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Lady Violette

The Romantic Lifestyle

Posts Tagged ‘Style’

Vintage Coat ~ Found at The Goodwill, Then Refurbished, Repaired and Restored, What’s Involved ?

Wednesday, March 30th, 2011

1940's Plaid Wool Vintage Coat

Well, here it is. Finally finished and I have been wearing it for a few days. And people are saying it is so neat and I am so lucky to find such wonderful things. Then they tell me they look but never find anything so cool.

This was not as you see it now when I found it. So I want to explain what was involved.

It was extremely dirty, the lining was rotted and torn. When I slipped the coat on to try it for style and size the lining tore. It was essentially decomposing. The coat was missing several but not all of its buttons. They were same cloth as the coat covered ones rimmed in brass metal.

I decided the coat was worth attempting to restore style wise. Step number one was buy it. It cost $19.99. Take it home, quickly remove the lining, and wash it by hand to use as a pattern for making a new lining. Then package the coat in plastic, in case it had any moths living in it. I never risk letting moths come into my home and get into my clothing. Then, I immediately put it in my car and next day took it to the dry cleaners.

It cost $20 to clean the coat. While that was being done i shopped for lining fabric. I got a shiny satin like milium lining in a rust orange color. I removed all the seams in the lining I had removed and washed. I pressed it. Then I laid them out and pinned them down to my new lining fabric like pattern pieces and cut out my new lining. I sewed it together. And pressed a narrow hem into the raw edges all the way around.

I picked up the coat at the cleaners. It was not looking bad! But it needed some reweaving where the weaving of the tweed, which is a loose weave needed to be reinforced. And some of the seams needed to be redone as the old fabric and thread was beginning to rot. I re-stitched most of the seams for this reason. some by machine and many by hand.

Then I inserted the new lining and hand stitched it into the coat at all the edgings. This was quite time consuming actually! But it was looking good and seeming worth the effort.

The last thing that needed to be addressed was the buttons. I looked at modern ones. I went to four fabric stores looking! They just didn’t cut it. So I ended up moving two of the original 6 covered buttons onto the cuffs. I went though my huge stash of vintage buttons and, luckily I found three strange giant brown ones either plastic or bakelite, that had a perfect accurate 1940’s feel to them – because of course they were from that era! Nothing newer, that I could find would work on this coat.

I decided that it was OK to use different buttons on  the cuffs and on the front of the coat! So that is what I did. I have two covered buttons on  the cuffs and the big authentic 40’s ones down the front. The coat is finished!

It is lovely and warm because the collar buttons up to the neck snugly. The plaids are perfectly matched in he way the pattern was put together and sewn. The colors look very good on me. I’ve gotten a lot of compliments on the coat! Such as, yesterday in an elevator somebody said to me, “Wow! You’ve totally nailed that vintage look!” (That’s a compliment.)

The coat is wonderful now because I saw its potential and I was willing to put the time, money and effort into restoring and repairing it. I didn’t just buy it off the shelf that way! I have seldom found any piece that didn’t require restoration. I put many hours into sewing it back together and looking for the lining fabric and buttons.  All that and the expensive professional dry cleaning! I won’t wear anything used with out washing it or having it cleaned. You never know where it has been or what it has been through when you get it at these places.

So, I paid about $23 for the coat with tax, same for the dry-cleaning$23 with tax , then for the new lining fabric we can safely say another $25, the 3 special large vintage buttons I used on the front would easily be $8 apiece at a bargain. – that gets us up  another  $27 including tax had I had to buy them. (I had them on hand but had bought them earlier.) When all of this is accounted for I have spent about $100 for the coat plus my time, knowledge and tailoring expertise to reline and reassemble it. I know this would have cost at least $100 if you had to have a tailor do it.

I do have a fabulous vintage wardrobe, but probably because I have been collecting things and repairing them over many years. Not because I walk in and buy them that way at the Goodwill or Salvation Army.

I have bought some things that were not strong enough to make it through cleaning. When that happens it is just a risk you took. And when that happens you have lost the money you paid for the article plus the cost of cleaning and you have nothing for it! It can be very disappointing!

I do not see my plaid 40’s coat as a bargain! I think I paid quite a lot for it in terms of time, effort and money. I really like it and it is a very warm practical unique coat so it is completely worth it to me.

Contrary to what some people think you don’t often buy vintage items off the rack ready to wear. There is often a lot of work of be done to get old garments to that point.

 

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A Fun Day of Sewing Charming 1950’s Styles in Crispy Printed Cotton

Sunday, March 27th, 2011

Butterfly Apron ~ Original 1952 Design

The Feminine Arts in Action

 

 

 

 

 

 

 

 

 

 

 

Today I made a couple of fun and easy ultra feminine vintage goodies out of flower and butterfly and polka dot printed cotton. It is so fun and relaxing to work with compared to slinky slithery silks! And it goes so much faster. Very rewarding!

I made a 1952 Vintage Vogue Apron from currently available Vogue pattern number 8643 ~ view A. I love the giant super functional pockets, the practical length and the fact that it required 3 packages of bright pink rick~rack! That is 7 and 1/2 yards! Wow!

Great Big Piockets with Great Big Rick~Rack!

It is so springy and cheerful! I am currently in love with colorful aprons and pinafores and printed cotton dresses! The fabrics are so cute and the styles are so girly. I want to start wearing them as accessories all the time while I am working at home. They make me feel good, like wearing perfume does, or having a bouquet of fresh tulips on the kitchen table. They are so colorful and so uplifting! Easy to make too. It is no wonder they were so popular in the 50’s! They make you feel good. Psychologically!

Little Girl's Twirly Skirt

 

 

 

 

 

 

 

 

 

 

 

 

I also made an adorable size 3T full circle skirt in bright pink polka dotted cotton, with green butterfly pockets, waistband and bow from leftover apron material. I made miles of handmade bias tape for the hemline of this little skirt out of a third pink and green printed fabric.

Pleated Butterfly Pocket Trimmed with Custom Made Bias Tape and Button

 

 

 

 

 

It runs along the top of the pockets and around the bottom of the hem of the skirt. It shows up better in person than in this little photo. And it is a really nice touch in person. The pockets  also have pleats and are trimmed with little pink buttons. This little girl’s skirt is made from currently available Simplicity pattern 2356.

I had a special request for a butterfly skirt! And just enough fabric left over from the apron to make two pockets with the butterflies strategically positioned with one on each side and tilted a bit so they look like they are in flight. I think it is a hit! It is going to be a surprise and I am quite sure the little three year old fashion plate I made it for will absolutely love it! I have enough leftover fabrics to make her some matching doll clothes too!  I intend to do a doll skirt just like the little girl’s skirt!

Interesting Front T~Panel Construction

This kind of sewing is so much fun. I love mixing the fabrics, and adding as many girly details as I possibly can. That would be multiple pink and green printed cottons, pockets, bias binding, decorative buttons, top stitching, inventive pockets, and, of course bows!

The apron features a front T~panel construction which eliminates gathers across the stomach and creates a very slimming look while allowing the side gathers to give the impression of a lushly gathered full skirt.

Women were so conscious of their prettiness in the 1950’s. I say we should look this good around the house! I’m sure it will make us look better and I think it will make us feel better!

Little girls naturally want to wear flowered skirts and butterfly prints and bows and pink ~ grown up women should get back into it as much as possible again! All these vintage touches bring back femininity. They are artistic and they make us feel good. It’s those feminine arts doing their positive work! Bringing sensual pleasure and beauty to life!

A Lovely Twosome!

Nice Crisp Bow in the Back

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Gallery of Variations on the Basic Style and Tie of the White Silk Shawl

Friday, March 25th, 2011

My last posting was the instructions for tying and styling the basic version of the white silk shawl. I am following it today with a gallery of ways you can personalize or embellish the basic white shawl tie to make it really unique and special. I have showed these before over the last few weeks but I thought it would be helpful to post them all together in a gallery of variations on the basic look immediately following the basic tying instructions. For all these styles variations begin with the simple basic tie.

Silk Flower

1) Garnish with a silk flower corsage pinned to the shawl where ever you like.

 

 

 

 

 

 

 

 

 

 

Lobster Hair Clip as Shawl Clip

2) A lobster clip hair accessory makes a great shawl clip as well! Here is a black and red Asian style lobster hair clip attached to the front folds of the shawl.

 

 

 

 

 

 

 

 

 

Pin or Brooch

3) A Vintage or modern brooch or pin is a lovely touch! Here a gold vintage 1950’s brooch in by Sara Coventry is attached to one side.

 

 

 

 

 

 

 

 

 

 

A Ficarre Updo Hair Clip as Shawl Clip

4) A Ficarre hair clip which is normally used to create buns or French rolls can be used as a shawl clip for a modern abstract looking styling variation.

 

 

 

 

 

 

 

 

 

Scrunchy Used to Create Freeform Flower

5) A scrunchy hair accessory, usually used to create a ponytail or bun can be ingeniously appropriated to create  a freestyle  abstract flower positioned off to one side. This scrunchy is made of dupioni silk trimmed with seed beads and other larger glass beads around the outside border.

I will post instructions on creating the freestyle scrunchy flowers soon.

 

 

 

 

 

 

 

These are suggestions! There are many more possibilities! Once you start experimenting you will be able to come up with more on your own. It is a wonderful way to use hair accessories and jewelry that you don’t use often! I especially like finding a new way to use the basket of hair accessories I have accumulated but don’t use often in my hair.

I have found that I cannot use hair accessories in my hair very often because of having headrests in cars. You cannot have  lot of doodads in your hair if they get in the way of using the headrest properly. These have been instigated to protect heads and necks when driving but hats, barrettes, buns or  ponytails  gets in the way ~ really making it impossible to use the them and the headrest together properly. You must use the headrest for safety – so you cannot wear the hair accessories in your hair when driving or even riding in a car. You must put them in your hair after you arrive at your destination or use them in these new ways on your scarf or shawl!

I have always loved collecting and using hair accessories. I am delighted to have found out theses ways to use them!

The scarf styles are created by Tricia James of scarfgenie.com. Visit here there!

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How to Tie & Style the Basic Beautiful White Silk Shawl Demonstrated by International Scarf & Accessories Stylist Tricia James

Thursday, March 24th, 2011

One Version of the Exquisite Finished Shawl Style Garnished With a White Silk Flower

One Version of the Finished Shawl Style Decorated With a White Silk Flower Corsage

Here is one of several of the beautiful decorated versions of this finished shawl style that I showed over the last two weeks. This one is decorated with a white silk flower corsage.

To create this basic tie and style Tricia used a white raw silk oblong scarf/shawl measuring 72″ long by 20″ wide ~ not counting the fringe on each end which is a nice extra touch and measures about two extra inches long on each end.

We have experimented and discovered that a pashima or a silk scarf of this approximate size will also work for this shawl tying/styling technique. You can use a solid color as we have done here, or an all over small print.

The longer the shawl is the more you will have to work with as you create your drape. We recommend the longer versus the shorter versions of these shawls for ease and success in creating this style.

 

 

Step #1

To Begin:

1) Drape the shawl over shoulders with Right side of scarf longer than the Left side ~ as in picture 1

 

 

 

 

 

 

 

 

 

Step #2

 

2) Bring the shorter Left side of shawl across your body ~ as in picture  #2

 

 

 

 

 

 

 

 

 

 

Step # 3

 

3) Drape it over allowing it to rest on your Right shoulder  ~ as in picture #3

 

 

 

 

 

 

 

 

 

 

 

Step #4

 

4) Pick up lower Right longer end of shawl in your Right hand and bring it up across the center front of your body to the center of your neckline ~ as in picture #4

 

 

 

 

 

 

 

 

 

Step #5

 

5) Then tuck it under your neckline and ~ placing your Right hand up under the shawl from below, take hold of the tail and pull it down and through the center front with your Right hand, ~ while taking the upper Left shorter end of shawl (that was resting on your Right shoulder) in your Left hand and pulling it upward ~ thus making a large soft center front knot ~ as in picture #5

Begin to pull on the two ends of the shawl simultaneously, creating a custom fitted shawl around your shoulders, thus preventing the shawl from slipping throughout the day.

As Tricia says, “A custom fit is a marvelous thing, Darling!”

We all agree with that, don’t we?

 

 

 

 

Step #6

 

6) Tuck Left upper end end behind your Right shoulder and spread the shawl out styling it attractively at both top and bottom. This is very elegant and attractive just like this! You can wear it plain and simply like this, unadorned ~ as in picture #6.

 

 

 

 

 

 

 

or,

For added interest you can decorate this beautiful basic shawl shawl tie with a silk flower corsage, a brooch, a shawl clip, a hair accessory used as a scarf clip or anything else you can think of as Tricia demonstrated in several earlier blog posts. The styling possibilities are almost endless once your imagination sets in! I really encourage you to experiment!

Be sure to visit international scarf and accessories stylist Tricia James at her website scarfgenie.com to see other interesting scarves, scarf styling options and products she has to offer.

And come back to this blog, Ladyviolette,com often because I will be posting many more shawls and scarves and ideas on how to wear them on a regular basis.

I am a great admirer of shawls and scarves and feel they add amazing elegance and options to women’s wardrobes. A scarf can be a beautiful and unique personal statement and the way one wears it is certainly one of the loveliest of feminine art forms.  I am personally committed to demonstrating this and to finding out more about how to style and wear them successfully again. I say again because I think they were worn much more in elegant previous eras and I feel it is time to bring them back, research how they were worn in the past and learn how to tie and style them once again for our enjoyment in the present ~ here and now!

Additionally there are so many new contemporary ways to wear them.  And, luckily, I have my friend,  the modern current day scarf specialist, Tricia James to collaborate with me on this project!

Tricia brings her own artistic ability to styling and tying scarves and shawls along with 20 years past experience traveling around the world while training and working with her mentor Isabella Gardener. I will interview Tricia soon and post her incredibly interesting and exotic back ground story on this blog…

I also plan and look forward to sharing some amazing examples of vintage scarves and shawls I have collected with you here in the near future. Watch for this!

And, if you have historical information to add please share it with us as well. We would love to hear from you! After all, isn’t that is what the web is for?

 

 

 

 

 

 

 

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Like the Fairy Godmothers in Sleeping Beauty I am Working Diligently on the Second Costume for Princess WOW!

Tuesday, March 22nd, 2011

The Nearly Finished Princess Gown with a Bow Tied Sash

Yes I do feel like those fairy godmothers when they went to their little cottage deep in the forest to secretly work on Princess Aurora’s Sixteenth Birthday ball gown and resorted to using magic to add the final flourishing touches! The finishing touches were so hard to decide on! So they used their magic to whip out several options to try them out. Just like I was doing last night!

Single Sash in Big Soft Bow

They thought they had boarded up the place so that none of their fairy dust would escape and give away their whereabouts, but they had forgotten to close off the chimney. As a result glittering fairy dust spewed out into the atmosphere where the evil Carabosse’s black crow spies saw it as they circled overhead.

Two Sashes Simply Knotted & Hanging Free

 

The crows rushed back to their conniving  mistresses lair and gave away the whereabouts of the good fairies. The fairies were so engrossed in creating the finishing touches to their gown that they were unaware of the evil crews activities.  (I was engrossed in my experiments making sashes that I completely lost track of time! I worked almost all night before I realized it was morning!) I made one sash, tied it several ways, then made another and tried them double!

As a result Carabosse  followed them back to Aurora’s castle where, disguised as a spinner she enticed Aurora to try her spinning wheel. The princess pricked her finger, was poisoned and slept for 100 years, until the prince charming happened by, hacked his way through the blackberry brambles surrounding the castle with a machete and discovered the princess asleep inside. He instantly fell in love with her at first sight, kissed her and woke her out of her 100 year sleep….. and so on!

The Two Sashes Draped Open

We all know what happened then, good triumphed over evil.

The Prince and the Princess, now known as Sleeping Beauty ~ I guess she had gotten 100 years of beauty sleep and looked quite refreshed ~ fell in love, got married and lived happily ever after…

I tried tying my double sash in a dramatic full soft bow.

I actually like all the looks so I have decided to provide Princess WOW! with two full long sashes able to be combined, tied and worn in all these ways!

She loves to wear hats as well and I know that yet another option will be using one sash around the waist in the soft bow as illustrated in the first and second photos and one sash wrapped and tied around a big straw summer hat.

Fortunately I feel that my sashes turned out well and this Sash Story has a happy ending! The dress is almost finished. I just have to anchor down the turned back cuffs on the draped sleeves. I now plan to do this by hand stitching the cuffs to the sleeves then attaching small violets made of ribbons over the stitches. No stitches will show and a few tiny violettes, my signature flower, will appear to be magically blooming, here and there, like wildflowers in the woods on the cuffs of the sleeves. I will try this and post photos of it in a few days for viewing.

Designing costumes is like painting for me. I try something, step back, contemplate it, study the effect, decide if I like it or not. Decide whether to keep it or add to it, or do more or less of it. I ask the woman who will wear it how she feels, what she likes and is comfortable with. Everything must be comfortable especially for performing on the stage.

Full Length View of Two Sashes Tied Together in One Bow

Double Sash Tied in Huge Dramatic Bow

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