently in style on the runways if anyone cares about that. New ones are being designed by all the big names and cost a small fortune.

Late 1940’s Vintage Crocodile Skin Bag With Scarf Wrapped Around Damaged Handle & Tied at One End

Of course I developed my own solution – both affordable and pretty as can be while remaining well suited to the original era of these purses. I am getting asked about it and getting compliments on my bags every day I use them. So here is what I did.

Example One: The Crocodile bag pictured above had a badly split, but still attached handle. I simply took a very long and tough oblong shaped scarf which is a synthetic chiffon from India in a leopard skin print and pulled it through the metal link on one end of the handle until it reached the middle of the scarf (so both ends were equal lengths. I then double wrapped the handle by wrapping one end around, then overlapping it by wrapping the other end around until I got the entire handle covered. At the end I tied a secure and attractive knot to hold the scarf in place and create the decorative scarf tie ends as shown. None of this gets in the way of opening or closing the bag. The handle is now reinforced and no one can see that it is broken under the fabric. This took a lot of fabric. The scarf I used is 76 ” long and 18″ wide!

Vintage 1950's Navy Bag From France With Handle Repaired Using a Belt & Scarf

Example Two: The elegant navy bag above is actually leather, not snakeskin. I love the hardware on it! It is a burnished gold with little stars embossed on it like a piece of elegant costume jewelry. It’s leather handle was unusable. I had to remove it. I was left with a metal ring on end to which the original handle had been attached. The circumference of the metal rings was not very big.

My solution was to take a very thin vintage belt that I happened to already have that would fit through the rings. It also happened to be red and it is what is now under the scarf. It doesn’t match the bag at all but it doesn’t have to as it is completely covered  by the scarf. The job of the belt is to create a strong secure handle. I simply pulled it through and buckled it! The buckle is hidden under the scarf at the V on top of the handle. The length is perfect buckled on the smallest size of an S length belt.

I then took a large square silk scarf in a pretty complimentary print, folded it in a triangular half, then brought each end inwards to the center folding to create a long skinny scarf folded rectangle with the points at each end (such as you would to tie it around your neck) and pulled the scarf through the belt halves at the top of the V in the middle of the handle. I secured the scarf with a knot at the middle of the buckle, then began wrapping each side individually downward, tightly covering the belt and pulling its two sections together, until I got to each of the ends with equal scarf point lengths remaining. I carefully knotted them to look about the same and dangle down artistically on each side of the bag. This makes a very secure handle with double strong leather straps inside the silk scarf wrap. I think it is also very attractive. The scarf I used is slippery shiny soft silk and is a huge square. It is a small geometric print with large paisleys on it and a navy border around the edges. It just happened to work out well for this particular bag.

Vintage 50's Snake Skin Bag With New Handle Made of a Silk Cord Belt Decorated with a Chiffon Square Scarf Tie

Example Three: This Bag is in Perfect Condition Now! I removed the completely broken down original handle and pulled a brown silk cord belt I just happened to have through the metal loops doubled it and knotted it at the correct length letting the ends with the decorative knots on them hang down on one side. I then took a small vintage 50’s silk chiffon square scarf in complimentary browns, gold, orange, white, and green colors and pulled it through the knot and tied it into a fluffy little floppy bow to decorate the one end of the purse. Voila! I have given this purse a new life and I didn’t spend any money on expensive repairs.

The cost of the above purse and renovation was: $9.95 for the purse at an estate sale. (Good price due to broken strap!) 99 cents for scarf at a thrift shop. And the cord belt I already had on my miscellaneous belt rack. I spent $11 total on this lovely spring bag! It is very clean inside and even has its original coin purse, mirror and comb intact!

Beautiful Real Black Patent Leather Vintage 1960's Bag From England

Example Four: Here is Real Black Patent Leather Purse. It is from England and I think it was made in the 1960’s. It is large and roomy and perfectly clean inside. The handles on this one were in great shape with no problems at all. The clasp is a pretty silver with an embossed design like a piece of jewelry. This bag needed no repairs. It is gleaming white leather inside. I doubt if it was used very much being that there isn’t a scratch on it. I got it an an estate sale for a very good price because the kids selling it thought it was terribly out of style. I offered $10 and they accepted. I got it home and I liked it but it did remind me of my grandma! She always says “Get me my handbag, Dear…” and it is huge black bag quite similar to this full of everything under the sun. It weighs a ton the way she packs it up. She takes it to town sitting on the passenger seat of her Oldsmobile and it gets her through the day! It gets its own seat. She would never put it on the floor. It gets its own chair at restaurants too! That is how large and important it is to her.

Anyway, for days when I have to carry around 50 pounds of daily gear myself, I now have this bag to remind me of my Grandma! I wanted to jazz it up though which is why I tied  on this perfect for spring shiny black silk square scarf in a big pink dahlia print. I wear a lot of pink and this ties it all together with the shiny black bag and black patent leather pumps. The scarf brings the giant bag up to date and gives it a now fashionable Mad Men Style vibe. I can see Joan Henderson carrying this to the office in one of her bright pink wiggle dresses circa 1960. The scarf choice is perfect for this bag as it also has little jacquard polka dots in black on black which you can just barely see in this photograph.

I simply tied this large silk square scarf in a self knot loop pulling the ends through once and let the silken tails flow long and gracefully down to the front on one side. Tying a scarf to your bag makes you more conscious of how you tote your purse and forces you to behave in a more ladylike manner to show off the both the scarf and the bag. It is good self discipline. Like finishing school for the carrying your scarf tied purse.

Palizzio New York Snakeskin Bag Decorated with a 1950's Scarf Tied on One Side

Example Five: This is a beautiful late 1950’s vintage snakeskin bag from Palizzio New York. It is in good condition except that the handle is getting the same kinds of age related problems described above and will soon probably go. I am being careful with it. I will wrap the entire handle when it becomes necessary. For now I am decorating it simply with a same vintage large silk square scarf tied in a soft and sensual large floppy bow on one side.

I have a big hatbox full of vintage scarves in many shapes and colors that I ruffle through for an appropriate match to tie on my purses, baskets, in my hair or around my neck. I also use them as sashes, wrap my jewelry in them to keep it clean and safe and a bit padded, put them over small tables and sometimes drape them over a lampshade to soften the light or add a touch of color to a room with the light glowing through the colors of the scarf fabric. Scarves have a million uses! I use them to wrap bundles and presents, as bracelets and necklaces, as a sling when I broke my arm. I have even learned to tie large ones as skirts, dresses and halter tops. They make great summer wear. I love using them as shawls and stoles and as wrap around skirts. For these reasons one can never have too many of them. There is warmth in the winter months too. It always helps to have a warm scarf around your neck or a shawl draped over the shoulders of your woolen coat to make you even warmer.

I believe everyone needs an ample scarf collection. I find most of mine in thrift stores and consignment shops. I get amazingly nice ones for very reasonable prices from these sources. I look at the scarf racks every time I go into these places. I have even found really beautiful designer scarves this way. I even have three gorgeous Hermes scarves that I found in thrift stores. But, honestly, many non famous designer scarves are just as beautiful as those made by big names. I always look for cotton, silk, pure wool, Pashima, cashmere, wool challis  and occasionally blends. But the natural fibers tend to produce superior bows and stay tied better. Scarves are one of the best buys you can find in thrift shops. Only yesterday I picked up 6 of them for 99 cents each. This was at least $150 worth of scarves had I purchased them as new retail merchandise. And they are all in perfect condition. I make it a practice to buy vintage only if it is clean and in very good condition. I think many scarves are given as gifts and are often not even worn. Then, when people clean out they pitch them. This is to our great advantage as vintage and thrift store shoppers because we can find real beauties for exceptionally good values. And scarves can transform your wardrobe very easily as you will have seen if you are following all my scarf tying and scarf using posts in this blog. I actually call them my transformers.

Palizzio Very New York Snakeskin Purse - Vintage 1950's - With a Scarf Wrapped Repaired Handle

Example Six: A beautiful Snakeskin bag from Palizzio’s Very New York collection circa 1950’s in a black and brown combination with gold hardware. The handle on this purse was completely damaged – broken, cracked. unusable. I removed it and replaced it with a narrow vintage belt, then pulled a long chiffon print scarf through the ring on one side and braided it around the belt from one side to the other completely concealing the supporting structure of the underlying belt in the wrapped fabric. I did a two strand braid using the belt as the third braid strand. You will be able to figure that out if you know how to braid using three strands. Just start in and the method will become apparent as you work. When I got to the end of wrapping the handle I tied what was left into the bow at the side and additionally embellished it with a butterfly brooch. The Butterfly looks like he just flew in and landed on the flowered scarf! The scarf I used here is silk chiffon 76″ long x 18 ‘ wide. It has a black background and is printed with yellow, medium blue, cream and red accents in stylized flower and paisley patterns.

As far as what types of scarves to use for each bag and handle, this is pretty hard to advise without seeing the purse you intend to wrap and the selection of scarves you have at your disposal. I can suggest that you will need to use large scarves as the wrapping, braiding and tying uses up a lot of fabric. As I was beginning to do this I tended to choose smaller scarves and it wasn’t always working. I would end up without enough scarf at the end to tie a nice decorative bow or streamer. The best advise I have is to experiment. And don’t get discouraged if you don’t get it right with the first attempt. I have had to work at some bags with a couple of scarves to end up with one I liked to use.

I have wrapped each of these bags ahead of time so that they are ready for me to shift my contents into quickly when I want to change out my purse for a different one. That way I do not have to fiddle around trying to get a perfect wrap and bow tie job done as I am trying to rush out the door and get some place on time. I keep my entire collection of purses and bags all tied up and ready for use. I also keep my hatbox of vintage scarves all cleaned and pressed and folded at the ready for use when needed.

Black Vintage 50's Snakeskin Bag with Vintage Cacharel Silk Foral Print Scarf & Antique Onyx, Silver & Marcasite Brooch

Example Seven: This is a very sweet small black snakeskin purse with silver hardware. It is vintage 1950’s. The original handle is still barely functional.I decided to decorate this one with a small silk 18″ square floral printed Cacharel scarf to make it ready for spring. The scarf is black with a lavender inner border and pastel flowers that resemble little violas. Some have light silky grey bits in the flowers that I think look nice with the silver accents on the bag. A plain pretty scarf didn’t seem like quite enough decoration so I added the my antique silver and onyx brooch/pendant also trimmed with sparkly marcasite stones. I am only using it this way because it has a good safety setting so I know it won’t come off and get easily lost! You could also sew a nice decorative button on over the knot if you had one you liked to use there. This handle will last awhile longer but, as you can see in the photo it is bending where the snakeskin is creasing. These are the places that show the aging effects of the drying skins and eventually break through. There isn’t really anything you can do to prevent these age related effects from eventually happening. I just recommend keeping an eye on your bag handles and silk scarf wrapping them when it becomes necessary. By no means throw out these beautiful purses just because the handles aren’t perfect any longer!

Handle repair alternatives: I looked into attaching chains to use as handles but I didn’t like the heavy metal hanging down over the snakeskin and I thought it could easily damage the rest of the purse. The character wasn’t right either, to my way of thinking, on a feminine vintage purse. I prefer the look of a soft and feminine silk scarf. I also thought about making a beaded handle and I may eventually try that. I have seen a raffia wrapped one that someone else did. She used the raffia you can purchase to use for tying up presents and making bows and wrapped the handle as I do with the scarves. She finished it off with a big poufy raffia bow and lots of extra raffia ends sticking out. She called it a festive look for hitting the clubs in Miami with her retro 50’s snakeskin bag. It would be cute with the right outfit! I am in cold Seattle and not hitting Miami clubs so I need a more day to day social, going shopping, going to work, or attending a meeting looking purse. The scarf ties on my lady like snakeskin, crocodile, alligator and leather purses work well for me with my style of vintage coats, dresses and suits. I think they look both lady like, fashionable and professional which is the look I want to pull off. I get lots of compliments on the look I achieve so I can only guess it must be accomplishing the effect I want and working out the way I want it to. What people say to you out on the streets is always a good gauge of how well your fashion choices are actually working!

In the summer I go all out tying my colorful vintage basket purses with bright and cheery scarves. I’ve shown some of those on my past blog posts and will do more as summer approaches. If you want to see all my scarf tying posts search for them on this blog. Ditto my vintage purse posts. I have done quite a few. I am always putting up more as I am a big scarf wearing fan. Everybody can learn to use their scarves. There is no reason to have them languishing in a dresser drawer or eventually giving them away to a thrift store! Get them out and use and enjoy them!

My Personal Spring Collection of Seven Vintage Scarf Tied Skin Bags

Inspiration: Here is my entire lineup of seven vintage reptile, patent and leather bags that are now tied up with vintage scarves and ready to use. Four of these had seriously damaged handles and could not be used at all until I had done them over in this way. Now they are all ready to grab and go! (By the way do not use leather cleaner on reptile bags! It ruins them. I use only a dampened with water soft cotton cloth.) Personally I really like the shapes of these purses. Again, they are so finished looking, lady like and girly. This is a perfect example of restoring, redoing, reusing and enjoying nice things from the past isn’t it?

 

 

 

 

 

 

 

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Dressing for a Wedding and Your Body Type ~ Lady Violette’s Design Advice to Nancy Shevell & Stella McCartney

Friday, October 14th, 2011

Nancy Shevell in her Wedding Dress Designed by Stepdaughter Stella McCartney and Her Too Big Vegan Shoes

 

This post was inspired by an indignant email message from my  friend and colleague, Lavande Lamour (the long-lost sister of writer, Louis Lamour),
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“Nice wedding dress for Nancy Shevell, especially with the Wallace Simpson influence, but I think it would have been much more becoming just below (or just to) the knees. I think Stella McCartney was going with a “young” look and paying tribute to Ms. Shevell’s slender figure, but knees just don’t belong anywhere near a wedding dress, in my opinion. Her knobby knees just kill the whole effect for me
.Also, I wish Ms. Shevell weren’t standing with her feet two feet apart. I swear, women have forgotten the art of how to present their legs in a dress these days. We see either the rugby stance (Ms. Shevell) or the pigeon-toed, slouchy stance (Scarlet Johannsen and many others). The basic ladylike principle of keeping one’s knees in nodding acquaintance with each other seems to have disappeared. Ah well….   Lavande
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And further Inspired, (yes really! ) by the comments below and at the end of my post.

Inspired……you mean copied, Stella McCartney is not a great designer, riding on the crest of her father’s fame……

– Steve Constantine, Noordwijk Holland, 13/10/2011 16:44

Read more: //www.dailymail.co.uk/femail/article-2048237/Nancy-Shevell-wedding-dress-Stella-McCartney-inspired-Wallis-Simpson.html#ixzz1ajpRLWpA

Nancy Shevell looked like a beaming, beautiful bride, regardless of Stella’s ghastly creation. Fortunately, Nancy could make a bin sack look terrific. The happiness on the faces of Nancy and Paul made them seem like 2 delighted teenagers. I wish them a lifetime of bliss and contentment. They seem so well-suited to each other. But I would beware Stella, Nancy. I agree with the person who said the dress looked like it came from a 1960’s McCall pattern – spot on. Of all the bridal gowns to emulate, Stella picks Wallis Simpson’s? Is that the best she could come up with? It wasn’t a nice dress then, it isn’t a nice dress now. I have always maintained that the fawning over Stella’s designs is a classic case of the emperor’s new clothes. The McCartney name is the only reason she’s a famous “designer”. The shoes were ghastly and the dress too short. Is Stella trying to give Nancy a hard time, too? Sometimes I think Stella is more interested in her inheritance than her father’s happiness.

– underwhelmed, london,

13/10/2011 16:13

I thought that the wedding dress looked like one of the horribly ugly polyester dresses from the 1970s & it didn’t look good on the Duchess either….and my mother had one JUST exactly like it back then. So there is nothing about it that is unique or original at all. It’s a bad length for Nancy with her SCRAWNY pale legs, & she would have looked so much better in a longer length or a pantsuit. And what charity shop did they have to go to in order to find those awful shoes? They are so big & loose on her feet…they are either worn-out vintage shoes or she’s too skinny to fill those shoes up. PLEASE don’t tell me those shoes are coming back in fashion!!! – Ashleigh, Austin, Texas,

Nancy Shevell & Paul McCartney

Wallis Simpson & Her King

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

AND NOW, some  CONSTRUCTIVE COMMENTARY by LADY VIOLETTE de COURCY  on Dressing for a Wedding and Your Body Type

First, I want to say, Nancy Shevell and Paul McCartney look to be a very happy couple and very much in love and that is the most important thing. I am happy to see them married and I liked the low key simple ceremony and small number of quests invited. Nancy Shevell looks like a lovely person and she has been low key throughout the courtship and wedding process which is fine, but she has married into British Rock ‘n Roll Royalty which is just about as big a deal to a lot of people as marrying into actual British Royalty. As such she has a responsibility, in my opinion, to live up to the fantasies and expectations of the Beatle’s fans of all generations. Sir Paul has made her his princess and she ought to do all she can to live up to the image. In short, she should look like a princess.

It is very important that anyone reading this realize that, I am not being negative about Nancy Shevell’s character, or her as a person, I am simply making observations about style and design and offering my constructive ideas on how she and Stella McCartney, who is one of the top designers in the world, might have dressed her and how she might improve her choices in dressing and personal presentation in the future. She appears to be quite a lovely person, actually, and I wouldn’t mind meeting her myself if I had the opportunity.

It appears to me that Nancy is quite conservative and understated in her dress, that she wants to be appropriate but not blatantly stand out at all. This is another reason why I should think she would want to subtly conceal her negative features and subtly enhance her positive ones. If she managed to do this she would simply come across as charming and understated.

So, let us analyze Nancy Shevell. She has a lovely face and pretty long hair. I found photos of her with a terrible shag haircut and blond hair, so she has learned, somewhere along the way that she should stick closer to her natural brunette color! She has a beautiful smile. Her smile appears to be much improved by having had her teeth straightened and veneered since her high school year book photos were taken!  These two facts lead me to conclude that she is not adverse to self improvement. She also appears to have had the size of her nose reduced.  She has definitely dramatically reshaped her eyebrows which used to be thick and bushy. I suspect she has regular Botox injections to keep her face young looking. She has the glow of happiness and being in love but also the advantages of her financial status for dressing attractively, self improvement and maintenance. I am all for this if one can afford it. In many ways she looks great and is doing a good job of taking care of herself.

She is tall and slender and this is obviously her natural body type. In her case this has it’s good and bad points. She needs to utilize every positive aspect of her face and figure and play down the unattractive ones. ( Everyone needs to do this, of course!) Any clothing designer who works with her should advise her accordingly and the fact that Stella McCartney didn’t do so is inexcusably unprofessional. We can safely assume that both Stella McCartney and Nancy Shevell have all the money they could possibly need or desire to enable them to create any impression, dress or ensemble for such an important event as a wedding no matter how casual they desire it to be. That said, I will express my opinion of the Stella McCartney wedding dress for Nancy Shevell to Beatle Sir Paul McCartney.

I dislike the dress. It is totally inappropriate for the woman wearing it and for a wedding dress. I would never recommend that she wear such a dress. So, here is where Stella McCartney failed. If she recommended such a dress it was a mistake. If she was asked to design and make such a dress it was a mistake not to refuse to do so. and suggest something much better using all her talents and training to the fullest extent. This short dress makes both the client, Nancy, and the designer, Stella, look bad. Stella is well educated in the world of fashion design and celebrity publicity. She should know that these issues will arise, that her new step-mother will now be photographed and watched by press and public alike and should be dressed to succeed in her inevitably public position as Sir Paul’s wife.

Many people in the public will be looking to Stella for inspiration in both personality and style and looking at her to critique her. Stella is in the unique position both professionally and personally now, to offer priceless advice and design services. Stella, not only as a world class couture designer, but as the daughter of a Beatle has been in the public eye her entire life and should have known that this wedding and this dress would be covered by the world press. She had a tremendous opportunity to make the bride look her exquisite best and to show the world her own design capabilities. Unfortunately, for both women, she didn’t!

Readers suggest that Stella doesn’t like Nancy and is trying to make her look bad on purpose. If this is the case it is very stupid of Stella because people will be judging her abilities as a designer as much as the appearance of her father’s new wife. I honestly don’t think this is the case. I believe that Stella just isn’t that good or experienced when it comes to analyzing and meeting the needs of an important client. Nancy is now an important client because she is now married to one of the most popular men in the world who also happens to be Stella’s father. This is a fantastic arrangement for Stella. which guarantees her constant free exposure and continual publicity. What an enviable position for a designer to be in! These two ladies should be buttering each other up. For the most part Nancy is pretty good lucking and will make Stella’s designs look nice if she wears designs that both look good on her and look good on someone her age. It can easily become a win win situation. Thus is is a shame it has gotten off to this bad start in the press at the beginning of the marriage,

To me this dress looks cheap and inconsequential. The first thing I see is Nancy’s legs. Miles and miles of bony scrawny, ugly, un~athletic looking, ultra thin and exceedingly unattractive legs! There is so much of her stick like legs showing that they actually over power her face and her smile which is really unfortunate because those are the most attractive and nicest of her features. Her entire upper body is covered up with the gathered bodice and long cuffed sleeves which look like a white blouse that might be worn under a conservative business suit consisting of a skirt or pants and a jacket. Under that is a plain straight way too short and utterly boring skirt! Did they run out of material? Or could they only afford three and a half yards of this white stuff bought on sale at some suburban fabric store like Joanne’s Fabrics?  It takes about 2 and 1/2 yards of fabric to make a blouse and about one yard to make a simple straight skirt like the one in this dress! Surely Nancy, Paul and Stella could have sprung for more fabric! And much more interesting fabric. Stella has access to the best and most beautiful fabrics in the entire world. And money is no object. Nancy’s height and thin figure make her an ideal fashion model for narrow or full length styles. Styles that would cover up her stick thin ugly legs and focus all the attention to her pretty face. Styles that would also make the designer Stella look really good because she made a beautiful dress for an attractive woman. Had Stella designed a long dress for Nancy none of the criticisms that have followed the wedding regarding Nancy’s dress or her super skinny legs would have come up! If I had such ugly legs I would be covering them up in any situation in which I could! Why should she do this? In order to look her best, put her best foot forward as they say, in order to protect her reputation and in order to focus attention on what a beautiful event this is and what a beautiful bride she is ~ rather than on what ugly legs she has! A long dress would have been elegant and would have covered her legs.

Then there is the color, It is stark white. Stark white is very difficult to wear. It emphasizes all the flaws in a person’s complexion – making imperfections glaringly obvious. In this particular case it draws our eyes to Nancy’s way too skinny bird-like legs and her dreadfully bony red knobby knees! She appears to be wearing bare legs and sandals! Her shoes are really terrible. She should at the very least have worn panty hose in an even skin tone slightly darker or lighter than her own skin to de-emphasize her legs and give her a more polished look. Then there are her bizarre shoes. They are flattish sandals with ankle straps. I think she should have worn a classic closed toe pump with at least a slight heel! And, in this case, no ankle straps unless she was wearing a long dress so we could not see them! These shoes look like they were purchased in the old lady’s department at K-Mart. She could have opted for some glamorous vintage pumps! Or Jimmy Choo’s, or anything from Paris or NYC! Her shoes could have been amazing! It is almost heart breaking, as a shoe lover, to see a woman of such privilege not take advantage of the opportunity to wear a fabulous pair of shoes to her wedding! How very very sad! I am sure hundreds of thousands of women are thinking the same thing. Here, again, Stella should have stepped in to advise. she also designs and makes shoes. She could have provided something better! Probably even at the last minute from her very own showroom! I read, after writing this paragraph that the sandals Nancy wore were vegan! They are vegetarians. That is no excuse for ugly shoes. Many beautiful wedding shoes are made of cloth like silk and satin and linen and decorated with beads or lace or silk flowers. Something elegant could have been found or custom made.

Nancy is supposed to be an heiress. She was apparently not sent to ballet lessons or finishing school. I deduce this from observing her stance. Her feet are wide apart, she does not hold her knees together and she holds her fingers in her opposite hand in front of her body in a most awkward self-conscious manner. In every photograph I have ever seen of her, she has stood awkwardly and looked uncomfortable.  Now that she will be followed by the press and constantly observed and photographed in her new position as Paul’s wife, I would advise her to get some training to learn to stand gracefully, to pose properly for photographs and to project an aura of comfortable self-confidence.  I do not want her to change her personality or become a different person. I just want her to acquire poise and self-knowledge so that she shines in her new position of privilege. She is wearing a $650,000 art deco Cartier black diamond ring! She should be doing so with pride and pleasure, not covering it up in a shy and embarrassed way by God, we cannot even see the thing on her hand! I would be getting a tasteful manicure and putting my hands out where they could be seen in a subtle manner. Nancy was wealthy and had the privilege of money before marrying Paul, but she is now privileged to be in his family and social circle and to share in the love his fans have for him and the Beatles. That is what I mean by privileged. He is also privileged to be marrying her. It works both ways. Its just that she wasn’t in the spotlight before. Now she has gotten the privilege to enter his spotlight. That is a big responsibility. His fans expect a lot from her. They expect the exact opposite of what his previous wife Heather Mills provided if you get my drift!! They want Nancy to make Paul Happy and be dramatically drama free! So far she seems to be doing a good job of that!

Hairstyles: Nancy has pretty hair. There are many salons in England that are really good. And the wealthy can afford to hire a good hairdresser for a special event. There are also hundreds of pretty ways to style long hair ~ from classic elegant up dos, through partially braided sections in the long hair, half ponytails, and softly curled but styled long locks Unfortunately, Nancy’s hairdo is just long and limp. It looks like she was going for a youthful look – which she and Stella interpreted to mean washed, dried, brushed out and embellished with one flower stuck in over the left ear. It is so casual that it covers her ears, neck, shoulders and a great deal of the front of her dress!  It ended up just looking limp as if she has spent a day swimming at the beach and is letting her hair air dry. She may have picked a lone flower off a bush on her walk home and stuck it in her hair for fun! This, Nancy, is a wedding, a special occasion! As the audience out here, in the land of the public, we would like to see you go to a little more effort to be really beautiful. You do have the potential! 100% We want you to live up to it!

As for the resemblance to the Wallis Simpson’s wedding dress!  I see only many small buttons and a gathered bodice and long sleeves. I don’t like Wallis’s dress either. And as far as the famous comment she made, “You cannot be too rich or too thin!” She was very wrong, you can be too thin. She is one example of that. Nancy Shevell is another. Neither of them have great bodies. Both look very un~athletic, way too thin,  and awkward. These qualities cannot be covered up by wearing expensive clothes. They can only be corrected and changed through physical training and self-discipline and diet. They both need to eat a lot more.  I am very thin by the way. I do not say this out of envy of how thin they are! I have been very thin all my life, but I have also danced and trained all my life so my thin body type is very different type. I am filled out and well shaped by strong muscles and consequently have strong powerful curves.

Wallis always looked severe and stern. When I have studied old photos of her I have deduced that she was an ugly woman who was beautifully dressed in very expensive jewels and clothes. I think she was actually hideous! Look at the great beauties of her time! They were extraordinarily lovely! I am referring to Greta Garbo, Katherine Hepburn, Marlena Dietrich (who had beautiful legs!) Nadia Paley, Moira Shearer, and many many more. Wallis couldn’t hold a candle to them in my opinion. I always wonder what her attraction was? It was not her intellect ( I have read some of her writing.) It was not beauty, so what was it? I am dying to know and hope Madonna’s upcoming movie will shed light on this topic and satisfy my curiosity!

In his Little Dictionary of Fashion, Christian Dior said, “There is no Key to Good Dressing. If there were it would be easy, rich women could buy the key and all their fashion worries would be over!  But, simplicity, grooming, and good taste – the three fundamentals of fashion – cannot be bought. But they can be learnt, by rich and poor alike.”

Both Nancy Shevell and Stella McCartney have led extraordinarily privileged lives. In Stella’s case she has even attended the best schools of fashion design and worked for the best fashion houses in existence. I have seen scant evidence of her talent. I just don’t feel that I am seeing it in the conservative and rather dumpy dresses she designs for her new stepmother, Nancy Shevell.

Look carefully a the wedding dress. If it were a solid dark color it would look like a business woman’s work dress. In a small dark print or jewel tone it would look like a 1980s – 90s librarian or school teacher’s work dress. One man wrote that he thought it looked like an old nurses uniform! From the 1940’s! It actually kind of does! Just put a winged cap on her and she would look like a nurse in a WWII hospital movie! She could throw a Navy Blue Red Cross issue wool cape over it and be ready for work in the field. Personally, I think the top looks like a conservative white blouse and the straight skirt looks like a straight white slip! The kind you might wear under a woolen skirt so it isn’t scratchy., or doesn’t tick to your bum and ride up! These are not images you want to have for a wedding dress.

Some alternative suggestions for Nancy: Suggestions I would have made to her for a small daytime wedding had I been her designer. I imagine Nancy did not want to wear a long classic white wedding dress because she is an older second bride. She probably did that already in her first wedding and didn’t want to go through that ordeal again. I imagine that she wanted something under stated and tasteful, and not overly dressy. I think Nancy could have worn an elegant suit with a longer skirt, or a long dress.

1) A Suit: It was common to get married in beautiful wedding suits in the 1940s and 50s. Look at the glamorous weddings in old Hollywood movies. The bride and groom often got married in daytime civil service ceremonies or small  daytime church weddings and the bride wore a suit. Consider an elegant 40’s style tailored suit in cream colored gaberdine with a fitted jacket with a wasp waist worn over a mid-calf length skirt with a sexy walking slit in the back. I would make this of fine cream wool gaberdine lined in lightweight silk and it would be worn with a beautiful ultra feminine cream lace blouse which would be beautiful worn on its own later, either with this skirt or another, without the jacket.  I would make the jacket double breasted and nipped in at the waist, then flared out gently over the hips, and close it with vintage mother-of-pearl buttons. I would suggest graceful T-strap shoes with 3 and a 1/2 inch heels of buff colored kidskin. If she didn’t want to wear leather in order to honor her new husband’s vegetarianism I would suggest a similar style shoe made in cloth of some kind of leather alternative. I would suggest cream colored silk stockings like they wore in the 1920-40s because they would look beautiful with this type of suit and fabric and greatly improve the appearance of Nancy’s legs. These stockings are extremely elegant and also make the ankles look a little thicker which would be a good thing in her particular case.

2) Hair and Hat: I would style her hair in an artful Chignon low on the back of the neck and if she liked the idea, top this off with a beautiful feminine hat custom made of fine cream colored Italian straw with a medium width brim trimmed with  ribbon and handmade silk flowers. This would be an elegant creation – a subtle, classic hat. It would call attention to the bride’s beautiful face, and flatter her. It would in no way resemble any of the hats worn to this years Royal British wedding! Her lush long hair would look beautiful in the back with braids entwined in the chignon at the nape of her long elegant neck. Because her hair would be pulled back her neck and face and shoulders would be shown to best advantage and the shoulders, sleeves, collar and neckline of the suit would be shown off to great advantage. I would keep her hair soft, but elegantly off her face and shoulders.This hairstyle would be lovely with the cream colored suit worn by itself or with a hat like I described.She would have the option of wearing or not wearing the hat and could even change her mind about that up to the minute she walked down the aisle.

3) Hands: She should not wear gloves because everyone will want to see her Art Deco black diamond Cartier engagement ring and the wedding band.

4) Flowers: I would suggest she wear a corsage on the lapel or at the hip of the suit. She carried a bouquet which she might have chosen to do so that she would know what to do with her hands. She obviously feels awkward about them and isn’t sure what to do with them. We would discuss that and practice several alternatives so that she could choose which she preferred. Some brides carry an evening purse, some a bible, or other book, some flowers, etc. I would suggest a spray of white orchids designed with tulle and ribbons pinned to one of the lapels  with an elegant vintage brooch. Nancy wore a tiny white flower in her hair. I felt so sorry for that little guy! It deserved to have a few more companions alongside at the very least! Wouldn’t she have done better to sweep a section of hair loosely behind one ear and place a comb with several flowers and a trailing ribbon attached to it in her hair? I am not suggesting anything lavish. I am just suggesting something more interesting and complete. It could still look subtle and not over power her. Nancy appears to be very careful in her fashion choices. So careful that she misses out on the beauty and pleasure to be had! She is probably just lacking in self confidence in this department.

5) Something old: This could be the brooch pin, the cream colored vintage silk stockings, the antique lace used in the blouse, or? That would be fun to figure out. I have heard no mention of any choice being made for something old in the ensemble she actually wore.

6) Biaanca Jagger wore a white suit by YSL when she married Mick. It was gorgeous and considered an unusual choice at the time, but, at that time, anything went (the past tense of anything goes!) It would have been interesting for Nancy Shevell to take her inspiration from Bianca Jagger instead of Wallis Simpson! It may have been a pantsuit, even, I will have to check that out.

7) A Bohemian dress, a long dress, please. There are many kinds of dresses in this genre that would have worked. A casual flowing bohemian flower child look could have worked. Then she could have worn her hair down and flowing, but hopefully a bit more artfully styled with more flowers intertwined in it.

8) A Grecian style long dress could have worked, with artistic draping and a skirt just a few inches above the ankles. This could have been worn with more elegant sandals if she really wanted to wear sandals. Its length would have concealed her legs from being the main focus. In this style dress her hair could be worn, again, in the type of loose chignon I describe above with a few strand escaping.I would have suggested this in colors other than white. Some ideas, pale blue, dove gray, buff, pale gold, pale silver, peach, pale lilac in muslin or light silk.

9) A simple bias cut Jean Harlow style 1930s gown could have worked. It would have fallen beautifully on her because she is so thin and has absolutely no hips. This cut dress adds a little meat to the frames of women like her. It would have helped her conceal her skinny legs and look curvier and more feminine. I would have suggested cream, the lightest dove grey, peach, or palest blue if she really wanted a reference to Wallace Simpson’s gown,. I would have suggested this style dress be done in a jacquard silk crepe in a sophisticated pale solid  color – so that it didn’t look like a wedding dress, but suggested an elegant cocktail dress from the 1930s Hollywood movies.

These are only a few suggestions to give an idea of how many there are! There are lots! I could go on and on, especially with the Bohemian dresses and the Empire influenced ones. Had I been Nancy’s designer I would have created a very memorable gown, with her input, that she would have been extremely comfortable and happy in. I would even have been happy to make her three or four of them so that she could actually try them out and decide which one to wear to her wedding.! The other designs, I am sure, she would find very useful and great to have on hand to wear for other occasions. All my ideas for designs for her would be wearable for events other than her wedding because none of them are “wedding dress” design ideas. They are dresses you could wear for a small casual, daytime wedding such as Paul and Nancy’s but could also be worn most suitably for many other times. Observing Nancy, from my position out here in the public, it seems to me that she didn’t want a weddingy dress.

I have read that she changed into a long plum chiffon number when she reached the house, also designed by Stella, which Barbara Walter’s really liked. Then,  after a while, she and Paul went upstairs and changed into blue jeans which I bet really felt good by that time! Don’t you?

The marriage of Paul and Nancy gave both Nancy and Stella a chance to showcase their fashion design and styling skills and their stylistic sense. I didn’t like what they came up with. I am not saying that casually either! I have really analyzed why carefully. I hope they will find and read my post! And learn from it.  I even welcome them both, singly or together, to contact me for consultation should they so desire.

Nancy, You have the rest of your life to show off your knobby knees. I am sorry that you did it during your internationally important wedding! I hope you don’t choose to do it in the future, but, should you, you will know and understand how one fan, of both you and Sir Paul, felt about it and advised you to do otherwise!

Finally, poor taste in dress withstanding, I wish Nancy Shevell and Paul McCartney my absolute best. I hope they will be happy together for the rest of their lives!

I just cannot resist adding other people’s posts that seem to agree with me! Here are a few more, just for fun!

The lining was shorter than the hem of the dress. I agree the dress was much too short for a 50 year old woman. And those tacky shoe!!! they must have been borrowed from Rose in Keeping Up Appearances:”>

– honey, Boston Ma USA, 13/10/2011 3:18

Lady McCartney’s wedding dress may have been “inspired” by Wallis Simpson”, however, other than it’s length, the dress was almost an exact copy of HRH Catherine, Duchess of Cambridge’s wedding dress from last April. Stella doesn’t seem to have been particularly inspired this time around.

– The Truth, Reality, 13/10/2011 2:05

Madonna has a film out about Wallis Simpson. Stella McCartney is a friend of hers.. dress gets people talking about Mrs Simpson?

– old fashioned girl, Lancashire, 13/10/2011 1:55

The Duchess of Winsor was SUCH an unattractive women.She always looked SO old.

– E S, ex pat, 13/10/2011 6:00

Unfortunately Stella doesn’t have an original thought in her head and wouldn’t have succeeded without the family name. The wedding dress looks like something run up from a 1960s McCalls pattern book.

– Philippa, Louth, 13/10/2011 0:34

It was a woeful dress, looked home made and draped terribly. Stella’s dress was as inspiring as her smile (or lack thereof). All the best though to Nancy and Paul. – Sheryl Osborne, Melbourne, Australia, 12/10/2011 18:15 Thank you, my thoughts exactly and a darn good laugh. Also, she could have used a small veil so that she would actually look like a bride. I think Stella runs a bit on the controlling side and probably trying to keep Nancy down a bit.

– Clarice, Hanover, MA, USA, 12/10/2011 19:09

I agree with Karen from Bournemouth on the comment about the dress should have been to the knee. The dress is okay over-all, nothing special. She has rather unattractive legs, and those sandals look like something my grandmother would have worn, coupled with the big feet, not a good look. And before anyone starts, I have huge feet. It’s just a fact, if you’re wearing a dress at a special occasion, you need a heel so you don’t look like Magilla Gorilla in the foot department!

I wore a dress very similar to Nancy’s for my wedding in the 71 but with an open collar. It looked better than this. I designed my own clothes taught by my mom who was a dressmaker back then. I am no fan of Stella McCartney and think this dress does not do the bride justice. Same with V Beckham with her metal zippers on the outside. Plain old poor workmanship and I wouldn’t be caught dead in one. This looked much better on Wallis. I wonder why she would want to imitate a woman so hated in the country she is adopting?

– Mary, LA, CA, 12/10/2011 17:46

I noticed the design influence but wasn’t the original dress pale blue? Also I suspect Stella McCartney planned for it to be worn longer and it was shortened rather badly at the last minute. I thought the change in colour made it look like a nightie – rather Brides of Frankenstein. I can understand the bride wanting a shorter length for a Registry Office Wedding but there is a recognised way of hemming that sort of fine fabric which has not been followed. Looks to me as if the Bride and the Stepdaughter didn’t exactly see eye-to-eye and some unskilled person was let loose on it.

– J Huxter, Surbiton, Surrey, 12/10/2011 15:12

Wallis was better dressed for her wedding than Nancy by far. You would never have caught Wallis with her skirt above her knees, no tights and sandals no woman past 30 should wear, let alone to her own wedding. She was no beauty but she was elegance personified – a quality very few women possess today – including the new Mrs McCartney. She looks passably nice but that’s all.

– Reubenen

The only resemblance I can see is the nose. The dresses are not the same at all.

Does any one remember the film King Pin with Woody Harleson? The older woman in the film who is romantically involved with him has legs like that. Yuck.

– James , UK., 12/10/2011 11:36

Thank you for your comment, Daddy Longlegs…..I’ve never understand why grown women stand all sprattled-legged or pigeon-toed when they know they are being photographed. Were they reared by wolves? Did their mothers never take the time to teach them how to stand & walk gracefully before their first big “dress-up” event like childhood banquets or proms? Thank you to all the mothers out there who showed their daughters how to stand with their knees together!!!!!!

– Caroline, Dallas, Texas, 12/10/2011 11:31

What’s with the shoes? Her feet are literally swimming around in them like they are 2 sizes too big & too WIDE!!!!!!!!!

– Caroline, Dallas, Texas, 12/10/2011 11:21

She has very boney legs and ankles :

– charley, Surrey, 12/10/2011 11:03

Wallis looks like an ironing board with an ugly head stuck to it. No amount of money could help her – she was always a very well dressed and very ugly woman.

– Sa6, Somewhere, Here, 12/10/2011 9:56

Looks like Stella was taking the p*ss. She obviously doesn’t like this one either but can’t say anything.

– Fiona, West Lothian., 12/10/2011 9:17

She looks dressed for a church pageant not a wedding. Drab and unpolished.

– Kitty, Dallas, USA, 12/10/2011 8:09

t’s nothing like Mrs Simpson’s dress! Who writes this rubbish? Too short for her knobbly knees and those cheap looking sandals. Yuk. I Like the top part though.- Kate, York, UK, 12/10/2011 8:06

OMG, the bride has ugly, skinny chicken legs.

– Mary, NYC, 12/10/2011 7:40

And the groom’s hair was inspired by Ken Dodd! Nancy should have worn a dress more like the original that covered up her sparrow legs. This heiress clearly didn’t go to finishing school – they would have taught her to stand like a lady, with her knees together!

– Daddy Longlegs, Planet Earth, 12/10/2011 7:05

Stella’s designs are awful, she needs a refresher course in dress designing as Ive only ever seen one or two outfits that have looked reasonable to wear.

– Kathy, Birmingham UK, 12/10/2011 7:01

Would have been so much more ‘classy’ if it had come just below her knees. Instead the hemline looks a little understated. Nobbly knees and no tights/stockings – all a little bit unflattering.

– MatildaUK, UK, 12/10/2011 6:2

Yet to see a decent creation from Stella, and the original was far better.

– jack., ashford.england, 12/10/2011 6:28

Read more: //www.dailymail.co.uk/femail/article-2048237/Nancy-Shevell-wedding-dress-Stella-McCartney-inspired-Wallis-Simpson.html#ixzz1ajvcuqFR

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Instructions for Tying the Grace Kelly Hermes Scarf Sling for a Broken Arm ~ by Lady Violette de Courcy

Friday, September 30th, 2011

Having broken my Right arm, and wrist, for real, last Saturday night, and had surgery for a compound fracture with metal plates and screws inserted on Tuesday, I have learned a lot about slings over the last few days. This is my Left handed typing too, which is getting pretty good, pretty quickly! This is a serious injury and actually quite painful. And, of course, I have to keep my arm elevated. It also feels like it weighs a ton!

I am small and the two slings I was issued from the hospital, one from the ER and one after my surgery, were both way too big and slipped all over the place and were, consequently, inadequate! They were both terribly uncomfortable and would not stay in place at all! I  found this very annoying!

I immediately remembered Grace Kelly using her Hermes scarf as an elegant sling in a similar situation and got right down to trying it. There is nothing unusual about using a square piece of cloth or a scarf for a sling! It has been standard emergency medical practice forever. I found quite a few how to directions online. One instructed actors as well as injured people on how to make a proper sling until you could get professional medical attention.Being an actress I wondered if Grace had studied this in acting classes? It was easy to follow so it is the one I decided to use and link to. How to Make a Sling Out of a Scarf Instructions. This is from eHow Trusted advice for the curiuos life.

They didn’t give specific Instructions for Tying the Grace Kelly Hermes Scarf Sling for a Broken Arm or Hermes or Other Scarf Sling Size Instructions so I will. They assume many scarf shapes or sizes will work.  And they probably will with experimentation. I was interested in what Grace Kelly used and how she did it. So here is that specific information.

Instructions for Tying the Grace Kelly Hermes Scarf Sling for a Broken Arm

And Hermes or Other Scarf Sling Size Instructions

by Lady Violette de Courcy

1). Grace Kelly used a 35 inch square Hermes silk scarf laid out on a flat surface and brought the opposite corners together folding the scarf in half in a triangle. She then tied the diagonal corners into a secure knot.

2) Grace then placed  the knot over her head so that the scarf draped down over her chest in a loop and the knot rested on her shoulder just to the side of her neck. (Not directly on the spine as that can injure the neck and or spine.)

3) She then gathered the Hermes scarf loop together and pulled it up in front of her injured arm. She positioned her scarf with the wide striped outside border to the outside (her shoulder side) as you can see in the top photograph.

4) Then Grace slowly slid her injured hand and injured arm into the scarf loop. She continued to gently slide the injured arm into the loop until the entire forearm was tucked inside.

5) Grace then tucked her elbow and hand into the loop ensuring that her entire arm was protected within the sling. The Hermes scarf was large and she had excess fabric on the end of the elbow. She folded this excess fabric over the front of the arm and pinned it to the sling with a large 24K gold safety pin, concealed discreetly inside the folds of the Hermes scarf for extra support. This last step kept her elegant Hermes scarf sling from slipping and held her injured arm secure and close to her torso.

I followed these instructions to the letter with a friend’s help tying and pinning my 35 inch square Hermes scarf the first time because it was impossible for me to do it alone with a broken arm! I am quite sure Grace Kelly had to have help as well when her arm was broken! However, once we got it sized and adjusted and perfectly tied to fit it stayed that way and I could slip it on and off and slip my injured right arm in and out of it quite easily and safely all by myself! I, incidentally, used a sterling silver pin, instead of a 24K gold one! And it worked just perfectly!

I made note of the fact that Grace Kelly had also broken her right arm!

It is perfectly fine to use a Hermes scarf or any other strong scarf, vintage or new, designer or not, to make an elegant, secure custom fitted sling! The point is to make it out of a scarf you like and to have a tidy fit that will be secure and stay put while your injured arm heels safely.

Thank you Grace Kelly for this wonderful stylish idea that makes me feel better both physically and psychologically while recovering from an unpleasant injury! It helps!

 

 

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