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Lady Violette

The Romantic Lifestyle

Posts Tagged ‘Vintage Purses’

Vintage Fur Muffs & Muff Purses ~ and Identification of the Kinds of Furs They Are Made From

Tuesday, October 30th, 2012

My Collection of Five Vintage Fur Muffs

I have a small collection of vintage fur muffs. Several of them are also purses. I absolutely love muffs. They are so practical and darling! You can carry them instead of a purse and have a place to keep your hands toasty warm while looking glamorous or romantic.

This is the Lovely Sheared Natural Colored Brown Beaver Muff That Belonged to My Grand Mother

The first one I acquired is the beaver one which was my grandmothers when she was a young woman. It is natural brown colored sheared beaver and very soft. There is a zipper in the back which opens to reveal a roomy satin lined “pocket” compartment which serves as a purse for carrying a few essentials. It has a loop made of heavy satin ribbon to attach the muff to your wrist. My grandmother told me she used it wherever she went in the winter and, most romantically on sleigh rides and when she went ice skating on a lake near their home where the young people gathered for winter socializing and recreation. It is very soft and silky and exceptionally warm. The part of the fur we see in this muff is the part that is located under the stiffer and longer guard hairs that you see on a live beavers coat. They shear off the guard hairs which protect this inner part of the beaver’s coat when processing the fur in this manner. This softest thick part of the coat, under his guard hairs, is what keeps him toasty warm in bitter winter cold and serves as his insulation while he is swimming and working in snow and icy water. His longer outer guard hairs literally serve to guard this amazingly soft and warm inner coat. Water runs right off the guard hairs and when swimming they make him sleeker and faster in the water. Beaver fur is used for garments both with the guard hairs left on it and sheared in the manner of this muff. With the guard hairs on the fur has a courser feel when you stroke it, but this super soft exact part of the fur is located right under the guard hairs next to the leather skin. Snow will slide or shake right off a beaver coat with the guard hairs on it while this inner fur is keeping the wearer, or the beaver, exquisitely warm. A sheared beaver coat is more dressy and elegantly soft and was usually made for garments to be worn for fancier occasions.

This is the Backside of the Sheared Natural Brown Beaver Muff Showing the Zipper that Gives Access Into The Satin Lined Purse Compartment discreetly Hidden Inside The Muff!

Fortunately my grandma took very good care of her sheared treasured beaver fur muff and she gave it to me when I was in the 4th grade doing a school science report on beavers. I lived in Portland OR at the time and every child had to pick a topic for a science project. I chose the beaver who happened, coincidentally to be the official state animal! Of course my topic was approved by the teacher! I did not pick the beaver because he was the state mascot. I picked him because I loved my grandma’s beaver fur muff and my grandpa’s stories about real beaver damns he had observed. They loved beavers and I developed a great affection for them hearing them talk about them. My entire family got involved in helping me and I wrote a spectacular report with great displays which included this very beaver muff! My father took me to visit a professional furrier in downtown Portland who gave me strips of beaver fur to use for my displays. I had a sample with the guard hairs still on it, one that was sheared like this muff, and several that were dyed different colors to show some of the ways the furriers could create different colors and looks with the same type of fur.  I had a white one, several shades of brown, a tan one and a black one.

My rancher woodsman grandfather took me out into the wilds of Idaho to observe a beaver damn and the large beaver colony in action. It was amazing and I will never forget it. We ever so carefully chopped down a stump from a tree that a beaver had felled and mounted it on a wood display block for me to show in my report. My grandpa just happened to have a real set of beaver front teeth in his collection of weird treasures that I was also allowed to use in my display as well! They were long and very stained and sharp and you could see how they were ideal for cutting down entire trees and chewing through logs to make them a usable size in damn building. We displayed these next to the mounted tree stump in a special cigar box with a glass lid mounted in the top!

After the trip to observe the damn, which was quite an excursion, as we packed into the mountains on horseback and camped out for 3 days and nights in order to study them, we constructed a reproduction of the entire beaver colony and damn in a diorama using sticks and mud and moss and stones and other things. We made it small enough to transport and show on top of a table. My grandfather was so excited and willing to help me that we even created a cutaway of the damn to show what it was like inside!

To top things off we displayed his beaver felt hat from the days in which he courted my grandmother, pictures of them in hat and muff and her fashionable brown beaver fur jacket. I do not have those items now. Other family members do! They are in another state so I cannot get pictures to add to this post right now! Sorry!

My report on the beavers was a big success. It was success that I ended up winning the first prize in the state for my Science report. I am sure that the fact beavers were the state animal and are featured pictured on the Oregon state flag helped me win. I was taken to many schools to present my report in person. I sure wish someone had filmed or video taped it! But nobody did that in those days so it is only a legend now! Finally the entire display was featured at OMSI ~ the Oregon Museum of Science and Industry in a display with plaques and everything for several years. I was really impressed by the plaques and having my name on them when I was in 4th grade! My family moved from Portland to Seattle a year later and I have no idea what became of my beaver exhibit and report after that.

The conclusion to the story is that I have had tremendous respect for beavers and have truly loved the little guys ever since! I now live in Lynnwood, WA and a couple of years ago an industrious beaver colony built a large damn in a wetlands area just off the 44th Street Exit of Interstate 5. That is the exit I take to get to my house! They quickly built a big damn and it caused a lot of water backup leading to a flood that forced the highway department to close off the roads. The industrious beavers were so adept at building and so determined to succeed that they could not be stopped. ( I really enjoyed watching this transpire!) At first the highway maintenance people tried to redirect them a bit without disturbing them, but it didn’t work! More beaver troops were called in for this emergency project, arrived from somewhere, mysteriously, and built the damn bigger and higher in record time working 247 around the clock in the freezing dead cold of damp and icy winter! The lake,  (Yes! Really! It became a large lake! ) completely blocked off that freeway exit and several blocks in each direction. No one could get through. something had to be done!

The State Wildlife Department organized a swat operation and came in  and captured all these beavers and transported the entire group to a new distant location suited to their lifestyle but far from civilization as we know it! I do not know where they are now, but I hope they have adapted and survived. Every time I pass the wetlands I think about them and I miss them! Of course I think they should be protected. When I use my sheared beaver fur muff I get to tell people what it is and I get to tell my fantastic true story about my 4th grade beaver report. And I get to urge people to protect the existing beaver colonies. This is a perfect opportunity for me to promote the protection of this beautiful animal and I think the muff is doing more good for beaver society that it would if it were destroyed. as the Peta people advocate doing. I have strong personal opinions about this and I feel you can make people care more about issues like animal protection through education and knowledge of the history of the animal and its relationship to people during the development of our society. In our history the quest for beaver pelts was why much of Canada and the western states were explored, settled and developed. Now it is our turn to protect them.

Today I am writing about my muff collection, but, soon I will photograph and post pictures of the 1947 wool cloth coat trimmed in a different kind of fur collar that my grandmother wore with this sheared beaver muff. I will show how the two kinds of fur coordinate with each other really well and can be worn together now, just as she did back then for an elegant put together look. The coat is currently being cleaned and having a button restored so I cannot include it for a few days. I will link the two posts together when I put it up.

Amazingly Soft Sheared Seal as Used in This Muff is Even Softer and Finer Than Exquisitely Soft sheared Beaver!

Most furs have guard hairs to begin with and many can be sheared off to get down to the softest part of the fur which can then be used for elegant garments and fur accessories such as muffs. a sheared fur garment is more delicate than one with the guard hairs left on to continue to guard the fur. This should be rather obvious! The reason some people get confused by two items made of beaver or other fur is that one could be sheared and one could still have the guard hairs on it and they could very legitimately look quite a bit different to the untrained or inexperience eye. Furs can be bleached or dyed different colors or shades as well, just like human hair, so that could change the look as well! It is no wonder people who are new to fur get confused at times! Additionally, designers and furriers have been very creative over the years and have made furs and garments having unusual effects that become difficult to recognize without experience. The more you see, feel, study and collect, the better you will become at correctly identifying fur types. That is why I am writing these posts and showing pictures of my own furs ~ in order to share what I have learned and help others figure out what they have. I hope it is helpful.

This Photo Shows The Back Quilted Silk Satin Side of the Sheared Seal Muff. It is Feather Down Filled for Extra Warmth and Elegance. This Piece Dates to 1912

This muff is made of sheared seal on the front side and quilted silk satin filled with feather down on the back side. it is also lined with silk and filled with feather down on the fur side. I love the color of the silk satin and the decorative stitching pattern used in the quilting stitches. there is a small piped border on each side where you put your hands into the openings. In the next picture I have turned the muff sideways to try to photograph the inside and show the zippered interior purse compartment.

Here you can Look Inside the Sheared Seal fur Muff Purse From the Side Angle and See the Zippered Area For the Purse.

When you turn the fur side in the light you get different effects of coloration depending on how the light hits the pile of the fur.  The entire piece is beautifully constructed.

The Seal Fur Can Be Stroked to Lie in Different Directions Which Gives a Different Effect and Look to the Fur Color

In the next picture I have photographed again in natural light but the color looks different ` a bit cooler, because of the quality of the light hitting the fur. You can change the way the fur lies by stroking it one way or the other. I love to “pet” the muffs when I am using them! You should never brush your furs or comb them. It will damage them. You can smooth them out with your hands gently. Be sure your hands are clean and dry and free of any hand lotion, cosmetics or perfumes as they could damage the furs. If you want to wear perfume you should apply it to your own skin in areas where it will not come into contact with the fur itself.

Please note. I took all the pictures of these muff at the same time. The color fluctuates a lot on this seal one but this is due to the way the nap of the fur is positioned, turning the fur muff, or moving it a bit into a different quality of light.

Dramatic Natural Black/ Brown and White Natural Skunk Vintage 1940s Era Muff with Bakelite Wrist Ring Attached

This vintage 1940s’s muff is natural black/ brown skunk fur which is kind of obvious isn’t it? I am saying that with a sense of humor because I have been asked if it is some really odd things ~ ranging from dog to zebra! I do not think it looks like those animals at all and I think it loos exactly like a skunk, so I can only assume that the people who say such things must not know their animals or look at animals or pictures of them very care fully!

The Dramatic Skunk Muff and Matching Stole Ensemble Circa 1940s is a Real Vintage Show Stopper!

This skunk muff is not a purse but it does come with a matching stole! The muff is made up of six skunk pelts and the stole is made up of 24 skunk pelts! I have written extensively about the skunks fur and how to recognize it in my previous post on this skunk ensemble * .  Sometimes skunk is dyed jet black.

Fluffy And Incredibly Soft Silver Fox Fur Muff With Double Hand Compartments

This incredibly fluffy long haired vintage muff purse is Silver Fox Fur. It is only fur on the font side and is backed with black textured fabric. It has a black satin wrist strap. It is uniquely designed to have two compartments for your hands, one for each hand. There are several kinds of natural foxes and they are different natural colors – not dyed. Sometimes fox fur is dyed as well. In the future I will show you different kinds of natural fox fur in different colors so you can see the differences, but in thins post I am focusing on muffs so I want to be sure it is understood that this particular example is a Silver Fox. This has been confirmed by a professional furrier, Rene Vogel.

This Picture Shows the Black Stripe Textured Fabric Used to Back the Fur Portion of the Silver For Fur Muff Purse.

Inside this Silver Fox fur muff purse has a concealed secret zippered purse area for your belongings. I love how well structured it is. The old time furriers did a nice job of designing and sewing these muff purses. The muff keeps your hand so cozy and warm as well. I personally need this extra warmth even when I am wearing gloves! I love the idea and the practice of keeping warm with fur lined gloves in a fur lined muff while wearing a fur lined coat and a fur hat and fur lined boots. I have tried every other solution to keeping warm but none other works as well. I am thin, I have no body fat to help me stay warm! I have become aware of how tiny a fox is inside his fluffy long fur coat insulated for the winter cold by his beautiful fur pelts.

I Have Tipped the Fox Muff Purse at a Weird Angle So I Can See Inside It To Photograph the Zipper for the Purse Section

The furs are lightweight, they trap air between then to keep you warm, some fur follicles are hollow and these trap additional air within the individual fur hair itself to keep the animal even warmer or the human wearer of the coat made of his fur even warmer.  This is why, in olden times, when there really were not many ways to keep warm people initially wanted to wear furs from animals for coats. It was the only way you could keep from freezing to death in some bleak and frozen places. Historically humans began to wear furs as a necessity for their own survival. I do not think that a lot of people who work for animal rights realize this or, if they do, they never think deeply about it. As humans we owe a great deal in our evolution to the fact that we had animals to eat and their furs to wear in order to keep warm and thus stay alive!  Personally I am very grateful to animals of the past for making this contribution to the survival of my species. When I wear a vintage fur or carry a vintage fur muff purse I an sometimes able to use the comments people make about wearing furs to discuss this. I find it very wasteful of a life to discard a perfectly useful vintage fur when it still has a lot of useful life in it! I personally want to honor the animal from whom the item came by wearing his already dead pelt proudly until it expires naturally.

Natural Black Persian Lamp Fur Muff Purse with Black Fabric Backing and Satin Wrist Strap Made in the 1950s

The last vintage muff purse in my collection is natural black Persian Lamb fur. It features very curly black fur on its natural black skin backing on the front side. The back side is a heavy black brocade like fabric. This muff is the real thing. Faux  versians of Persian Lamb exist as well and were often used for coats and jackets in the 1950s. I will do a post on Persian Lamb in the near future explaining how to tell the difference and showing examples. I have decided to save that topic for another post because it will make this one really long if I add it now!

This is the back side of the Persian Lamb Muff Purse

Sewn into the black fabric back in a metal zipper to access a generous pocket which is the purse. In the next photograph I will show the zipper pocket unzipped and shot from above so that you can see inside the purse. It is a really roomy compartment.

In This Photo You Can Look Into the Unzipped Pocket Section of the of the Black Persian Lamp Muff Purse and See How Nice and Roomy it is! It even has another little pocket inside of it that is meant to hold a small mirror!

Then I will show the muff purse standing on one end so you can see how it was structured.The openings at the sides of the top were where you inserted your hands to keep them warm and they are positioned so that you insert one of your hands through the wrist strap first, then a hand each into the top section openings of either side of the muff. The muff then hangs in front of your body in a perfectly balanced manner.

A Side View of the Persian Lamb Muff Purse Showing Where You Insert Your Hands.

Marilyn Monroe carried a muff purse like this one, also in Persian Lamb fur as she ran to catch the train in a black hobble skirted dress in the movie Some Like it Hot! One of the nice things about muffs is that they give you a place to put your hands. This can be a real asset when posing for photographs or in Marilyn Monroe’s case acting in a film! It is a valuable tidbit of knowledge at any rate! Who knows when any of us might be called upon to play a femme fatale?

My Vintage Real Fur Muff & Purse Collection Comprised From Lower left Corner Clockwise of: Sheared Beaver, Silver Fox, Skunk, Persian Lamb and Sheared Seal

The reason I have shown so many photos and various angles of these muff purses is to document and illustrate some of the ways in which they are constructed. Some are just cylinders drawn together at each hand end while others are rather complex designs. I think there are vintage patterns available to make some muffs and muff purses. You could make them out of fur or faux fur or possibly heavy wool or novelty fabrics such as upholstery fabrics and line them and fill them with down to make them warm. I love fur ones the most but I think interesting ones could be made with alternative materials. I think of them as purses as well as hand warmers so there are undoubtedly some unique variations to be made. I have also seen old crochet patterns for making muffs and matching hats! I believe I have one somewhere in my book case. I will try to find it soon and post it here on my blog so we can look into more ways to make vintage muffs!

I plan to do another photo shoot soon showing ways to wear these beautiful muffs with vintage and contemporary clothing. If you have fur muffs and want to contribute photos to me to add to this post I would be interested in doing so. You can leave a comment about this in the comment section with your email address and I will get back to you about it. I am also interested in locating and preserving more vintage for muffs made of different kinds of fur and in different styles. If you have fur muffs you are interested in having used for this project please contact me. My email address is violette@ladyviolette.com.

In my interest of being absolutely sure of what kinds of fur I have and claim these to be all of these vintage fur muffs have all been inspected and authenticated in October 2012 by a professional Swiss custom furrier in Seattle, WA named Rene Vogel of Furs by Rene. Thank You Rene!

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Vintage Cream Racoon Fur Stole ~ 1955 ~ I.Magnin & Co. ~ Vintage Fur Identification: Sheared, Bleached and Dyed Natural Raccoon

Sunday, October 28th, 2012

I have an extensive collection of vintage furs and people always wonder what kinds of furs they are. Some are quite unusual and seldom seen these days. I have decided to research all of them thoroughly and have consulted a professional furrier Rene Vogel for authentification. Mr. Vogel is a second generation Swiss custom furrier who was the house furrier for Nordstroms when they were still selling furs and I. Magnin when they were still in business and selling furs.

Beautiful Rich Cream Colored Circa 1955 Sheared, Bleached and Dyed Raccoon Stole From I. Magnin

This beautiful rich vintage cream colored circa 1955 stole from I.Magnin initially had me puzzled. The original owner thought it was beaver, but I had done a school report in Portland OR, when I was in the fourth grade, on beavers and their fur and I was not sure she was right. Sheared beaver is silky soft like butter and in my opinion this fur had a different feeling. So I took it to Rene Vogel, the furrier in Seattle, and he explained that it is, of all things, sheared, bleached and dyed raccoon!

Cream Colored Vintage Sheared, Bleached and Dyed Raccoon Fur Stole Shown with Vintage Sheared Brown Beaver Fur Muff Purse for Comparison Purposes

It is a dense fur and very soft, just not as slippery silky as beaver.  But the look is similar to sheared beaver so it is easy to see how the original owner would have thought beaver. Here is a picture of the raccoon shawl with my vintage sheared brown beaver muff purse placed beside it for comparison. They actually look very good together and I feel they could be worn together.

The Classic I. Magnin & Co. Importers Label in the Glamorous Cream Colored Sheared Raccoon Stole

The cream colored raccoon shawl was purchased at I.Magnin by a family friend of ours who wore it before and directly after her December 1955 winter wedding as part of her wedding and honeymoon ensembles. She told me she wore it over her green velveteen evening dress when she arrived for her rehearsal dinner, to the church over a cream colored wool suit when she arrived to get prepared for her wedding ceremony, and again over the cream wool suit when she departed for her honeymoon. She wore a formal cream satin wedding dress for the ceremony itself, but did not use the fur stole with it. The cream raccoon fur stole was her winter cold weather wrap for all her wedding related events and parties. She was a prominent Seattle socialite whose outfits and activities were chronicled regularly in the Seattle Times Society Section of the 1950s through 70s. She wore very glamorous clothes and kept a scrap book of photos of herself and her husband at all the events they had attended. She had saved many of the clothes as well.

When I Wear This 1955 I.Magnin & Co. Cream Sheared Raccoon Stole I am Wrapped in the Warmth of a Gorgeous Vintage Fur & the Memories of the Elegant Friend Who Gave it to Me

I.Magnin was her favorite store and she purchased almost all her clothes there. She relied on them for the level of taste and elegance she wished to project. She told me many stories about her shopping trips to I.Magnin and the items she had acquired there and gave me this stole, several Odette Barsa lingerie ensembles, and other items she had acquired there over the years. She was extremely sad when I.Magnin closed!

 

 

A Circa 1950s Label From Frederick & Nelson, Seattle

And when Frederick & Nelson closed! It was the end of an era and she was very aware that she was part of that era. It made her happy that I knew about I.Magnin and appreciated their level of style as much as she did.

A Beautiful Label in a Brocade Dress From I. Magnin& Co.

One day while thrifting I found several vintage items ~ a couple of cashmere sweaters and wool skirts in her size and in very good condition and I bought them for her ~ she was absolutely ecstatic to have some “New clothes from our favorite store!” She was so happy when I gave them to her she was jumping up and down at the age of 86 like a 16 year old girl would have! This lady was a very good friend of my mothers and, as a result of that, she and I became very good friends. We had lots in common! Consequently this beautiful soft cream colored shawl is not only wonderfully cozy it is full of warm memories of special times with a very special person for me. She had no children so I was like the grand daughter she wished she had had.

The Cream Sheared Raccoon Stole From I. Magnin & Co. 1955, is Lined in Heavy Beige Colored Silk and Has Two Silken Pockets, One at Each End, in Which to Put Your Hands to Keep Them Warm. These Strategically Placed Pockets Also Provide a Way to Hold the Shawl Close to Your Body to Gracefully Encircle Your Shoulders ~ the Way We See Them in Glamorous Circa 1950s Fashion Photographs.

The  sheared cream raccoon stole is lined in heavy beige silk and has two silken pockets, one at each end, in which you can put your hands to keep them warm and to hold the shawl together in front of you while you allow it to slide gracefully down low around your shoulders and encircling your body the way it is done in glamorous 1950s era fashion photographs. This works well. When I have a photographer present I will model it and show how that is done in person. I plan to photograph all my furs styled and coordinated with proper outfits on myself or other models after I get them all identified by type and era.

The Cream Sheared Racoon I. Magnin & Co. Fur Stole is Like Somthing a Hitchcock Heroine Would Have Worn in a Movie Set in San Francisco in the 1950s!

The Creamy Sheared Raccoon I. Magnin & Co. Fur Stole is Like Something a Hitchcock Heroine Would Have Worn in the Daytime Over Her Pastel Cashmere Separates and at Night With Pale Silk Brocades in San Francisco in the 1950s!

This is such a rich looking garment. There is a lot of depth in the creamy color and a slight striping effect as you can see in the photographs. It reminds me of the Alfred Hitchcock heroines ~ of Grace Kelly, Tippi Hedren, Eva Marie Saint, and Tuesday Weld ~ with their pale cashmere coats, cream and beige cashmere sweaters, pastel pencil skirts, and French rolled coiffed blondness and, of course, pale fur coats and stoles over cream colored brocade silk suits and dresses with white kid gloves. It reminds me of San Francisco in the 1950’s ~ where I. Magnin  & Co. was founded and had their first elegant store.

A Circa 1950s Label From The City of Paris Department Store in San Francisco For a Hat From Their Exclusive Midenette Millenery Salon Which Carried One of a Kind Couture Hats imported From France

And of The City of Paris, another sophisticated and elegant department store in downtown San Francisco, with an incredible French perfume department and a fabulous ornate mezzanine overlooking the ground floor and salons for each designer they carried arranged in  elegant salons branching off along the mezzanine. That store was magnificent, like an ornate theater in Paris with crystal and gold gilt and mirrors everywhere you turned! A miniature version of Versailles transported to San Francisco to feed the imaginations of western American women who really wanted to be in Paris.

 

The Lining and Pockets Are Made of a Beige Silk to Tastefully Coordinate With the Creamy Sheared Raccoon Fur Stole

After her marriage and honeymoon my friend occasionally wore her Creamy Sheared Raccoon Stole from I. Magnin & Co. to the Theater and to the Olympic Hotel in Seattle for Holiday Events. She recalled wearing it when she took a trip to San Francisco and dined at the famous restaurant at the Top of the Mark and attended a performance of The Royal Ballet from London featuring Margo Fonteyn and Rudolf Nureyev at the War Memorial Opera House. That was in 1962.

She acquired additional furs over the years so this one was not used often, just for special events, mostly around the Christmas and New Years Holidays. She said it was a good wrap to wear to winter parties where there were slight chills running through buildings but you still wanted to be glamorous and feel elegant.

The Creamy Color of This 1955 Sheared Raccoon Stole From I. Magnin & Co. Coordinates Beautifully with Pearl Jewelry and White Kidskin Gloves Making Any Color Dress Look Instantly Put together. The Vintage Muff in This Photograph is Sheared Beaver. It is Quite a Bit Older Than the Stole, But I Like the Way They Look Together. The Muff Will Be Discussed in a Future Post.

She pointed out that the cream color of this stole goes very well with pearls. You can wear it over any color dress with white kidskin or silk gloves and pearly jewelry and instantly look put together. This was how women thought about dressing in her day. I’m planning to use it to keep warm, look good and have a conversation piece at Holiday Cocktail Parties this winter.

This Creamy Sheared Raccoon Fur Stole from I. Magnin & Co.is 57 Years Old and is Still in Excellent Condition Because it was Professionally Cleaned When Needed and Kept in Cold Storage During the Summer Months by its Original Owner

This stole is in good condition after 57 years because it was well care for. The original and only owner before I acquired it put it in fur storage every summer and had it cleaned when recommended by her furrier. It is a good example of how long furs last when properly cared for. I am the future generation and I really appreciate the fact that she did this. The color is creamy as you can see in the photos. Because we did not see it when it was new we do not know if it was originally this color or lighter. There is a possibility that it may have darkened due to oxidation as it aged. There are no sections of distinctly different shades or color from one part of the piece to the next. In other words the current color and effect is uniform throughout the stole.

As described in the opening paragraph of this post I had this vintage fur stole inspected by Rene Vogel the professional Seattle furrier. Mr. Vodel identified the fur to be Sheared Bleached and Dyed Raccoon as stated above. He has decades of experience having been in the fur business himself since 1969, as well as growing up around it because his father was also a furrier. He is very familiar with the styles and types of furs worn over the past decades in both Europe and America. Rene Vogel now works independently by appointment and his business is Furs by Rene. He is located in the Seattle area. He can be reached at 425- 322-9638. He does custom designs, restyles, alterations, repairs, storage and cleaning. His email is rdcvogel@msn.com

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A Charming Little Beaded Dance Purse from the 1930’s from Lady Violette’s Vintage Purse Collection

Thursday, September 13th, 2012

A Charming Dance Purse from the 1930's. Hand Beaded With Needlepoint Embroidery. Made in France. From Lady Violette de Courcy's Collection of Vintage Handbags

Here is a lovely little beaded bag from the 1930’s. It was designed to take with you when you went out dancing. It is 5 inches across and 3 inches tall. It was meant to be held in your hand by slipping the back side of your left hand delicately through the little strap on the back of the bag thus enabling the front of the bag to show against the shoulder of the dark suit of your partner as you danced with your left hand resting gently on his left shoulder in ballroom dance partnering position. I don’t suppose the dancing could get too wild and vigorous while holding such a purse! When the dancing got more athletic the purse would probably have had to be relegated to the tabletop! I picture this as a style meant for civilized ladylike dancing at social occasions.

The Back Side of the 1930's Beaded Dance Purse From Lady Violette de Courcy's Collection

The flowers are done in needlepoint using very tiny stitches with silk thread. They are outlined with marcasite beads against the groundwork of tiny white glass seed beads. Small glass pearl beads were used in the center of each flower. The beading is done on a linen base. The bag is lined in white silk. It is made completely by hand. This one was made in France. Beautiful beaded and embroidered bags like this were hand made in Europe ~ mostly France, Austria, and Belgium ~  by women artisans for women to to use. It was an art form of beautiful objects being made by women for women to own and appreciate and use during special occasions in their lives. Such bags were often given as elegant gifts.

One of the reasons I love these bags so much is that they are fine examples of what my late father called the Feminine Arts ~ these include the arts made by women and the arts worn by women and, simply, the arts of being a woman. At the time these bags were made being elegant and charming and dressing beautifully was considered an art form and women were greatly appreciated for doing so. Putting oneself together in an artistic way was valued and appreciated. My father, who was an English professor, reminisced on this when he viewed my collection of vintage purses a couple of years ago in his 80’s. While viewing them he remarked, ” If a man wanted to be with a beautiful woman in those days he knew he had to support her .”  (Shock! What a novel and quaint idea that is nowadays! What happened to that custom?) He continued to say, that, a successful man knew that a woman would bring the very things he lacked, being that he was a man, to his life ~ these things all fell into the category of female attributes that my father called the Feminine Arts ~ and that he, as a man, could not acquire by any means except being with her. These things could not be bought at any price if a man were alone. These “Feminine Arts” included  love and companionship of course. It was his firm philosophy that taking care of a man and supervising a household while bringing these elegant and elusive feminine qualities to a man’s life was a full time undertaking and should be supported, respected and rewarded as such by a man. He was acknowledging how much effort success in the Feminine Arts required and that is was also somewhat costly and well worth the price.

Unfortunately modern men often feel just the opposite and condemn women for their interests in these very same areas. They do not realize what richness the Feminine Arts can bring to a man’s life as well.

Beaded Blue Evening Bag Made in Hong Kong in the 1950's From Lady Violette de Courcy's Collection

The World Wars disrupted the purse making and beading crafts, of course. But after WWII the remaining artisans who knew how to do this kind of work went into business again. Demand for beaded evening purses was high during the 1950’s and 60’s. Styles changed with the times of course, but the workmanship was still beautiful. At this time workshops opened in Asia ~ notably Hong Kong ~ in order to meet the demand. Again the bead work and other handiwork was exquisite. Pictured above in an example from my collection of a beaded clutch evening bag made in Hong Kong in the late 1950’s. It is made with iridescent dark blue glass beads with the colors of an oil slick radiating from their centers. It is densely beaded in a swirl design and is spectacular!

Such elegant purses are the perfect compliments to modern, vintage or vintage influenced evening wear and in their small way take us back to the romantic times when ultra feminine women were appreciated by manly caring men! Every time I look at one I am reminded of my late professor father’s philosophizing on the Feminine Arts …. When I carry one I feel like I am in one of the old movies with that type of plot. Incidentally, my father grew up in NYC watching a lot of those old movies. They went to the movie theater every Saturday and watched several features back to back. He would often describe entire scenes, decades later, that had made deep life-lasting impressions on him including the leading ladies fashions. The manners and elegance depicted in the old films really had a strong influence on young people growing up in those days. Even if they were not living in elegance it made them appreciate and aspire to it. The films and film fashions of their youth definitely had lasting impact on both my parents.

 

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Touring Lamarelle’s Gallery of Delicious & Delectable Purses Curated by Lady Violette

Sunday, September 9th, 2012

This is a visual feast! These beautiful vintage purses have been artistically embellished  and reinvented by my dear friend and soul mate La Marelle. La Marelle is a designer who “coutures” vintage purses and other vintage items that she finds to create new works of wonder each as delectable and enticing as the incredible pastries in a deluxe French bakery. Every one of her designs looks good enough to eat!

This is the Purse I Carried to Tea in This Story

Last night I dreamed that I was having tea with Marelle in an elegant turn of the century tearoom in Paris named Pastisserie La Marelle; and these purses were actually little cakes that were brought out to guests to select from a pastry tray and served to actually eat on exquisite antique French flowered china plates. Elegant teas served in magnificent ornate tea pots and delicate vintage bone china tea cups and saucers, each one a unique design, accompanied the delicious purse cakes made of butter cream and chocolate and vanilla cakes and icings and filled with rich custards layered with tart berry souffles and layers of candied oranges and lemons. Some were embellished with cherries or peaches and nuts and other fruits, and some with sugared flowers and leaves. These miniature purse shaped cakes were wheeled out on an ornate antique pastry cart by child waiters dressed in tiny tuxedos with coat tails who asked guests with impeccable manners, ” Would you like to choose a cake Madame?” And of course we did! They came ’round again when you had finished one to offer you another.

This is the Purse Marelle Carried to Tea in This Story

Our little waiter was named Aubrey, after the artist Aubrey Beardsley. He was about six years old and he explained, “You can eat as many as you like because these cakes have no calories! They just look good and taste wonderful! ” Of course we chose another, and another, and another as soon as we had eaten the one that came before! Marelle and I feasted on purse cakes and talked for hours and at the end of the afternoon agreed that we must come here regularly, once a week, and do this again. We made a reservation to return for another tea and cake date next weekend.

Now let’s have a look at some of the delicious purse cake selections on the pastry menu and while you are visually feasting on these delectable designs keep in mind that these cakes are available as a real purses in La Marelle’s couture store. The details and location will be given at the end of this story.

The Lady Violette, a Divine Chocolate Cream Creation

There is my favorite, the Lady Violette, named after me, and our miniature waiter Aubrey expertly explains that is concocted of rich but light chocolate and mocha cakes layered with chocolate and raspberry butter cream inside and elaborately decorated with glace frosting in two shades of chocolate stripes, light milk chocolate and dark bittersweet chocolate, on the outside. It is then trimmed with a pure dark chocolate coin purse, a butter cream ruffle along the closure flap and an edible marzipan perfume bottle. The handle and strap are made of edible caramel and chocolate flavored strips! The gold and silver accents are made of edible metallic gold and silver dragoons. The label of the perfume bottle and the woman’s portrait face on the coin purse are made of almond flavored marzipan! He assures us these are not at all fattening saying, “We make these cakes without calories because this is a couture bakery and we know that our customer’s love to partake of elegant deserts and designs but must keep their figures in order to wear their couture ensembles.”

Red Cherry

Aubrey shows us cake purse after cake purse, each one as different and as interesting and intriguing as the one before. Each one looks incredibly delicious!

Chocolate Filagree

We ask how they have managed to remove the calories while retaining the integrity of these elegant deserts. He explains that this is a top secret scientific process! He also assures us that it is done without removing any of the taste you would expect from an elegant European pastry!

Petits Fours

He does tell us that he and his artist father developed it in their California cooking laboratories using all organic ingredients and the latest scientific baking methods, then brought these to France at La Marelle’s request.

French Vanilla

He further explains that they decided to unveil the results of their research in Paris because this was the home of the world’s best pastries and couture, and, if it was a success there it would ultimately become an international success. He had quite the business acuman for such a young man! We were very impressed!

Creme de Menthe

He also tells us that he has always loved international cuisines and teas and is able to pursue his other interests in the arts while working at this restaurant in Paris. He is studying sculpture when he is not working. We ask him if he is not a bit young to be living away from his parents and siblings and his home in CA and working in Paris?  As ladies, we have begun to feel motherly concern toward him as he is such a sweet and intelligent little boy.

Pistachio

He assures us that he is fine living in Paris and loves it here,! Plus, he says, his little sister, Madamoiselle Coco who really is named after Coco Chanel, will soon be joining him to study fashion design. He is a year older and wanted to come ahead to establish an apartment on the Left Bank and get everything set up for her before she arrives. We ask him how old she is. He tells us she is five years old! And he goes on to say that she is already well known for her fashion designs and styling capabilities in Southern California! She even owns a La Marelle Couture Purse which was personally made for her by the designer herself because she felt an instant report with Coco and wanted her to have it.

Coco's Purse ~ Cream Chantilly ~ Custom Design by LaMarell

Coco is the youngest fashionista owner of a LaMarelle Couture Purse that we know of. He told us that many people stop Coco on the street to ask her about her La Mareele handbag and find out who designed it. It has been quite the conversation piece! I am sure that happens to anyone who carries or wears one of La Marelle’s couture creations!

Bittersweet Chocolate

Again we express our concern that they are both a bit young to be leaving home, aren’t they? He assures us that their parents visit often because their mother loves Paris and their father is an artist who shows in modern art galleries around the world. Young Aubrey tells us he has helped his father set up his art in his shows all his life. He explains that that is one of his areas of expertise so he is always available when a show needs to be hung. He also loves to attend the gallery openings and explains that he would never miss one. He also explains that he himself loves to dress up in special attire to attend these events. We are charmed by him of course!

Lemon Cream

Young Aubrey assures us he is mature enough to handle this adventure, “Look at me he says, I have a job, I support myself, I am a specialist of sorts already.” We are quite impressed!

Maple Sugar

And he tells us he is ageless from eating many of these cakes! Aha we think! Women ( and men) will like that aspect of these delicacies as well! Will they not?

Black Licorice

He keeps showing us more and more cake purses and describing the ingredients and flavors with amazing baking expertise. Honestly, we are quite impressed by his knowledge! He also tells us we can eat as many as we like and that it will make us all the more creative, fashionable and colorful if we eat more of them. Wow!

I ask him, ” Is it okay then to be a glutton for both designer handbags and pastries?” “Yes, definitely!” he assures me,”It will make you very healthy and very beautiful!”

Sugar Icing & Florentine

As he serves us, pouring more tea whenever we need it without being asked, and assures us that he feels quite capable of taking care of his little sister after she arrives! He says, “We have always been best friends as well as brother and sister and I am eager to see her develop her design talents. She has always expressed herself artistically with her clothes. She does such amazing things that people stop us on the streets to give us compliments. She is a natural!”

Whipped Cream

“Where?” we ask, “is she going to study?” As we continue to daintily devour beautifully decorated and deliciously flavored ornate and tasty purse shaped cakes!

Molton Fudge

“Right here” he answers, “where I can watch over her with The Great Couturier La Marelle!”

I was quite surprised! I looked quizzically at Marelle, herself, sitting right across from me and asked, “Is this a dream or is this really happening?”

Time Will Tell Purse

And she smiled like the Mona Lisa and said in her charming voice,  ” You shall see! You shall see! Time Will Tell!”

~~~~~~~~

Then I woke up! And I wrote down the details of my dream immediately so that I would not forget this fantastic story. And who knows? It very well might come true! Parts of it already are happening for these delicious looking purses are already available to purchase and carry as real calorieless fashion design indulgences from La Marelle’s Shop Hopscotch Couture. And all the people cast in this dream story are real people with the real names and the real talents described and attributed to them in this story.

Here is where you can view more of Marelle’s work and purchase many of the purses featured in this post as well as others. Marelle is cooking up new ones on a regular basis. She is always whipping up some fantastic dreamy new frothy creation! Feast your eyes and visit her shop. And remember that these delicacies have zero calories! Just as the fantastic little waiter in his tux and tails described them!

Marelle’s work is so diverse and extensive – she currently has over 400 pieces listed for sale in her Etsy shop alone.

By the way, La Marelle means hopscotch in French, so Marelle named her shop on Etsy Hopscotch Couture. To visit her Etsy store and view the entire gallery go to: //www.etsy.com/shop/HopscotchCouture.

Marelle sells her work in her online Etsy shop above and also accepts private commissions. She can be contacted  by email at lamarellegallery@aol.com or by telephone at (443) 825.6353.

Her work can also be seen on her website at LaMarelleGallery.com. There is a link on there that will take you directly to her Etsy store as well.

Read More about Marelle and her paintings and designs in this article from The Weekender at //www.theweekender.com/stories/Marelles-Hopscotch-Couture-One-of-a-kind-finds,61685

The photos  in this post were taken by Marelle herself.

Be sure to search my blog to see recent past posts and return to view upcoming future posts featuring more pictures and descriptions of Marelle’s interesting and imaginative work. I know you will find it all very tasteful!

 

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Why Do Women Like to Buy, Collect, Carry and Covet Designer Handbags? By Lady Violette, Pursenally

Monday, August 13th, 2012

El Roi Molded Wood Handbag in Rainbow Hues Lined in Black Silk with Silk Tassle & Strap designed by Fine Artist Tim Woods of Beverly Hills. From Lady Violette de Courcy's Personal Handbag Collection

Many woman regard designer handbags as works of high art and amass grand collections of them from their favorite luxury designers, from both the present and the past.

It is common knowledge ~ in the high fashion world, not in the modern world of everyday life for the majority of people! And I know this! ~ therefore I continue, tongue in cheek with:

It is common knowledge that handbags from the following four categories are coveted as works of art and social status symbols:

Bottega Veneta Forest Green Nappa Leather Intrecciato Foldover Clutch with Optional Shoulder Strap Handbag From Italy Lady Violette de Courcy's Personal Handbag Collection

Category #1) The commercially produced and successfully marketed contemporary designers such as Prada, Chanel, Gucci, Hermes, Bottega Venta, Fendi, Nancy Gonzalez, Jimmy Choo, Manilo Blahnik, Valentino, Alexander Wang, Stella McCartney, Marc Jacobs, Alexander McQueen, Chloe, Lanvin, Christian Louboutin, Salvatorre Ferragamo, Balenciago, Yves Saint Laurent, Dolce & Gabbana, Reed Krakoff, Tom Ford, Burberry, Akris, VBH, Brunello Cucinelli, Henry Beguelin, Nina Ricci, Michael Kors, Jason Wu, Louis Vuitton, Judith Leiber, and a handful of other high end designers are some of the ultimate status symbols in today’s high fashion society.

Collection of Handbags by Designer Isabelle Fiore from Lady Violette de Courcy's Personal Handbag Collection

Category #2) Cole Haan, Coach, Dooney and Burke, Emma Fox, Juicy Couture, Kate Spade, Milly, Longchamp, Lancaster, Tory Burch, Furla, Ralph Lauren, Diane von Furstenberg, Lauren Merkin, Frye, Brighton, Hobo, B Makowsky, Isabella Fiore, Lulu Guiness, Mon Sac, Marc by Marc Jacobs, MICHAEL Michael Kors, and several more make the current social status grade on the currently produced bridge level as fun, “everyday use bags” that are a little more casual and sporty, still ultra classy, but not quite as expensive as the very high end names above, while still being well made and recognizable on the street as a casual high status label. To the majority of people in the world these are also considered very expensive handbags. Let’s face it, realistically, a $300 ~ $400 dollar handbag is still pretty pricey for many people and some bags in this category are many times that price.

Collection of Tooled Leather Vintage Handbags & Wallets From Lady Violette de Courcy's Personal Collection

Category #3) There is another category ~ the beautiful well made vintage handbags from the great designers of the past and these come in every material, shape, size and price range. There are many designers in this category. Some are well known and others are long forgotten, but their work is distinctive, immediately recognizable as vintage, sometimes museum quality, usually well made and often quite affordable. Vintage is synonymous with class and glamor. It is very very cool to find and carry a gorgeous vintage handbag. It requires moxie and self confidence and makes a fashion statement of strong individuality.

A Beautiful Selection of Dainty Vintage Gold Evening Purses ~ All Made by Whiting & Davis Over Several Past Decades From Lady Violette de Courcy's Personal Handbag Collection

When you carry a vintage or artist made bag you state that you are a fashion original and do not follow the crowd. This is the ultimate cool. Many of the high end commercially successful designers in categories #1 and #2 admittedly find inspiration for their current work from vintage designers of the past.

The Lady Violette ~ One of a Kind Fine Art Handbag Designed by Multi Media Artist La Marelle

Category #4) Finally, there are the fine artist designed and hand made one of a kind handbags individually produced by living artists. When you carry one of these bags you are actually carrying an original piece of artwork around with you as part of your wardrobe! You are making a public statement that you are an art collector and a supporter of the arts. This can also make the outfit you are wearing into a work of art in itself and it is a sure conversation starter. It is fun and different and  can be very avant garde. All kinds of interesting handbags designed by artists working in many different media fall into this category. I have selected two handbags ( above and below) by the artist La Marelle to illustrate this category. The first photograph in this post of the Rainbow Hue Wood Purse by Beverly Hills Artist Timothy Woods is another excellent example of the genre. So is the petite black purse, further down, by Rita Diana for Mylinka. She has developed a fan base and following amongst Rock Stars! Artists handbags like these are becoming increasing well known and collectable. It is fun to see something you bought because you liked it show up a year later on the Red Carpet when the artist/designer you discovered is suddenly popular with celebrities! This has actually happened to me and it can happen to you too!

The Mona Lisa Handbag Designed by Fine Artist La Marelle ~ A One of a Kind Art Piece Made From a Reclaimed Vintage Purse Made New Again

Fine artist designed and made handbags are usually one of a kind or are produced in small limited editions. They are often handmade of rare or unusual materials.  They are always interesting. They are fun to find, discover and carry and they often generate interesting reactions from people! As an example I had a man follow me for an entire city block in New York in order to ask me who made my quirky surrealistic purse when I was carrying my Man Ray handbag. The artist who made my bag was a friend of mine who was inspired by Man Ray’s work and my encounter led to her getting a commission from my follower. You should be prepared to answer questions when you carry an unusual artist made handbag! They are not for the shy!

Vintage Collection of East Indian Clutch Bags Circa 1950 ~ 60 Made From Black Velvet, Metallic Embroidery, Semi Precious Stone Cabochons and Decorative Braid from Lady Violette de Courcy's Personal Handbag Collection

All of the types of bags and purses described are Fine Designer Handbags!

So why do women like them? Why have mere purses in which to carry your money and a few items you need during the day reached such status? There are several reasons.

The first thing another person sees about you is your body and your face. After they see your face they subconsciously size up your body and what you are wearing. You are carrying your handbag so it is immediately seen/viewed as a part of your silhouette and an important element of your entire visage. Visage is a rather archaic French word that means what you look like all in all. I think it is the perfect word to express what I am trying to convey with this statement. This entire process happens in a matter of seconds and no one involved actually realizes it is happening at the time. It is the instantaneous impression you are making.

Vintage 1970 Botegga Veneta Shoulder Bag of Softest Italian Nappa Leather with Decorative Wood Button and Trim from Lady Violette de Courcy's Personal Handbag Collection

Thus a handbag is seen by everyone who sees you because you are carrying it, quite obviously, and thus it becomes a visual part of your clothing and ensemble for that day. This is why the term “wearing a handbag” has come into use versus carrying one. I personally know I am not wearing a handbag or a purse! I know I am carrying one. But I am constantly hearing the term “wearing a handbag” , so I have begun to think about the origin of this statement and what it means. I have concluded that it refers to carrying a handbag or purse that is coordinated with or compliments the ensemble of clothing you are wearing at the same time. As such it has become another venue in which designers and stores can seduce women into buying a slew of expensive handbags so they have the proper one to tie in with each outfit! This translates into more sales of fancy designer handbags and purses. Which is exactly what the fashion designers and fashion retailers want.

A Hand Knitted & Felted Handbag Made By Artists in Bolivia of 100% Wool from Lady Violette de Courcy's Personal Handbag Collection

Artists are more interested in creating intrinsic style. They realize that the bag you carry can make or break your total look. It is at any rate an extremely important part of it. Thus, for an artist or serious designer, the handbag has become another canvas on which to express his or her true sense of style. And for the wearer of fashion who is more interested in projecting serious style than following fashion like a lemming a handbag can be an extension and expression of great taste. It is always a lovely feeling to perfectly express your own great taste. And it is the ultimate compliment to have someone admire that.

A Beautiful Bright Blue Seed Beaded Butterfly Motif Evening Purse Made Entirely by Hand in Paris During the Late 1800s. From Lady Violette de Courcy's Personal Handbag Collection

It is not , of course, a life or death matter to grab the wrong bag to go with a lovely dress as you run out the door to an event, but it definitely makes a difference and when you have chosen the right one to compliment your entire ensemble you stand out as elegant and totally chic making the person with the wrong bag look as if she should have stayed at home! That simple fact should explain how important it is to take the time and effort to select the right bag!

An Exquisite Caramel Colored Bottega Veneta Intrecciato Clutch of Italian Nappa Leather from Lady Violette de Courcy's Personal Handbag Collection

Each of the top big name designer lines has a distinct look that is instantly recognizable, along with their own unique designer label, to the consumer/ collector in the know. Carrying one, or wearing one, whichever verbal terminology you care to use, instantly catapults you into a certain social class. You look as if you know fashion and are fashionable. You look as if you have style and can afford such expensive items and therefore have attained an enviable income and/or social standing. Such as a high paying job or a wealthy husband, or any number of other instant but not necessarily accurate impressions. ( It is possible to rent an expensive handbag by the week and change them up every week to look as if you have a never ending supply of new and expensive designer handbags and purses even if you are living from paycheck to paycheck while working for a temp agency!) The truth is that people treat you more nicely if you make these kinds of positive style impressions. I have experimented with it so I can attest to the experience first hand. People treat me better and with more respect if I am carrying an expensive fancy designer handbag and wearing nice clothes than if I am toting my stuff around in a recyclable canvas grocery bag. Even if I am wearing sweats and coming from the gym if I am carrying a distinctive expensive looking bag I am treated as if I have class and am a rich lady. An expensive distinctive looking handbag really does makes a difference in how you are treated by society. Everyone likes to be treated with respect ~ and envied by their friends who covet their fancy handbags ~ so why wouldn’t they want to carry a distinctive  designer bag? There is absolutely no reason!

Well, there is one reason, actually. If you want to go someplace and be incognito, or if you want to avoid being mugged or robbed in certain locations, you should deliberately slum it. You can actually do this and still be stylish, just don’t look like you have money. It can be done and I highly recommend it when in a situation that calls for caution.

A Darling Petite Black Leather, Sequins & Silk Fine Art Limited Edition Handbag Made By Artist Rita Diana for Mylinka from Lady Violette de Courcy's Personal Handbag Collection

As stylish, fashionable and/or artistic women we have several choices before us. and it is ultimately our choice to make. We can either capitulate to the type of fashion and sales pressure the mass media wants us to and buy lots of high end commercially produced designer handbags from expensive retailers or we can be relatively rebellious and only carry one or two, or a small few, or those types of high end designer bags and collect any number of different vintage and artist made handbags and purses that we “pursenally”  like a lot and can mix with our outfits in ways we also personally like and can financially afford without killing ourselves with stress of the decision making or financial variety – both of which are ultimately unattractive and unwise.

A Rare and Delectable White & Crystal Clear Vintage Lucite Box Handbag Made by Patricia of Miami in the Early 1950's from Lady Violette de Courcy's Personal Handbag Collection

This is what I have chosen to do myself. I have amassed a goodly collection of well made and beautifully designed vintage purses and handbags. I happen to like vintage designer bags and artist designed and made bags most because I am an artist myself and I love originality and high quality. I also love handmade things. I have also collected a few fancy big name designer handbags that I have acquired from time to time because I really liked the designs and colors of the particular bags I have chosen. I have never bought a handbag simply because it was a status symbol but I have acquired some over the years that are status symbols simply because I liked them. I am very fond of the vintage purses and artist made handbags that I have in my personal collection, and I am equally fond of the good quality well designed big name designer handbags that I own.

As just one example there is a lot of specialized knowledge and work involved in the complex process of making an exquisite intrecciato nappa leather Bottega Veneta handbag and I admittedly enjoy the lush, soft, luxurious and very real “Oh, so rare!” results immensely! I admittedly enjoy then so immensely that I have acquired several of them, admittedly six to date. They are soft and lovely and I enjoy cuddling them like a child with a special teddy bear. I have them because I have earned them, and I deserve them, therefore I allow myself to enjoy them often. This is a pretty good example of why women want and enjoy their own personal special designer handbags. The same reason a child loves a certain special to her stuffed animal! Perhaps, in this particular personal case, because it is leather, very soft, and extraordinarily tactile.

The Handbags Shown in this post from the Lady Violette de Courcy Personal Handbag Collection are not currently for sale.

The handbags in this post designed by La Marelle are for sale in her Etsy store Hopscotch Couture.  To visit her Etsy store and view her work go to: //www.etsy.com/shop/HopscotchCouture.

Marelle sells her work in her online Etsy shop above and also accepts private commissions. She can be contacted  by email at lamarellegallery@aol.com or by telephone at (443) 825.6353.

Her work can also be seen on her website at LaMarelleGallery.com. There is a link on there that will take you directly to her Etsy store.

The photographs in this post of Lady Violette’s Handbags were taken by Lady Violette de Courcy and Fredric Lerhman. The photographs of La Marelle’s Handbags were taken by Marelle.

 

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