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Lady Violette

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Posts Tagged ‘History’

An Autographed Portrait of Igor Schwezoff from his Ballets Russes Days

Sunday, October 27th, 2013

Autographed Photo of Igor Schwezoff circa 1937 - 1941 during his days with the Ballets Russes.

Today I located this long lost autographed portrait of Igor Schwezoff from his Ballets Russes days circa 1939 – 1941. It has been hidden away in the personal papers and memoirs of the Russian ballerina Lubov Tchernicheva for over 70 years. In a final generous act for her devoted fans, Tchernicheva, donated her personal collection of dance momentos to The Theater Collection of the Houghton Library of Harvard University in Cambridge, Mass.

Lubov Tchernicheva (1890 – 1976) was a leading dancer with Diaghilev’s Ballets Russes from 1911-1929. She was married to Sergei Grigoriev, the company Regisseur. She retired in 1926, but was coaxed out of retirement by Rene Blum to star again and serve as ballet mistress for Col. de Basil’s Ballets Russes. Her husband served as Regisseur for this company as well. She continued to perform with this group from 1932-1952. She was essentially such a popular ballerina her public wouldn’t allow her to retire!

During this period, from 1937-1940, that the company spent an extended period in Australia where Igor Schwezoff staged his ballet Lutte Eternelle as I described in my previous blog post.

In the 1950’s the Grigorievs worked together restaging Fokine’s ballets for other ballet companies.

Lubov Tchernicheva was a great beauty and a beautiful dancer. She was acclaimed for her pure classical technique and acting abilities and excelled in exotic roles that tapped her dramatic skills. She caused a sensation in 1918 as Cleopatra in costumes designed by Sonia Delauney.

She dedicated her entire life to performing and teaching the art of ballet and was especially appreciated by other dancers for her generosity with her knowledge, skill and dance experience.

Lubov Tchernicheva was one of the dancers Igor Schwezoff referred to as “The Eternal Greats”  whose portraits and performance photos hung on his studio walls to inspire his students to excel.

In honor of Lubov Tchernicheva I will put up a gallery of some of these beautiful photos in my  next blog post.

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Igor Schwezoff’s Ballet La Lutte Eternelle

Sunday, April 28th, 2013

I was fortunate to studied ballet with the late great Russian ballet master Igor Schwezoff in Washington DC and New York City.

La Lutte Eternelle Choreographed by Igor Schwezoff to music by Schumann in the Version Premiered and Performed by the de Basil Ballets Russes at the Theatre Royal in Sydney, Australia on July 29, 1940

Today I found this photograph of one of his early choreographies and the accompanying description quite by chance while looking for a photo of the ballerina Tamara Toumanova. Very few photos of Mr. Schwezoff’s work are known to exist so I was very happy to locate this wonderful picture! This photo was posted on the blog  Kurt of Gerolstein as La Lutte Eternelle: a ballet by Schwezoff. The author apparently found it in a box or old news clippings and dance photos and says that, knowing nothing about ballet and caring nothing about it he thinks it may be of interest to somebody else! Thank you Kurt of Gerolstien! It certainly is of interest to me and will be to other people who worked with Igor Schwezoff! And I want to know what else was in that box!

Mr. Schwezoff was born in 1904 in St. Petersberg and trained in the Marinsky Theater School. In 1931 he defected from Siberia through Manchuria to Harbin, China. He then made his way to to Western Europe where he danced with Bronislava Najinska in Amsterdam and ran his own ballet schools in Amsterdam and London. While in Amsterdam he choreographed his initial version of La Lutte Eternelle to Schumann’s Etudes Symphoniques. While in London he wrote his biography titled Borzoi describing his early life in Russia and his harrowing escape to the west.

Mr. Schwezoff traveled widely and eventually joined the de Basil Ballets Russes in 1939 as a soloist and choreographer. He restaged his work La Lutte Eternelle for this company during their Australian tour. The Australian cast featured Georges Skibine  ( also known as Yura Skibine) in the role of Man, Nina Verchinina as Woman, Tamara Toumanova as Illusion, Sono Osato as Beauty, Marina Svetlova as Truth and Boris Runanine as Will. Other members of the cast were Slava Toumine , Paul Petroff and Oleg Tupine. The cast pictured in the above photo includes Nina Verchinina, Georges ( Yura) Skibine, Slava Toumine , Paul Petroff and Oleg Tupine.

The costumes and scenery were designed by the sisters Kathleen and Florence Martin of Melbourne. The costumes were made by Olga Larose, the company wardrobe mistress and the sets were executed by G. Upward. The press found the production work to be a first rate success which carried through the symbolism of Schwezoff’s choreography. One critic in Melboursne called La Lutte Eternelle  a ballet of wholly perfect dancing in which splendid movement is guided by great music. The Schumann score was orchestrated by Anton Dulati, the Hungarian conductor.

The ballet’s theme dealt with man’s progress towards an ideal beyond worldly things explored through allegory. The key roles included Truth, Illusion, Beauty and Will.

La Lutte Eternaelle was well received by both the public and the press in both the initial Amsterdam ballet school production and the professional revised world premiere staged for the de Basil Ballets Russes and premiered in Sydney at the Theatre Royal on the 29th of July in 1940.

Mr. Schwezoff notably performed the role of the Old General in the popular David Lichine ballet Graduation Ball during this 1937 – 1940 Australian tour of the de Basil Ballets Russes. Fortunately some photos of him and other notorious cast members in these performances exist in the records of the Australian Public Library.

If anyone reading this has further information about Igor Schwezoff or photographs of him and his works I would love to be notified as I am trying to complie all the biographical information I can about him. Please post a comment if you know more!

Mr. Schwezoff ultimately worked in major ballet companies all over the world and became one of the most important and influential teachers in New York City. His classes were frequented by many well known professional ballet dancers. He passed away in 1982 at the age of 78.

 

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Ballerina Tamara Toumanova Wearing a Vintage Fur Coat in a Dress Rehearsal

Sunday, April 28th, 2013

Tamara Toumanova trying to keep warm on the freezing cold stage during a dress rehearsal of Aurora's Wedding from The Sleeping Beauty

While researching a ballet in the 1937 Ballets Russes Repretoire I came across this charming photo of ballerina Tamara Toumanova wearing a vintage fur jacket while trying to keep warm on a freezing stage during a dress rehearsal for Aurora’s Wedding scene in The Sleeping Beauty. The cavernous old theaters were often very cold which is one reason ballerinas and opera singers needed to have a cozy fur coat on hand at all times! I love this photo because it illustrates such a practical and personal use for a fur coat!

This image is from the Geoffrey Ingram collection of ballet photographs from the Ballets Russes Australian tour, 1936-1940 and features Tamara Toumanova, Michael Panaieff, Anton Vlassoff and Oleg Tupine, 1940.

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Grace in Furs ~ Beautiful Grace Kelly Wearing Fabulous Furs

Thursday, January 10th, 2013

A Perfect Dress for Valentines Day!

Grace Kelly looked particularly fetching in furs. Here are a few examples. I love this red silk dress trimmed in mink cuffs, and, of course, my favorite photo of her in which she is wearing both furs and flowers together

Gracefully Wearing Furs and Flowers at the Same Time!

is the one I showed in my last post where she is wearing a spring hat decorated with roses with the most luxurious looking long sable fur coat on the planet. I love this picture because she looks both warm and happy!

The Famous White Mink Stole of the 1950's

Attending formal affairs she often wore this white mink stole which epitomized the 50’s chic and accentuated her blondness.

Grace at a State Event in Monaco with Her Prince

This stole looked particularly good with diamonds and long formal gowns required for state events. I think she fueled every woman’s desire to own a mink stole in the 1950’s.

Here is the amazing full length sable again ~ photographed in New York City with throngs of adoring fans looking on! Grace, as usual looking really warm and happy.

Grace After an Acting Class in NYC

This photo appeared in Life magazine and the caption read, ” Grace arrives home (to her 5th Avenue Apartment ) after an acting class.” Grace was not a starving actress barely surviving in NYC!

 

Grace in a Full Length Pastel Mink with Her Famous Kelly Bag

Shopping in Paris with Prince Rainier Grace was often caught by the paparazzi wearing spectacular furs.

Long Blond Mink on Beautiful Blond Grace Carrying the Kelly Bag Which She Made Famous

This next photo better shows the luxurious full length pastel mink fur coat which perfectly complimented her cool blondness. Graces life as a princess was the thing of fairy tales for most women. It was also her job, as Rainier’s wife to make Monnaco look good! She performed this job of princess as perfectly as she had performed as a film actress.

A Formal Portrait Again Featuring Her Favorite White Mink Stole

Monaco’s main industry was, and still is, tourism. Grace was tremendous publicity draw for Monaco. Her life was a fantasy for most women and they loved to read about her in the press. Of course her fashion choices were heavily emulated. Her spectacular designer gowns, jewels and furs were the things other women dreamed of. And she was the perfect real life model to show off designers work.

Strolling in Paris with Prince Rainier Wearing a Fur Stole Over a Wool Suit

I realize this was a job for her ~ she had to look perfect and be perfectly groomed at all times as the wife of Rainier and the Princess of Monaco. Grace did so gracefully. She never had any down time. Grace became the epitome of old world elegance as she aged.

The Epitome of 1960's European Glamor

She was always perfectly groomed and meticulously dressed and throughout it all she retained her personal charm. She epitomized her name.

The Grace Kelly look was famous for her gigantic Kelly bag, her designer sunglasses, (she had notoriously poor eyesight so she probably wore these because she really needed them to avoid eye strain and headaches,) her jewels, her exquisite Hermes accessories such as gloves, belts, and scarves, her beautiful designer evening gowns, day dresses and meticulously tailored suits, her hats, and the ultimate and most flattering fine accessory – Prince Rainier, the prince of a husband. Grace’s real life was like that of a heroine in a romance novel to the public.

Of course, it was a real life and it had its real ups and downs, such as unruly teenagers and her unfortunate untimely death. Real life always has its difficulties! But people like to dream and Grace Kelly was the dream girl of her time.

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More Inspiration ~ Marlene Dietrich & Grace Kelly Wearing Flowers With Fabulous Furs

Wednesday, January 9th, 2013

Ultra Fluffy Bleached White Fox Fur Frames Marlene's Face ~ Note the Corsage of Violets!

Marlene Dietrich in all her beautifully lit beauty wearing beautiful luxurious face framing fox furs. I love the added accent of the violet corsage! Nowadays it seems oddly out of season to wear flowers with furs but this was not always so. Apparently women wore warm furs over flimsy floral dresses with floral corsages or flower trimmed hats in past eras. It was certainly charmingly ultra feminine. And solved the problem of wearing a sweet spring light dress while freezing to death on Easter!

Grace Kelly Shortly After Her Arrival in Monaco

This is one of my favorite photographs of Grace Kelly wearing what looks like an exquisite sable coat with an adorable 1950’s rose trimmed pill box hat and white gloves. She looks so fresh and girlish and happy! And warm! So you see, it is possible to wear a spring outfit and not freeze to death! I have found many photos of Grace in furs and she was obviously someone who preferred to be comfortably warm by wearing a proper coat! More Grace in furs coming soon!

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