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Lady Violette

The Romantic Lifestyle

Posts Tagged ‘Style’

Elegant & Flattering New Tie On a Pashima Shawl

Monday, February 28th, 2011

Pashima Shawl Folded & Tied as a Scarf to Ring the Neck & Light the Face in Flattering Color

In her never ending creativity with scarves and shawls International Scarf Stylist Tricia has just invented this new way to wear a pashima – as a beautifully styled scarf to ring the neck and light the face in flattering color.

She actually just invented this new method of tying the shawl! It amazes me because I have seen stacks of these in department stores in scores of pretty colors and wondered exactly what one was supposed to do with them, beyond the obvious thing of wrapping your shoulders with a stole.

Now I feel like I need a stack of pretty colors to wear in all the ways she ties them! If you find a color that flatters your complexion, eyes, or hair (or all three) and learn how to tie it, you have an instantly unique accessory that lights up your face and also adds a bit of warmth around your neck and shoulders. And is unique to you!

The right scarf/shawl and way of tying it can transform any simple dress or blouse into a stunning outfit. I have begun to think of them as transformers! This is a traditional cashmere Pashima shawl size 28″ x 80″ and is folded and tied to wear as shown.

We are working on writing and photographing the directions for tying a pashima like this so you can learn to do it yourself. I’ll post them soon. meanwhile you can visit International Scarf Stylist Tricia James at scarfgenie.com

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What Makes The Picture a Good Portrait? About “Fur is Fabulous!” … Part 2

Sunday, February 27th, 2011

"Fur is Fabulous"

Continued from Part 1, published on 2/16/2011.

*As a portrait the picture “Fur is Fabulous” is good because it captures me as a unique person and tells a lot about me. I also like it and what it says about me. I look like an exotic French bird of some sort. It reminds me of a film still from an old black and white French or Italian movie from the 1950’s or 60’s, an era in film which I love. Several of the kinds of art work I do are shown in the picture – my vintage clothing restoration work, my sewing, my passion for creating and wearing hats. I have often worked as a hat model (for hat designing friend, Princess WOW! several others milliners, and several photographers,) – is that not obvious? (I say in jest!) As well! And I am wearing an antique black silk kimono which I love and am very comfortable in.

Then there is the “hat/sleeve” thing going on. There is a saying, “He is wearing his heart on his sleeve.” which refers to him showing his emotions, what is in his heart, very directly, upfront, not trying to conceal it in deep secrecy. He is being very open about what he truly feels. It just happened that I was admiring and appreciating the softness and Absolute Beauty of the luxurious black Norwegian fox fur cuffs and I put one on my head to try it out as a hat and suddenly I was wearing my sleeve on my head!” Which brings me around to the other reason this photo is successful.

The brain is the center of thought. It is located inside the head. If one calls attention to that which is deep in his heart – by wearing his heart on his sleeve – it follows that one is bringing her thoughts on a subject to the fore by wearing them on her head! As I said, “Fur is Fabulous!” I was expressing my deep appreciation for fur’s Absolute Beauty.

By Absolute Beauty, I mean in the deepest purest sense. As a work of nature, as the coat of a wonderful creature, my appreciation for the beautiful animal from which it came, for that animal’s soul, and for his freedom to live in our world and be himself – running free and exquisite. I was thinking as I stroked the long dark soft fur of the Norwegian Fox, that he must, in his natural habitat, be a shining silky black creature living in a beautiful white snowy place, with deep green fir trees laden heavy with snow …..” And while I was thinking about him out there, blissfully and innocently living his life, streaking swiftly and gracefully through the forest…

I was also thinking about, and appreciating, the exquisite work of the professional fine art furrier who had made these beautiful cuffs and designed the 70 plus year old vintage coat I was rescuing from abandoned oblivion. I was thinking about the old furrier’s skill at working with the exquisite shining black fox pelts and how this ultra-skilled profession is also coming to an end. How it is, sadly, dying out.

I was thinking about my lovely and wise 96 year old friend who was a life-long professional furrier. And was, also, a teacher, in a now closed down fashion institute, specializing in designing and sewing with real and valuable furs. We have talked a lot about her career in the fur industry in the old days and what she knows about furs. She too is a dying breed. Even more in danger of extinction than the animals on the endangered species lists. This too is sad! Is it not?

That is what I was thinking! I was thinking that I must interview her formally and write about her and her work before it is too late. She is healthy now, but she is getting on in years and I have to do this before it is too late.

Lastly, I was thinking about the fact that I was recycling an elegant old coat. I had cleaned it, relined it, changed the buttons as it was missing one, and cleaned and mothproofed the fur. In changing the buttons I had found appropriate vintage replacements from the same era. I was now in the process of putting the cuffs back onto the coat so I could wear it. I am very proud of my textile and clothing restoration abilities and of the part I am doing to restore and reuse elegant clothing from earlier eras. I resurrect it. I give it a new life. I wear it. I photograph and document it. It gets used, seen, admired, enjoyed, generally talked about. The artists and designers who made it long ago and were forgotten about are remembered. In a way, I make all of them, including the animals whose pelts are in the coats live again. I think this is far better for them than having them molder away into total extinction, long forgotten, in a damp closet or attic somewhere!

I feel that, when I am wearing these beautiful vintage clothes elegance is, on some small level, restored to our modern world. I get a lot of interesting comments about my clothes and how I look. It opens peoples eyes to what was done historically and to what is still possible if you care to put the time and effort into dressing this way. In fact, into every aspect of your whole life. If you choose to contemplate on it you will become aware of many more ways in which you can reclaim elegance from the past and incorporate it into the here and now.

Sometimes, when I am asked about my interesting clothes I get the chance to explain that I restore them and sew by hand and on old sewing machines. And that I also find and restore the old sewing machines and other tools of the trade that I use. I may get to explain that I am a major recycler. My entire house is filled with things I have found and gotten second hand. I have, for instance, a vintage Italian Pavoni Espresso machine. I use it everyday. I love it! I love the processes of doing everything from scratch. Doing things this way, by myself, pleases me.

I happen to have met the furrier I told you about because I responded to her posting on Craig’s list when she was downsizing and selling her Singer Featherweight 221 sewing machine. I went to her home to look at the machine, she saw my clothes and my style, we began to talk and we immediately hit it off! Her name is Dorothy.

I did purchase Dorothy’s sewing machine. She told me she also had boxes of old vintage sewing patterns and would I like them? I said yes! As it turned out she gave me a couple of hundred old patterns – and she had made all of them herself at one time or another during her life. The dates of the patterns she gave me began in 1932 when she was 17 with the dress she wore to her high school prom. and extended through to 2008 when she decided to stop making all her own clothes. Each pattern was carefully labeled with the date she made it and what occasion it was made for. In many cases there was a sample of the fabric she had originally used attached to the pattern envelope.

Dorothy gave me the documented story of her life in her sewing patterns. I spent a lot of time listening to her stories which I find fascinating. And from which I learned a lot. She apprenticed with a fine furrier when she got out of high school and spent her entire life working for his firm. She was also married and socially active. She also became a professor at The New York Fashion Institute teaching furrier design, construction and sewing techniques.

She is the only person I know who is able to explain how an older style fur coat or hat was made and identify the unusual types of furs in some vintage pieces. She has an amazing personal collection of vintage fur coats and yes, she still wears them, regularly. Dorothy is a treasure.

The Peta people wouldn’t dare mess with Dorothy. She commands there respect. She is also for the most part, on their side. She loves the animals that produce the fur and wants to protect them. She does care.

Anyway, Dorothy has been a fascinating person for me to get to know. I think she feels the same way about me. She told me that she likes being friends with me because she doesn’t have many of her old friends left any longer. And we have a lot of shared interests.

I am so glad that I have met her! And that we have become friends. And it all happened because we appreciate fur for it’s Absolute Beauty. We both think, “Fur is Fabulous” including the animals it comes on!  Mostly for that reason, actually. And we have become friends because we share this deep appreciation.

Amazingly, all these thoughts were going through my head when I said “Fur is Fabulous” and my son was taking that picture. He only made one exposure by the way. It was a very spontaneous experience.

To be continued with Part III, of “Fur is Fabulous”

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The Fine Art of Draping the Human Figure

Saturday, February 26th, 2011

The Fine Art of Draping the Figure

Artists have drawn and painted the human figure draped in beautiful folds of cloth to enhance its intrinsic grace for as long as they have been making art.

And I have been thinking about this all week as I have studied the pictures of Tricia’s beautiful scarf tying techniques.

What could be more stylish and feminine in any time in history or in any culture than a beautifully draped human figure? I can’t think of anything! But I can think of many beautiful examples of draping.

There were the, the Egyptians, the Greeks, the Romans, the East Indian Women in their exquisite saris, Isadora Duncan the modern dancer, and more beautiful sculptures and paintings than anyone ever could list – just to mention a few examples. Every museum is full of them!

Draping the female figure alluringly is most definitely an example of the Feminine Arts throughout History.

Here Tricia has again used her basic wrap of the white silk shawl, then decorated it with a Ficcare Maximas Clip. These are designed to use in the hair to hold French twists and buns in place, but we have found them to work as excellent shawl and scarf clips as well.

I will post instructions for tying and styling these scarves soon. In the meantime you may visit International Scarf Stylist Tricia James at scarfgenie.com

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Baaharaji ~ The Expert Knitter

Friday, February 25th, 2011

Baaharaji the Knitting Guru

Baaharaji is a young sheep from India who is an amazing knitter. He is nicknamed The Knitting Guru!  No project is too difficult for him to master. He is a very clever fellow.

He has a distinct personal fashion style always wearing arm bands made of his current favorite yarns and often sporting a turban created by a ball of yarn. He often wears hand knitted Rasta hats that he makes for himself as well.

Here he is about to knit Sari Ribbon Yarn imported by Louisa Harding from his native India, into a complicated project using many types of novelty yarns knitted together. The Sari Ribbon has a metallic silver streak throughout. Baaharaji is working on my knitted Poncho in this photo. The finished poncho is shown a few postings back.

Baaharaji is one of a group of sheep knitting mascots that I have. He is a patient knitter and is always willing to hold yarn stretched out between his paws so that it won’t tangle while I wind it into balls.

Baaharaji has a personal goal to teach as many children as possible to knit.

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Lady Violette’s Design for Knitted Raspberry Colored Gauntlets

Friday, February 25th, 2011

Lady Violette's Lace Up LIke a Corset Raspberry Gauntlets

I have just finished designing and knitting this pair of gauntlets which cover the arm from wrist to elbow and are laced together like a corset which allows a flirtatious bit of skin to show through. These are made to fit with negative ease and it took me a couple of tries to get the sizing down (small enough) as I wanted a good tight fit with stress across the lacings to give me the best looking laced up effect.

This was an experiment. I was not sure if it would turn out! But I love them and will now make them again and carefully document the process so I can share it. The yarn I used is left over Manos del Uraguay Wool Classica and required less that one full skein. I recommend winding one skein into two balls of equal size before starting a pair of these so you are sure to end the first one before you have knit over 1/2 the skein’s worth of yarn. The same way one divides a skein of sock yarn.

I used Brown Sheep’s Lamb’s Pride Bulky for the Lacings. The stitches at the end of the gauntlets are left live on purpose. I laced the Brown Sheep Lamb’s Pride Bulky yarn through them so I could try on the gloves for fit and it looked so cute that I decided to leave them live and utilize the lace effect of those stitches rolling a bit and creating a tiny ruffle on the end.

These must be made to measure for the person they are for. You need to make them a very tight fit. I made these up as I knit and did not write down the pattern but they turned out really well after some initial struggle with the sizing, so I have bought some more yarn and will make another pair and document the pattern, then post it. I will then be able to give exact directions for making personalized measurements.(I do get mad at myself when I don’t document the pattern the first time through. But I get carried away with the process and don’t take good notes. It is actually easier for me to write a pattern when I make a thing the second time as I am doing it very deliberately so that someone else will be able to understand it. Now that I am posting it on my blog I will take pictures as I go to illustrate the process as well.

I find it hard to know if I am doing something correctly when I don’t have an in process photo to check my progress against. Most knitting patterns only give you a finished photo to look at. I want to provide a few pictures of the step by step process of a garment underway …. so I am going to experiment with that on this little gauntlet.

This is a nice small project as it can be done quickly, doesn’t require a huge investment in yarn and is fairly easy to make. Then there is the added cuteness factor!

I used size 7 and size 6 needles. Manos del Uraguay Wool Classica for the main part of the gauntlet and Brown Sheep’s Lamb’s Pride Bulky for the lacings. Any yarn of the similar weight should work and you could use ribbon for the laces instead of bulky yarn. I had intended to use ribbon, but when I did my try on with the Brown Sheep’s Lamb’s Pride Bulky yarn lacings I liked the way the yarns look together so much that I decided to leave it in.

I will post the pattern and a photo of the gauntlet on a model soon.

The cost to make a project is always a concern so I called The Weaving Works in Seattle where I often buy my yarns to check on the current cost of these yarns. Brown Sheep’s Lamb’s Pride Bulky costs $8.15 per skien. Manos del Uraguay’s Wool Classica costs $ $15.25 per skein in solid colors as I used here or $17.25 in varigated colors. My cost to make the gauntlets pictured was $15,25 for the ball of Manos. I used a bit of leftover yarn from my little Lady Violette Vintage Violet Clutch Purse for the lacings. The cost of yarn for that purse was $8.15. You can make both the gauntlets and the purse for a total yarn cost of $23.40! Not bad is it? I will post this information as “Cost of Knitting” with an additional photo of both projects shown together for those who are interested.

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