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Lady Violette

The Romantic Lifestyle

Posts Tagged ‘Vintage’

Three Ways the Stunning Swedish Actress Greta Garbo Wore Large Shawls as Elegant Vintage Evening Wraps

Friday, April 22nd, 2011

There are even more beautiful ways to wear a large square shawl. As I promised I am continuing with my demonstrations using my 43″ square blue silk shawl with the 6″ hand tied fringe. Because I am showing more methods of styling this size and shape of shawl or scarf with this blue shawl I am continuing to identify them as part of the sequence of large blue shawl styles and they will be numbered as style # 6, #7,and #8 accordingly. You can find the previous styles in these former posts:

In an old original publicity shot for the movie The Tempest the great Scandinavian film actress Greta Garbo is wearing just such a long elegant evening shawl draped around her shoulders and pinned in place. The photo was taken shortly after her arrival in Hollywood. The studio was determined to capitalize on her exotic European elegance and extraordinary beauty to turn her into a top grossing international star. I searched and searched on the internet but could not find that photo to add to this post. I saw it years ago in a museum retrospective on her films and it has stuck in my memory ~ it was a full figure shot and she was leaning against a wrought iron wishing gate wrapped in a long shawl much like this one. Of course Garbo, in a lovely setting, wearing a beautiful vintage shawl shot by a professional Hollywood glamour photographer made a magnificent and alluring fashion photograph! In her honor I will name these three styles which she inspired after her!

Style #6) Greta Garbo ~ Version A Simply Drape Shawl Evenly Across Shoulders

Style #6) The Greta Garbo ~ Version A. Hold the shawl spread fully open. Fold the fringe of the shawl and about 2 inches of the top edge of the fabric forward so it will hang toward the inside facing the back of your neck. Place the folded edge of the long top side of the shawl at the middle of the back of your neck, bring it across your back and forward over your shoulders making sure the center is in the middle of your neck and back so both sides hang down in even equal lengths. Make sure the fringe is hanging straight. You have very simply draped the shawl evenly across your shoulders. This is the classic way to wear a large shawl in every country and every culture, for both warmth and graceful feminine beauty. It shows off the fabric, the design and style of the shawl, and the woman!

 

 

 

Style #7) The Greta Garbo ~ Version B

Style #7) The Greta Garbo ~Version B. Arrange the shawl as shown in Version A, Then bring both sides of the shawl together in the front and cross it over a bit in the center and clip it together in one or two areas to hold it firmly in place so that it doesn’t slip off your shoulders and fall to the ground.

That’s all there is to it! It is amazingly simple and lovely.

You can use one or more brooches or pins, a shawl clip or clips, a stick pin, or, as I did here, two vintage clip earrings. I have discovered that I can use clip earrings from the 1950’s which are too big and heavy for me to wear on my ears as shawl, scarf and sweater clips! It is great to have another use for these earrings because many of them are very pretty.

Clip Earrings Used as Shawl Clips

These vintage clip earrings are made of blue butterfly wings used to create little tropical landscape pictures complete with palm trees and sunsets! Jewelry and other objects made of butterfly wings were popular souvenirs from South America in the 30’s, 40’s and 50’s.

This is a good place to mention that I found this lovely large square fringed scarf/shawl at a thrift store for only $4! Isn’t that amazing as well? I recommend looking for scarves and shawls on a regular basis at vintage stores and thrift shops. I think people get rid of them because they don’t know how to wear them! Which is lucky for us who are willing to work with them and learn how to style and use them.

I have also realized that many different and interesting types of ethnic scarves and shawls become available on the second hand market. I think this happens when people get tired of things or think they are old fashioned. And when people immigrate to the United States or Europe, and want to wear the new contemporary clothing to fit in in their new homes, they often get rid of the ethnic styles and national costumes of their homeland!

Many lovingly handmade scarves and shawls are also given away or gotten rid of.  I have found an East Indian sari, silk scarves from occupied Japan, a Ukranian shawl, a handwoven Tibetan silk scarf, an embroidered Spanish shawl, a French Leonard of Paris designer silk scarf, four British Liberty of London scarves, an Italian silk scarf, 3 Italian Missoni designer scarves, a hand knitted traditional Irish scarf, a Mexican rabosa shawl, an Indonesian batik sarong scarf, an Estonian hand knitted lace shawl, a hand made Breton lace scarf, a Scottish cashmere shawl, an old East Indian paisley shawl, a Russian flowered wool challis shawl, a Thai silk stole, a mink fur stole, a British wool and cashmere muffler from Burberry of London,  several American designer mufflers, a Spanish mantilla, and many more in second hand and thrift shops! I am often happy to rescue a beautiful ethnic textile or a handmade or historical vintage piece! I realize I have accumulated a pretty good collection of beautiful and historical  international scarf styles which is why I am now completely committed to learning how to wear them all!

For me, and many other women, scarves are purely fashion and style statements – beautiful expressions of the art of femininity! I was initially interested in them as textiles and clothing and only later realized they were not only means of expressing oneself fashionably and  artistically, but also embodied complex social, philosophical, cultural  and religious issues and beliefs. I learned that these squares, rectangles and triangles of cloth often represent much more than geometric shapes or beautiful ways to drape the body or set off your face. And I will write more about that at a later time.

I also noticed, in artists renderings, that many great beauties of history have often been draped in flattering shawls and scarves! Queen Cleopatra is beautifully draped in artists portraits. Helen of Troy as well! The notoriously beautiful Spanish dancer, Lola Montez, was wearing a magnificent Chinese embroidered piano shawl with long silk fringe when I “met her” in the photographic portrait gallery of the Metropolitain Museum of Art in New York City. I first discovered her and developed an interest in her when I viewed her portrait on exhibit there! The modern dancer Isadora Duncan was also famous for wearing her reconstructed versions of draped Grecian style dresses and trademark blue shawls.

The list of glamorous and beautiful women in shawls goes on forever! Because I became interested in this subject I noticed them everywhere! That is how I eventually got to Greta Garbo! Years ago I saw several of her silent movies at a museum in Los Angeles and noted the shawl she wore and how she was wearing it in the film The Tempest right away! She was so beautiful and carried it off so well that I committed the image to memory and have often worn and fastened my own large shawls inspired by the way she wore them! This one is my favorite!

Style #8) The Greta Garbo ~ Version C ~ as she wore her shawl in The Tempest

Stlye #8)  The Greta Garbo ~  Version C ~  Another way Garbo the great wore her long fringed shawl in the film The Tempest. Wrap the shawl over the shoulders bringing the Left side all the way across the front overlapping it to the Right shoulder. Secure it in place with a brooch or shawl clip. I used my Eissenberg Ice blue and silver brooch because it is a lovely look with this shawl. It is there on the Right shoulder of the mannequin, but it is so sparkly it is almost blinding! That makes it hard to see in the photograph. I assure you, it both attractive and very noticeable in person!

This manner of styling makes a beautiful long formal evening wrap over a long columnar dress. It would be lovely worn over a simple bias cut spaghetti strapped gown! I would ideally have that in a dark royal or navy blue with this particular shawl!

I have always loved Garbo. I love to reference her in her films for clothing designs, makeup ideas, hair styles, and, of course, the incredible evening gowns designed for her by Adrian. Together they created great art in film fashion and, it epitomized femininity as an art form.

In my opinion no one, and nothing in the world that came before or after Greta Garbo, could possibly be more elegant!

I will continue to search for the publicity photos I saw of her wearing a shawl like this for The Tempest and post them here if and when I find them.

Speaking of artist’s renderings of supreme beauties there was another film, starring Garbo, in which she plays a popular artist’s model in Paris. A long and dramatic story that I cannot remember much about, including the name of it, although I distinctly remember the artist studio scenes with her posing for the painters and sculptors in them. As with most of the horribly melodramatic stories in the majority of her films it is not memorable as a movie, but it is worth seeing to see her and her fabulous clothes. I am always amazed at how Hollywood dressed the actresses playing starving artist’s models and other poor working women in those movies in extravagantly beautiful and outrageously expensive designer clothes.

Of course, like all the girls and women who saw these actresses, it made me want to be like them and dress like them.  And that was the point, wasn’t it? The movies did a lot for fashion in their heyday! I think that they are hugely responsible for the fact that women were more glamorous in general back then and dressed as much as possible like these stars in their real lives.

Because I love that period of fashion history and it inspires me so much I try to dress that way myself now, whenever I get the chance.Of course this takes effort and time but it is well worth it to bring more beauty and pleasure into the world for people to enjoy!

I am grateful for the inspiration I receive from all the people who worked  in the old movies to create the glamorous effects we associate with the great stars of the old Hollywood films! These actresses were beautiful women to begin with but their memorable images were also created with the help of many experts. The makeup artists, hair dressers, costume designers, lighting experts, photographers, brilliant film directors and publicity departments and the writers all contributed to create the final images.

The making of a great legendary Hollywood beauty and star of the old days of high glamor depended on a lot of people doing an incredible amount of high level creative work!

I think about that every time I set out to get dressed up for a high level social effect on my own! I think it must be a lot harder for me than it was with all that professional help! But this is real life, not the movies. I am only inspired by the old movies. I don’t live in them!

Thus, I try to get organized well in advance as I have found that that really helps me. By this I mean laying out my clothes and jewelry and shoes. Trying them on a couple of days ahead of the event for a dress rehearsal. That way, if anything needs to be repaired of altered I’ll have time to take care of it in advance. Figuring out any color co-ordinated makeup I need to plan on wearing in advance, etc. And figuring out some kind of wrap if it will be necessary to get from place to place on a cold winter’s night without freezing to death! Fur coats were popular in the old days for good reasons! They kept you warm as you went from place to place.

A shawl such as this is a good evening wrap in the late spring and summer, but in fall and winter it will not be warm enough worn alone as an outdoor wrap. In such a case you can wear a fur coat or long evening cape to the event and either carry or wear the shawl as neck scarf. When you arrive at the event, check your cape or fur coat, then go to the powder room and style your shawl as shown in one of the photos above. This way, if you are in a cold drafty venue, which is often the case, wearing a lightweight  evening dress with bare shoulders or no sleeves, you can wear the shawl to both stay warmer and look more glamorous! I did this at a winter black tie event this year and was the only woman there who was not covered with goose bumps! I also got a lot of compliments on my beautiful shawl!

I can imagine someone saying carry it? What does she mean, that would look tacky! Here is what I did. I carried a black satin evening purse, sort of a pouchy style between small and medium size. I rolled the above scarf up in a tight and quite small roll and put it into the purse along with a lipstick and a folding comb, and my brooch to pin the shawl. When I arrived, in high style, I checked my long black velvet evening cape and went to the ladies lounge, took my shawl out of my evening bag and put it on in front of the mirror. Then I checked my hair and lipstick, went out and checked my purse, because I don’t like having to hold onto those during an evening, and joined the guests. Many women who were purple with cold commented on how smart this was and said they had never thought of doing it!  I got through the evening looking grand and managed not to catch a cold! Silk is amazingly warm, in case you don’t know. It can actually be too hot during the summer.

Another thing worth mentioning is that I felt glamorous because I was not cold. I was comfortably warm. I do not find suffering in any way to be glamorous and, I really enjoy being glamorous. In order to feel elegant and beautiful I have to be comfortable in every way as well as feeling assured that everything I am wearing is properly co-ordinated and put together and the proper choice for whatever I am attending or wherever I am going. I love coats and capes and shawls and furs and knitted sweaters and winter scarves because they are beautiful fabrics and designs, but also because they keep me warm and comfortable. Greta Garbo wore a lot of gorgeous furs in her movies! And I always take note of this fact!

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The Delicious Blackberry Scarf by Lady Violette ~ Making and Styling a Fabulous Extra~Long Handknitted Winter Scarf with Fringe! Made with Noro’s Yarns Using a Jane Ellison Pattern

Sunday, April 17th, 2011

The Blackberry Hand Knitted Winter Scarf of Noro Yarns

Everything about this scarf is scrumptious! The yarn, the colors, the softness, the easy to execute pattern, the design, how warm and thick it is and how finally how elegant it looks! I love the name too! I think the stitch pattern is sometimes referred to as the blackberry stitch, but the Noro book doesn’t explain that. Anyway, it was easy to make. I am often working on really difficult knitting projects in which I have to concentrate closely on every stitch and row I make. This was a good break being a repetitive easy to do and remember pattern that I could work on while talking to people, watching a film, waiting for an appointment, etc.

Because I was only knitting with two types of yarn it was also an easy to carry around project! I need to take on more like this. It is hard to lug around a basket of 50 different colors and types of yarns when I want to knit away from home. All serious knitters usually have several different kinds of projects on needles and in the works at any given time. Of late I have been finishing a lot of things and don’t have something easy that I gan grab as I leave the house and work on when I get a chance while out. It is time to set up another one.

 

Close Up View of the Blackberry Stitch

The Blackberry is another pattern from the book Naturally Noro by Jane Ellison using Noro’s yarns. This is actually a booklet, rather than a book. It looks like a magazine. As far as I know these are not available from bookstores. I believe they are only sold by specialty yarn shops that also carry Noro’s yarns.

The yarns specified and the ones I actually used are Noro’s Iro in shade 9 and Noro’s Kochoran in shade 17. You work with one strand of each type, held together throughout the entire project. It is also done on giant size #13 US knitting needles so it knits up really quickly. That means instant gratification! I used Clover bamboo needles.

I have experimented with many types of needles and these are my favorites. I have found that stitches and the finished fabrics actually look very different knit on needles made of different materials. I recommend using the same type of needles made by the same company of the same material for your entire project.

I once made a pair of gloves on size 7 wooden needles. I had a pair of Clover and a pair of Brittany – both wood, both size 7. I wanted to make both gloves at the same time. I launched into the knitting. Unfortunately both gloves looked different! They were knit of the same yarn in the same technique, by the same person. The difference came from the two brands of needles made of the same type of wood. I showed them to many people at my local knit shop. They could all tell there was a pronounced difference. Caused by using two different brands of wooden needles in the same size! The one knit on Clover needles looked the smoothest. So I ripped out the other one and reknit the entire glove to match the better looking one done on the Clovers. A tough lesson learned the hard way! You don”t have to go through that because I am warning you ahead!

The Fabulous Dramatic Hand Made Yarn Fringe

This finished scarf is 96 inches long. It is mighty long and mighty thick and I love it that way! It’s very warm! Mighty warm! It also has fabulous fringe on both ends! I also love fringe! It is so dramatic! I love tossing it! This scarf is so long and big and thick that is is almost like wearing a coat! It does it’s job as a winter scarf! I also like having all the warm thickness of several layers of it cuddled up around my neck.

Noro’s yarn is hand dyed and hand spun in small batches in Japan! When they come out with a color it is usually not available very long. In fact I have had a lot of trouble actually getting enough of it in the same type and color to make entire sweaters – even size small women’s sweaters and children’s sweaters which is what I am usually making!

Noro, himself, is a painter who became a knitter and spinner. Working with his yarns is like painting. They are spectacular! To me at least. I actually like the immense amount of variation in each skein and the difficult to get enough of it aspect. I like the uneven spinning and unpredictable differences found in each small batch because It is like painting. I approach knitting with it like painting and I am willing to experiment and work with it’s unique qualities to achieve the effects I want. Incidentally these are unpredictable and they evolve as you work with the yarn. They cannot be planned in advance. There is an element of chance involved. I like that in my knitting. Even though I am a technical perfectionist! In the end, when I have finished knitting a garment out of Noro’s yarn I know I have a unique to me one of a kind piece!

The Fabulous Blackberry Scarf Designed by Jane Ellison & Knitted by Lady Violette with Yarns by Noro

Now I am all excited and I want to go buy yarn and start another one! I am worried about what may happen to Noro yarn given the Tsunami disaster in Japan. Of course I am more worried about other things in Japan, but the Noro yarns are definitely important elements in my work! They have always been hard to get and I am concerned that their availability may be seriously impacted. I am going to investigate this.

The oak leaf pin with an acorn looks like it is made of copper, then enameled. It is a vintage piece that I found at the Goodwill! It is a perfect accent on this scarf!

People often ask me how much it costs to make something like this. The kinds of yarns I use are luxury yarns of natural fibers. In the case of Noro all the steps of production are done organically. All of them! From raising the sheep to getting the ball of yarn onto a shop’s shelf! The fibers used are the best available and often rare. Consequently, Noro’s yarns are very expensive. These are $20.25 per skein and the sweater required 6 skeins total! So the yarn cost was $121.50 before tax, The pattern book is $24 and you will also need a pair of Clover bamboo or similar wooden knitting needles in size 13US which are about $10.  Allowing for a few other miscellaneous supplies and tax the project cost comes to about $170 just for the materials.

Blackberry Scarf Simply Wrapped

That is the cost to make this sweater if you knit it yourself! No allowance is figured in for the amount of time and expertise for an expert knitter to make if for you!  I am often asked why I do not sell the beautiful hand knits that I make on eBay or Etsy. It would not be worth it for me to do so. The honest truth is that people are not willing to pay what it costs to make them! Or to pay me anything for my time to make them! I have friends who knit and sell their work that way and I have watched the process. They make wonderful things but cannot charge enough to even cover the cost of using top quality yarns. I have had many discussions with fiber artists sharing their experiences selling in these venues. If they continue to do so they knit items in acrylic yarn and make only uncomplicated things that they can produce quickly. The online buying public is not willing to pay for hand knits in particular. Too few people who do not knit themselves understand what is involved and are, thus, unwilling to pay for it.

I have sold on eBay and Bonanza and I know how these systems work. It usually isn’t worth the effort involved. I have written an article about selling on eBay which I will intend post on my blog soon. I am quite willing to share what I have learned about that! I sold high end high quality vintage clothing on eBay for over a year. It was difficult and not worth the effort involved! More about that later!

The bottom line is that, if you want a really gorgeous hand knitted scarf like this one you will have to knit it yourself or find a friend who will do it for you. Or, better yet, teach you to knit! And that is a good thing as you will have the enjoyment of the knitting process for your time investment as well! Knitting is a wonderful fulfilling meditative calming, and grounding experience.

I honestly hope seeing this Blackberry scarf and the other projects I have posted inspires you to knit!

The Blackberry Scarf ~ A Wonderful Hand Knitted Winter Scarf

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

As far as I am concerned that is the big picture!  This is the softest, warmest winter scarf I own! The easy pattern is appropriate for a beginning knitter who knows how to knit, purl, cast on and off, and can read a basic pattern.

Scarves are worn in every culture and knitting is done all over the world. Every country has techniques and styles to contribute to the great knitting, scarf  design and styling repertoires available for us to draw from.   Interestingly the Blackberry is truly an International Scarf because the yarn is from Japan, the designer, Jane Ellison is British and it was knitted in the United States by Lady Violette! I find this crossover of influences fascinating and it adds interest to the scarf for me!

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Lady Violette’s Sewing Studio ~ in the Corner of the Kitchen! Where I Cook Up Gowns for Real Princesses!

Saturday, April 16th, 2011

Lady Violette's Kitchen Corner Sewing Studio ~ Where Gowns are Made for Real Princesses!

This morning I was taking final photographs of the dresses I have designed for Princess Wow! before I send them to her in New York. Between taking pictures of the right side of this dress and shooting details of the wrong side, or inside, I snapped this photo of my tiny sewing area in the corner of our kitchen! It is a very tiny area and I rather like it! This picture reminds me of something from Victoria Magazine when it first came out years ago and was full of lovely photography of interiors, artist’s work spaces and romantic settings!

In this tiny space I have taken all the photos on my blog, done all the sewing and knitting I have shown, styled and photographed all of my recent scarf and shawl tying and styling demonstrations, styled and shot all the vintage clothing I have shown on my blog and sold on eBay and Bonanza, made adults and children’s clothes, made dresses for princesses of all sizes, made and photographed jewelry, written things and cooked every day! I have often been doing several of these things at the same time!

We also use this same space for reading, talking, visiting with friends, having tea and watching movies! Everyone who comes by the house heads for this corner first! And usually plops down on the couch, hangs out here for a while, has a cup of tea, talks, plans what is going to transpire next and eats something. It is very conveniently located right next to the tea cupboard, the teakettle, the stove and the refrigerator! I like it when friends feel so comfortable that they walk right in, ask me what I’m cooking, grab an apple or banana from a bowl on the counter, and make themselves at home. It doesn’t disturb me or my work at all! In fact I find it forces me to relax and take a break and afterwards I am able to return to whatever project I’ve been working on and be more productive.

Even I am quite amazed at what can be done with a small space if one is resourceful. It was all I had to work with and presented an interesting challenge. The more I experiment with using it the more I find I can do within the limitations it presents. Sometimes limitations and restrictions help you make good art because you have to begin by working within their confines. This photo is another humble little example of that fact!

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Short Ribbed Poncho/Capelet/Shawl/Scarf – Hand Knit of Noro’s Iro Self-Striping Yarn in the Brown Color Way by Lady Violette

Friday, April 15th, 2011

Hand Knitted Ribbed Poncho of Noro's Iro Yarn in the Browns Color Way

This is a short ribbed poncho or capelet that just covers the neck, chest and shoulders. Sort of like a scarf, actually, but in a circle so it stays on. Vogue has put out a knitting pattern book with scarves, shawls and ponchos so they, too, feel they are all in the same category. The keeping warm stylishly category!

The pattern is called Cat and is in the book Naturally Noro by Jane Ellison beginning on page 44.  It is hand knit of Noro’s Iro self-striping yarn in shades of brown.

It takes 300 Grams which is 3 skeins of Iro yarn in the color of your choice and is worked on size 10.5 US needles. It is an easy pattern and is very quick to knit. The poncho is a very cozy cover for the upper body. I like wearing it to grocery shop because I get really cold  in the super cold store grocery stores! The yarn is a little scratchy so I wear a tight cotton turtle neck sweater under it.

This Poncho is knitted in one piece on straight needles and seamed together down the back.

Handcrafted Scatter Pins Made From Vintage Buttons & Seed Beads

I felt the poncho needed a little embellishment so I made three accent scatter pins to decorate the left shoulder. These are very easy to make out of  vintage buttons stacked together, then glued and attached to a metal craft brooch pin. The flower pin is made of seed beads strung on thin wire, twisted into the shape of a flower and, attached to a craft brooch pin.

Pins like this are very lightweight so they won’t stretch out and damage hand knits. They also make excellent personalized embellishments for hand knitted or felt hats.

The book, Naturally Noro, by Jane Ellison is full of cute modern knitting patterns. I have finished two scarves out of it and am working my way through a vest and a sweater now. The designs are fairly easy to make, and are casual and wearable. Maybe I will be able to knit them all! I’m trying!

 

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Vintage Shoe of the Week ~ Exquisite Red Patent Herbert Levine Pumps

Tuesday, April 12th, 2011

Red Patent Leather Pumps by Herbert Levine

This is one of my favorite pairs of vintage shoes! I love the color and the style, and the Herbert Levine last fits me like a dream.

Plus, I had the pleasure of knowing Herbert and Beth Levine and their daughter when I was dancing in New York with the City Center Robert Joffrey Ballet Company. They kindly invited me to live with them when I first moved to New York City as a young ballet dancer on a Ford Foundation Scholarship . They were always interested in artists and very supportive of them. They were wonderful friends.

While living in their home I met many interesting people, including Henri Bendel who came to dinner once a week, the photographer Hiro, and Mr. Conde Nast who was a real person. They lived in a very modest and tiny two bedroom apartment on East 12th Street in The Village.

The notorious guests liked to come their to relax and eat their cook’s most amazing I have ever tasted crispy and delicious Long Island Duck. I wondered if it was the special duck that made it so delectable or the way it was cooked. It was the latter. On a trip to LI I asked Herbert which duck of a large gaggle of assorted types of ducks we passed was the delectable and famous Long Island Duck and he replied, “Any duck on Long Island!” They knew because Beth had grown up on a LI farm and told me she had plucked ducks as a girl for that recipe on the farm. Beth was a very down to earth talented woman who became a famous shoe designer and ended up winning the Coty awards and  hanging out with the rich and famous ~ but she retained her earthy qualities.

The Gold Herbert Levine Label ~ These Were Made for Neiman Marcus

Beth Levine actually designed the all shoes, but the company was named Herbert Levine by the couple because they were afraid buyers would not purchase shoes made and manufactured by a woman when they began. Herbert was the business brain behind the company and he was absolutely brilliant. He was incredibly supportive of his wife’s talent and promoted her endlessly. They had a fabulous partnership ~ both personally and as business partners. it was a privilege to know them. And I learned a lot about shoes from them!

These shoes are special to me because of my relationship with the designers as well as for their own beauty.

Beth Levine often said, “If your feet hurt, my feet hurt.” Her shoes were elegant and incredibly comfortable. There is not another designer’s shoes to this day that are as comfortable for me as hers. She really meant what she said and knew what she was doing.

Last year a retrospective show of her work was held in the Bellevue Art Museum near Seattle where I live. Of course I attended. It was excellent and I know the show has traveled around to museums throughout the country. I highly recommend seeing it if you have the chance.

The Famous Herbert Levine Red Shoe Box

I have collected a lot of beautiful vintage shoes, many of historic quality. I owe my interest in and knowledge about shoes to the Levines! They got me started and taught me to appreciate quality shoe design as well as appearance. I was exposed to the very best. Being a young ballet dancer I could not afford a lot of expensive shoes, but Beth saw to it that I was supplied. She gave me shoes so I would be properly shod at all times in New York City!

 

People ask me, but these shoes are not for sale! They are and will remain part of my personal collection!

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