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Lady Violette

The Romantic Lifestyle

Posts Tagged ‘Princess WOW!’

The Teal Box Hat – A Vintage 1995 Design by MIndy Fradkin of Important Hats.

Monday, March 7th, 2011

Teal Box Hat by Mindy Fradkin Important Hats~ 1995

Here is another lovely hat designed by Mindy Fradkin when she made “Important Hats”. This one was done for her Winter 1995 Collection. It is hand pleated and sewn teal silk topped with black cock feathers with a blue/green sheen and accented with a vintage black lace flower with a rhinestone center. MIndy is now better known as Prncess WOW! She still designs the occasional hat for a private client but is primarily involved in full time work for the Smile Revolution. She continues to wear her own designs in her work because hats are joyous creations that make people smile. You can click on the link at the end of this post for more information on Mindy and her work.

I wore this with a belted black lace  tunic over a teal silk camisole with sheer black silk chiffon float pants and a set of two teal and turquoise long flapper style necklaces and delicate dangling earrings of of my own design. I added vintage black lace court shoes. A long black velvet evening cape closed with Oriental frogs, decorated with huge silk tassels and lined in teal brocade printed with butterflies modeled after one I’d seen in drawings of Paris fashions from the 1910’s, subtly completed my look. I say subtly because the cape initially appeared to be all black. It was only after opening it that one would know is was lined in bright silk butterflies. It was all luscious but the hat was the attention getting center piece of the ensemble. I wore this to a performance and benefit concert for the Martha Graham Dance Company at New York City Center Theater and a party afterward where most of the guests were wearing vintage Halston. I think my outfit got more attention than most of the others worn that night. I felt as if  I had stepped out of a scene from  Scheherazade and  was dressed by Leon Bakst. Everyone asked me who had designed my hat! And I told them ~ Mindy Fradkin of Important Hats, of course!

Back View of Teal Box Hat

Someone at this Martha Graham event who was producing a Broadway play wanted Mindy’s contact information so he could discuss designing hats for a Follies-Bergere influenced show he was working on. I did refere them to each other. It was typical to have people ask for the designer’s contact information when I wore Mindy’s hats. I was always delighted to provide this.

I love the way the teal fabric is pleated and overlapped  in the back of this hat. You always know you look just as elegant and intriguing from the back as you do from the front in one of Mindy’s Fradkin’s Important Hat Creations. She designed her hats to flatter the wearer from all directions.

Inside this hat is equally beautiful. All hand stitched and lined in black silk and has one of her handmade labels. She paints these herself for each of her creations so they are essentially “signed” by the artist. Each of Mindy’s hats is really like a small sculpture. When you wear one you are wearing a work if art. Each one is completely handmade. They are true couture creations! What I love about couture clothing and accessories is the care that goes into the conception and production of each piece. And the fact is that each piece is totally unique. For me, as the owner and wearer of such a piece, I derive great personal pleasure in my own appreciation of the designer’s skills and the beauty of the execution of her vision. I love the handmade workmanship and the artist’s individual mark. The quality is unquestionable! That is the private experience of wearing couture.

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“Confessions of a Head Turner” – or What Happens When I Wear a Beautiful Hat.

Saturday, March 5th, 2011

“Confessions of a Head Turner ” was originally  written by Lady Violette for Princess WOW! when she was primarily  known as Mindy Fradkin’s Important Hats. It was published in 1995 in Breukelen Magazine in NYC  with accompanying photos of Lady Violette wearing Mindy’s hats. It still holds true and it is still fun, so we decided to bring it out for contemplation if you find yourself considering wearing hats again this spring and summer as we do. (We being Lady Violette & Princess WOW! )

Over the years we became good friends through out mutual love of hats and our design work together. It is also interesting to note that, years after I originally wrote this piece, Princess WOW! met her husband, artist Roland Mousaa, because he saw her wearing one of her hats while waiting in a line to be seated at a restaurant, just as I wrote happens when you wear her hats! A real adventure!

Now Mindy Fradkin is Princess WOW! and her main focus has changed from making hats to her work for The Smile Revolution but she still makes and wears her own hats in her concerts and performances and for private clients. Lady Violette has taken good care of all her Important Hats and still wears them regularly. We love hats! And spring is coming! A new hat for easter has always been a tradition! So, it has gotten me  thinking a lot about hats ~  Hats off to Princess WOW!  And a stroll down memory lane with ~

“The Confessions of  Head Turner”

I love to wear Mindy’s Important Hats. I never go without an Important Hat. I have two dozen of them. They make adventures happen.

I meet men. Men follow me. I feel mysterious, like a heroine in a novel. Like Zelda Fitzgerald or Greta Garbo. In an Important Hat you create an indelible impression… you become an enigma, unforgettable, memorable…

It’s evocative of romance and another time. A hat is an emphatic statement. Jewelry is more subtle, smaller, meant for close up. A hat can be seen across a street or restaurant. At a distance in a gallery or museum. It casts the wearer’s magic spell…

In giving up hats, women gave up coquetry. Mindy’s hats bring it back, but they are not vintage, not ingenue. They are totally modern & sophisticated, they’re history, too…

They’re true art, completely original form and construction. The simplest looking design transforms a face.

She is the Rodin of the sculptured hat.

When you wear her hats heads turn.

I began collecting Mindy’s hats in 1992. Now I can’t stop!! Each hat represents a different facet of my inner personality to the viewer. They allow me to express the different aspects of my character.

Together Mindy and I continue to discover more ~ a great talent in a designer for her client.

Thank you Mindy for presenting my many inner characters to me and to the the world… To love me you (I mean anyone,) must know me. Your hats project aspects of my inner soul to the outside world (when I choose to do so by wearing one.)

Lady Violet de Courcy, Ballet Dancer, Jewelry Designer, Writer and Mindy’s Muse

Mindy Fradkin-Mousaa, now The Princess of WOW! & renowned hat designer and comedienne performs using her hats, in shows and concerts and at “Hat Happenings” regularly around New York City. She currently works full time for The Smile Revolution raising conscious awareness for the healing power of a genuine smile. She is a singer, songwriter, and concert promoter but still creates wonderful extravagant hats for private clients part time . You can contact her at:

www.theprincessofwow.com

www.thesmilerevolution.com

I will photograph and post pictures of Important Hats from my collection soon…

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Cooking up Costumes for a Princess! Cutting & Sewing in the Kitchen!

Wednesday, March 2nd, 2011

The kitchen island makes a perfect cutting table!

I’m hard at work making costumes for Princess WOW! to wear for her upcoming concerts in New York. My kitchen has been a serving as a sewing studio all week. The kitchen has become a cutting room while I”m cooking up colorful costumes!

 

For a day, every surface was taken over by the cutting process for two long gowns!

 

Tricks of the trade! Canned goods make perfect weights to hold down pattern pieces!

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Snowed In & Sewing Today! What is in my mind’s eye as a costume designer?

Friday, February 25th, 2011

The Amazing Vintage 60's Giant Paisley Print Silk Fabric

It is dark and ominous out, cold skies, crows circling, dustings of snow occurred during the night.  The roads are deserted. It is weirdly overly quiet and still. A big snow is predicted! It snowed about 3″ during the night. So the rooftops are white and the grass lawns are white, but, so far, the roads are still black, and we have been getting only flurries …

But something is coming … it feels spooky… so I got prepared, last night, to stay home and sew all day! Now we are waiting for the storm to begin…

A huge black crow just swooped past my window…It is cold and drafty… awful… and I am happy to be inside!

But I wonder if he is spying on me! Does he know what I am doing in here? They always seem to be watching! They are everywhere! Maybe they have a bird’s eye view of the design process! I went to the fabirc store yesterday and they were circling around above the parking lot when I left! What is it with these huge black birds? I feel like I’m in a Hitchcock movie!

I am currently working on two costumes for, Princess WOW! to wear in upcoming  concerts. I have decided to document my design process, as if to give a telescopic view of how a costume for a performer evolves.

I want to describe and show what happens, in my mind’s eye and in my imagination as a designer, when I conceive of a design and execute a costume.

This one began with discussion of Princess WOW’s current work. She described how she is dressing in bright colors and styles reminiscent of the flower children of the late 60’s because these costumes instantly charm  people and make them happy. She explained that she uses the hippie styles and bright colors, to get people’s attention, get them to stop, take notice, then interact with her. Her entertaining and colorful costumes get them to smile,  then stop and listen to what she has to say and ultimately join in her efforts. These efforts are, ultimately, to make the world a better, happier, more functional place. These are the same ideals that propelled people in the late 60’s and early 70’s at the height of the hippie movement. The flower children of 1968 wanted the same thing for the world. They were idealists.

As Princess WOW! described her work I remembered that I had this amazing vintage 60’s giant paisley silk fabric pictured above. I have had it, packed away, just waiting for the right project for years! The colors are bright & beautiful. The paisleys are huge about 9″ to 13″ in length. The weight and drape of the silk is right for a costume of the sort she would like to wear. I could picture the entire thing in my mind’s eye, as they say, as she described her needs. I also just happened, luckily, to have quite a lot of this amazing fabric!

I could envision a long empire waisted , flower child/ princess gown with huge beautiful billowing ecclesiastical sleeves,  ~ part Elizabethan, part Chinese, part Penelope Tree 1968 fantasy flower child in a David Bailey photo shoot perched precariously on a Himalayan mountain peak, and part fairy tale princess.

I could instantly imagine people saying WOW! when they saw the giant silk paisley print pictured above as the long gathered skirt and the full sleeves of this amazing concoction combined with a strong, acid bright and highly textured magenta silk shantung crossed over in the front for the bodice. Then the whole dress lined and accented in a softer slightly lighter shade of magenta crepe de chine that would show here and there, now and then. I could imagine the inside of the gown as secretly beautiful and unusual as the outside! I say secretly so, because only the designer and the wearer of the finished gown will see the lining, and  the way the costume is structured and executed on the inside. And the way it is decorated, on the inside, just for them, with ribbons and tiny flowers made of ribbons.

The way a gown is made and how it is put together is extremely important in achieving the end result.  It gives it structure and body support for the figure within and makes a world of difference in the finished and final effect. I often add special touches that only the designer and the wearer will ever consciously realize are there. The wearer/performer gains confidence and self assurance from these details. She must be able to slip into her dress and go onto the stage without any further concerns as to how the dress may fit or move or look during her performance. She must be able to forget about all of that and simply concentrate on her music or her dancing or her acting …As a dancer I wore many performance costumes myself and became very aware of what was needed. As a performer one must be able to forget her costume when she is wearing it. It has to become a natural part of her.

I knew, in my mind, as described above, exactly what I wanted to do! This further included;

the addition of a giant obi sash/belt to be tied at the empire waist just under the bust, in a soft bias cut yellow ochre fabric with long trailing sashes,

making an optional use sequined silk organza overlay for the skirt (which will essentially easily create a second version of the costume that looks completely different from the first version) and can be used during concert to achieve an alternate effect easily,

outlining (and thereby enhancing the shimmering effect from the stage lights) the giant paisleys pictured above with tiny beads and sequins which I would have to sew on one by one by hand,

accenting that magical glittering effect even further, by strategically hand applying more of  sequins on the top layer of the organza overskirt.

Well, It is snowing today, and I am working on the costume!

And – at the end of the day, – when I look at the photo, again, of the paisley fabric I can also see large colorful Japanese carp swimming in a pond with bright flowers floating in it. And a beautiful crested bird. All of these images will influence  the formal final version of the dress when it is finished.

In this case,the concert costume designs arose from  discussion about what the flower children wore in 1968 and tangential associations I made between my experiences and the needs of the client, Princess WOW!

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The Red Shoes & Berry Colors

Tuesday, February 22nd, 2011

The Red Satin Shoes

Here is another view of the red satin shoes and the Princess WOW! Costume design project. I wanted to show the graceful lines of this elegant pump. And the rich red color against the magenta fabric I am using in the skirt along with the giant paisley print. The scalloped sides of the shoe are flattering to the feminine ankle, as is the graceful 3″ heel.

This style shoe was initially created by Christian Dior to flatter the feminine foot and ankle. He used them in his New Look Collection right after World War II and they have been around, in one version after another ever since. The lines are classic and a girl can never have too many of them in her personal shoe collection. Contrary to popular belief this is not an uncomfortable shoe style. If they fit you properly they are comfortable.

I love red shoes in general. I think they can be worn with many things. Here I am showing you a color combination I really like – bright shiny red with bougainvillea magenta pink! Luscious! Berry colors! Flower colors! Lady Violette Colors! Amazingly beautiful colors!

Outside, it is cold and grey, overcast and foreboding… and getting colder! Inside I am sewing, in my kitchen, surrounded by the pinks and reds in this project and four blooming African violet plants… Snow is predicted later in the week…

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