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Lady Violette

The Romantic Lifestyle

Posts Tagged ‘Style’

The White Shawl “Scrunched” to make a Fresh Stylized Flower Blooming in the Cold and Snowy Dead of Winter!

Friday, February 25th, 2011

White Shawl with Schrunchy Flower Styled by Tricia James

Here is yet another variation on the same basic wrap of the white shawl – this time “Scrunched” with a brown taffeta hair scrunchy. This flowery variation blew me away!

Tricia took a cloth covered hair scrunchy edged in beads, and pulled a section of the shawl through it, then fanned it out to create a Stylized Flower on one shoulder. After shaping it with her fingers she secured the “flower” with one corsage sized long straight pin, hiding the pearl pin head in the folds of the flower.

It is snowing outside and this is a way you can make and wear a fresh flower corsage in spite of the weather! And what a clever way to actually use that stack of seldom worn hair scrunchies made of pretty fabrics that have accumulated in a drawer! I must have 1/2 a dozen of them in various colors that I am now excited to try out as flowers on scarves!

Tricia will come back next week to help me write up directions for tying and styling these scarves which I will then post for you to follow. Meanwhile you can visit International Scarf Stylist Tricia James at scarfgenie.com

I am going to make myself some hair scrunchies  just for the purpose of wearing them as cloth shawl flowers. This seems like a great way to utilize a small bit of pretty fabric, doesn’t it? When I figure out how to make them I will post the instructions as well.

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Snowed In & Sewing Today! What is in my mind’s eye as a costume designer?

Friday, February 25th, 2011

The Amazing Vintage 60's Giant Paisley Print Silk Fabric

It is dark and ominous out, cold skies, crows circling, dustings of snow occurred during the night.  The roads are deserted. It is weirdly overly quiet and still. A big snow is predicted! It snowed about 3″ during the night. So the rooftops are white and the grass lawns are white, but, so far, the roads are still black, and we have been getting only flurries …

But something is coming … it feels spooky… so I got prepared, last night, to stay home and sew all day! Now we are waiting for the storm to begin…

A huge black crow just swooped past my window…It is cold and drafty… awful… and I am happy to be inside!

But I wonder if he is spying on me! Does he know what I am doing in here? They always seem to be watching! They are everywhere! Maybe they have a bird’s eye view of the design process! I went to the fabirc store yesterday and they were circling around above the parking lot when I left! What is it with these huge black birds? I feel like I’m in a Hitchcock movie!

I am currently working on two costumes for, Princess WOW! to wear in upcoming  concerts. I have decided to document my design process, as if to give a telescopic view of how a costume for a performer evolves.

I want to describe and show what happens, in my mind’s eye and in my imagination as a designer, when I conceive of a design and execute a costume.

This one began with discussion of Princess WOW’s current work. She described how she is dressing in bright colors and styles reminiscent of the flower children of the late 60’s because these costumes instantly charm  people and make them happy. She explained that she uses the hippie styles and bright colors, to get people’s attention, get them to stop, take notice, then interact with her. Her entertaining and colorful costumes get them to smile,  then stop and listen to what she has to say and ultimately join in her efforts. These efforts are, ultimately, to make the world a better, happier, more functional place. These are the same ideals that propelled people in the late 60’s and early 70’s at the height of the hippie movement. The flower children of 1968 wanted the same thing for the world. They were idealists.

As Princess WOW! described her work I remembered that I had this amazing vintage 60’s giant paisley silk fabric pictured above. I have had it, packed away, just waiting for the right project for years! The colors are bright & beautiful. The paisleys are huge about 9″ to 13″ in length. The weight and drape of the silk is right for a costume of the sort she would like to wear. I could picture the entire thing in my mind’s eye, as they say, as she described her needs. I also just happened, luckily, to have quite a lot of this amazing fabric!

I could envision a long empire waisted , flower child/ princess gown with huge beautiful billowing ecclesiastical sleeves,  ~ part Elizabethan, part Chinese, part Penelope Tree 1968 fantasy flower child in a David Bailey photo shoot perched precariously on a Himalayan mountain peak, and part fairy tale princess.

I could instantly imagine people saying WOW! when they saw the giant silk paisley print pictured above as the long gathered skirt and the full sleeves of this amazing concoction combined with a strong, acid bright and highly textured magenta silk shantung crossed over in the front for the bodice. Then the whole dress lined and accented in a softer slightly lighter shade of magenta crepe de chine that would show here and there, now and then. I could imagine the inside of the gown as secretly beautiful and unusual as the outside! I say secretly so, because only the designer and the wearer of the finished gown will see the lining, and  the way the costume is structured and executed on the inside. And the way it is decorated, on the inside, just for them, with ribbons and tiny flowers made of ribbons.

The way a gown is made and how it is put together is extremely important in achieving the end result.  It gives it structure and body support for the figure within and makes a world of difference in the finished and final effect. I often add special touches that only the designer and the wearer will ever consciously realize are there. The wearer/performer gains confidence and self assurance from these details. She must be able to slip into her dress and go onto the stage without any further concerns as to how the dress may fit or move or look during her performance. She must be able to forget about all of that and simply concentrate on her music or her dancing or her acting …As a dancer I wore many performance costumes myself and became very aware of what was needed. As a performer one must be able to forget her costume when she is wearing it. It has to become a natural part of her.

I knew, in my mind, as described above, exactly what I wanted to do! This further included;

the addition of a giant obi sash/belt to be tied at the empire waist just under the bust, in a soft bias cut yellow ochre fabric with long trailing sashes,

making an optional use sequined silk organza overlay for the skirt (which will essentially easily create a second version of the costume that looks completely different from the first version) and can be used during concert to achieve an alternate effect easily,

outlining (and thereby enhancing the shimmering effect from the stage lights) the giant paisleys pictured above with tiny beads and sequins which I would have to sew on one by one by hand,

accenting that magical glittering effect even further, by strategically hand applying more of  sequins on the top layer of the organza overskirt.

Well, It is snowing today, and I am working on the costume!

And – at the end of the day, – when I look at the photo, again, of the paisley fabric I can also see large colorful Japanese carp swimming in a pond with bright flowers floating in it. And a beautiful crested bird. All of these images will influence  the formal final version of the dress when it is finished.

In this case,the concert costume designs arose from  discussion about what the flower children wore in 1968 and tangential associations I made between my experiences and the needs of the client, Princess WOW!

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The White Shawl Again – This Time Antiqued with a Vintage Gold Brooch by Sara Coventry

Wednesday, February 23rd, 2011

White Shawl - Antiqued with Vintage Gold Brooch

Here is the white shawl yet again! Tied in the same basic way and accented with a lovely vintage 1950’s gold double pin brooch with a chain and dangles designed by Sara Coventry. This would be beautiful paired with a simple gold bangle bracelet , gold rings and gold earrings. I like all the looks we have tried so far, but I think this one is particularly  glamorous. It demonstrates my belief that vintage glamor is timeless.

The creamy natural white silk shawl is a perfect foil for gold jewelry which in turn is very flattering to every skin tone. The reason gold jewelry is popular is that it actually does softly flatter women and, if carefully chosen, can be worn with just about anything.

The gold is lovely here paired with the white shawl and would be equally so with a perfect white blouse. I have put it over a basic dark velvet sheath dress. A dark sheath dress, or a dark skirt or pants always work as base pieces under scarves and shawls.

The same white raw silk shawl, again, is tied by International Scarf Stylist Tricia James of scarfgenie.com

Soon, Tricia will give us instructions with pictures to follow on how to do these shawl and scarf ties and variations  ourselves. then we will have to practice! I for one am determined to master this!

I should point out that i antiqued the photo one step as I could not resist doing so to enhance the antique feeling just a touch. It just made the photo a tad warmer.

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Lady Violette’s Knitted Neckpiece ~ The Unique Tie~on Scarf in Fleurific Colors & How to Make a Version of it for Yourself

Wednesday, February 23rd, 2011

Lady Violette's Fleurific Neckpiece/Tie-on Scarf

My Lady Violette Neckpiece is actually a little scarf made of scrap yarn – albeit, very elegant scrap yarn! And scrap ribbon! I used about 10 different kinds of yarns from mohair through shetland wool to novelty yarns, tweeds, smooth, fluffy, sleek, and some bias tape ribbon sort of stuff which is what you see in the grayish sheer lavender bows. I had lots of little odds and ends left over from larger projects or single balls of yarn I had collected in my personal color way.

I began with all my yarns in a basket and a pair of straight 10 ” long size 10 US wooden knitting needles. That’s it! I have found that the yarn looks and knits differently on wooden versus metal or plastic needles and I far prefer the look of knitting done on wooden ones. I have made swatches, even entire gloves on different types of needles using the same yarn in order to compare the end results. If you have a choice, use wood. In my opinion it makes a more beautiful stitch.

I didn’t knit any swatches. You don’t need to! You can just jump in and make this. It took me less than two hours. I made it while a friend was reading a draft of his novel to me. Which just goes to show that you do not have to concentrate too hard on this knitting project either! No counting of stitches or rows is necessary, nor do you have to follow any patterns or chart! Isn’t this easy? This is a simple little knitting project that you can do quite quickly for pure enjoyment with no frustrating side issues!

Finished scarf should be about 5 – 6 inches wide. The length can be whatever you want. I put it around my neck crossing the ends over each other and stopped knitting when I felt it was long enough. At that point I cast off. Then I inserted the ribbon through a few knit stitches on each edge where I wanted to tie the scarf together to hold it around my neck. I tied the dangling ends into little bows and trimmed them to the lengths I decided looked nice. Et Voila! C’est fini!

To start knitting: cast on enough stitches to make a 5 – 6 inch wide finished piece. I worked at an estimated gauge of about 3.5 stitches per inch. I combined yarns of various thicknesses as I went along, maintaining the feeling of the gauge between my fingers. Thus, I begin with a mohair and a tweed held together, knit a couple of inches, then added  in a different  thin yarn, knit a couple of rows, removed one of the yarns I had been knitting with and started with another thicker, bolder one. When I added a yarn I did not weave in or cut off the yarn tails. I left them for incorporation into the design at the end as little ties or dangling tassels. Some yarn ends I tied into yarn string bows.

I tied the over lapped ends in place permanently so there is no fiddling with the positioning of the neckpiece when you put it on. You just pull it over you head and arrange it into your desired wearing position. It will stay in place, never slip or fall off because it is, essentially a collar or cowl neck ring, not a rectangular scarf. It is like a lovely, cozy, soft, knitted necklace around your neck! It is there to envelope you softly and keep you warm and make you beautiful with it’s flattering flower colors.

Choice of yarns: be sure they are soft, non-scratchy or non-itchy types. I cannot tolerate any irritating yarns around my neck. I know, from experience that children will discard itchy hand knits! And adults will make every excuse not to wear them! Of course yours can be any colors you want to use.

I cannot advise you how much to knit up in any one yarn. You have to be the judge of that as you see your handiwork unfurling before you! That is a nice thing about this little project! It will be very personalized because you will be using your own yarn choices and your own unique judgement as to color and textural combinations. I only used knit and pearl stitches, but you could use pattern stitches or combinations if you want to try it. Anything goes! Because this is Making Art!

My finished Lady Violette Fleurific Neckpiece Tie-on Scarf, can be worn over many things. I wear mine over a long sleeved jewel-necked Michael Stars t-shirt or a very plain thin knit rose-colored sweater. I can wear it atop my hand knitted striped poncho for a really dramatic combination which is also extremely warm. It also works for me over a long deep purple wool coat, or over the top of a turtle neck sweater. It is very lightweight and soft so it s an ideal and extra beautiful top layer. A nice final icing to the cake in winter!

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Lady Violette’s Very Personal Color Way ~ Fleurific Shades of Violets, Lilacs, Lavender, Orchids, Cosmos and Roses

Wednesday, February 23rd, 2011

The Fleurific Poncho & Neckpiece by Lady Violette

As Lady Violette, I have my personal flowers – the violet and the rose, and I also have my own favorite and very personal colors ~ the same range of colors ~ the violets and the roses and every variation of lavender, lilac, pansy, orchid, cosmos, and purple in between! These colors remind me of my personal flowers and, if I wear them, do their job, as they flatter me in every way!  I know they will look good on me so I can grab them and go

I have made up and used the word Fluerific, to describe them for years. After all fleur means flower in French so it figures that it would work, as a word, combined with terrific. La Fleur is also feminine! Of course! As Lady Violette, I have created a new word and It is here to stay. Permanently! I have been using it for years. I am now making it available for everyone to use.

I knit. A lot. Period! And I love beautiful fibers and yarns, and ribbons. These luxury yarns and fibers are expensive and hard to come by, and it takes a lot of time and a lot of money to knit a full garment out of one. Not to mention discipline, stick-to-it-iv-ness and determination to  make a garment from start to finish. One can easily spend over $100 on supplies and 100 hours or more on execution of a hand knitted article of clothing. If I am going to do that I am going to end up with a garment that is a work of art.

I cannot possibly knit and crochet everything I dream of making! There is not enough yarn or time available in a lifetime! Thus, I discovered that I could somewhat satisfy my yarn lust by buying  just one ball of yarn that fell into my fleurific color way and adding it into my yarn basket and using it in combination with others to make totally unique items of my own design. Thus I have developed my style of knitting. I draw yarns from the basket and work with them just as I would if I were painting.

I have experimented with knitting like this a lot and have gotten to the point that I can feel the yarns coming together through my fingers in the correct gauges as I work. I develop the shape of the garment I am making as I go. I have made sweaters, scarves, shawls, ponchos. hats, gloves, socks, etc, in this way. No two ever come out alike! and I think making two alike would be incredibly difficult! I also have no idea how it will come out until I am well into knitting it. This is because this kind of knitted work cannot be designed ahead of time ~ it is a flowing design process that just comes out of me while I am doing it rather, I assume, like a silkworm produces as he is spinning his silk!

Pictured is my Fleurific Poncho and separate Lady Violette Neckpiece shown in one way it can be worn ~ over the poncho for extra warmth and dramatic flair at the neck…Both are my own Lady Violette Original Designs. The neckpiece is actually a kind of scarf, tied together with ribbons.

I am working on writing instructions to give other people so they can make their own versions using the techniques I am using. I cannot write exact patterns as all yarns and knitters will differ, but I can explain how it is done so that another knitter can embark on a similar project. You can begin by collecting a big basket of yarns in the color way you desire to work with. I recommend a personal color way of course!

A big beautiful basket of colorful hand made yarns is a nice interior design element in your house as well! People seem to enjoy looking at the balls of yarn, picking them up, feeling them, commenting on the textures, softness and colors. One more example of the enjoyable  “The Feminine Arts!”

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