While doing some research on the ballerina Anna Pavlova I found this formal portrait of her wearing an extraordinarily beautiful lace dress with a train and a lace shawl or cape. This is not a wedding dress. It is just one of the many glamorous gowns she collected and wore in her normal non dancing life. She loved fashion and dressed exquisitely. And made sure she was photographed in fashionable attire as well as her dance costumes. And she spent a fortune on jewels, furs and designer gowns. It was necessary part of building her image. This gown appears to be an empire waist creation with short sleeves that is belted with a soft cumberbund under the bust. The skirt is longer that floor length in front and extends into a flowing train behind her. The shawl or cape is a diaphanous lace creation. I cannot find any information on the designer of the dress or the occasion for which she wore it. Knowing Pavlova she may have acquired it solely for the purpose of wearing for a photo shoot. She carefully constructed her public image as a star ballerina and artistic beauty through publicity photos designed to present her as a great beauty. This was a common practice for stage performers at the time. ( As it is today!) There are many photos of Helen Haze in equally exotic fashionable attire as well. These women were well aware of the powerful allure their images held for their adoring public. I love this style and era of fashion.
Posts Tagged ‘Photography’
Meet LaMarelle ~ An Artist Who Coutures Her Own Gallery of Unique Designs From Treasures of the Past
Sunday, August 12th, 2012
I have a talented friend named Marelle, an artist and designer, whom I want to introduce to my readers. La Marelle loves vintage fashions and accessories as much as I do! I met her on Etsy where we both have shops. Marelle finds previously owned, loved and gently used vintage purses, handbags, hats, shoes, jewelry and hair ornaments and waves her magic wand over them to couture them into new transformed pieces using the original old piece as a base or canvas, on which to create a unique new piece of fashionable wearable art. She describes what she does to a vintage item to recreate it as one of her own the process of couturing it.
Every item Marelle coutures is different and one of a kind. She has tremendous range and creates items inspired by sources as diverse and varied as the contemporary rebellious youthful street punk scene, to the elegant era of the court life at Versailles, or the refined Victorian period. She is inspired to new levels of interpretation by each vintage piece she finds. Her imagination seems boundless! She is also a painter.
This photo is of a still life composed (by Marelle herself, of course,) of her handbags, shoes, collars, gloves, compacts, photographs, jewelry, perfume bottles and other objects d’art pouring out of a transformed vintage trunk that has been appropriated for a display presentation of her work for the photographer Mike Burnside when he visited her recently in her in her old four bedroom Victorian house and studio where she both lives and works in a small town in northeast Pennsylvania. I like this photo because it reminds me of a pirate’s chest overflowing with choice vintage treasures!
Marelle’s work is so diverse and extensive – she currently has over 400 pieces listed for sale in her Etsy shop alone ~ that I have decided to introduce her in today’s post, with the beautiful still life photo shown above; and follow up with several additional posts that showcase and describe in depth more beautiful individual examples of her work. In this way I will be able to lead you through an extensive tour of La Marelle’s Gallery viewing and savoring one work of art at a time.
By the way, La Marelle means hopscotch in French, so Marelle named her shop on Etsy Hopscotch Couture. To visit her Etsy store and view the entire gallery go to: //www.etsy.com/shop/HopscotchCouture.
Marelle sells her work in her online Etsy shop above and also accepts private commissions. She can be contacted by email at lamarellegallery@aol.com or by telephone at (443) 825.6353.
Her work can also be seen on her website at LaMarelleGallery.com. There is a link on there that will take you directly to her Etsy store as well.
Read More about Marelle and her paintings and designs in this article from The Weekender at //www.theweekender.com/stories/Marelles-Hopscotch-Couture-One-of-a-kind-finds,61685
The photo for this post was taken by Mike Burnside from Burnside Photographic, Harvey’s Lake PA, www.burnsidephotographic.com
Be sure to return to my blog soon to see future posts featuring more pictures and descriptions of Marelle’s work.
An Esquisite Irish Crochet Dress From The Turn of the Century Featuring Roses and Shamrocks in the Hand Crocheted Lace Medalians
Tuesday, April 24th, 2012
I have just picked up a real treasure. I love finding such lost beauties. With a lot of restoration work it appears to be salvageable. The style is from the the early 1900’s. The embroidery on the linen is known as eyelet embroidery and was very popular at this time. The lace edging on the sleeves and the narrow inserts are crochet lace. This has been confirmed by lace collector and expert Shirley Whitcomb whom I asked to help me identify the laces and techniques used in this dress. She also suggests the lace book suggested below should you want to learn more about lace. I assked her to recommend some sources to me so I could better educate myself as I have suddenly become lace fascinated!
The larger medallion inserts are Irish Crochet that was inspired by the 17th century Gros Point needle lace-like my wedding gown. (I will post pictures of this soon.) Only all of this lace is handmade crochet lace. You can identify Irish Crochet lace by the shamrocks and the multi petaled roses.
An excellent guide to lace identification is “Guide to Lace and Linens” by Elizabeth Kurella. She has written a number of very good books on the subject.To purchase it go on www.lacemerchant.com. It is so amazing to hold some of the older laces and feel the love and patience that went into each stitch. It is a very under appreciated art form- probably because it was made by women.
This dress has pleating in the back to accommodate a bustle. There has already been a lot of repair work done at one time in its history. This project appears to have been abandoned before it was completed because the dress is currently in rough shape: unable to be fastened up the back, no hem or fabric left on it for a hem, just a torn and frayed edge where the hem border and fabric about three inches deep was removed
The areas under the arms have been patched quite expertly and the original hem has been taken out – probably to get matching material for repairing other sections. I will have a lot of patching and extending to do to bring the dress back to life…
Much of the dress is originally constructed by hand and will have to carefully stitched back together by hand. Areas of broken crochet thread will have to be invisibly redone. And the hem will have to be repaired by attaching a new piece of fabric where the original one was cut off and used to restore the underarm areas.
Here is a close up of the bodice. These photos are my before photos showing the original condition of the dress when I discovered it.
We will eventually be able to compare them to my restored version when I get it put back together.
To be continued!
Dainty Victorian Lace Vintage Cotton Gloves ~ An Inspiring Recent Lady Violette Flea Market Find
Saturday, April 21st, 2012
I recently found this amazing pair of delicate cotton lace gloves. They must be from the turn of the twentieth century. They are a machine made fine cotton knit with several different lace patterns going up the arms – almost like a sampler of different lace designs. I have had several photos taken to show the design and construction. The gloves are very old – near to falling apart – so can only be used as study pieces in the service of making similar pieces.
They fasten on the inside of the wrist with two snaps – now nearly disintegrated – but this was where a lady would undo the glove and roll it back ( or have her escort assist her in doing so) to expose just her hand for eating or drinking at the garden party – without removing the gloves, a custom I described in a recent previous post.
I like the three lines of decorative ecru colored stitches on the back of the hand – I assume they assisted in shaping the glove as well as adorning it.
The gloves are about a modern size 6 – very small – and have hardly any give. They are in good condition considering their age, but not tough enough to last for more than one wearing. There are a few holes which have been expertly mended by hand ~ a touch I happen to like myself as it adds to their authenticity as a treasure of the original owner. Therefore I have decided to save them as study pieces. I intend to create a hand knitted summer glove pattern that is inspired by this lovely pair of vintage gloves. I am currently searching for the right yarn to use for this endeavor. Does anybody out there have any ideas on an appropriate yarn? I will be happy to take suggestions. When I finish making my pattern I will post it on my blog for other people to use.
These gloves were knit as a flat piece, then sewn together. There is a seam up the outside of the arm, then along the inside edge of each finger. The seams are very hard to see when the glove is worn which is as it should be. The thumb is also knit as part of the original piece but seamed together at the side gussets during the finishing process. The seams are finally cut very close to the edges upon finishing them so that they fit close up against the hand and become nearly invisible. All in all it is a very elegant and you are unaware of the seaming and construction of these gloves when you are wearing them.
I intend to knit my modern version on five needles in the round to avoid seaming. I also intend to use very small needles – probably size 0 to 00 – and the finest yarn I can find. This original pair has become a bit stiff with age – like a pair of cotton sock does. I am hoping to avoid that by using a blended yarn with some nylon in it for durability. I also intend to use small glass pearl buttons instead of snaps. I have ordered the tiny buttons already. The original snaps were made of the kind of metal that oxidized over time and now looks really bad! Pearl buttons and button holes should be a big improvement!
I think these gloves would also be lovely made up in bright colored yarns for winter use ~ such as royal blue or magenta. That will be period accurate as well because such colors were proper during the time these gloves were originally made. They were made in bright colors to show off the new dyes at the beginning of the industrial revolution. I hope to made a bright blue pair to wear with my long black velvet hooded opera cape lined in blue silk plaid to wear to next winter’s holiday parties. I will honestly have to start making them in the summer if I am to get them done in time for the holiday season.