Image 01

Lady Violette

The Romantic Lifestyle

Posts Tagged ‘Vintage’

Suzy Parker’s Trademark Makeup Circa 1950s ~ How To Achieve Her Vintage 50s Look ~ Recreated by Lady Violette de Courcy Using Cosmetic Products Available in 2011

Saturday, October 22nd, 2011

Suzy Parker in Her Trademark Makeup Circa 1950s

Suzy Parker’s Trademark Makeup was gorgeous in the 1950s. In those days models did their own hair and makeup most of the time. I have the same natural coloring as Suzy so I have always wanted to recreate her look to the best of my ability using products available today. I achieved this successfully today so I am going to share how I did it and what products I used.

Pre~Makeup: Start with a clean, conditioned face. The exact steps and products I used follow:

1) cleanse ~ MyChelle Honeydew Cleanser

2) tone ~ Lancome Tonique Radiance

3) apply serum ~ Elizabeth Arden Bye Lines

4) moisturize ~ Lancome Absolue Pemium RX

5) apply eye cream ~ Lancome Absolue Eye Premium RX

6) apply primer ~ Smashbox Photo Finish

MAKING UP: Step 1 ~ 10

1) Concealer ~ Estee Lauder Smoothing Cream Concealer, color Smooth Ivory -01C, applied with brush, to cover dark circles under eye to lash line and innermost corner of the eye, then blend with fingers.

2) Foundation ~ Nars sheer glow liquid foundation in color Siberia (the lightest foundation on he market that I know of) pat over the entire face with fingers.

3) Powder ~ Chanel Plein Jour in color Daylight Perfecting Pressed Powder – dust over entire face with a Kabuki Brush ( This is in a compact which you can carry in your purse, 50’s style for touch ups!)

4) Blush ~ Paula Dorf “Tootsie” color blushing powder, apply to cheekbones (see photo) with a blush brush. Also brush a bit over chin, into hairline, and over earlobes.

5) Lipstick ~ Chanel #70 Rouge a Leveres Red Coromandel, apply carefully directly from the tube as they did in the 50s. You can do so, perfectly, with a little practice. I recommend learning to do it this way so that you can skillfully reapply your lipstick, using the mirror in your powder compact, in public, like they did in the fifties and 60s. This is such a charming feminine vintage gesture, fascinating to behold and it drives men wild! ( Practice at home until you get it down skillfully as you don’t want to fumble with all eyes glued to you in a restaurant! or other public place.)

A vintage trick to keep your red lipstick from rubbing off on your teeth: Apply a generous coat at home, blot with a tissue, then stick your finger in your mouth, pucker up, and pull your finger out of the center of your mouth dragging it over your lips to remove the excess color that would otherwise come off on your teeth. Like magic, you have removed the exact right amount in the right place to avoid staining your teeth! This really works and doesn’t remove the color from your lips! When you reapply your lipstick in public you will just be touching up. You don’t need or want to do this move in the public eye! It would look awful and you would have lipstick all over your finger too! It is necessary to clean it off your hand after this maneuver. This should only be done at home before you leave the house. You can blot, later in the day, in the ladies room, if necessary, never in public!

If you need to define your lips with a pencil or keep them from feathering you can use a lip liner to do so after applying the lip color via your lipstick. You can use a lip brush to soften and blend hard edges if necessary. It has become customary to use a lip brush and liner to apply dark and bright colors that require precise application over the last couple of decades. They did not do his in the 50s. They applied their color straight from the tube and managed to it neatly freehand. It is not hard to develop that skill and also allows you to eliminate steps from your routine which is liberating! I personally prefer to do it the old fashioned way, particularly during the day when away from home! Remember, practice makes perfect, and it takes only a few tries to get it down to a science.

6) Lip Liner Pencil ~ if you need one I recommend Christian Dior’s Holiday Red which has been around for literally decades, or Lorac 03 pencil. The Dior lip pencil comes with a brush on one end. I also like the Dior lip brush.They didn’t have lip gloss in the 1950s. If they wanted shine they used a tiny dab of Vaseline. This was usually done only for photographs as it made your lipstick stick to your teeth in real life wear ~ the thing we are trying to avoid when waring red lipstick to attain a charming vintage look!

7) Brows ~ Pluck your brows neatly the night before applying your makeup. Suzy’s thin, highly arched brows are tweezed thin, then filled in and drawn on in an exaggerated arch with extended outside ends using only one sharpend pencil in an auburn shade to match her famous ref hair. I have searched and searched and experimented a lot to get the right color and styling tool for these brows. The very best tool and color in the cosmetic business is Chanel’s Sourcils Brow Definer in Auburn. It has a great pencil in a great color with a great little comb/brush for grooming your brows and blending the color on one end. It is the perfect eyebrow tool. I have used it to create brows just like these on myself freehand for a decade now and I love it! Of course it comes in other colors as well!

The only other brow tools you should ever need are an old soft toothbrush to brush your eyebrows out, and a tweezer man slant edged tweezer for a little plucking and shaping as needed. If you have an unruly brow now and then smooth them down at night to train them while you sleep with a heavy coat of Vaseline , then comb them neatly into place with the toothbrush and in the morning they should be trained to behave themselves! The Vaseline soothes any irritation you might have gotten from avid plucking while you sleep as well. I love thin arched 1930s – 50s brows, but I am also the first to warn anyone about over plucking theirs. Be conservative and just do a tiny bit at a time. You can always get used to that effect, then do a tiny bit more if you need to. Take your time to get used to the look. And be a bit conservative. No need to rush! Rushing is not glamorous!

8) Eye Shadow: I used three colors ~ Paula Dorf “Sea Shell” on the lid, (It is a very light flat peach with no shine.) Cargo Tundra under the brow on the brow bone and in the inside corner of the eyelid, (It is a flat, mat white with no shine.) Shu Uemura P Blue 630 (It is a flat light pale blue) as a faint and delicate feminine accent of color above the eye liner line and moving into the Sea Shell color on the lid.

9) Eye Liner ~ I used two eyeliner pencils, both black. I used Lancome’s Le Stylo Waterproof pen to line the top lash line with a wide heavy line close to the lashes and upsweep at the outer lid edge as in the picture. Then I used Cargo’s Black pencil/crayon to line the lower lash line. I used two different liners because they each have different properties which I prefer on the different areas of the eye. The Lancome is soft and dark and doesn’t scratch the eye. And it is easy to control. The Cargo pencil can be sharpened to a nice point to line the lower lid very narrowly and also doesn’t scratch. I have a hard time with eyeliners irritating my sensitive eyes, so I am very particular about them!

10) Mascara ~ Black Lancome Defencils Mascara ~ coat the upper lashes only.

To finish Step back and look at your face from a bit of a distance in your wall mirror. If you need to up the volume on the blush with another brush full. Apply another coat of powder if you think you need to. (I sometimes find that I have become shiny just working on the rest of my face! Then I need to matte out my shine for a nice cool look with a light dusting of powder. ) Check to see if you are wearing enough eyeshadow ~ in your opinion!)

This look should be a bit conservative, very ladylike and refined, nothing is too dark. It should look very pale. Only the lips are bright.

I have used the currently available products that I like the best to achieve the look I wanted. Because I do not work for any cosmetic companies I can pick and choose the things I use without concern for brand representation. This is a lot of freedom that you do not have if you work for a particular cosmetic company or store. I know this because I worked for Christian Dior and Estee Lauder for several years about a decade ago. Personally I like to pick my favorite products and tools from a variety of different companies. That way I feel that I can take what each has to offer that works best for me or for the look I want to achieve.

In the Suzy Parker era it was the epitome of fashion to wear matching lips and tips (finger tips) which is one reason I chose to use Chanel’s Red Coromandel #70 lipstick. It also comes in a matching nail polish, the classic 1950s red Le Vernis nail color Rouge Coromandel #70 by Chanel.

Suzy Modeling Red Lipstick for Coty in 1957 ~ Their "24" Lipstick You Could Sleep in and Still Be Wearing Bright Red & Perfectly Applied Red Lipstick When You Woke Up in the Morning ! And Apparently All Your Heavy Eye Makeup Too!

Suzy Modeling Touch-and-Glow Foundation Makeup & Bright Red Lipstick for Revlon in 1954. This is the Classic Suzy Parker Makeup I Have Recreated for You to Try in This Post. This is a Great Front View of the Makeup!

Suzy Parker Modeling a White 1950s Suit with a Bouquet of Roses. She is Wearing the Same Beautiful Makeup Design While Posing in the Gorgeous White Afternoon Suit for a Fashion Magazine!

Suzy Parker Wearing Red Lipstick and a Catalina Swimsuit in a 1957 Catalina Swimwear Ad.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I know that Suzy modeled for Coty and Revlon cosmetics. She undoubtedly used a lot of Coty and Revlon products herself as a result. Both she, and her sister, Dorian Leigh, were famous Revlon Cosmetics faces. I have displayed a few of these adds here. In the 1940s, 50s and 60s, and possibly before that time, Revlon was an upscale makeup and skincare brand sold in fine department stores and specialty cosmetic shops. It was not sold in drug stores as an inexpensive makeup line for women and teenage girls. The packaging was fancier than it is in the United States nowadays.

Interestingly Revlon is still a status cosmetic line in South America and Europe today. There it is sold in upscale shops and even has its own free standing stores selling the entire line of products. The beautiful contemporary Revlon ads we see in magazines are designed for those markets. In Brazil and Mexico I saw full scale billboards of the Revlon ads we see in US magazine towering overhead on busy city streets. There, the name Revlon is still associated with the same type of glamor it was in the days of Suzy Parker. I’m quite sure you could recreate her 1950s look today using Revlon’s cosmetics.  I mostly used products I had in my personal cosmetic collection already. I do have some Revlon products and I like them, but I didn’t have the colors I needed to do this look. It is interesting to note that the beautiful classic red color Revlon’s Fire and Ice that was modeled by Suzy’s sister Doria Leigh (Parker) is still being produced. It is still beautiful and the perfect red! I think I’ll get some for the holiday season. The great thing about Revlon nowadays is that you can get their high fashion makeup colors at very reasonable prices. For example the nail polish is $4.99 versus $30 for Chanel, $14 for Butter, $28 for Christian Dior, $18 for Deborah Lipman, $17 for Lancome and so on. The formulas are tried and true and traditional. I have used them and they look lovely and wear well. Many of the colors are gorgeous. The same goes for the lipsticks. They know what they are doing, after all, they have been at it for  very long time! Recently they have been using Julianne Moore and Susan Saradon as models and spokeswomen. The company seems to like redheads! They do consistently make a lot of colors that look good on them!

If you carefully study Suzy Parker’s photographs during the 1950s you will see that she used essentially this same makeup design throughout that decade no matter what she was showing and selling. She seemed to have found a look that worked for her, then stuck with it. It worked well on her in both black and white and color photographs. The other distinctive makeup design she wore was in another ad for Revlon which featured a deep beautiful pink on lips and nails. The ad reads, “Not Sissy Pink, Not Prissy Pink!” It was for a sophisticated bright deep pink for classic gorgeous women. I plan to recreate that look and post it soon as well. Later, in the 1960s she did a bright orange/coral lipstick and blush with bright orange/coral nails. She always matched her lips and tips, of course! She was the epitome of classy grown up sophisticated beauty. She always looked well groomed, sexy, feminine and glamorous! As these pictures prove her basic makeup, was perfect and appropriate for any occasion ~ modeling for magazines and cosmetic companies, sleeping, going out for a night on the town, shopping for flowers in the afternoon in a white suit, and heading to the pool for a swim, or a cocktail poolside!

Share

Suzy Parker in an Amazing Violet Dress ~ Lady Violette’s Dream Ball Gown for the Upcoming Holidays

Friday, October 21st, 2011

Suzy Parker Modeling an Exquisite Violet Ballgown

Suzy was beautiful and glamorous in everything she put on and, modeling for all the top designers on both sides of the Atlantic in the 1950s and 60s, she got to wear some of the most beautiful clothes in fashion history. Because I love violet and ballgowns this has to be one of my favorites. I don’t know who the designer is. I have seen the photo several times and one place said it was done as an ad for Modess. If anyone knows who designed the dress I would love to have that information.

This is what I want to wear to my Holiday Party this winter! It is pretty elaborate so I am planning ahead! I will probably have to make myself a dress like this ~ inspired by this one is what I mean. Note the red lining in the little evening wrap! I love that touch! I already have jewelry that I can wear with it. If I get it together to make such a gown!

I’m going to start recreating Suzy’s makeup looks for myself. She wore this one through most of the 1950s and 196os as her basic pale clear skinned look with bright red lipstick and matching nails, highly arched eyebrows, light coral rouge, light blue eye shadow and strong black eyeliner turned up on the outer edges. The whole face was set with loose light colored face powder. I love this ulta feminine highly polished look!

I will post a blog on how I achieve the look using currently available products! That is, How to Create a 1950’s Look Using Products From 2011.

Suzy Parks hairstyles were achieved with pin curl sets and a great deal of hairspray. I recall having seen an article where she explained how she set her hair with line art illustrations of the set and photos of herself in pin curls. I will try to locate those as well. I will not be able to put my hair up in pin curls to practice her do until I get out of the cast for my broken arm! And make it through after surgery rehab. I realize she wore French Twists and Chignons in many of her photos as well so I may have to be satisfied with myself wearing such doable styles

Share

Suzy Parker Inspires Looking Glamorous in Vintage Fashions After Car Accidents, Broken Arms, & Surgery in Elegant Long Gloves

Thursday, October 20th, 2011

Suzy Parker at age 17 in 1950 Wearing Long Gloves in LIFE Magazine Photo Early in Her Modeling Career.

In the summer of 2003 I was doing research for an  article I was writing on the beautiful 1950s – 60s model Suzy Parker who had recently died. Before finishing that project I was in a very serious auto accident in which I was severely injured. I had to be cut out of the car by the jaws of life and taken to the trauma ward. I had many injuries, which resulted in multiple surgeries and scars. I  broke my left arm and had to have surgery on my right wrist, which left me with scars.

A Few Years Later Suzy on the Cover of LIFE Magazine Wearing a Red Sequined Dress by Norell and Long White Opera Gloves

I remembered that Suzy had also been in a terrible auto accident in which her father was killed and she broke both her arms. I also remembered she was in a second accident years later when filming an episode of the Twilight Zone. I looked terrible after my accident of course, and I thought of Suzy often as inspiration because she managed to come back, looking lovely and sophisticated, and working as a model and actress again after these accidents and injuries. She inspired me to keep going at times. I read in an interview that she had scars on her arms after this, but kept working because she learned to hold her arms to conceal them or wore gloves, which, luckily, were very fashionable during that time period. You can check out The Suzy Parker Glove Gallery for a collection of photos of Suzy wearing gloves.

Suzy Parker Modeling Crochet Gloves and a Long Flowing Scarf~ So Elegant!

Then, 3 and a half weeks ago, I broke my right wrist and arm in multiple places and ended up having to have a second surgery on my right arm and this time left the hospital with a metal plate and nine pins in my right wrist. I also have a nice neat surgical wound of several inches running up the inside of my right arm. This will become yet another distinctive scar on my right arm along with the other one on the side of that wrist.

Gorgeous Suzy Parker in a Stunning Cocktail Dress with Long White Gloves

Again, I thought of Suzy Parker. And the beautiful pictures of her wearing long gloves with almost every ensemble she modeled. I love vintage clothes, gloves and her look. Now, I’m in a cast/splint, enduring the tedious recovery process. and doing everything my doctor ordered, but this will take quite a while to heal. I’m thinking a lot about Suzy and her gloves and I want to incorporate gloves into most of my outfits when this is over. I already have a glove collection started. But now I am really inspired to acquire more! They are both practical and very elegant. I know I am going to have to keep this wrist and arm warm during the winter because injuries are always more vulnerable to cold. I’m going to wear gloves and think of Suzy when I’m getting dressed both casually and formally. Isn’t she beautiful and inspiring?

This last picture in the sequined evening gown was taken after she recovered and returned to work following the terrible accident in which her father was killed and both her arms were broken. She looks so elegant and beautiful because she was very professional and knew how to put herself together and carry on with life turning mishaps and misfortune into life experience and understanding that comes across in her photos. I find her grace and maturity appealing and glamorous. In the fifties and sixties women tried to look sophisticated and worldly. Personally, I like this look much more than the young looking models of today. It makes me happy with myself as I get older! I’m posting this in the hope other women will find it and be inspired by her as well! If you browse through the glove gallery of photos of her you will find many inspiring looks to emulate in makeup, hair styling, coats, suits, day dresses, cocktail gowns. evening dresses, furs and jewelry as well as gloves. Her photos epitomize 1950’s glamor! Enjoy!

Suzy Parker After She Recovered From Her Injuries Received in the 1958 Car Accident and Back at Work Modeling an Elegant Black Sequined Evening Gown With Long White Opera Gloves, Diamond Earrings & a Sterling Silver Mink Stole ~ If I Had to Walk the Red Carpet Today I Think I Would Like to Wear This Ensemble! I Think it is as Beautiful and Appropriate Today as When it was Originally Created.

Dates and some facts regarding Suzy Parker’s auto accidents:
On June 7, 1958, Suzy Parker аnd hеr father, George Parker, wеrе involved іn a horrific car-train collision. Apparently, nеіthеr Suzy οr George, thе latter οf whοm hаd bееn аt thе wheel, hаd heard thе oncoming train. George died οf hіѕ injuries аt thе hospital whіlе Suzy suffered several broken bones аnd embedded glass, though none tο hеr famous face. In 1964, whіlе rehearsing fοr hеr role аѕ Lana Cuberle/Simmons/Grace/Doe/Jane #12 іn Thе Twilight Zone episode “Number 12 Looks Jυѕt Lіkе Yου″ (1/24/64), Parker wаѕ involved іn another car accident. After that she said she retired to be the best possible wife and mother.

Share

A Cuff For Lady Violette de Courcy Made From a Vintage 1905 Whiting Violet Pattern Sterling Silver Spoon

Friday, October 14th, 2011

Sterling Silver Violet Cuff Made From an Antique Teaspoon in the Whiting 1905 Violet Pattern for Lady Violette de Courcy by Artist Nancy Harrington of Woods Edge Jewelry Studio

 

A lovely new friend has sent me the violet cuff pictured above, which she made from a sterling sliver teaspoon, and, today, her favorite quote which is wonderful. and I want to share them both:It is: “The Privilege of a Lifetime Is Being Who You Are.” and is courtesy of Nancy Harrington, Jewelry Designer .

I met Nancy when I discovered her work on Etsy where we both have shops. She makes art jewelry out of antique and vintage silverware.

I recently found out there is an antique sterling silver flatware pattern called Violet, made by Whiting and designed in 1905. It is just my style. Of course I wanted some! With the current high price of sterling silver I cannot afford an entire set of silverware, so I decided a piece of signature  jewelry made of it would be the way I could affordably enjoy a piece. Nancy made this cuff out of a teaspoon.

There is a tiny leaf at the base of the bowl of the spoon. You can see the back of it in this photo. She has pounded the bowl out to shape it to the wrist. Her design respectfully preserves the violet leaf so carefully and delicately placed at the base of the handle by the original spoon’s designer. This was one reason I selected this cuff over the traditional style spoon bracelet made with two pieces of flatware. In that type of bracelet the flatware handle is cut part of the way down in order to make a pieces short enough to make the bracelet. In that case the charming little violet leaf would be lost.

The violet leaf is an important part of this design, of the original artist’s work and of the violet plant. It is the leaf that synthesizes light to nurture the plant and create the little flowers. Being a gardener and a botanist I am interested in this. I am interested in much more about the violet than its flower! I knew Nancy was on the same page as a jewelry artist when I saw that she had retained the little leaf in her design.

Nancy has just shipped me the cuff. When I receive it I will take a picture of it on my wrist and post it. I’ll take several if I need to so I can show the flowers and the leaves in the silver pattern. I like the idea of a cuff in this instance because it seems more old fashioned to me than a spoon bracelet.

Cuffs were worn in olden times and I think that suits Lady Violette de Courcy, Plant Hunter and Adventuress, more than a spoon bracelet would. They were made popular, from what I understand, by hippies in the 70s. Lady Violette de Courcy’s family originated in the 1100s in France and a silver cuff decorated with the violet flower and the violet leaf seems much more appropriate to her history and her image. Her family’s coat of arms bears a violet flower centered inside the cordate (heart shaped) leaf of the violet plant.  I think this cuff will look beautiful worn over the fitted velvet sleeve of a formal dress or with a hunting or field jacket. Nancy and I discussed my name at length which is why she shared her quote with me. I don’t know who it is from, but I wrote her to ask. When she tells me I’ll add that to this posting.

Someday I hope to be lucky enough to own a set of silverware in this pattern. It would be beautiful with the eclectic set of violet patterned dishes I have been assembling for a long time. I have been collecting all kinds of individual pieces of china and glass decorated with violets for years. I can set a violet themed tea or dinner table now for up to eight people. Each place setting is unique. All the dishes are patterned with violets, but all of them are different. I have also found violet colored stemware and two beautiful old wineglasses from the 1920s hand painted with violets. It is fine that all the pieces are different in this circumstance. It makes for great dinner conversations! So will the quote, I imagine! And so will the cuff!

 

Share

Dressing for a Wedding and Your Body Type ~ Lady Violette’s Design Advice to Nancy Shevell & Stella McCartney

Friday, October 14th, 2011

Nancy Shevell in her Wedding Dress Designed by Stepdaughter Stella McCartney and Her Too Big Vegan Shoes

 

This post was inspired by an indignant email message from my  friend and colleague, Lavande Lamour (the long-lost sister of writer, Louis Lamour),
***************
“Nice wedding dress for Nancy Shevell, especially with the Wallace Simpson influence, but I think it would have been much more becoming just below (or just to) the knees. I think Stella McCartney was going with a “young” look and paying tribute to Ms. Shevell’s slender figure, but knees just don’t belong anywhere near a wedding dress, in my opinion. Her knobby knees just kill the whole effect for me
.Also, I wish Ms. Shevell weren’t standing with her feet two feet apart. I swear, women have forgotten the art of how to present their legs in a dress these days. We see either the rugby stance (Ms. Shevell) or the pigeon-toed, slouchy stance (Scarlet Johannsen and many others). The basic ladylike principle of keeping one’s knees in nodding acquaintance with each other seems to have disappeared. Ah well….   Lavande
****************

And further Inspired, (yes really! ) by the comments below and at the end of my post.

Inspired……you mean copied, Stella McCartney is not a great designer, riding on the crest of her father’s fame……

– Steve Constantine, Noordwijk Holland, 13/10/2011 16:44

Read more: //www.dailymail.co.uk/femail/article-2048237/Nancy-Shevell-wedding-dress-Stella-McCartney-inspired-Wallis-Simpson.html#ixzz1ajpRLWpA

Nancy Shevell looked like a beaming, beautiful bride, regardless of Stella’s ghastly creation. Fortunately, Nancy could make a bin sack look terrific. The happiness on the faces of Nancy and Paul made them seem like 2 delighted teenagers. I wish them a lifetime of bliss and contentment. They seem so well-suited to each other. But I would beware Stella, Nancy. I agree with the person who said the dress looked like it came from a 1960’s McCall pattern – spot on. Of all the bridal gowns to emulate, Stella picks Wallis Simpson’s? Is that the best she could come up with? It wasn’t a nice dress then, it isn’t a nice dress now. I have always maintained that the fawning over Stella’s designs is a classic case of the emperor’s new clothes. The McCartney name is the only reason she’s a famous “designer”. The shoes were ghastly and the dress too short. Is Stella trying to give Nancy a hard time, too? Sometimes I think Stella is more interested in her inheritance than her father’s happiness.

– underwhelmed, london,

13/10/2011 16:13

I thought that the wedding dress looked like one of the horribly ugly polyester dresses from the 1970s & it didn’t look good on the Duchess either….and my mother had one JUST exactly like it back then. So there is nothing about it that is unique or original at all. It’s a bad length for Nancy with her SCRAWNY pale legs, & she would have looked so much better in a longer length or a pantsuit. And what charity shop did they have to go to in order to find those awful shoes? They are so big & loose on her feet…they are either worn-out vintage shoes or she’s too skinny to fill those shoes up. PLEASE don’t tell me those shoes are coming back in fashion!!! – Ashleigh, Austin, Texas,

Nancy Shevell & Paul McCartney

Wallis Simpson & Her King

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

AND NOW, some  CONSTRUCTIVE COMMENTARY by LADY VIOLETTE de COURCY  on Dressing for a Wedding and Your Body Type

First, I want to say, Nancy Shevell and Paul McCartney look to be a very happy couple and very much in love and that is the most important thing. I am happy to see them married and I liked the low key simple ceremony and small number of quests invited. Nancy Shevell looks like a lovely person and she has been low key throughout the courtship and wedding process which is fine, but she has married into British Rock ‘n Roll Royalty which is just about as big a deal to a lot of people as marrying into actual British Royalty. As such she has a responsibility, in my opinion, to live up to the fantasies and expectations of the Beatle’s fans of all generations. Sir Paul has made her his princess and she ought to do all she can to live up to the image. In short, she should look like a princess.

It is very important that anyone reading this realize that, I am not being negative about Nancy Shevell’s character, or her as a person, I am simply making observations about style and design and offering my constructive ideas on how she and Stella McCartney, who is one of the top designers in the world, might have dressed her and how she might improve her choices in dressing and personal presentation in the future. She appears to be quite a lovely person, actually, and I wouldn’t mind meeting her myself if I had the opportunity.

It appears to me that Nancy is quite conservative and understated in her dress, that she wants to be appropriate but not blatantly stand out at all. This is another reason why I should think she would want to subtly conceal her negative features and subtly enhance her positive ones. If she managed to do this she would simply come across as charming and understated.

So, let us analyze Nancy Shevell. She has a lovely face and pretty long hair. I found photos of her with a terrible shag haircut and blond hair, so she has learned, somewhere along the way that she should stick closer to her natural brunette color! She has a beautiful smile. Her smile appears to be much improved by having had her teeth straightened and veneered since her high school year book photos were taken!  These two facts lead me to conclude that she is not adverse to self improvement. She also appears to have had the size of her nose reduced.  She has definitely dramatically reshaped her eyebrows which used to be thick and bushy. I suspect she has regular Botox injections to keep her face young looking. She has the glow of happiness and being in love but also the advantages of her financial status for dressing attractively, self improvement and maintenance. I am all for this if one can afford it. In many ways she looks great and is doing a good job of taking care of herself.

She is tall and slender and this is obviously her natural body type. In her case this has it’s good and bad points. She needs to utilize every positive aspect of her face and figure and play down the unattractive ones. ( Everyone needs to do this, of course!) Any clothing designer who works with her should advise her accordingly and the fact that Stella McCartney didn’t do so is inexcusably unprofessional. We can safely assume that both Stella McCartney and Nancy Shevell have all the money they could possibly need or desire to enable them to create any impression, dress or ensemble for such an important event as a wedding no matter how casual they desire it to be. That said, I will express my opinion of the Stella McCartney wedding dress for Nancy Shevell to Beatle Sir Paul McCartney.

I dislike the dress. It is totally inappropriate for the woman wearing it and for a wedding dress. I would never recommend that she wear such a dress. So, here is where Stella McCartney failed. If she recommended such a dress it was a mistake. If she was asked to design and make such a dress it was a mistake not to refuse to do so. and suggest something much better using all her talents and training to the fullest extent. This short dress makes both the client, Nancy, and the designer, Stella, look bad. Stella is well educated in the world of fashion design and celebrity publicity. She should know that these issues will arise, that her new step-mother will now be photographed and watched by press and public alike and should be dressed to succeed in her inevitably public position as Sir Paul’s wife.

Many people in the public will be looking to Stella for inspiration in both personality and style and looking at her to critique her. Stella is in the unique position both professionally and personally now, to offer priceless advice and design services. Stella, not only as a world class couture designer, but as the daughter of a Beatle has been in the public eye her entire life and should have known that this wedding and this dress would be covered by the world press. She had a tremendous opportunity to make the bride look her exquisite best and to show the world her own design capabilities. Unfortunately, for both women, she didn’t!

Readers suggest that Stella doesn’t like Nancy and is trying to make her look bad on purpose. If this is the case it is very stupid of Stella because people will be judging her abilities as a designer as much as the appearance of her father’s new wife. I honestly don’t think this is the case. I believe that Stella just isn’t that good or experienced when it comes to analyzing and meeting the needs of an important client. Nancy is now an important client because she is now married to one of the most popular men in the world who also happens to be Stella’s father. This is a fantastic arrangement for Stella. which guarantees her constant free exposure and continual publicity. What an enviable position for a designer to be in! These two ladies should be buttering each other up. For the most part Nancy is pretty good lucking and will make Stella’s designs look nice if she wears designs that both look good on her and look good on someone her age. It can easily become a win win situation. Thus is is a shame it has gotten off to this bad start in the press at the beginning of the marriage,

To me this dress looks cheap and inconsequential. The first thing I see is Nancy’s legs. Miles and miles of bony scrawny, ugly, un~athletic looking, ultra thin and exceedingly unattractive legs! There is so much of her stick like legs showing that they actually over power her face and her smile which is really unfortunate because those are the most attractive and nicest of her features. Her entire upper body is covered up with the gathered bodice and long cuffed sleeves which look like a white blouse that might be worn under a conservative business suit consisting of a skirt or pants and a jacket. Under that is a plain straight way too short and utterly boring skirt! Did they run out of material? Or could they only afford three and a half yards of this white stuff bought on sale at some suburban fabric store like Joanne’s Fabrics?  It takes about 2 and 1/2 yards of fabric to make a blouse and about one yard to make a simple straight skirt like the one in this dress! Surely Nancy, Paul and Stella could have sprung for more fabric! And much more interesting fabric. Stella has access to the best and most beautiful fabrics in the entire world. And money is no object. Nancy’s height and thin figure make her an ideal fashion model for narrow or full length styles. Styles that would cover up her stick thin ugly legs and focus all the attention to her pretty face. Styles that would also make the designer Stella look really good because she made a beautiful dress for an attractive woman. Had Stella designed a long dress for Nancy none of the criticisms that have followed the wedding regarding Nancy’s dress or her super skinny legs would have come up! If I had such ugly legs I would be covering them up in any situation in which I could! Why should she do this? In order to look her best, put her best foot forward as they say, in order to protect her reputation and in order to focus attention on what a beautiful event this is and what a beautiful bride she is ~ rather than on what ugly legs she has! A long dress would have been elegant and would have covered her legs.

Then there is the color, It is stark white. Stark white is very difficult to wear. It emphasizes all the flaws in a person’s complexion – making imperfections glaringly obvious. In this particular case it draws our eyes to Nancy’s way too skinny bird-like legs and her dreadfully bony red knobby knees! She appears to be wearing bare legs and sandals! Her shoes are really terrible. She should at the very least have worn panty hose in an even skin tone slightly darker or lighter than her own skin to de-emphasize her legs and give her a more polished look. Then there are her bizarre shoes. They are flattish sandals with ankle straps. I think she should have worn a classic closed toe pump with at least a slight heel! And, in this case, no ankle straps unless she was wearing a long dress so we could not see them! These shoes look like they were purchased in the old lady’s department at K-Mart. She could have opted for some glamorous vintage pumps! Or Jimmy Choo’s, or anything from Paris or NYC! Her shoes could have been amazing! It is almost heart breaking, as a shoe lover, to see a woman of such privilege not take advantage of the opportunity to wear a fabulous pair of shoes to her wedding! How very very sad! I am sure hundreds of thousands of women are thinking the same thing. Here, again, Stella should have stepped in to advise. she also designs and makes shoes. She could have provided something better! Probably even at the last minute from her very own showroom! I read, after writing this paragraph that the sandals Nancy wore were vegan! They are vegetarians. That is no excuse for ugly shoes. Many beautiful wedding shoes are made of cloth like silk and satin and linen and decorated with beads or lace or silk flowers. Something elegant could have been found or custom made.

Nancy is supposed to be an heiress. She was apparently not sent to ballet lessons or finishing school. I deduce this from observing her stance. Her feet are wide apart, she does not hold her knees together and she holds her fingers in her opposite hand in front of her body in a most awkward self-conscious manner. In every photograph I have ever seen of her, she has stood awkwardly and looked uncomfortable.  Now that she will be followed by the press and constantly observed and photographed in her new position as Paul’s wife, I would advise her to get some training to learn to stand gracefully, to pose properly for photographs and to project an aura of comfortable self-confidence.  I do not want her to change her personality or become a different person. I just want her to acquire poise and self-knowledge so that she shines in her new position of privilege. She is wearing a $650,000 art deco Cartier black diamond ring! She should be doing so with pride and pleasure, not covering it up in a shy and embarrassed way by God, we cannot even see the thing on her hand! I would be getting a tasteful manicure and putting my hands out where they could be seen in a subtle manner. Nancy was wealthy and had the privilege of money before marrying Paul, but she is now privileged to be in his family and social circle and to share in the love his fans have for him and the Beatles. That is what I mean by privileged. He is also privileged to be marrying her. It works both ways. Its just that she wasn’t in the spotlight before. Now she has gotten the privilege to enter his spotlight. That is a big responsibility. His fans expect a lot from her. They expect the exact opposite of what his previous wife Heather Mills provided if you get my drift!! They want Nancy to make Paul Happy and be dramatically drama free! So far she seems to be doing a good job of that!

Hairstyles: Nancy has pretty hair. There are many salons in England that are really good. And the wealthy can afford to hire a good hairdresser for a special event. There are also hundreds of pretty ways to style long hair ~ from classic elegant up dos, through partially braided sections in the long hair, half ponytails, and softly curled but styled long locks Unfortunately, Nancy’s hairdo is just long and limp. It looks like she was going for a youthful look – which she and Stella interpreted to mean washed, dried, brushed out and embellished with one flower stuck in over the left ear. It is so casual that it covers her ears, neck, shoulders and a great deal of the front of her dress!  It ended up just looking limp as if she has spent a day swimming at the beach and is letting her hair air dry. She may have picked a lone flower off a bush on her walk home and stuck it in her hair for fun! This, Nancy, is a wedding, a special occasion! As the audience out here, in the land of the public, we would like to see you go to a little more effort to be really beautiful. You do have the potential! 100% We want you to live up to it!

As for the resemblance to the Wallis Simpson’s wedding dress!  I see only many small buttons and a gathered bodice and long sleeves. I don’t like Wallis’s dress either. And as far as the famous comment she made, “You cannot be too rich or too thin!” She was very wrong, you can be too thin. She is one example of that. Nancy Shevell is another. Neither of them have great bodies. Both look very un~athletic, way too thin,  and awkward. These qualities cannot be covered up by wearing expensive clothes. They can only be corrected and changed through physical training and self-discipline and diet. They both need to eat a lot more.  I am very thin by the way. I do not say this out of envy of how thin they are! I have been very thin all my life, but I have also danced and trained all my life so my thin body type is very different type. I am filled out and well shaped by strong muscles and consequently have strong powerful curves.

Wallis always looked severe and stern. When I have studied old photos of her I have deduced that she was an ugly woman who was beautifully dressed in very expensive jewels and clothes. I think she was actually hideous! Look at the great beauties of her time! They were extraordinarily lovely! I am referring to Greta Garbo, Katherine Hepburn, Marlena Dietrich (who had beautiful legs!) Nadia Paley, Moira Shearer, and many many more. Wallis couldn’t hold a candle to them in my opinion. I always wonder what her attraction was? It was not her intellect ( I have read some of her writing.) It was not beauty, so what was it? I am dying to know and hope Madonna’s upcoming movie will shed light on this topic and satisfy my curiosity!

In his Little Dictionary of Fashion, Christian Dior said, “There is no Key to Good Dressing. If there were it would be easy, rich women could buy the key and all their fashion worries would be over!  But, simplicity, grooming, and good taste – the three fundamentals of fashion – cannot be bought. But they can be learnt, by rich and poor alike.”

Both Nancy Shevell and Stella McCartney have led extraordinarily privileged lives. In Stella’s case she has even attended the best schools of fashion design and worked for the best fashion houses in existence. I have seen scant evidence of her talent. I just don’t feel that I am seeing it in the conservative and rather dumpy dresses she designs for her new stepmother, Nancy Shevell.

Look carefully a the wedding dress. If it were a solid dark color it would look like a business woman’s work dress. In a small dark print or jewel tone it would look like a 1980s – 90s librarian or school teacher’s work dress. One man wrote that he thought it looked like an old nurses uniform! From the 1940’s! It actually kind of does! Just put a winged cap on her and she would look like a nurse in a WWII hospital movie! She could throw a Navy Blue Red Cross issue wool cape over it and be ready for work in the field. Personally, I think the top looks like a conservative white blouse and the straight skirt looks like a straight white slip! The kind you might wear under a woolen skirt so it isn’t scratchy., or doesn’t tick to your bum and ride up! These are not images you want to have for a wedding dress.

Some alternative suggestions for Nancy: Suggestions I would have made to her for a small daytime wedding had I been her designer. I imagine Nancy did not want to wear a long classic white wedding dress because she is an older second bride. She probably did that already in her first wedding and didn’t want to go through that ordeal again. I imagine that she wanted something under stated and tasteful, and not overly dressy. I think Nancy could have worn an elegant suit with a longer skirt, or a long dress.

1) A Suit: It was common to get married in beautiful wedding suits in the 1940s and 50s. Look at the glamorous weddings in old Hollywood movies. The bride and groom often got married in daytime civil service ceremonies or small  daytime church weddings and the bride wore a suit. Consider an elegant 40’s style tailored suit in cream colored gaberdine with a fitted jacket with a wasp waist worn over a mid-calf length skirt with a sexy walking slit in the back. I would make this of fine cream wool gaberdine lined in lightweight silk and it would be worn with a beautiful ultra feminine cream lace blouse which would be beautiful worn on its own later, either with this skirt or another, without the jacket.  I would make the jacket double breasted and nipped in at the waist, then flared out gently over the hips, and close it with vintage mother-of-pearl buttons. I would suggest graceful T-strap shoes with 3 and a 1/2 inch heels of buff colored kidskin. If she didn’t want to wear leather in order to honor her new husband’s vegetarianism I would suggest a similar style shoe made in cloth of some kind of leather alternative. I would suggest cream colored silk stockings like they wore in the 1920-40s because they would look beautiful with this type of suit and fabric and greatly improve the appearance of Nancy’s legs. These stockings are extremely elegant and also make the ankles look a little thicker which would be a good thing in her particular case.

2) Hair and Hat: I would style her hair in an artful Chignon low on the back of the neck and if she liked the idea, top this off with a beautiful feminine hat custom made of fine cream colored Italian straw with a medium width brim trimmed with  ribbon and handmade silk flowers. This would be an elegant creation – a subtle, classic hat. It would call attention to the bride’s beautiful face, and flatter her. It would in no way resemble any of the hats worn to this years Royal British wedding! Her lush long hair would look beautiful in the back with braids entwined in the chignon at the nape of her long elegant neck. Because her hair would be pulled back her neck and face and shoulders would be shown to best advantage and the shoulders, sleeves, collar and neckline of the suit would be shown off to great advantage. I would keep her hair soft, but elegantly off her face and shoulders.This hairstyle would be lovely with the cream colored suit worn by itself or with a hat like I described.She would have the option of wearing or not wearing the hat and could even change her mind about that up to the minute she walked down the aisle.

3) Hands: She should not wear gloves because everyone will want to see her Art Deco black diamond Cartier engagement ring and the wedding band.

4) Flowers: I would suggest she wear a corsage on the lapel or at the hip of the suit. She carried a bouquet which she might have chosen to do so that she would know what to do with her hands. She obviously feels awkward about them and isn’t sure what to do with them. We would discuss that and practice several alternatives so that she could choose which she preferred. Some brides carry an evening purse, some a bible, or other book, some flowers, etc. I would suggest a spray of white orchids designed with tulle and ribbons pinned to one of the lapels  with an elegant vintage brooch. Nancy wore a tiny white flower in her hair. I felt so sorry for that little guy! It deserved to have a few more companions alongside at the very least! Wouldn’t she have done better to sweep a section of hair loosely behind one ear and place a comb with several flowers and a trailing ribbon attached to it in her hair? I am not suggesting anything lavish. I am just suggesting something more interesting and complete. It could still look subtle and not over power her. Nancy appears to be very careful in her fashion choices. So careful that she misses out on the beauty and pleasure to be had! She is probably just lacking in self confidence in this department.

5) Something old: This could be the brooch pin, the cream colored vintage silk stockings, the antique lace used in the blouse, or? That would be fun to figure out. I have heard no mention of any choice being made for something old in the ensemble she actually wore.

6) Biaanca Jagger wore a white suit by YSL when she married Mick. It was gorgeous and considered an unusual choice at the time, but, at that time, anything went (the past tense of anything goes!) It would have been interesting for Nancy Shevell to take her inspiration from Bianca Jagger instead of Wallis Simpson! It may have been a pantsuit, even, I will have to check that out.

7) A Bohemian dress, a long dress, please. There are many kinds of dresses in this genre that would have worked. A casual flowing bohemian flower child look could have worked. Then she could have worn her hair down and flowing, but hopefully a bit more artfully styled with more flowers intertwined in it.

8) A Grecian style long dress could have worked, with artistic draping and a skirt just a few inches above the ankles. This could have been worn with more elegant sandals if she really wanted to wear sandals. Its length would have concealed her legs from being the main focus. In this style dress her hair could be worn, again, in the type of loose chignon I describe above with a few strand escaping.I would have suggested this in colors other than white. Some ideas, pale blue, dove gray, buff, pale gold, pale silver, peach, pale lilac in muslin or light silk.

9) A simple bias cut Jean Harlow style 1930s gown could have worked. It would have fallen beautifully on her because she is so thin and has absolutely no hips. This cut dress adds a little meat to the frames of women like her. It would have helped her conceal her skinny legs and look curvier and more feminine. I would have suggested cream, the lightest dove grey, peach, or palest blue if she really wanted a reference to Wallace Simpson’s gown,. I would have suggested this style dress be done in a jacquard silk crepe in a sophisticated pale solid  color – so that it didn’t look like a wedding dress, but suggested an elegant cocktail dress from the 1930s Hollywood movies.

These are only a few suggestions to give an idea of how many there are! There are lots! I could go on and on, especially with the Bohemian dresses and the Empire influenced ones. Had I been Nancy’s designer I would have created a very memorable gown, with her input, that she would have been extremely comfortable and happy in. I would even have been happy to make her three or four of them so that she could actually try them out and decide which one to wear to her wedding.! The other designs, I am sure, she would find very useful and great to have on hand to wear for other occasions. All my ideas for designs for her would be wearable for events other than her wedding because none of them are “wedding dress” design ideas. They are dresses you could wear for a small casual, daytime wedding such as Paul and Nancy’s but could also be worn most suitably for many other times. Observing Nancy, from my position out here in the public, it seems to me that she didn’t want a weddingy dress.

I have read that she changed into a long plum chiffon number when she reached the house, also designed by Stella, which Barbara Walter’s really liked. Then,  after a while, she and Paul went upstairs and changed into blue jeans which I bet really felt good by that time! Don’t you?

The marriage of Paul and Nancy gave both Nancy and Stella a chance to showcase their fashion design and styling skills and their stylistic sense. I didn’t like what they came up with. I am not saying that casually either! I have really analyzed why carefully. I hope they will find and read my post! And learn from it.  I even welcome them both, singly or together, to contact me for consultation should they so desire.

Nancy, You have the rest of your life to show off your knobby knees. I am sorry that you did it during your internationally important wedding! I hope you don’t choose to do it in the future, but, should you, you will know and understand how one fan, of both you and Sir Paul, felt about it and advised you to do otherwise!

Finally, poor taste in dress withstanding, I wish Nancy Shevell and Paul McCartney my absolute best. I hope they will be happy together for the rest of their lives!

I just cannot resist adding other people’s posts that seem to agree with me! Here are a few more, just for fun!

The lining was shorter than the hem of the dress. I agree the dress was much too short for a 50 year old woman. And those tacky shoe!!! they must have been borrowed from Rose in Keeping Up Appearances:”>

– honey, Boston Ma USA, 13/10/2011 3:18

Lady McCartney’s wedding dress may have been “inspired” by Wallis Simpson”, however, other than it’s length, the dress was almost an exact copy of HRH Catherine, Duchess of Cambridge’s wedding dress from last April. Stella doesn’t seem to have been particularly inspired this time around.

– The Truth, Reality, 13/10/2011 2:05

Madonna has a film out about Wallis Simpson. Stella McCartney is a friend of hers.. dress gets people talking about Mrs Simpson?

– old fashioned girl, Lancashire, 13/10/2011 1:55

The Duchess of Winsor was SUCH an unattractive women.She always looked SO old.

– E S, ex pat, 13/10/2011 6:00

Unfortunately Stella doesn’t have an original thought in her head and wouldn’t have succeeded without the family name. The wedding dress looks like something run up from a 1960s McCalls pattern book.

– Philippa, Louth, 13/10/2011 0:34

It was a woeful dress, looked home made and draped terribly. Stella’s dress was as inspiring as her smile (or lack thereof). All the best though to Nancy and Paul. – Sheryl Osborne, Melbourne, Australia, 12/10/2011 18:15 Thank you, my thoughts exactly and a darn good laugh. Also, she could have used a small veil so that she would actually look like a bride. I think Stella runs a bit on the controlling side and probably trying to keep Nancy down a bit.

– Clarice, Hanover, MA, USA, 12/10/2011 19:09

I agree with Karen from Bournemouth on the comment about the dress should have been to the knee. The dress is okay over-all, nothing special. She has rather unattractive legs, and those sandals look like something my grandmother would have worn, coupled with the big feet, not a good look. And before anyone starts, I have huge feet. It’s just a fact, if you’re wearing a dress at a special occasion, you need a heel so you don’t look like Magilla Gorilla in the foot department!

I wore a dress very similar to Nancy’s for my wedding in the 71 but with an open collar. It looked better than this. I designed my own clothes taught by my mom who was a dressmaker back then. I am no fan of Stella McCartney and think this dress does not do the bride justice. Same with V Beckham with her metal zippers on the outside. Plain old poor workmanship and I wouldn’t be caught dead in one. This looked much better on Wallis. I wonder why she would want to imitate a woman so hated in the country she is adopting?

– Mary, LA, CA, 12/10/2011 17:46

I noticed the design influence but wasn’t the original dress pale blue? Also I suspect Stella McCartney planned for it to be worn longer and it was shortened rather badly at the last minute. I thought the change in colour made it look like a nightie – rather Brides of Frankenstein. I can understand the bride wanting a shorter length for a Registry Office Wedding but there is a recognised way of hemming that sort of fine fabric which has not been followed. Looks to me as if the Bride and the Stepdaughter didn’t exactly see eye-to-eye and some unskilled person was let loose on it.

– J Huxter, Surbiton, Surrey, 12/10/2011 15:12

Wallis was better dressed for her wedding than Nancy by far. You would never have caught Wallis with her skirt above her knees, no tights and sandals no woman past 30 should wear, let alone to her own wedding. She was no beauty but she was elegance personified – a quality very few women possess today – including the new Mrs McCartney. She looks passably nice but that’s all.

– Reubenen

The only resemblance I can see is the nose. The dresses are not the same at all.

Does any one remember the film King Pin with Woody Harleson? The older woman in the film who is romantically involved with him has legs like that. Yuck.

– James , UK., 12/10/2011 11:36

Thank you for your comment, Daddy Longlegs…..I’ve never understand why grown women stand all sprattled-legged or pigeon-toed when they know they are being photographed. Were they reared by wolves? Did their mothers never take the time to teach them how to stand & walk gracefully before their first big “dress-up” event like childhood banquets or proms? Thank you to all the mothers out there who showed their daughters how to stand with their knees together!!!!!!

– Caroline, Dallas, Texas, 12/10/2011 11:31

What’s with the shoes? Her feet are literally swimming around in them like they are 2 sizes too big & too WIDE!!!!!!!!!

– Caroline, Dallas, Texas, 12/10/2011 11:21

She has very boney legs and ankles :

– charley, Surrey, 12/10/2011 11:03

Wallis looks like an ironing board with an ugly head stuck to it. No amount of money could help her – she was always a very well dressed and very ugly woman.

– Sa6, Somewhere, Here, 12/10/2011 9:56

Looks like Stella was taking the p*ss. She obviously doesn’t like this one either but can’t say anything.

– Fiona, West Lothian., 12/10/2011 9:17

She looks dressed for a church pageant not a wedding. Drab and unpolished.

– Kitty, Dallas, USA, 12/10/2011 8:09

t’s nothing like Mrs Simpson’s dress! Who writes this rubbish? Too short for her knobbly knees and those cheap looking sandals. Yuk. I Like the top part though.- Kate, York, UK, 12/10/2011 8:06

OMG, the bride has ugly, skinny chicken legs.

– Mary, NYC, 12/10/2011 7:40

And the groom’s hair was inspired by Ken Dodd! Nancy should have worn a dress more like the original that covered up her sparrow legs. This heiress clearly didn’t go to finishing school – they would have taught her to stand like a lady, with her knees together!

– Daddy Longlegs, Planet Earth, 12/10/2011 7:05

Stella’s designs are awful, she needs a refresher course in dress designing as Ive only ever seen one or two outfits that have looked reasonable to wear.

– Kathy, Birmingham UK, 12/10/2011 7:01

Would have been so much more ‘classy’ if it had come just below her knees. Instead the hemline looks a little understated. Nobbly knees and no tights/stockings – all a little bit unflattering.

– MatildaUK, UK, 12/10/2011 6:2

Yet to see a decent creation from Stella, and the original was far better.

– jack., ashford.england, 12/10/2011 6:28

Read more: //www.dailymail.co.uk/femail/article-2048237/Nancy-Shevell-wedding-dress-Stella-McCartney-inspired-Wallis-Simpson.html#ixzz1ajvcuqFR

Share