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Lady Violette

The Romantic Lifestyle

Posts Tagged ‘Violette’

Short Ribbed Poncho/Capelet/Shawl/Scarf – Hand Knit of Noro’s Iro Self-Striping Yarn in the Brown Color Way by Lady Violette

Friday, April 15th, 2011

Hand Knitted Ribbed Poncho of Noro's Iro Yarn in the Browns Color Way

This is a short ribbed poncho or capelet that just covers the neck, chest and shoulders. Sort of like a scarf, actually, but in a circle so it stays on. Vogue has put out a knitting pattern book with scarves, shawls and ponchos so they, too, feel they are all in the same category. The keeping warm stylishly category!

The pattern is called Cat and is in the book Naturally Noro by Jane Ellison beginning on page 44.  It is hand knit of Noro’s Iro self-striping yarn in shades of brown.

It takes 300 Grams which is 3 skeins of Iro yarn in the color of your choice and is worked on size 10.5 US needles. It is an easy pattern and is very quick to knit. The poncho is a very cozy cover for the upper body. I like wearing it to grocery shop because I get really cold  in the super cold store grocery stores! The yarn is a little scratchy so I wear a tight cotton turtle neck sweater under it.

This Poncho is knitted in one piece on straight needles and seamed together down the back.

Handcrafted Scatter Pins Made From Vintage Buttons & Seed Beads

I felt the poncho needed a little embellishment so I made three accent scatter pins to decorate the left shoulder. These are very easy to make out of  vintage buttons stacked together, then glued and attached to a metal craft brooch pin. The flower pin is made of seed beads strung on thin wire, twisted into the shape of a flower and, attached to a craft brooch pin.

Pins like this are very lightweight so they won’t stretch out and damage hand knits. They also make excellent personalized embellishments for hand knitted or felt hats.

The book, Naturally Noro, by Jane Ellison is full of cute modern knitting patterns. I have finished two scarves out of it and am working my way through a vest and a sweater now. The designs are fairly easy to make, and are casual and wearable. Maybe I will be able to knit them all! I’m trying!

 

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Lady Violette’s Hand Knitted Blue Violet Striped Cardigan Sweater

Thursday, April 14th, 2011

Lady Violette's Blue Violet Striped Top Down Circular Needle Hand Knitted Cardigan

This is the first cardigan I have ever knitted using the top down circular knitting technique. I used scrap yarns in blues and purples left over from years of projects people in my family had knitted. Thus my name for it:Lady Violette’s Blue Violet Striped Cardigan!  The yarns were in many different weights so I had to adjust the needle size to maintain the gauge throughout the project. Sometimes I knitted with one strand, sometimes 2 or 3 combined or held together, and I used sizes 6,7,and 8 US needles. There was a lot of guess work and re-knitting involved. Fortunately I’m pleased with the finished results.

Blue Violet Striped Top Down Cardy Sweater ~ Back View

The shape looks a bit odd on my mannequin, but it looks good on my body as I fill it out in the right places and I actually have shoulders and arms! Those are required to make the sweater look good. The arms look long in the photos but they actually fit me. I have measured and carefully worked to get the sleeves to be the correct length. Of course real human arms fill them out and pull them up to make them look the proper length and  shape. And a lot better! Someday I hope to get a mannequin with arms! Meanwhile this will have to do.

The Blue Violet Striped Top Down Cardy Can Also Be Worn Unbuttoned

I’m taking these photos by myself and don’t have equipment to photograph myself in the sweaters so the mannequin will have to do as my model until someone is here to photograph me modeling my sweaters.

It is better to take these photos than none! It has taken me forever to get around to photographing my finished knitting projects. I think that is because I am very concerned that I do a good job! I do not like seeing photos of knitted garments that do not do them justice.

I also would rather be knitting than photographing and posting photos of my knitting! Knitting is the most relaxing thing in the world. Photographing knits and writing about them is not as pleasant in my opinion. It requires discipline! However, now that I am blogging I want to get them up and I want to post them on the knitting website Ravelry.

I created this pattern myself as I went along. I kept notes, but I think it would be very hard to recreate the pattern and rewrite the instructions for someone else as I did  many try-ons for fitting and adjustments as I knitted along. Also, having used many old yarns which no longer had their labels and are of mysterious identity even to me, I would find it hard to write the pattern and advise people on exactly what currently available yarns to use.

If you want to make something like this I suggest you find a plain sweater pattern that you like. Then dive in! Decide what you want to use for the ribbing and front bands, start there, and add yarns when and where it looks good to you to create the stripes as you work. That is how I did it!

Blue Violet Top Down Cardy Knit on Circular Needles From a Medley of Scrap Yarns

I have also used self striping yarns such as Noro and Tonalita for other striped sweater projects. I love them because there are no ends to weave in or splice! And no gauge changes to calculate. You can safely knit them mindlessly going along and end up with excellent striping results. The yarn makers have dyed the yarn to make the stripes for you. If you want to make a striped sweater similar to this, with less work, I advise you to choose a Noro yarn in the color way of your choice and knit a plain cardy. You could use a solid color yarn of the same weight to make the ribbing and button bands if you chose to. Using a self-striping yarn for a sweater like this would be an intermediate level project. Using the varied yarns as I did is more challenging and I would rate it as an advanced level project.

I will post a brown striped cape/shawl soon to illustrate how one of the Noro Iro self striping yarn works up.

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Vintage Shoe of the Week ~ Exquisite Red Patent Herbert Levine Pumps

Tuesday, April 12th, 2011

Red Patent Leather Pumps by Herbert Levine

This is one of my favorite pairs of vintage shoes! I love the color and the style, and the Herbert Levine last fits me like a dream.

Plus, I had the pleasure of knowing Herbert and Beth Levine and their daughter when I was dancing in New York with the City Center Robert Joffrey Ballet Company. They kindly invited me to live with them when I first moved to New York City as a young ballet dancer on a Ford Foundation Scholarship . They were always interested in artists and very supportive of them. They were wonderful friends.

While living in their home I met many interesting people, including Henri Bendel who came to dinner once a week, the photographer Hiro, and Mr. Conde Nast who was a real person. They lived in a very modest and tiny two bedroom apartment on East 12th Street in The Village.

The notorious guests liked to come their to relax and eat their cook’s most amazing I have ever tasted crispy and delicious Long Island Duck. I wondered if it was the special duck that made it so delectable or the way it was cooked. It was the latter. On a trip to LI I asked Herbert which duck of a large gaggle of assorted types of ducks we passed was the delectable and famous Long Island Duck and he replied, “Any duck on Long Island!” They knew because Beth had grown up on a LI farm and told me she had plucked ducks as a girl for that recipe on the farm. Beth was a very down to earth talented woman who became a famous shoe designer and ended up winning the Coty awards and  hanging out with the rich and famous ~ but she retained her earthy qualities.

The Gold Herbert Levine Label ~ These Were Made for Neiman Marcus

Beth Levine actually designed the all shoes, but the company was named Herbert Levine by the couple because they were afraid buyers would not purchase shoes made and manufactured by a woman when they began. Herbert was the business brain behind the company and he was absolutely brilliant. He was incredibly supportive of his wife’s talent and promoted her endlessly. They had a fabulous partnership ~ both personally and as business partners. it was a privilege to know them. And I learned a lot about shoes from them!

These shoes are special to me because of my relationship with the designers as well as for their own beauty.

Beth Levine often said, “If your feet hurt, my feet hurt.” Her shoes were elegant and incredibly comfortable. There is not another designer’s shoes to this day that are as comfortable for me as hers. She really meant what she said and knew what she was doing.

Last year a retrospective show of her work was held in the Bellevue Art Museum near Seattle where I live. Of course I attended. It was excellent and I know the show has traveled around to museums throughout the country. I highly recommend seeing it if you have the chance.

The Famous Herbert Levine Red Shoe Box

I have collected a lot of beautiful vintage shoes, many of historic quality. I owe my interest in and knowledge about shoes to the Levines! They got me started and taught me to appreciate quality shoe design as well as appearance. I was exposed to the very best. Being a young ballet dancer I could not afford a lot of expensive shoes, but Beth saw to it that I was supplied. She gave me shoes so I would be properly shod at all times in New York City!

 

People ask me, but these shoes are not for sale! They are and will remain part of my personal collection!

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International Scarf Styling ~ a Simply Beautiful Cherry Blossom Pink Japanese Shibori Scarf Tied as a Wide Sash and Worn with Hand Made Bead Necklaces Designed by Lady Violette de Courcy

Sunday, April 10th, 2011

Japanese Cherry Blossom Pink Pleated Shibori Scarf Tied as a Sash

Shibori is an ancient Japanese method of dying and pleating. The beautiful pink pleated oblong Shibori scarf that I have simply tied around my mannequin’s waist as a sash reminds me of pink Japanese cherry blossoms.

It is cherry blossom time in Seattle where I live. The cherry trees are just beginning to bloom, but it has also been unseasonably cold and we have had several heavy periods of freezing hail and snow over the last few days! Temperatures have been in the low 30’s and accompanied by strong winds.

The University of Washington Campus has a well known large planting of Japanese cherry trees that burst into a flurry of extraordinarily beautiful lovely smelling pink blooms at the beginning of April every year. I make sure I go there every spring when they are in the height of bloom to walk under them and experience their color and enjoy their exquisite perfume. Nothing is more beautifully scented than the Japanese cherry blossom trees in full bloom. The exquisite perfume from these flowers lasts only one day, then the blossoms fall from the trees in swirls of pink snow petals and are blown away by the turbulent spring winds.

Getting caught in pelting rain and wind and a blizzard of the pink petals is all part of the memorable experience of walking under them and enjoying them. I am always a little upset by the fact that the weather is destroying them so quickly when they last such a short time anyway! I would like this transient experience to last as long as possible! So I do things to remind of it, to stretch it out a little and enjoy the memories of it longer. One thing I do is wear my pink Japanese Shibori scarf, either tied around my waist as a sash, as illustrated in the photo, or simply wrapped around my neck. It is an easy scarf to wear because it is a permanently pleated oblong. I wish I had a cherry blossom perfume to wear!

I love the scent. I’ve always  fantasized about creating a perfume from Japanese cherry blossoms. Even to the point of experimenting with making it and, about 15 years ago, talking to a professional perfumer, called a Nose, from Italy, who creates perfumes for major European couture houses. He told me it cannot be done because the flowers are only at the height of their scent for less than 24 hours each year! It is then, and only then, that hundreds of thousands of pounds of the flowers would have to be collected and their essence extracted to create a perfume. From these thousands of pounds you might get an ounce of the essence necessary to make real cherry blossom perfume. It would take impossibly vast orchards of the trees to grow enough flowers. And that is not the only problem!  The fact that the height of bloom and scent is such a short period that harvesting enough of them at exactly the right moment and processing them quickly enough to extract their pure essence is impossibly difficult.

The Italian Nose told me that many kings and emperors and professional perfumers have shared my dream. And that, over the centuries much experimenting has been done to extract the elusive essence of the pink Japanese cherry blossoms. No one has been able to succeed because it is logistically impossible and impossibly expensive. “What about a synthetic recreation of the scent?” I asked. Some of the world’s greatest perfumes, notably Channel #5 are synthetic creations. He said their have been many many attempts to do this but so far no one has succeeded. He gave me samples of several expensive perfumes that claim to have recreated the scent. They were pleasant but did not succeed.

Over the years I have tried out every perfume on the international market that claims to be the scent of Japanese cherry blossoms. I believe he is right. None of them manage to recreate the beauty of the original! Not even for a fleeting moment of delightful memorable scent. One of the great allures of perfume is its ability to recreate memories ~ memories of the person who wore it, or the place and time you wore it or an experience you had when wearing it. These supposed cherry blossom perfumes did none of that for me. I am quite a good Nose myself and know that many other perfumes are successful in that respect.

Cherry Blossom Inspired Bead Necklaces by Lady Violette de Courcy

I have had to be satisfied with creating and collecting other things that remind me of the cherry blossoms when they are not blooming. To this end I have made the necklaces of pink beads in the picture. I call them my Cherry Blossom Collection. They consist of lamp work beads I have made myself and vintage and antique beads made of all kinds of different materials that happen to be the right color of pink or, when combined together suggest Japanese cherry blossoms to me. These beads come from all over the world and have taken me many years to collect. The necklaces are one of a kind art pieces ~ no two alike and unrepeatable. In that way, too, they are like the scent of the  Japanese cherry blossoms ~ impossible to capture and reproduce ~ rare, elusive and special ~ totally unique.

I have also discovered, one night in a Japanese restaurant, that the taste of plum wine actually reminded me of the Japanese cherry blossom. Quite unexpectedly I tasted it and had a memory flash of walking under the pink trees in full bloom. I concentrated on the plum wine. I realized it has no scent, only a taste. But the taste reminds me of how the cherry blossoms smell! In that way it is very pleasurable. However, because it doesn’t have any scent at all there is no possibility of my using it as a perfume to trigger an association of the Japanese cherry blossoms scent in other people!

So far I have resigned myself to having to use the visual sense to trigger memories of cherry blossoms. Sometimes, when appropriate, I can also serve plum wine! I will continue to search for a rendition of cherry blossom perfume that satisfies me. In the meantime I will wear the Japanese cherry blossom pink accessories that I associate pleasurably with this experience ~ my pink Shibori scarf and the pretty pink necklaces and earrings I have designed.

I have some clothing designs inspired by Japanese cherry blossom forming in the back of my mind as well! And I feel that the two concert performance dresses I have made for Princess Wow! in myriad pinks are associated with this imagery. I have just finished these dresses and will be putting up final photos of them soon.

Isn’t it amazing to think about what image and association triggers an artist or designer’s imagination and leads to the creation of art in other forms? I know flowers have always stimulated fashion designers. A few posts back I quoted Christian Dior saying, “I have made flower women.” when interviewed about his New Look Collection after WW II. He also loved lilies of the valley and talked about their scent reminding him of his childhood and his mother because they were her favorite flowers. A perfect example of a perfume triggering memories! Of course he created a perfume featuring lily of the valley!

I am lucky, being Lady Violette de Courcy, that my personal flower is the violet and that both it’s flower and it’s leaf have distinct and lovely scents that are extractable for use in the making perfumes. I have several perfumes containing one, the other, or both that are very attractive and easily obtainable. I will write more about perfumes later!

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Lady Violette’s Interpretation of the Hand Knitted Poppy Sweater in the Iris Color Way ~ Just Finished and Successfully Figure Fitted Like a Corset Through the Use of Negative Ease

Saturday, April 9th, 2011

My Iris Color Way Hank Knit Sweater

I have just finished knitting this beautiful blue, purple and green striped sweater from the pattern for the Poppy sweater in the book Yarnplay by Lisa Shobana Mason. Poppy was originally done in reds and browns using Noro yarns Silk Garden and Cash Iroha. I substituted Tonalita for the striped sleeves and the striped portion of the yoke and body and an old unlabeled purple mystery yarn in a silk and wool blend for the solid red sections in the original pattern. The mystery yarn was given to me by a friend and I had it for years without any tags or labels so I have no idea what it is. I do know it is an old yarn and isn’t carried by yarn stores now as I have taken it around to several with me and no one recognizes it. I luckily had just enough for this project!

I am calling this my Iris sweater, because it is done in blue and purple iris colors, not red poppy colors. They are both named after flowers though, which was one of my attractions to the design ~ being Lady Violette and having an interest in all things floral!

The original pattern was knit of scratchy yarns and I chose to do mine out of very soft yarns. I cannot wear rough yarns. They are way too itchy for me, even during the knitting process. I did use yarns that worked up at the same gauge. I had to adjust the pattern to fit me and measure and make adjustments constantly as I was working. It was a difficult project. I only recommend undertaking it if you are an advanced knitter and have a great deal of patience to see it through to finishing. I had to stop and work on other projects that were not so demanding, then pick it up again and continue several times before I finished it. It is beautiful now that it is finally done so I guess it was worth it!

Fashionably Long Hand Covering Sleeves in Tonalita Knit In the Round on Five Douple Pointed Needles

The sleeves may appear long in the pictures. That is because they are designed to be the trendy long type of sleeve that goes over the palm of the hand. They are also taken up when worn so they really do fit perfectly. The bottom edges of the sleeves cover my hands and reach the bases of my fingers exactly. This is very pretty and very cozy ~ but definitely makes for a dressy sweater rather than one you would wear for cooking or doing the dishes! ( A great excuse for avoiding those activities!)

The bottom part of the sweater is knit in a strip from side to side in stockinette stitch with occasional stripes in garter stitch and stockinette stitch. The knitter adds these whenever and wherever she likes, so each rendition of this pattern is unique. I put in a lot more stripes than the original designer did ~ originally to be sure I would have enough of the solid purple color to finish the body ~ ultimately because I really liked the design better that way!

I knit the sleeves in the round on double pointed needles in order to avoid seams. I made the stripes on both sides match each other as well ~ on the yoke and both sleeves. This required cutting the yarn and reattaching it and carefully keeping track of the rows worked in each color. I did the back yoke on mine with a lot more texture and garter stitch worked into it than the designer used in hers as well. I tried to do the same method in the front but it didn’t work out as well there! So my yoke ended up being highly textured in the back and smooth stockinette stripes on the front. this was risky, but it worked.

The Back of the Iris Sweater Featuring Garter Stitch Stripes in Two Directions

 

All in all this sweater was a huge experiment. I added a double row of garter stitch around  the bottom to tie it in better with the edging around the neck. The designer originally finished off her edges with a line of single chain crochet! Because I used different yarns and am a different knitter, my Iris sweater almost looks like a different sweater than the original Poppy design. This often happens when you knit something in very different yarns and make fitting and design adjustments along the way.

My Iris Sweater is an interesting project that evolved using bits and pieces of leftovers from two other projects. And using a lot of determination! It is sometimes fun to see what you can do working with limitations. In this case only having small amounts of two types of yarn that weren’t even the ones called for in the pattern. If I had gotten stuck without enough to finish I would probably have added yet another yarn or changed the design to accommodate my limitations.

I was anxious to photograph it and post it. After the agony of finishing it I am anxious to get some feedback from other knitters and designers! Of course I am interested in the opinions of non knitters as well. I photographed it with a black pleated skirt, but, for a more casual look I plan to wear it with dark green or dark blue vintage jeans and dark green boots or a dark purple skirt and purple tights that I have.

Corset~Like Figure Forming Fit

I knit my Iris sweater to be very fitted with a slight negative ease. To me the body of the sweater has a corset~like effect with the shape of the body and the slimming vertical stripes simulating the stays of a corset. This is form fitting and figure flattering. The yarn is fairly fine in quality and certainly in feel, so I wanted a refined looking fitted  sweater rather than a loose fitting one. It is possible to make fitted knits when you make them custom to fit yourself or another person for whom you are knitting. The trick to achieving that is negative ease. I made the sweater tighter than the designer did hers. I achieved a dressier more formal look. Her looser fitting one is more casual.

Knitting is an art form, and in making art, each artist’s interpretation is individual and unique, even when using a pattern. In knitting I find a pattern is really just a guide to get me started. I rarely make any pattern the exact way it is written with the same materials the writer used. In fact I do not know if I ever have.

 

Side View of beautifully Shaped Iris Sweater

I always wonder if people who do not knit have any idea how complicated making something like this sweater is. Think about it! Every single stitch is made by hand and has to be counted and kept track of while you go! It requires a tremendous amount of concentration and time and self discipline. Hand knitting takes a lot more time than sewing.

 

It breaks my heart when I see a beautiful hand knit sweater that someone lovingly made somebody given to a thrift store. I have found them and It is my personal mission to rescue them whenever I do. It is on the same level as rescuing an abandoned animal for me! Knitting is an art form and to do it well is an amazing accomplishment. It takes hundreds of hours to make a hand knitted garment. I will be pleased if people who didn’t understand anything about what was involved in knitting before reading my blog develop an interest in it from reading what I write and looking at the pictures I post. Not only does the knitting take a lot of time and expertise, but the yarns and fibers themselves are amazing, fascinating and very valuable. I will write more about that in the future.

Fitted Knit ~ Like a Corset Through the Torso

The Original Poppy Pattern, in red yarns is pictured below. More photos in red can be seen on the blog of Lisa Shobhana Mason and can be found in her book Yarnplay, available from Amazon. This sweater is photographed on the cover of her book and directions begin on page 98. It is rated  advanced level for experienced knitters. I would definitely agree with that rating! You can find photos of other knitters completed versions of this pattern on Ravelry if you would like to see how their interpretations of the same original pattern turned out. I always enjoy seeing them!  You can see them on Ravelry (requires free account). I just looked at these other knitters works – and what fun it was to see how they differed from mine! This is always the case with the feminine arts like quilting, knitting, sewing, crocheting, embroidery, etc. – each woman’s personality comes out in her needlework. Check it out, you will see what I mean! The sweater has been made up in many different yarns, colors and sizes.

Incidentally Ravelry is a great place to get ideas and find patterns for knitting and see other peoples work.

 

Original Poppy Sweater in Red by Lisa Shobhana Mason

If you want to make a fitted garment with negative ease experiment with the following suggestions. Knit a size smaller than you normally would. Be sure to make the pattern pieces long enough though! You will want them to end up tighter around but not a lot shorter! Try knitting on a size smaller needles than the pattern calls for. This will create a tighter knit, thus smaller, piece of knitting. Be sure, again, that the length is adequate. In this case I experimented and ended up using one size smaller needles than originally called for in the pattern and adding length by knitting a few extra rows to get the length I needed through the torso. I knit sections, take them off the needles and try them out by holding them up to my body or that of the person I am knitting for. I put them back on the needles and make any necessary adjustments, then continue. I sometimes have to take out fairly large sections and redo them, but I do it because I want perfect results. The trick to avoiding having to redo large sections is to try things on to test the size and figure out the measurements fairly often. theoretically you should be able to do this by calculating it out on paper, but that is not the same thing as a try on! The only true test is actual fitting on the body of the person for whom you are making the garment. It is always worth the extra time it takes.

 

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