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Lady Violette

The Romantic Lifestyle

Posts Tagged ‘Hats’

Beautiful “Violets are Blue” Gloves for Spring from Lady Violette’s Private Collection

Monday, March 7th, 2011

"Violets are Blue" 1950's Vintage Glove Collection

But of course Lady Violette has a blue violet glove collection! And strong opinions about gloves!

Here it is ~ my collection of dainty little blue vintage gloves for spring from the 1950s ~ when ladies still wore  gloves to protect their pretty hands almost all the time!

They wore them whenever they went outside and for activities such as  driving, when shopping (and they kept them on for that) when going out to lunch, tea or cocktails, definitely for church, for dinner, to dances. to the country club. There were special gloves for almost every occasion. From gardening to protect the hands from dirt and sun, to long elegant evening gloves for the glamourous evenings out.It was not unusual to switch back and forth and end up using five pairs of gloves per day.

The goal was to keep your hands young looking, white, and soft. You were to keep them out of the sun in summer and warm in winter. They often put petroleum jelly on their hands, then wore white cotton gloves over it while they slept. (I tried it. But I couldn’t sleep! It felt too weird!”) A bit of hand cream during the day and at bedtime is all I can manage.

It was a common practice to check ones fingernails each morning, file them carefully to points, lightly buff the surfaces, and apply fresh polish daily. My grandmother did this while having morning coffee and reading the newspaper as she let her nails dry. She pushed her cuticles back with an orange stick wrapped in cotton. She didn’t paint the moons. She insisted that oiling the cuticles and never cutting them was the secret to beautiful nails. She also took vast amounts of gelatin as she was sure it was beneficial to having both healthy hair and nails. Natural nails were considered beautiful.

The thick, extra long, fake looking acrylic ghetto-fabulous nails many women wear today would have horrified her! They look like talons! They are not lady-like! Feminine, pretty and healthy nails were the goal… And you must never look like you had to do any work with your hands. The goal was to give the impression that your husband or father was successful enough in business to afford household help. Amazingly women actually did do a lot of household work and cooking and still managed to maintain their hands nicely.

This has to have been due to their attention to taking care of their hands. Their dedication to wearing gloves, filing and buffing their nails, and moisturizing. Historically beautiful hands were greatly admired. Women made caring for their hands a priority.

Gloves are so utterly feminine, so perfectly girlish and charming! I have been collecting them for years. They are getting very hard to find. They don’t seem to be making them anymore! Anywhere that I know of. (If you know of a good source, please, let me know! ) You used to be able to walk into any fine department store and go to the glove bar where there would be a great selection of practical and dressy gloves available in a vast array of sizes. Not one size fits all! And every season an amazing array of high fashion and highly entertaining options would emerge.

There used to be glove bars and hat salons in major department stores. Those were the days! And those are the kind of gloves I covet! I want them in every length, color, style, and fabric. Vogue Patterns is offering vintage patterns for making your own now. I am going to try it.

I provide pictures and descriptions of the real thing now for inspiration.

The Blue Violet Vintage Gloves clockwise from the top:

1) Pale blue/gray nylon ruched elbow length gloves – size  small

2) Robin’s egg blue kidskin gloves from Italy – size 7

3) Palest  ice blue Kid gloves from France – size 7

4) Periwinkle blue nylon wrist length gloves size 7.

5) Blue super soft and velvety cotton gloves – size 7

Did you know that gloves fit the same way as shoes? A woman’s shoe and glove size is usually the same. Or within the range of 1/2  a size difference. Thus if you wear a size 6 1/2 shoe, you will most likely take a size 6 and a half glove – if you wart a size 8 shoe you will probably wear a size 8 glove.

!

 

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The Teal Box Hat – A Vintage 1995 Design by MIndy Fradkin of Important Hats.

Monday, March 7th, 2011

Teal Box Hat by Mindy Fradkin Important Hats~ 1995

Here is another lovely hat designed by Mindy Fradkin when she made “Important Hats”. This one was done for her Winter 1995 Collection. It is hand pleated and sewn teal silk topped with black cock feathers with a blue/green sheen and accented with a vintage black lace flower with a rhinestone center. MIndy is now better known as Prncess WOW! She still designs the occasional hat for a private client but is primarily involved in full time work for the Smile Revolution. She continues to wear her own designs in her work because hats are joyous creations that make people smile. You can click on the link at the end of this post for more information on Mindy and her work.

I wore this with a belted black lace  tunic over a teal silk camisole with sheer black silk chiffon float pants and a set of two teal and turquoise long flapper style necklaces and delicate dangling earrings of of my own design. I added vintage black lace court shoes. A long black velvet evening cape closed with Oriental frogs, decorated with huge silk tassels and lined in teal brocade printed with butterflies modeled after one I’d seen in drawings of Paris fashions from the 1910’s, subtly completed my look. I say subtly because the cape initially appeared to be all black. It was only after opening it that one would know is was lined in bright silk butterflies. It was all luscious but the hat was the attention getting center piece of the ensemble. I wore this to a performance and benefit concert for the Martha Graham Dance Company at New York City Center Theater and a party afterward where most of the guests were wearing vintage Halston. I think my outfit got more attention than most of the others worn that night. I felt as if  I had stepped out of a scene from  Scheherazade and  was dressed by Leon Bakst. Everyone asked me who had designed my hat! And I told them ~ Mindy Fradkin of Important Hats, of course!

Back View of Teal Box Hat

Someone at this Martha Graham event who was producing a Broadway play wanted Mindy’s contact information so he could discuss designing hats for a Follies-Bergere influenced show he was working on. I did refere them to each other. It was typical to have people ask for the designer’s contact information when I wore Mindy’s hats. I was always delighted to provide this.

I love the way the teal fabric is pleated and overlapped  in the back of this hat. You always know you look just as elegant and intriguing from the back as you do from the front in one of Mindy’s Fradkin’s Important Hat Creations. She designed her hats to flatter the wearer from all directions.

Inside this hat is equally beautiful. All hand stitched and lined in black silk and has one of her handmade labels. She paints these herself for each of her creations so they are essentially “signed” by the artist. Each of Mindy’s hats is really like a small sculpture. When you wear one you are wearing a work if art. Each one is completely handmade. They are true couture creations! What I love about couture clothing and accessories is the care that goes into the conception and production of each piece. And the fact is that each piece is totally unique. For me, as the owner and wearer of such a piece, I derive great personal pleasure in my own appreciation of the designer’s skills and the beauty of the execution of her vision. I love the handmade workmanship and the artist’s individual mark. The quality is unquestionable! That is the private experience of wearing couture.

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Original Design From Mindy Fradkin Important Hats – Circa 1992 Collection

Saturday, March 5th, 2011

The Feather Beret - circa 1992 by Mindy Fradkin Important Hats

This is the dramatic Feather Beret which was one of Mindy Fradkin Important Hats most popular styles. It was designed and produced in 1992, so it is now vintage! I had two ~ this one in green and brown and black feathers on a black base and a beautiful hot pink one with kelly green feathers. The latter was so beautiful that someone stole it! Which, I guess, is the ultimate compliment to the designer, although I was pretty upset about it because I loved it and wanted to wear it more myself! I only got to wear it once and then it mysteriously disappeared! It vanished from a coat check room in a fancy restaurant! Now I keep my hats on all evening until I get home where they will be safe and sound!

Back View of the Feather Beret

 

MIndy Fradkin designed this hat when she was know primarily at a hat designer. She is now better known as the Princess of WOW! and works full time for The Smile Revolution. She still wears her own hat designs in her work & makes hats for private clients as time permits. You can contact her at

twww.theprincessofwow.com
www.thesmilerevolution.com

Mindy has some important things to say about hats;

” Hats bring joy to people. They make people smile. For centuries people wore hats. I feel it is innate to wear a hat. I have a whole theory on this…”

“Historically hats were important and that is why I called my company Important Hats…”

“It’s a spiritual thing. In churches, and synagogues people wore hats. Royalty wore them. Donning a headpiece was both spiritual and significant of power and position…”

“The right headpiece on a man, woman or child brings that person recognition and a unique identity, as well as beauty and glamor…”

” In my opinion, taking off the hat, in the 60’s was a downfall of morals in a lot of ways in the society. It was a wonderful time, too, but hats represented civility and the world was changing rapidly.”

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“Confessions of a Head Turner” – or What Happens When I Wear a Beautiful Hat.

Saturday, March 5th, 2011

“Confessions of a Head Turner ” was originally  written by Lady Violette for Princess WOW! when she was primarily  known as Mindy Fradkin’s Important Hats. It was published in 1995 in Breukelen Magazine in NYC  with accompanying photos of Lady Violette wearing Mindy’s hats. It still holds true and it is still fun, so we decided to bring it out for contemplation if you find yourself considering wearing hats again this spring and summer as we do. (We being Lady Violette & Princess WOW! )

Over the years we became good friends through out mutual love of hats and our design work together. It is also interesting to note that, years after I originally wrote this piece, Princess WOW! met her husband, artist Roland Mousaa, because he saw her wearing one of her hats while waiting in a line to be seated at a restaurant, just as I wrote happens when you wear her hats! A real adventure!

Now Mindy Fradkin is Princess WOW! and her main focus has changed from making hats to her work for The Smile Revolution but she still makes and wears her own hats in her concerts and performances and for private clients. Lady Violette has taken good care of all her Important Hats and still wears them regularly. We love hats! And spring is coming! A new hat for easter has always been a tradition! So, it has gotten me  thinking a lot about hats ~  Hats off to Princess WOW!  And a stroll down memory lane with ~

“The Confessions of  Head Turner”

I love to wear Mindy’s Important Hats. I never go without an Important Hat. I have two dozen of them. They make adventures happen.

I meet men. Men follow me. I feel mysterious, like a heroine in a novel. Like Zelda Fitzgerald or Greta Garbo. In an Important Hat you create an indelible impression… you become an enigma, unforgettable, memorable…

It’s evocative of romance and another time. A hat is an emphatic statement. Jewelry is more subtle, smaller, meant for close up. A hat can be seen across a street or restaurant. At a distance in a gallery or museum. It casts the wearer’s magic spell…

In giving up hats, women gave up coquetry. Mindy’s hats bring it back, but they are not vintage, not ingenue. They are totally modern & sophisticated, they’re history, too…

They’re true art, completely original form and construction. The simplest looking design transforms a face.

She is the Rodin of the sculptured hat.

When you wear her hats heads turn.

I began collecting Mindy’s hats in 1992. Now I can’t stop!! Each hat represents a different facet of my inner personality to the viewer. They allow me to express the different aspects of my character.

Together Mindy and I continue to discover more ~ a great talent in a designer for her client.

Thank you Mindy for presenting my many inner characters to me and to the the world… To love me you (I mean anyone,) must know me. Your hats project aspects of my inner soul to the outside world (when I choose to do so by wearing one.)

Lady Violet de Courcy, Ballet Dancer, Jewelry Designer, Writer and Mindy’s Muse

Mindy Fradkin-Mousaa, now The Princess of WOW! & renowned hat designer and comedienne performs using her hats, in shows and concerts and at “Hat Happenings” regularly around New York City. She currently works full time for The Smile Revolution raising conscious awareness for the healing power of a genuine smile. She is a singer, songwriter, and concert promoter but still creates wonderful extravagant hats for private clients part time . You can contact her at:

www.theprincessofwow.com

www.thesmilerevolution.com

I will photograph and post pictures of Important Hats from my collection soon…

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What Makes The Picture a Good Portrait? About “Fur is Fabulous!” … Part 2

Sunday, February 27th, 2011

"Fur is Fabulous"

Continued from Part 1, published on 2/16/2011.

*As a portrait the picture “Fur is Fabulous” is good because it captures me as a unique person and tells a lot about me. I also like it and what it says about me. I look like an exotic French bird of some sort. It reminds me of a film still from an old black and white French or Italian movie from the 1950’s or 60’s, an era in film which I love. Several of the kinds of art work I do are shown in the picture – my vintage clothing restoration work, my sewing, my passion for creating and wearing hats. I have often worked as a hat model (for hat designing friend, Princess WOW! several others milliners, and several photographers,) – is that not obvious? (I say in jest!) As well! And I am wearing an antique black silk kimono which I love and am very comfortable in.

Then there is the “hat/sleeve” thing going on. There is a saying, “He is wearing his heart on his sleeve.” which refers to him showing his emotions, what is in his heart, very directly, upfront, not trying to conceal it in deep secrecy. He is being very open about what he truly feels. It just happened that I was admiring and appreciating the softness and Absolute Beauty of the luxurious black Norwegian fox fur cuffs and I put one on my head to try it out as a hat and suddenly I was wearing my sleeve on my head!” Which brings me around to the other reason this photo is successful.

The brain is the center of thought. It is located inside the head. If one calls attention to that which is deep in his heart – by wearing his heart on his sleeve – it follows that one is bringing her thoughts on a subject to the fore by wearing them on her head! As I said, “Fur is Fabulous!” I was expressing my deep appreciation for fur’s Absolute Beauty.

By Absolute Beauty, I mean in the deepest purest sense. As a work of nature, as the coat of a wonderful creature, my appreciation for the beautiful animal from which it came, for that animal’s soul, and for his freedom to live in our world and be himself – running free and exquisite. I was thinking as I stroked the long dark soft fur of the Norwegian Fox, that he must, in his natural habitat, be a shining silky black creature living in a beautiful white snowy place, with deep green fir trees laden heavy with snow …..” And while I was thinking about him out there, blissfully and innocently living his life, streaking swiftly and gracefully through the forest…

I was also thinking about, and appreciating, the exquisite work of the professional fine art furrier who had made these beautiful cuffs and designed the 70 plus year old vintage coat I was rescuing from abandoned oblivion. I was thinking about the old furrier’s skill at working with the exquisite shining black fox pelts and how this ultra-skilled profession is also coming to an end. How it is, sadly, dying out.

I was thinking about my lovely and wise 96 year old friend who was a life-long professional furrier. And was, also, a teacher, in a now closed down fashion institute, specializing in designing and sewing with real and valuable furs. We have talked a lot about her career in the fur industry in the old days and what she knows about furs. She too is a dying breed. Even more in danger of extinction than the animals on the endangered species lists. This too is sad! Is it not?

That is what I was thinking! I was thinking that I must interview her formally and write about her and her work before it is too late. She is healthy now, but she is getting on in years and I have to do this before it is too late.

Lastly, I was thinking about the fact that I was recycling an elegant old coat. I had cleaned it, relined it, changed the buttons as it was missing one, and cleaned and mothproofed the fur. In changing the buttons I had found appropriate vintage replacements from the same era. I was now in the process of putting the cuffs back onto the coat so I could wear it. I am very proud of my textile and clothing restoration abilities and of the part I am doing to restore and reuse elegant clothing from earlier eras. I resurrect it. I give it a new life. I wear it. I photograph and document it. It gets used, seen, admired, enjoyed, generally talked about. The artists and designers who made it long ago and were forgotten about are remembered. In a way, I make all of them, including the animals whose pelts are in the coats live again. I think this is far better for them than having them molder away into total extinction, long forgotten, in a damp closet or attic somewhere!

I feel that, when I am wearing these beautiful vintage clothes elegance is, on some small level, restored to our modern world. I get a lot of interesting comments about my clothes and how I look. It opens peoples eyes to what was done historically and to what is still possible if you care to put the time and effort into dressing this way. In fact, into every aspect of your whole life. If you choose to contemplate on it you will become aware of many more ways in which you can reclaim elegance from the past and incorporate it into the here and now.

Sometimes, when I am asked about my interesting clothes I get the chance to explain that I restore them and sew by hand and on old sewing machines. And that I also find and restore the old sewing machines and other tools of the trade that I use. I may get to explain that I am a major recycler. My entire house is filled with things I have found and gotten second hand. I have, for instance, a vintage Italian Pavoni Espresso machine. I use it everyday. I love it! I love the processes of doing everything from scratch. Doing things this way, by myself, pleases me.

I happen to have met the furrier I told you about because I responded to her posting on Craig’s list when she was downsizing and selling her Singer Featherweight 221 sewing machine. I went to her home to look at the machine, she saw my clothes and my style, we began to talk and we immediately hit it off! Her name is Dorothy.

I did purchase Dorothy’s sewing machine. She told me she also had boxes of old vintage sewing patterns and would I like them? I said yes! As it turned out she gave me a couple of hundred old patterns – and she had made all of them herself at one time or another during her life. The dates of the patterns she gave me began in 1932 when she was 17 with the dress she wore to her high school prom. and extended through to 2008 when she decided to stop making all her own clothes. Each pattern was carefully labeled with the date she made it and what occasion it was made for. In many cases there was a sample of the fabric she had originally used attached to the pattern envelope.

Dorothy gave me the documented story of her life in her sewing patterns. I spent a lot of time listening to her stories which I find fascinating. And from which I learned a lot. She apprenticed with a fine furrier when she got out of high school and spent her entire life working for his firm. She was also married and socially active. She also became a professor at The New York Fashion Institute teaching furrier design, construction and sewing techniques.

She is the only person I know who is able to explain how an older style fur coat or hat was made and identify the unusual types of furs in some vintage pieces. She has an amazing personal collection of vintage fur coats and yes, she still wears them, regularly. Dorothy is a treasure.

The Peta people wouldn’t dare mess with Dorothy. She commands there respect. She is also for the most part, on their side. She loves the animals that produce the fur and wants to protect them. She does care.

Anyway, Dorothy has been a fascinating person for me to get to know. I think she feels the same way about me. She told me that she likes being friends with me because she doesn’t have many of her old friends left any longer. And we have a lot of shared interests.

I am so glad that I have met her! And that we have become friends. And it all happened because we appreciate fur for it’s Absolute Beauty. We both think, “Fur is Fabulous” including the animals it comes on!  Mostly for that reason, actually. And we have become friends because we share this deep appreciation.

Amazingly, all these thoughts were going through my head when I said “Fur is Fabulous” and my son was taking that picture. He only made one exposure by the way. It was a very spontaneous experience.

To be continued with Part III, of “Fur is Fabulous”

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