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Lady Violette

The Romantic Lifestyle

Posts Tagged ‘Style’

Fur is Fabulous ~ As Demonstrated by These Very Young Fashionable Ladies

Sunday, January 6th, 2013

Tiny Turn of the Century Girl in Fluffy Fur Collar and Muff

It was important to dress your child warmly in days of yore for two reasons ! To keep her comfortable in winter and to show that you could afford to do so! In fact, it was important to a man’s success in business and society to show the world, via his wife’s clothes and jewelry, and of course his child’s as well, that he was doing well financially. You would buy your wife an expensive fur coat if you could afford to do so and she would wear it publicly to show off her beauty, it’s beauty, and your success. Your adorable children would follow in her footsteps.

A Tiny Girl From Chicago in Her Sleigh Stroller Wearing a Darling Fur Ensemble

Here are the daughters of some very wealthy couples dressed in head to toe fur ensembles at the turn of the century. Muffs and fur collars were obviously in vogue for the very young. I think girl number one is wearing long curly lamb and the girl in the sleigh is wearing ermine.

They certainly make an impression! Fur is fabulous at any age! And my mommy Daddy can afford to dress me this way!

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Amazing Violet Dyed Lynx Coat

Friday, January 4th, 2013

An Adorable Dyed Violet Lynx Coat

I discovered this amazing little violet lynx fur coat yesterday! And now I want it! It is the perfect little casual everyday fur for Lady Volette!

Gorgeous and Soft. Violet Lynx Coat Viewed From the Back.

I want! I can just imagine myself running around town doing errands in this beautiful jacket! And ending my excursion with a Lavender Martini in the Olympic Four Seasons.

I Am Sending My Desire to Own This Violet Lynx Fur Coat Out Into The World With this Post

I must do more research to find out if this edgy little jacket is attainable/ available for sale.

I am allergic to live cats, but I have no such problems with fur coats!

” Here Violet Kitty, Kitty, Kitty! Come Here Purple Kitty! Come Home to Lady Violette…”

Alas: This coat was sold to someone else! It was from Mark Kaufman Furs in NYC. C’est la vie! I will have to keep looking! Meanwhile I can save up for one!

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Vintage Tweed Coat by Sabrina With Lush Natural Coyote Fur Collar ~ Circa 1967 ~ Identifying Coyote Fur

Tuesday, December 11th, 2012

Vintage Wool Tweed Coat by Sabrina ~ Circa 1970's With Lush Natural Coyote Fur Collar

Here is a beautiful vintage winter tweed coat with an extravagant natural coyote fur collar made in 1967 by the Sabrina Coat Corporation in New York. The fur is very long and fluffy and is composed of all the brown, tan and cream colors in the nubby tweed fabric. This is a great warm winter coat for cities like New York and Chicago where it gets really cold because it is double breasted, long and full.

The Double Breasted Design of This Winter Coat Provides Extra Warmth and Protection as it Covers the Chest with Four Layers of Fabric Counting the Tweed and the Millium Lining Crossed Over Each Other, While the Criss Crossed & Overlapped Coyote Fur Encompasses the Shoulders, Neck and Chest as Well as Framing the Face.

The double layer of fabric and fur where it crisscrosses across the chest is a great wind barrier and the huge fur collar is soft, snugly and luxurious.

Long Full Skirt with a Generous Amount of Fabric and Wide Back Pleat Layers Well and Fits Over Anything InCluding Sweaters, Skirts, Pants and Suits

The long full skirt fits over everything and is swishy and glamorous as well! It is lined in blush colored satin Millium lining fabric which is insulated for extra warmth. Millium is a trademarked lining fabric which allowed for extreme warmth without creating bulk and was favored for use in women’s suits and coats when a tailored fitted look was desired. The extravagant coyote fur collar creates a flattering portrait frame for the face of the wearer! I feel beautiful and glamorous and very warm when I wear this coat! It is a coat one can wear out in the dead of winter in the coldest place and be warm and comfortable while enjoying being outside.

Shiny and Elegant in Itself the Specially Designed and Insulated Millium Lining in a Feminine Blush Color Satin Finish Fabric Adds to the Warmth and Beauty of This Well Designed Vintage Winter Coat.

Short jackets just do not keep me warm enough in winter! I need a long coat to keep me warm all over. I also love the way this coat is belted, creating a small nipped in waist when the self fabric belt is tied. It has a 1950’s influenced New Look silhouette with the small waist and long full skirt. This coat features a wide pleat in the back of the skirt giving extra movement and fullness.

Generously Sized and Completely Functional Side Pockets are Big Enough to Really Carry Things In and Have the Added Benefit of Being Securely Closed With the Opening Underneath the Overlapping Decorative Placket at the Top. Pickpockets Would Have to Work Hard to Get Into Your Pocket So You Would be Well Aware of Their Annoying Presence. These Pockets Are Big Enough to Carry a Pair of Gloves, a Scarf, a Pretty Vintage Handkerchief, a Folding Pocket Comb, a Compact, a Lipstick, a Cell Phone, Keys, a Change Purse and a Small Wallet Without Creating Unsightly Bulges or Adding to the Impression of the Size of Your Hips. Of Course They Are Also Thoughtfully Lined in a Warm and Soft Flannel Fabric to Help Keep Your Gloved Hands Even Warmer if Needed! They Knew How to Make Good Working Pockets Back in the Day!

The two huge side pockets are also very functional. You could carry your life in them if you needed to! This coat was made in the days when they still did hand bound buttonholes which is a detail I love and sewed a few extra buttons inside the coat in case you needed to replace one.

Well Made, Laboriously Hand Tailored Bound Buttonholes Add to the Quality and Beauty of This Elegant Circa 1970's Coat.

The buttons are also sewed on extremely well! Originally. I always check the sewing on all the buttons of vintage items when I acquire them to be sure they are very securely attached. If any are loose I sew them on by hand so I won’t lose any. It is hard to find replacement buttons and the extras sewn into the lining are a real sign of quality construction.

An Extra Replacement Button is Sewn Inside the Coat Just In Case You Lose One. Also Note the Beautiful Big Sabrina Coat Corporation Label and the Still Attached Cleaning and Care Instructions. I Just Love the Elegant Labels in My Vintage Clothing and It Really Adds to the History and Value of a Garment if the Original Designer Label and Care Labels Are Still Inside a Vintage Piece When You Acquire It.The Labels Can Also Help You to Date the Clothing and Research Its History. Some People Collect Label's in and of Themselves. I Photograph My Favorite Ones and Keep a File of the Images.

The coat is beautifully designed and tailored and it fits over anything I have tried to wear underneath it – from a dress to sweaters and skirt or a sweater and suit jacket worn together. It is rare to find a pretty coat that is cut to fit over a suit without creating a bulky unflattering look.

The Side View Illustrates The Influence of Dior's New Look with Its Nipped in Belted Waist and Longer Full Flowing Skirt on the Lines and Silhouette of this Very Figure Flattering and Feminine Coat.

I acquired this coat at an estate sale during the summer. It is in excellent condition and very clean. I question whether it was ever worn before I bought it because it is in such good shape! I recommend looking for winter coats, suits and vintage furs during the summer months because they are bulky and people who are selling them will want to do so during the summer in order to get rid of them. When you buy a winter item during hot summer weather you can often get a good price because the seller doesn’t want to have to hold onto that big warm hard to store coat for another 6 to 9 months when winter sets in.  The same principal  applies to buying vintage swimwear.  Buy off season when the demand for an item is lower in order to get better prices.

Note the Classic 1930's Influence on this 1967 Tweed Midi Length Winter Coat with its Face Flattering Natural Coyote Fur Portrait Collar. This Coat Was Made at the Height of the Influence on Fashion of the 1967 Movie Bonnie & Clyde.

I think this style of wrapped and belted wool coat with its glamorous and warm natural coyote fur face framing collar is timeless. I have seen similar coats in old black and white movies worn by Greta Garbo and Marlene Dietrich in the 1920’s and 1930’s. Faye Dunaway wore them in the 1967 movie Bonnie & Clyde which is set in the depression era 1930’s. Faye Dunaway was incredibly glamorous in that movie and influenced fashion accordingly the year the film came out. She wore such coats over tweed midi length skirts with sweaters and textured stockings and T-strapped or gillie shoes. She wore her gleaming blond hair in a sleek Garbo influenced bob with berets and cloche hats. Many portraits exist of Garbo dramatically framed by the gigantic fur portrait collars like this coyote collar. The year 1967, when Bonnie & Clyde was released, every fashionable woman wanted a 1920’s ~ 30’s influenced fur collared winter coat and sexy clinging midi length tweed skirts. In the dead of winter tin 1967 these coats were worn with narrow high heeled taupe suede boots and knitted or felt cloche caps and berets.

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Vintage Fur Muffs & Muff Purses ~ and Identification of the Kinds of Furs They Are Made From

Tuesday, October 30th, 2012

My Collection of Five Vintage Fur Muffs

I have a small collection of vintage fur muffs. Several of them are also purses. I absolutely love muffs. They are so practical and darling! You can carry them instead of a purse and have a place to keep your hands toasty warm while looking glamorous or romantic.

This is the Lovely Sheared Natural Colored Brown Beaver Muff That Belonged to My Grand Mother

The first one I acquired is the beaver one which was my grandmothers when she was a young woman. It is natural brown colored sheared beaver and very soft. There is a zipper in the back which opens to reveal a roomy satin lined “pocket” compartment which serves as a purse for carrying a few essentials. It has a loop made of heavy satin ribbon to attach the muff to your wrist. My grandmother told me she used it wherever she went in the winter and, most romantically on sleigh rides and when she went ice skating on a lake near their home where the young people gathered for winter socializing and recreation. It is very soft and silky and exceptionally warm. The part of the fur we see in this muff is the part that is located under the stiffer and longer guard hairs that you see on a live beavers coat. They shear off the guard hairs which protect this inner part of the beaver’s coat when processing the fur in this manner. This softest thick part of the coat, under his guard hairs, is what keeps him toasty warm in bitter winter cold and serves as his insulation while he is swimming and working in snow and icy water. His longer outer guard hairs literally serve to guard this amazingly soft and warm inner coat. Water runs right off the guard hairs and when swimming they make him sleeker and faster in the water. Beaver fur is used for garments both with the guard hairs left on it and sheared in the manner of this muff. With the guard hairs on the fur has a courser feel when you stroke it, but this super soft exact part of the fur is located right under the guard hairs next to the leather skin. Snow will slide or shake right off a beaver coat with the guard hairs on it while this inner fur is keeping the wearer, or the beaver, exquisitely warm. A sheared beaver coat is more dressy and elegantly soft and was usually made for garments to be worn for fancier occasions.

This is the Backside of the Sheared Natural Brown Beaver Muff Showing the Zipper that Gives Access Into The Satin Lined Purse Compartment discreetly Hidden Inside The Muff!

Fortunately my grandma took very good care of her sheared treasured beaver fur muff and she gave it to me when I was in the 4th grade doing a school science report on beavers. I lived in Portland OR at the time and every child had to pick a topic for a science project. I chose the beaver who happened, coincidentally to be the official state animal! Of course my topic was approved by the teacher! I did not pick the beaver because he was the state mascot. I picked him because I loved my grandma’s beaver fur muff and my grandpa’s stories about real beaver damns he had observed. They loved beavers and I developed a great affection for them hearing them talk about them. My entire family got involved in helping me and I wrote a spectacular report with great displays which included this very beaver muff! My father took me to visit a professional furrier in downtown Portland who gave me strips of beaver fur to use for my displays. I had a sample with the guard hairs still on it, one that was sheared like this muff, and several that were dyed different colors to show some of the ways the furriers could create different colors and looks with the same type of fur.  I had a white one, several shades of brown, a tan one and a black one.

My rancher woodsman grandfather took me out into the wilds of Idaho to observe a beaver damn and the large beaver colony in action. It was amazing and I will never forget it. We ever so carefully chopped down a stump from a tree that a beaver had felled and mounted it on a wood display block for me to show in my report. My grandpa just happened to have a real set of beaver front teeth in his collection of weird treasures that I was also allowed to use in my display as well! They were long and very stained and sharp and you could see how they were ideal for cutting down entire trees and chewing through logs to make them a usable size in damn building. We displayed these next to the mounted tree stump in a special cigar box with a glass lid mounted in the top!

After the trip to observe the damn, which was quite an excursion, as we packed into the mountains on horseback and camped out for 3 days and nights in order to study them, we constructed a reproduction of the entire beaver colony and damn in a diorama using sticks and mud and moss and stones and other things. We made it small enough to transport and show on top of a table. My grandfather was so excited and willing to help me that we even created a cutaway of the damn to show what it was like inside!

To top things off we displayed his beaver felt hat from the days in which he courted my grandmother, pictures of them in hat and muff and her fashionable brown beaver fur jacket. I do not have those items now. Other family members do! They are in another state so I cannot get pictures to add to this post right now! Sorry!

My report on the beavers was a big success. It was success that I ended up winning the first prize in the state for my Science report. I am sure that the fact beavers were the state animal and are featured pictured on the Oregon state flag helped me win. I was taken to many schools to present my report in person. I sure wish someone had filmed or video taped it! But nobody did that in those days so it is only a legend now! Finally the entire display was featured at OMSI ~ the Oregon Museum of Science and Industry in a display with plaques and everything for several years. I was really impressed by the plaques and having my name on them when I was in 4th grade! My family moved from Portland to Seattle a year later and I have no idea what became of my beaver exhibit and report after that.

The conclusion to the story is that I have had tremendous respect for beavers and have truly loved the little guys ever since! I now live in Lynnwood, WA and a couple of years ago an industrious beaver colony built a large damn in a wetlands area just off the 44th Street Exit of Interstate 5. That is the exit I take to get to my house! They quickly built a big damn and it caused a lot of water backup leading to a flood that forced the highway department to close off the roads. The industrious beavers were so adept at building and so determined to succeed that they could not be stopped. ( I really enjoyed watching this transpire!) At first the highway maintenance people tried to redirect them a bit without disturbing them, but it didn’t work! More beaver troops were called in for this emergency project, arrived from somewhere, mysteriously, and built the damn bigger and higher in record time working 247 around the clock in the freezing dead cold of damp and icy winter! The lake,  (Yes! Really! It became a large lake! ) completely blocked off that freeway exit and several blocks in each direction. No one could get through. something had to be done!

The State Wildlife Department organized a swat operation and came in  and captured all these beavers and transported the entire group to a new distant location suited to their lifestyle but far from civilization as we know it! I do not know where they are now, but I hope they have adapted and survived. Every time I pass the wetlands I think about them and I miss them! Of course I think they should be protected. When I use my sheared beaver fur muff I get to tell people what it is and I get to tell my fantastic true story about my 4th grade beaver report. And I get to urge people to protect the existing beaver colonies. This is a perfect opportunity for me to promote the protection of this beautiful animal and I think the muff is doing more good for beaver society that it would if it were destroyed. as the Peta people advocate doing. I have strong personal opinions about this and I feel you can make people care more about issues like animal protection through education and knowledge of the history of the animal and its relationship to people during the development of our society. In our history the quest for beaver pelts was why much of Canada and the western states were explored, settled and developed. Now it is our turn to protect them.

Today I am writing about my muff collection, but, soon I will photograph and post pictures of the 1947 wool cloth coat trimmed in a different kind of fur collar that my grandmother wore with this sheared beaver muff. I will show how the two kinds of fur coordinate with each other really well and can be worn together now, just as she did back then for an elegant put together look. The coat is currently being cleaned and having a button restored so I cannot include it for a few days. I will link the two posts together when I put it up.

Amazingly Soft Sheared Seal as Used in This Muff is Even Softer and Finer Than Exquisitely Soft sheared Beaver!

Most furs have guard hairs to begin with and many can be sheared off to get down to the softest part of the fur which can then be used for elegant garments and fur accessories such as muffs. a sheared fur garment is more delicate than one with the guard hairs left on to continue to guard the fur. This should be rather obvious! The reason some people get confused by two items made of beaver or other fur is that one could be sheared and one could still have the guard hairs on it and they could very legitimately look quite a bit different to the untrained or inexperience eye. Furs can be bleached or dyed different colors or shades as well, just like human hair, so that could change the look as well! It is no wonder people who are new to fur get confused at times! Additionally, designers and furriers have been very creative over the years and have made furs and garments having unusual effects that become difficult to recognize without experience. The more you see, feel, study and collect, the better you will become at correctly identifying fur types. That is why I am writing these posts and showing pictures of my own furs ~ in order to share what I have learned and help others figure out what they have. I hope it is helpful.

This Photo Shows The Back Quilted Silk Satin Side of the Sheared Seal Muff. It is Feather Down Filled for Extra Warmth and Elegance. This Piece Dates to 1912

This muff is made of sheared seal on the front side and quilted silk satin filled with feather down on the back side. it is also lined with silk and filled with feather down on the fur side. I love the color of the silk satin and the decorative stitching pattern used in the quilting stitches. there is a small piped border on each side where you put your hands into the openings. In the next picture I have turned the muff sideways to try to photograph the inside and show the zippered interior purse compartment.

Here you can Look Inside the Sheared Seal fur Muff Purse From the Side Angle and See the Zippered Area For the Purse.

When you turn the fur side in the light you get different effects of coloration depending on how the light hits the pile of the fur.  The entire piece is beautifully constructed.

The Seal Fur Can Be Stroked to Lie in Different Directions Which Gives a Different Effect and Look to the Fur Color

In the next picture I have photographed again in natural light but the color looks different ` a bit cooler, because of the quality of the light hitting the fur. You can change the way the fur lies by stroking it one way or the other. I love to “pet” the muffs when I am using them! You should never brush your furs or comb them. It will damage them. You can smooth them out with your hands gently. Be sure your hands are clean and dry and free of any hand lotion, cosmetics or perfumes as they could damage the furs. If you want to wear perfume you should apply it to your own skin in areas where it will not come into contact with the fur itself.

Please note. I took all the pictures of these muff at the same time. The color fluctuates a lot on this seal one but this is due to the way the nap of the fur is positioned, turning the fur muff, or moving it a bit into a different quality of light.

Dramatic Natural Black/ Brown and White Natural Skunk Vintage 1940s Era Muff with Bakelite Wrist Ring Attached

This vintage 1940s’s muff is natural black/ brown skunk fur which is kind of obvious isn’t it? I am saying that with a sense of humor because I have been asked if it is some really odd things ~ ranging from dog to zebra! I do not think it looks like those animals at all and I think it loos exactly like a skunk, so I can only assume that the people who say such things must not know their animals or look at animals or pictures of them very care fully!

The Dramatic Skunk Muff and Matching Stole Ensemble Circa 1940s is a Real Vintage Show Stopper!

This skunk muff is not a purse but it does come with a matching stole! The muff is made up of six skunk pelts and the stole is made up of 24 skunk pelts! I have written extensively about the skunks fur and how to recognize it in my previous post on this skunk ensemble * .  Sometimes skunk is dyed jet black.

Fluffy And Incredibly Soft Silver Fox Fur Muff With Double Hand Compartments

This incredibly fluffy long haired vintage muff purse is Silver Fox Fur. It is only fur on the font side and is backed with black textured fabric. It has a black satin wrist strap. It is uniquely designed to have two compartments for your hands, one for each hand. There are several kinds of natural foxes and they are different natural colors – not dyed. Sometimes fox fur is dyed as well. In the future I will show you different kinds of natural fox fur in different colors so you can see the differences, but in thins post I am focusing on muffs so I want to be sure it is understood that this particular example is a Silver Fox. This has been confirmed by a professional furrier, Rene Vogel.

This Picture Shows the Black Stripe Textured Fabric Used to Back the Fur Portion of the Silver For Fur Muff Purse.

Inside this Silver Fox fur muff purse has a concealed secret zippered purse area for your belongings. I love how well structured it is. The old time furriers did a nice job of designing and sewing these muff purses. The muff keeps your hand so cozy and warm as well. I personally need this extra warmth even when I am wearing gloves! I love the idea and the practice of keeping warm with fur lined gloves in a fur lined muff while wearing a fur lined coat and a fur hat and fur lined boots. I have tried every other solution to keeping warm but none other works as well. I am thin, I have no body fat to help me stay warm! I have become aware of how tiny a fox is inside his fluffy long fur coat insulated for the winter cold by his beautiful fur pelts.

I Have Tipped the Fox Muff Purse at a Weird Angle So I Can See Inside It To Photograph the Zipper for the Purse Section

The furs are lightweight, they trap air between then to keep you warm, some fur follicles are hollow and these trap additional air within the individual fur hair itself to keep the animal even warmer or the human wearer of the coat made of his fur even warmer.  This is why, in olden times, when there really were not many ways to keep warm people initially wanted to wear furs from animals for coats. It was the only way you could keep from freezing to death in some bleak and frozen places. Historically humans began to wear furs as a necessity for their own survival. I do not think that a lot of people who work for animal rights realize this or, if they do, they never think deeply about it. As humans we owe a great deal in our evolution to the fact that we had animals to eat and their furs to wear in order to keep warm and thus stay alive!  Personally I am very grateful to animals of the past for making this contribution to the survival of my species. When I wear a vintage fur or carry a vintage fur muff purse I an sometimes able to use the comments people make about wearing furs to discuss this. I find it very wasteful of a life to discard a perfectly useful vintage fur when it still has a lot of useful life in it! I personally want to honor the animal from whom the item came by wearing his already dead pelt proudly until it expires naturally.

Natural Black Persian Lamp Fur Muff Purse with Black Fabric Backing and Satin Wrist Strap Made in the 1950s

The last vintage muff purse in my collection is natural black Persian Lamb fur. It features very curly black fur on its natural black skin backing on the front side. The back side is a heavy black brocade like fabric. This muff is the real thing. Faux  versians of Persian Lamb exist as well and were often used for coats and jackets in the 1950s. I will do a post on Persian Lamb in the near future explaining how to tell the difference and showing examples. I have decided to save that topic for another post because it will make this one really long if I add it now!

This is the back side of the Persian Lamb Muff Purse

Sewn into the black fabric back in a metal zipper to access a generous pocket which is the purse. In the next photograph I will show the zipper pocket unzipped and shot from above so that you can see inside the purse. It is a really roomy compartment.

In This Photo You Can Look Into the Unzipped Pocket Section of the of the Black Persian Lamp Muff Purse and See How Nice and Roomy it is! It even has another little pocket inside of it that is meant to hold a small mirror!

Then I will show the muff purse standing on one end so you can see how it was structured.The openings at the sides of the top were where you inserted your hands to keep them warm and they are positioned so that you insert one of your hands through the wrist strap first, then a hand each into the top section openings of either side of the muff. The muff then hangs in front of your body in a perfectly balanced manner.

A Side View of the Persian Lamb Muff Purse Showing Where You Insert Your Hands.

Marilyn Monroe carried a muff purse like this one, also in Persian Lamb fur as she ran to catch the train in a black hobble skirted dress in the movie Some Like it Hot! One of the nice things about muffs is that they give you a place to put your hands. This can be a real asset when posing for photographs or in Marilyn Monroe’s case acting in a film! It is a valuable tidbit of knowledge at any rate! Who knows when any of us might be called upon to play a femme fatale?

My Vintage Real Fur Muff & Purse Collection Comprised From Lower left Corner Clockwise of: Sheared Beaver, Silver Fox, Skunk, Persian Lamb and Sheared Seal

The reason I have shown so many photos and various angles of these muff purses is to document and illustrate some of the ways in which they are constructed. Some are just cylinders drawn together at each hand end while others are rather complex designs. I think there are vintage patterns available to make some muffs and muff purses. You could make them out of fur or faux fur or possibly heavy wool or novelty fabrics such as upholstery fabrics and line them and fill them with down to make them warm. I love fur ones the most but I think interesting ones could be made with alternative materials. I think of them as purses as well as hand warmers so there are undoubtedly some unique variations to be made. I have also seen old crochet patterns for making muffs and matching hats! I believe I have one somewhere in my book case. I will try to find it soon and post it here on my blog so we can look into more ways to make vintage muffs!

I plan to do another photo shoot soon showing ways to wear these beautiful muffs with vintage and contemporary clothing. If you have fur muffs and want to contribute photos to me to add to this post I would be interested in doing so. You can leave a comment about this in the comment section with your email address and I will get back to you about it. I am also interested in locating and preserving more vintage for muffs made of different kinds of fur and in different styles. If you have fur muffs you are interested in having used for this project please contact me. My email address is violette@ladyviolette.com.

In my interest of being absolutely sure of what kinds of fur I have and claim these to be all of these vintage fur muffs have all been inspected and authenticated in October 2012 by a professional Swiss custom furrier in Seattle, WA named Rene Vogel of Furs by Rene. Thank You Rene!

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Vintage Cream Racoon Fur Stole ~ 1955 ~ I.Magnin & Co. ~ Vintage Fur Identification: Sheared, Bleached and Dyed Natural Raccoon

Sunday, October 28th, 2012

I have an extensive collection of vintage furs and people always wonder what kinds of furs they are. Some are quite unusual and seldom seen these days. I have decided to research all of them thoroughly and have consulted a professional furrier Rene Vogel for authentification. Mr. Vogel is a second generation Swiss custom furrier who was the house furrier for Nordstroms when they were still selling furs and I. Magnin when they were still in business and selling furs.

Beautiful Rich Cream Colored Circa 1955 Sheared, Bleached and Dyed Raccoon Stole From I. Magnin

This beautiful rich vintage cream colored circa 1955 stole from I.Magnin initially had me puzzled. The original owner thought it was beaver, but I had done a school report in Portland OR, when I was in the fourth grade, on beavers and their fur and I was not sure she was right. Sheared beaver is silky soft like butter and in my opinion this fur had a different feeling. So I took it to Rene Vogel, the furrier in Seattle, and he explained that it is, of all things, sheared, bleached and dyed raccoon!

Cream Colored Vintage Sheared, Bleached and Dyed Raccoon Fur Stole Shown with Vintage Sheared Brown Beaver Fur Muff Purse for Comparison Purposes

It is a dense fur and very soft, just not as slippery silky as beaver.  But the look is similar to sheared beaver so it is easy to see how the original owner would have thought beaver. Here is a picture of the raccoon shawl with my vintage sheared brown beaver muff purse placed beside it for comparison. They actually look very good together and I feel they could be worn together.

The Classic I. Magnin & Co. Importers Label in the Glamorous Cream Colored Sheared Raccoon Stole

The cream colored raccoon shawl was purchased at I.Magnin by a family friend of ours who wore it before and directly after her December 1955 winter wedding as part of her wedding and honeymoon ensembles. She told me she wore it over her green velveteen evening dress when she arrived for her rehearsal dinner, to the church over a cream colored wool suit when she arrived to get prepared for her wedding ceremony, and again over the cream wool suit when she departed for her honeymoon. She wore a formal cream satin wedding dress for the ceremony itself, but did not use the fur stole with it. The cream raccoon fur stole was her winter cold weather wrap for all her wedding related events and parties. She was a prominent Seattle socialite whose outfits and activities were chronicled regularly in the Seattle Times Society Section of the 1950s through 70s. She wore very glamorous clothes and kept a scrap book of photos of herself and her husband at all the events they had attended. She had saved many of the clothes as well.

When I Wear This 1955 I.Magnin & Co. Cream Sheared Raccoon Stole I am Wrapped in the Warmth of a Gorgeous Vintage Fur & the Memories of the Elegant Friend Who Gave it to Me

I.Magnin was her favorite store and she purchased almost all her clothes there. She relied on them for the level of taste and elegance she wished to project. She told me many stories about her shopping trips to I.Magnin and the items she had acquired there and gave me this stole, several Odette Barsa lingerie ensembles, and other items she had acquired there over the years. She was extremely sad when I.Magnin closed!

 

 

A Circa 1950s Label From Frederick & Nelson, Seattle

And when Frederick & Nelson closed! It was the end of an era and she was very aware that she was part of that era. It made her happy that I knew about I.Magnin and appreciated their level of style as much as she did.

A Beautiful Label in a Brocade Dress From I. Magnin& Co.

One day while thrifting I found several vintage items ~ a couple of cashmere sweaters and wool skirts in her size and in very good condition and I bought them for her ~ she was absolutely ecstatic to have some “New clothes from our favorite store!” She was so happy when I gave them to her she was jumping up and down at the age of 86 like a 16 year old girl would have! This lady was a very good friend of my mothers and, as a result of that, she and I became very good friends. We had lots in common! Consequently this beautiful soft cream colored shawl is not only wonderfully cozy it is full of warm memories of special times with a very special person for me. She had no children so I was like the grand daughter she wished she had had.

The Cream Sheared Raccoon Stole From I. Magnin & Co. 1955, is Lined in Heavy Beige Colored Silk and Has Two Silken Pockets, One at Each End, in Which to Put Your Hands to Keep Them Warm. These Strategically Placed Pockets Also Provide a Way to Hold the Shawl Close to Your Body to Gracefully Encircle Your Shoulders ~ the Way We See Them in Glamorous Circa 1950s Fashion Photographs.

The  sheared cream raccoon stole is lined in heavy beige silk and has two silken pockets, one at each end, in which you can put your hands to keep them warm and to hold the shawl together in front of you while you allow it to slide gracefully down low around your shoulders and encircling your body the way it is done in glamorous 1950s era fashion photographs. This works well. When I have a photographer present I will model it and show how that is done in person. I plan to photograph all my furs styled and coordinated with proper outfits on myself or other models after I get them all identified by type and era.

The Cream Sheared Racoon I. Magnin & Co. Fur Stole is Like Somthing a Hitchcock Heroine Would Have Worn in a Movie Set in San Francisco in the 1950s!

The Creamy Sheared Raccoon I. Magnin & Co. Fur Stole is Like Something a Hitchcock Heroine Would Have Worn in the Daytime Over Her Pastel Cashmere Separates and at Night With Pale Silk Brocades in San Francisco in the 1950s!

This is such a rich looking garment. There is a lot of depth in the creamy color and a slight striping effect as you can see in the photographs. It reminds me of the Alfred Hitchcock heroines ~ of Grace Kelly, Tippi Hedren, Eva Marie Saint, and Tuesday Weld ~ with their pale cashmere coats, cream and beige cashmere sweaters, pastel pencil skirts, and French rolled coiffed blondness and, of course, pale fur coats and stoles over cream colored brocade silk suits and dresses with white kid gloves. It reminds me of San Francisco in the 1950’s ~ where I. Magnin  & Co. was founded and had their first elegant store.

A Circa 1950s Label From The City of Paris Department Store in San Francisco For a Hat From Their Exclusive Midenette Millenery Salon Which Carried One of a Kind Couture Hats imported From France

And of The City of Paris, another sophisticated and elegant department store in downtown San Francisco, with an incredible French perfume department and a fabulous ornate mezzanine overlooking the ground floor and salons for each designer they carried arranged in  elegant salons branching off along the mezzanine. That store was magnificent, like an ornate theater in Paris with crystal and gold gilt and mirrors everywhere you turned! A miniature version of Versailles transported to San Francisco to feed the imaginations of western American women who really wanted to be in Paris.

 

The Lining and Pockets Are Made of a Beige Silk to Tastefully Coordinate With the Creamy Sheared Raccoon Fur Stole

After her marriage and honeymoon my friend occasionally wore her Creamy Sheared Raccoon Stole from I. Magnin & Co. to the Theater and to the Olympic Hotel in Seattle for Holiday Events. She recalled wearing it when she took a trip to San Francisco and dined at the famous restaurant at the Top of the Mark and attended a performance of The Royal Ballet from London featuring Margo Fonteyn and Rudolf Nureyev at the War Memorial Opera House. That was in 1962.

She acquired additional furs over the years so this one was not used often, just for special events, mostly around the Christmas and New Years Holidays. She said it was a good wrap to wear to winter parties where there were slight chills running through buildings but you still wanted to be glamorous and feel elegant.

The Creamy Color of This 1955 Sheared Raccoon Stole From I. Magnin & Co. Coordinates Beautifully with Pearl Jewelry and White Kidskin Gloves Making Any Color Dress Look Instantly Put together. The Vintage Muff in This Photograph is Sheared Beaver. It is Quite a Bit Older Than the Stole, But I Like the Way They Look Together. The Muff Will Be Discussed in a Future Post.

She pointed out that the cream color of this stole goes very well with pearls. You can wear it over any color dress with white kidskin or silk gloves and pearly jewelry and instantly look put together. This was how women thought about dressing in her day. I’m planning to use it to keep warm, look good and have a conversation piece at Holiday Cocktail Parties this winter.

This Creamy Sheared Raccoon Fur Stole from I. Magnin & Co.is 57 Years Old and is Still in Excellent Condition Because it was Professionally Cleaned When Needed and Kept in Cold Storage During the Summer Months by its Original Owner

This stole is in good condition after 57 years because it was well care for. The original and only owner before I acquired it put it in fur storage every summer and had it cleaned when recommended by her furrier. It is a good example of how long furs last when properly cared for. I am the future generation and I really appreciate the fact that she did this. The color is creamy as you can see in the photos. Because we did not see it when it was new we do not know if it was originally this color or lighter. There is a possibility that it may have darkened due to oxidation as it aged. There are no sections of distinctly different shades or color from one part of the piece to the next. In other words the current color and effect is uniform throughout the stole.

As described in the opening paragraph of this post I had this vintage fur stole inspected by Rene Vogel the professional Seattle furrier. Mr. Vodel identified the fur to be Sheared Bleached and Dyed Raccoon as stated above. He has decades of experience having been in the fur business himself since 1969, as well as growing up around it because his father was also a furrier. He is very familiar with the styles and types of furs worn over the past decades in both Europe and America. Rene Vogel now works independently by appointment and his business is Furs by Rene. He is located in the Seattle area. He can be reached at 425- 322-9638. He does custom designs, restyles, alterations, repairs, storage and cleaning. His email is rdcvogel@msn.com

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