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Lady Violette

The Romantic Lifestyle

Posts Tagged ‘Vintage Shoes’

How to Recognize Alligator Skin

Tuesday, September 3rd, 2019

In the past owning a real alligator purse and/ or a pair of alligator shoes was something elegant women aspired to. Lately, vintage aficionados have been seeking them out again. I have been a connoisseur of the real deal for a very long time and have managed to acquire a few choice specimens. Therefore, I become passionately enraged when I see reptile skins incorrectly identified. For this reason I have decided to show some examples of real reptile skins and correctly identify them for people who are interested in the real thing so that they can learn what it should look like. If you are looking for an alligator purse or a snakeskin handbag or a pair of real alligator shoes be sure you know what it should look like because one of the places I have seen a profusion of misidentifications is on vintage sellers websites! Yes, people who claim to know what they are selling frequently misidentify different types of reptile skins – calling lizard and python alligator for example.
It is not really difficult to tell the difference once you have seen a few good examples and it is fun to impress people with your knowledge! Plus, it is important to know what is what if you are trying to acquire the real thing. I think the best way to learn identify alligator is to look at a few examples of the real thing. Lets get started with:

A GALLERY OF ALLIGATOR PURSES AND SHOES!

Three Real Vintage Alligator Purses From The Lady Violette Vintage Handbag Collection

Three Real Vintage Alligator Purses From The Lady Violette Vintage Handbag Collection

Beautiful Petite Black Alligator Bag from Bellestone circa 1960

Beautiful Petite Black Alligator Bag from Bellestone circa 1960

The backside of the little Black Bellestone Bag: note that the size of the scales differs on each side of the purse. Is t is not uniform. This is an indication that this is a real skin.

The backside of the little Black Bellestone Bag: note that the size of the scales differs on each side of the purse. It is is not uniform. This is an indication that this is a real alligator skin.

A label such as this one is a great help in identifying what type of skin this is! Many vintage items are labeled inside because saying they really were alligator helped the seller get a higher price for then. Alligator was a real a

A label such as this one is a great help in identifying what type of skin this is! Many vintage items are labeled inside because saying they really were alligator helped the seller get a higher price.

These are labeled Genuine Alligator!

These gorgeous Butterscotch shoes from the 1940s are fortunately  labeled Genuine Alligator!

Green alligator shoes made in Italy in the 1980s. Again note how the scales change sizes -

Green alligator shoes made in Italy in the 1980s. Again note how the scales change sizes – a sure indication that the skin is real, not calf leather embossed with an alligator looking faux scale!

A beautiful pair of classic alligator pumps from the 1950s

A beautiful pair of classic brown alligator pumps from the 1950s – these were the ultimate status symbol shoes to own and could be worn with everything – this pair was made by Foot Flairs.

The Ultimate score! A pair of Alligator Springolators by Herbert Levine

The Ultimate score! A pair of brown Alligator Springolators by Beth & Herbert Levine – 1951

The ultimate 50's Bag was a Bellini to go with your alligator pumps and springolators

The ultimate 50’s Bag was a Bellestone to wear with your alligator pumps and springolators! You could get your alligator shoes at Henry Bendel’s Shoe Salon for about $1500 and then head over to the Bellestone showroom  and find a co-ordinating real skin handbag for $3.000 to wear with them. These bags and shoes were so expensive that women wanted to show them off all the time – thus they could appropriately be used all seasons and worn with everything else in your wardrobe.

This is the Bellestone label which is always stamped discreetly inside the bag on the lining!

This is the Bellestone label which is always stamped discreetly inside the bag on the lining! This company used only real skins for their creations. If they said it was alligator it was. Familiarizing yourself with the names of the designers and manufacturers who made the status goods will help you locate the real thing.

 

 

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Lady Violette’s Favorite Quote From Marlene Deitrich

Sunday, January 13th, 2013

Marlene dressed for image in a white man's suit ~ gorgeous!

“I dress for the image. Not for myself, not for the public, not for fashion, not for men. ”
Marlene Dietrich

I am currently reading Marlene’s biography written by her daughter Maria Riva. I am enjoying the book and highly recommend it. It is not a Mommie Dearest type book. It is informative and unravels many myths about Marlene.

I found this quote while looking at pictures of her online. And I immediately thought, how true! I dress the way I do for the same reason, actually. I love clothes and so did she. But I think we all dress for the image we want or need to convey.

Dressing up is a lot of work and their has to be a reason behind doing it. We all like certain clothes, but we do not like having to be perfectly groomed and turned out 247. That requires a lot of discipline and patience. It is, essentially, a job and a career in itself. It requires a lot of time and effort.

Marlene was honest and intelligent and that is what I like about her, as well as her beauty and her work in films. Of course.

 

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Inspiration – Gorgeous Greta Garbo in a Beautiful Fur Trimmed Coat

Saturday, January 5th, 2013

Greta Garbo in The Torrent Wearing a Fur Trimmed Striped Coat

Great Greta Garbo.

She did not say I want to be alone. That was a misquote. She wanted to be let alone by the press and the crazy fans. And crazy men.

Here is a lovely photo of her in The Torrent. She is sporting a unique fur coat. At least the hem is trimmed in fur. And the cuffs. I cannot tell what the rest of the coat was made of. Perhaps it is a knitted coat as it is striped and so fitted. I love the whole outfit. Hat, coat, shoes, silk stockings. And the color tonalities. They had to think about how they would photograph in black and white. The stripes and the shading of the different colors in the zone system of greys makes me wonder what colors the coat was in real life color.

The Torrent was Garbo’s first American film. A silent in black and white.

Look at her eyes! Lovely!

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Vintage Tweed Coat by Sabrina With Lush Natural Coyote Fur Collar ~ Circa 1967 ~ Identifying Coyote Fur

Tuesday, December 11th, 2012

Vintage Wool Tweed Coat by Sabrina ~ Circa 1970's With Lush Natural Coyote Fur Collar

Here is a beautiful vintage winter tweed coat with an extravagant natural coyote fur collar made in 1967 by the Sabrina Coat Corporation in New York. The fur is very long and fluffy and is composed of all the brown, tan and cream colors in the nubby tweed fabric. This is a great warm winter coat for cities like New York and Chicago where it gets really cold because it is double breasted, long and full.

The Double Breasted Design of This Winter Coat Provides Extra Warmth and Protection as it Covers the Chest with Four Layers of Fabric Counting the Tweed and the Millium Lining Crossed Over Each Other, While the Criss Crossed & Overlapped Coyote Fur Encompasses the Shoulders, Neck and Chest as Well as Framing the Face.

The double layer of fabric and fur where it crisscrosses across the chest is a great wind barrier and the huge fur collar is soft, snugly and luxurious.

Long Full Skirt with a Generous Amount of Fabric and Wide Back Pleat Layers Well and Fits Over Anything InCluding Sweaters, Skirts, Pants and Suits

The long full skirt fits over everything and is swishy and glamorous as well! It is lined in blush colored satin Millium lining fabric which is insulated for extra warmth. Millium is a trademarked lining fabric which allowed for extreme warmth without creating bulk and was favored for use in women’s suits and coats when a tailored fitted look was desired. The extravagant coyote fur collar creates a flattering portrait frame for the face of the wearer! I feel beautiful and glamorous and very warm when I wear this coat! It is a coat one can wear out in the dead of winter in the coldest place and be warm and comfortable while enjoying being outside.

Shiny and Elegant in Itself the Specially Designed and Insulated Millium Lining in a Feminine Blush Color Satin Finish Fabric Adds to the Warmth and Beauty of This Well Designed Vintage Winter Coat.

Short jackets just do not keep me warm enough in winter! I need a long coat to keep me warm all over. I also love the way this coat is belted, creating a small nipped in waist when the self fabric belt is tied. It has a 1950’s influenced New Look silhouette with the small waist and long full skirt. This coat features a wide pleat in the back of the skirt giving extra movement and fullness.

Generously Sized and Completely Functional Side Pockets are Big Enough to Really Carry Things In and Have the Added Benefit of Being Securely Closed With the Opening Underneath the Overlapping Decorative Placket at the Top. Pickpockets Would Have to Work Hard to Get Into Your Pocket So You Would be Well Aware of Their Annoying Presence. These Pockets Are Big Enough to Carry a Pair of Gloves, a Scarf, a Pretty Vintage Handkerchief, a Folding Pocket Comb, a Compact, a Lipstick, a Cell Phone, Keys, a Change Purse and a Small Wallet Without Creating Unsightly Bulges or Adding to the Impression of the Size of Your Hips. Of Course They Are Also Thoughtfully Lined in a Warm and Soft Flannel Fabric to Help Keep Your Gloved Hands Even Warmer if Needed! They Knew How to Make Good Working Pockets Back in the Day!

The two huge side pockets are also very functional. You could carry your life in them if you needed to! This coat was made in the days when they still did hand bound buttonholes which is a detail I love and sewed a few extra buttons inside the coat in case you needed to replace one.

Well Made, Laboriously Hand Tailored Bound Buttonholes Add to the Quality and Beauty of This Elegant Circa 1970's Coat.

The buttons are also sewed on extremely well! Originally. I always check the sewing on all the buttons of vintage items when I acquire them to be sure they are very securely attached. If any are loose I sew them on by hand so I won’t lose any. It is hard to find replacement buttons and the extras sewn into the lining are a real sign of quality construction.

An Extra Replacement Button is Sewn Inside the Coat Just In Case You Lose One. Also Note the Beautiful Big Sabrina Coat Corporation Label and the Still Attached Cleaning and Care Instructions. I Just Love the Elegant Labels in My Vintage Clothing and It Really Adds to the History and Value of a Garment if the Original Designer Label and Care Labels Are Still Inside a Vintage Piece When You Acquire It.The Labels Can Also Help You to Date the Clothing and Research Its History. Some People Collect Label's in and of Themselves. I Photograph My Favorite Ones and Keep a File of the Images.

The coat is beautifully designed and tailored and it fits over anything I have tried to wear underneath it – from a dress to sweaters and skirt or a sweater and suit jacket worn together. It is rare to find a pretty coat that is cut to fit over a suit without creating a bulky unflattering look.

The Side View Illustrates The Influence of Dior's New Look with Its Nipped in Belted Waist and Longer Full Flowing Skirt on the Lines and Silhouette of this Very Figure Flattering and Feminine Coat.

I acquired this coat at an estate sale during the summer. It is in excellent condition and very clean. I question whether it was ever worn before I bought it because it is in such good shape! I recommend looking for winter coats, suits and vintage furs during the summer months because they are bulky and people who are selling them will want to do so during the summer in order to get rid of them. When you buy a winter item during hot summer weather you can often get a good price because the seller doesn’t want to have to hold onto that big warm hard to store coat for another 6 to 9 months when winter sets in.  The same principal  applies to buying vintage swimwear.  Buy off season when the demand for an item is lower in order to get better prices.

Note the Classic 1930's Influence on this 1967 Tweed Midi Length Winter Coat with its Face Flattering Natural Coyote Fur Portrait Collar. This Coat Was Made at the Height of the Influence on Fashion of the 1967 Movie Bonnie & Clyde.

I think this style of wrapped and belted wool coat with its glamorous and warm natural coyote fur face framing collar is timeless. I have seen similar coats in old black and white movies worn by Greta Garbo and Marlene Dietrich in the 1920’s and 1930’s. Faye Dunaway wore them in the 1967 movie Bonnie & Clyde which is set in the depression era 1930’s. Faye Dunaway was incredibly glamorous in that movie and influenced fashion accordingly the year the film came out. She wore such coats over tweed midi length skirts with sweaters and textured stockings and T-strapped or gillie shoes. She wore her gleaming blond hair in a sleek Garbo influenced bob with berets and cloche hats. Many portraits exist of Garbo dramatically framed by the gigantic fur portrait collars like this coyote collar. The year 1967, when Bonnie & Clyde was released, every fashionable woman wanted a 1920’s ~ 30’s influenced fur collared winter coat and sexy clinging midi length tweed skirts. In the dead of winter tin 1967 these coats were worn with narrow high heeled taupe suede boots and knitted or felt cloche caps and berets.

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A Fashion Ode to Janis Joplin Jacket Part II ~ Philosophy & Ensemble

Saturday, September 29th, 2012

The Ode to Janis Joplin Jacket Inside Worn Outside is a Customized Vintage Fur Coat Made For Janis Joplin

The Ode to Janis Joplin Jacket ~ a Customized Vintage Fur Coat, Eight Strand Ode to Janis Joplin Love Bead Necklace, and The Styled for Janis Joplin Vintage 1930's Persian Lamb and Fur Felt Hat.

 

I recently posted photos of this Fantastic Ode to Janis Joplin Jacket in my first post about her contribution to fashion  The Fantastic Ode to Janis Joplin Jacket ~ One Way to Use Vintage Ties and Furs.

The Back of The Ode to Janis Joplin Jacket Inside Worn Outside

Today I am showing the rest of the opulent characteristic of Janis Joplin Ensemble and The Janis Joplin Accessories that go with it.

The Front of the Ode to Janis Joplin Jacket with the Fur Side Out

Janis loved beads and piled on many strands at once. She was even photographed for Rolling Stone wearing only her necklaces and joked that you couldn’t tell she was nude because she was covered with beads.

The Magnificent Ode to Janis Joplin Necklace

Here is the beautiful eight strand Ode to Janis Joplin Bead Necklace of silver, marcasite, garnets, Swarovsky crystals, rubies, and antique and contemporary glass artist lamp work beads. The ornate clasp is antique silver studded with marcasites.

The Antique Silver & Marcasite Clasp on the Ode to Janis Joplin Necklace

The Ode to Janis Joplin Necklace Over a Wine Silk Burnout Velvet Blouse & Midnight Blue Velvet Tiered Gypsy Style Skirt

The necklace is worn over a wine burnout silk velvet blouse with a dark blue velvet bohemian style three tiered gypsy skirt.

The Crazy Quilted Inside of The Ode to Janis Joplin Jacket is Made of Many Kinds of Beautiful Antique Fabrics and Pieces of Needlework Which Make It a Unique Piece of Bohemian Style Handmade Textile Art.

Janis loved opulent fabrics in deep rich colors.

Legendary Ode to Janis Joplin Antique Black Leather Boots

Janis also loved collected and wore antique boots.

Ode to Janis Joplin Real Victorian Brown Leather Boots

Here is a brown pair of real Victorian Boot Janis Joplin loved and a black pair.

Janis was notoriously quoted in ” FASHION NEWS: I went out & bought myself a $35 pair of boots. Oh they are so groovey!! They’re old-fashioned in their style-tight w/buttons up the front. Black. FANTASTIC! When I get back, I’m going to rent a sewing machine & make myself some sort of beautiful/outlandish dress to go w/them. ”
– Janis Joplin, September 1966

The Ode to Janis Joplin Jacket & The One of a Kind Eight Strand Ode to Janis Joplin Bead Necklace Worn with A Characteristic Janis Joplin Style Ensemble of a Wine Burnout Velvet Blouse and a Midnight Blue Velvet Skirt is Opulent and Amazing!

Here ~ in the gorgeous exotic fabrics Janis Joplin loved ~ is the Ode to Janis Joplin Jacket with the full ensemble of vintage midnight blue velvet three tiered gypsy skirt, vintage wine burnout velvet blouse, custom made one of a kind eight strand Ode to Janice Joplin Necklace of love beads, real Victorian boots and two men’s silk ties worn overlapping each other as a neck scarf. Her fans loved her homemade dresses, skirts and bell bottom pants, and piles of jewelry. And, of course, her customized vintage real fur jackets and hats.

Ode to Janis Joplin Vintage 1930's New Orleans Hat Trimmed in Persian Lamb and Custom Decorated for Janis with Burgundy Ostrich Feathers and A Jeweled Antique Brooch

To top off her outfits Janis often wore vintage fur or felt hats. This Ode to Janis Joplin Hat is originally from New Orleans and is trimmed in curly black Persian lamb fur and decorated with a fantastic jeweled antique brooch, and ostrich feathers! It was picked up at a thrift shop on a jazz festival tour of New Orleans and further embellished with her trademark curling ostrich feathers dyed a rich pink red and a gigantic jeweled brooch. Like everything she owned it is personalized and one of a kind. Janis loved to add colorful ostrich feathers in this form or in elaborate feather boas pinned into her hair.

Janis Joplin sewed! And she shopped in thrift stores. She sought out fabrics, notions and vintage clothes that inspired her. She put things together in her own way. Because she was on stage she inspired the people who saw her live in the 1960s to do the same thing for themselves in their own way. Everything was individually  done in this way of dressing and one of a kind, This look was very personal. You had to create much of it yourself from found objects so how you combined things became highly personal. You could not go out to a mall and successfully create such a look.  Janis Joplin made and designed many of her own costumes. She also worked with a designer friend to help execute her ideas as she became more successful. She always dressed as a performer ~ simply because she liked to ~ both on and off stage. For her life was really a continual performance. And she dressed accordingly. To her clothing was another form of her artistic expression and she derived great joy in expressing herself this way.

Her fans loved her style. Her influence on the way people dressed in the 60s effected the entire world. She became one of the 100 most influential people in fashion of all time. Because of the way she herself dressed and how much people liked that. Other people wanted to express themselves and their own individuality in a similar way. How she dressed epitomized  freedom of choice and self expression and inspired the rest of the world to do the same. No one copied her exactly. That was not the point of her influence. The main point she got across to other people was it is a good thing to be yourself and dress in your own way.

She collected fabrics. She loved exotic materials such as silks, velvets, brocades and metallic jerseys. She wore luxurious leathers, furs, and many beads and jewels.~ particularly armloads of bracelets and many rings on every fingers all at the same time.  She wore fluffy colorfully dyed ostrich feather boas in her free flowing long naturally wavy hair. The custom made Ode to Janis Joplin Jacket is hand sewn and skillfully embroidery stitched with many of these types of collected fabrics, including ribbons, hand crocheted lace doilies, embroidered birds and flowers and thrifted Italian silks taken from vintage men’s neckties. People loved Janis Joplin for her music and for her fashion sense. And most of all for her sense of freedom of self.

Janis Joplin’s self made image and often home made style and fashion choices perfectly symbolized what was going on in the world and society at the time. She became the bohemian fashion queen of the hippie movement. She had been ridiculed as unattractive and ugly during her high school years and it must have been tremendously empowering for her ~ in a good way ~ to be admired and respected for her artistic taste and fashion sense! She would probably be amazed to know what long lasting effect she has had on fashion today. Janis Joplin was also innocent and pure in her fashion choices because they came from her heart and soul in the same way her music did. It was improvised spontaneously in the same way she interpreted her songs. Janis always put her own unique twist on things!  Her fashions were in no way commercial or mass produced. Her lovely clothes were lovingly chosen and made either by herself or by other artists. She spearheaded a movement to dress the way you wanted to that swept across the world. In her way she was the ultimate dress reformist. And she accomplished this as a side line to her music and unintentionally. She became tremendously influential in fashion just by doing her own thing.

Slashed Fur Sleeves Patched With Silk From Vintage Italian Designer Neckties.

“Do Your Own Thing” incidentally became a catch phrase of the times! And the basic theme and message of many songs and stage musicals like Hair, and Do Your Own Thing, and OH! Calcutta. I think Janis would have loved that! Janis Joplin’s style was not commercially created by stylists and promotion experts.  She did not have a huge clothing budget or makeup artists and hair stylists following her around at all times. She did not get done up with hours and hours of preparation for interviews and personal appearances. She refused to wear makeup because she hated the way it looked and felt and she allowed her hair to naturally do its own thing – which meant grow and be wavy and simply put some scarves or feather boas in it to add color and volume.

I think she got dressed like some 3 – 5 year old girls do! They have a closet full of clothes and a costume box and left to their own devices put on and mix up colors and styles wearing whatever appeals to them with no care for what others think every time they get dressed. They often look great in a mix of colors and accessories worn in unconventional ways. It is all done quite spontaneously and I hear grown ups say, “Wow! That looks great! I wish we could wear those things and those colors and fabrics together!” And the mother of the child says, “I don’t choose her clothes or accessories. she does it all herself!”  I, personally believe that Janis Joplin got dressed in this same way. And, as she made more money and could afford to buy what she wanted she became all the more colorful and free and self expressive in her clothing choices.

These were simple natural choices for her that were fun and lighthearted and easy for her to accomplish. She had a tremendous natural ease and vulnerability and that was very appealing. It came through in her singing and dancing of course, but it was also how she looked. It amazes me to consider this in contrast to the singers of today – such as Lady Gaga, Boyonce, Gwen Stefani, Rhianna, Madonna and many others who have such commercialized, highly manufactured, expensive to produce and high maintenance personal and stage styles. Janis had none of this “Professional Help.” It is important to realize that she was completely responsible for creating her look herself. I find it hard to see the person under the modern stars styling whereas Janis Joplin was personally completely exposed at all times.

In The Ode to Janis Joplin Jacket- Slashed Furs Reveal Black Cloth Sections of Inner Darkness Beneath the Outer Layers. Rich Deep Colors of Soft Silk Like the Depths of Janis Joplin's Voice and Amazingly Warm and Beautiful Yet Damaged and Vulnerable Furs Enable the Artist to Wear Her Soul On Her Sleeves.

Janice Joplin sang as if she cut herself open and showed us the very insides of her own self and soul in her music in every performance she did. This was the essence of her style and way of dressing as well. Thus, in the Ode to Janis Joplin Jacket the slashed skin sleeves and torn furs revealing sky colored satin embellished with birds embroidered in psychedelic colors of thread perched next to dark rich silks and patches of exotic brocade that symbolize the person and artist Janis Joplin was to those who saw her in the clothing. There are some important patches of personal darkness too in exposed inner sections of black fabric that are open to view under the the torn away outer sections of the amazingly warm and beautiful, yet vulnerable and damaged fur. The Ode to Janis Joplin Jacket is really just like she was ~ original, unusual, delicate, beautiful but rough and exquisite and raw and different all at the same time.

It is important to note that Janis had no aversion to wearing real furs or leather and openly did both. She also loved animals and most notoriously owned a beautiful and affectionate sheep dog. Janis loved her dog. And other furry animals. As far as I know she only wore vintage furs made from pelts of animals killed long before that she rescued from thrift shops. I think she felt, as I do, that rescuing an old fur and giving it new life by wearing it or making it into a beautiful new article of clothing was a way of honoring the already long dead animal from whom it came.

Two Beautiful Men;s Vintage Silk Ties Are Overlapped and Used as a Woman's Scarf Encircling the Lapels of the Ode to Janis Joplin Jacket. The Navy Paisley Tie ifs Vintage Liberty of London and The Wine Colored Floral is Vintage From the Metropolitan Museum of Art Collection.

In Janis Joplin’s  characteristically creative personal way of repurposing materials she loved beautiful thrifted silk men’s ties – a vintage navy blue paisley patterned one from Liberty of London and a vintage burgundy floral one from the Metropolitan Museum of Art Collection are overlapped and used as a woman’s scarf to frame the neckline lapels on the fur side of the Ode to Janis Joplin Jacket. This “scarf of ties”  treatment works in nicely with the crazy quilting of velvets, brocades, lace, ribbons, embroidery and antique silks used in the jacket. some of the silk patches in the jacket came from old neckties as well.

Janice influenced other people to do their own thing and express themselves through their clothes as much as she did. Many people, especially in the 1960s and 70s did so really well. Because, like she did, they “got down! ” They got down and dressed themselves with things they found and made and put together in their own way.They created their own version of an artistic and eclectic look. And this really worked. People were very often beautifully and very individually dressed  in that time. It was a very experimental period. People wore things they really loved with boldness and confidence. It was wonderful to see the things they came up with.

Ever since she came on the scene she has been copied commercially. The mass market has tried to benefit from her style and vision by mass producing cheap imitation versions of her look. They usually look like chap imitations too! It is not exactly a mass produced look! To achieve it and pull off something with a similar success you have to get to the soul of the matter of self dressing. You can do it inexpensively or using expensive fabrics and jewels. You can do anything as long as it is honest and original, preferably self made, found or artist made. It is best done by artists that are your friends or do work that is meaningful to you personally.

You will not be able to go to a mall and assemble pieces to give you such a look. If you do that, or follow the conservative commercial version of “Getting The Janis Joplin Look” as advised in a teen or adult woman’s fashion magazines and certain advice online your attempt to achieve the real Janis Joplin Look will fail completely! I have seen some ridiculous articles and advice columns in magazines and online with utterly tepid versions of the look. You cannot be conservative about this. You have to be absolutely fearless as Janis was. She actually often used very fine luxurious fabrics, furs, beads and jewelry and had a passion for beautiful old high quality boots. She found many of her beautiful fabrics and clothes antique and second hand and this can still be done. As an artist Janis gave old things a new life in her assemblages. Her clothes and outfits were actually artistic collages of wearable items and they became art with her interpretation. Again and again and again her fashion interpretations were like her musical interpretations ~ original and unique with a very personal twist. That is the secret to achieving her look. If you can do that for yourself you will be able to achieve a truly Janis Joplin inspired personal look.

All the Ode to Janis Joplin Clothing and Accessories pictured are from Lady Violette de Courcy’s personal collection, The Lady Violette de Courcy Vintage Clothing Collection.  She is a writer, art and vintage clothing collector and fashion historian.

Photos for this article are by Violette de Courcy

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