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Lady Violette

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Posts Tagged ‘Art & About’

Ballerina Lubov Tchernicheva’s ~ Cleopatra Portrait Gallery

Monday, October 28th, 2013

Lubov Tchernicheva as herself

Lubov Tchernicheva (1890~1976) was an extraordinarily beauty and a great star of the Ballets Russes. The studio portrait above was taken sometime between 1930 and 1937 and is from the Geoffrey Ingram archive of Australian ballet now in the National Library of Australia. She trained in Russia, then danced with Diaghilev’s Ballets Russes from 1911~1929.  She was married to Sergei Grigoriev, the company Regisseur. She attempted to retire in 1929.

However, in 1932 Rene Blum coaxed her back to continue dancing as first ballerina and serve as ballet mistress for Col. de Basil’s Ballets Russes. Her husband served as Regisseur for this company as well. The couple worked for the Col. de Basil Ballets Russes troupe from 1932~1952. They performed and worked with de Basil’s Ballets Russes in their popular tour of Austrailia, throughout the United States and Europe. An extremely popular dancer her public simply would not allow her to retire!

In the 1950s this extraordinary ballet couple worked together staging Fokine’s Ballets for other companies.

Fortunately for dance lovers and historians Lubov Tchernicheva left her personal papers and ballet records to the Harvard University Library and her husband, Sergei Grigoriev, left his to the United States Library of Congress.

Tchernicheva also had amazing costumes for many of the roles she danced! Fortunately many striking photos of her were taken in many roles and survive.

The Ballets Russes Cleopatra Costume by artist Sonia Delaunay 1918

My favorite photos of Lubov are as Cleopatra originally known as Une Nuit d’Egypt and premiered by Diaghilev’s troupe in 1908. The ballet was revived in 1917 and exquisite and truly fantastic (as in a product of the artist’s Egyptian fantasy) new costumes were designed for the revived production by Russian artist and textile designer Sonia Delaunay. These Cleopatra costumes are the version Lubov wore in these photographs.

Lubov Tchernicheva in her Cleopatra costume designed by Sonia Delaunay

In the days these old photos were taken the ballet dancers often had to assume a pose in the photographers studio and hold it for a long time while the glass plates of film were exposed. By a long time I mean as long as 20 minutes while the photographer got set up and  organized and then slowly exposed the film. It must have been sheer torture!

Tchernicheva reclining elegantly as Cleopatra

It is hard to hold perfectly still in an an exotic pose, no matter how static, without twitching or swaying a tiny bit. I know because I have posed for photographers who were trying out the old techniques.Dancers were really happy when fast film was developed so that they could be photographed in action!

Tchernicheva strikes a pose a l'Egypte in the photographer's studio

 

Tchernichova’s strong aristocratic profile is amazing and perfect for the character of Cleopatra! And the headdress! it must have taken practice to perform in such a costume – it does not look like it allows for freedom of movement. It looks to me as if the dancer had to adapt to working within the confines and limitations of the costume. Fashion is often like that as well! It is interesting to note that this ballet set off a fashion craze for all things Egyptian in Paris and London. Society ladies were even getting Egyptian tattoos in intimate areas of their bodies!



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An Autographed Portrait of Igor Schwezoff from his Ballets Russes Days

Sunday, October 27th, 2013

Autographed Photo of Igor Schwezoff circa 1937 - 1941 during his days with the Ballets Russes.

Today I located this long lost autographed portrait of Igor Schwezoff from his Ballets Russes days circa 1939 – 1941. It has been hidden away in the personal papers and memoirs of the Russian ballerina Lubov Tchernicheva for over 70 years. In a final generous act for her devoted fans, Tchernicheva, donated her personal collection of dance momentos to The Theater Collection of the Houghton Library of Harvard University in Cambridge, Mass.

Lubov Tchernicheva (1890 – 1976) was a leading dancer with Diaghilev’s Ballets Russes from 1911-1929. She was married to Sergei Grigoriev, the company Regisseur. She retired in 1926, but was coaxed out of retirement by Rene Blum to star again and serve as ballet mistress for Col. de Basil’s Ballets Russes. Her husband served as Regisseur for this company as well. She continued to perform with this group from 1932-1952. She was essentially such a popular ballerina her public wouldn’t allow her to retire!

During this period, from 1937-1940, that the company spent an extended period in Australia where Igor Schwezoff staged his ballet Lutte Eternelle as I described in my previous blog post.

In the 1950’s the Grigorievs worked together restaging Fokine’s ballets for other ballet companies.

Lubov Tchernicheva was a great beauty and a beautiful dancer. She was acclaimed for her pure classical technique and acting abilities and excelled in exotic roles that tapped her dramatic skills. She caused a sensation in 1918 as Cleopatra in costumes designed by Sonia Delauney.

She dedicated her entire life to performing and teaching the art of ballet and was especially appreciated by other dancers for her generosity with her knowledge, skill and dance experience.

Lubov Tchernicheva was one of the dancers Igor Schwezoff referred to as “The Eternal Greats”  whose portraits and performance photos hung on his studio walls to inspire his students to excel.

In honor of Lubov Tchernicheva I will put up a gallery of some of these beautiful photos in my  next blog post.

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Igor Schwezoff’s Ballet La Lutte Eternelle

Sunday, April 28th, 2013

I was fortunate to studied ballet with the late great Russian ballet master Igor Schwezoff in Washington DC and New York City.

La Lutte Eternelle Choreographed by Igor Schwezoff to music by Schumann in the Version Premiered and Performed by the de Basil Ballets Russes at the Theatre Royal in Sydney, Australia on July 29, 1940

Today I found this photograph of one of his early choreographies and the accompanying description quite by chance while looking for a photo of the ballerina Tamara Toumanova. Very few photos of Mr. Schwezoff’s work are known to exist so I was very happy to locate this wonderful picture! This photo was posted on the blog  Kurt of Gerolstein as La Lutte Eternelle: a ballet by Schwezoff. The author apparently found it in a box or old news clippings and dance photos and says that, knowing nothing about ballet and caring nothing about it he thinks it may be of interest to somebody else! Thank you Kurt of Gerolstien! It certainly is of interest to me and will be to other people who worked with Igor Schwezoff! And I want to know what else was in that box!

Mr. Schwezoff was born in 1904 in St. Petersberg and trained in the Marinsky Theater School. In 1931 he defected from Siberia through Manchuria to Harbin, China. He then made his way to to Western Europe where he danced with Bronislava Najinska in Amsterdam and ran his own ballet schools in Amsterdam and London. While in Amsterdam he choreographed his initial version of La Lutte Eternelle to Schumann’s Etudes Symphoniques. While in London he wrote his biography titled Borzoi describing his early life in Russia and his harrowing escape to the west.

Mr. Schwezoff traveled widely and eventually joined the de Basil Ballets Russes in 1939 as a soloist and choreographer. He restaged his work La Lutte Eternelle for this company during their Australian tour. The Australian cast featured Georges Skibine  ( also known as Yura Skibine) in the role of Man, Nina Verchinina as Woman, Tamara Toumanova as Illusion, Sono Osato as Beauty, Marina Svetlova as Truth and Boris Runanine as Will. Other members of the cast were Slava Toumine , Paul Petroff and Oleg Tupine. The cast pictured in the above photo includes Nina Verchinina, Georges ( Yura) Skibine, Slava Toumine , Paul Petroff and Oleg Tupine.

The costumes and scenery were designed by the sisters Kathleen and Florence Martin of Melbourne. The costumes were made by Olga Larose, the company wardrobe mistress and the sets were executed by G. Upward. The press found the production work to be a first rate success which carried through the symbolism of Schwezoff’s choreography. One critic in Melboursne called La Lutte Eternelle  a ballet of wholly perfect dancing in which splendid movement is guided by great music. The Schumann score was orchestrated by Anton Dulati, the Hungarian conductor.

The ballet’s theme dealt with man’s progress towards an ideal beyond worldly things explored through allegory. The key roles included Truth, Illusion, Beauty and Will.

La Lutte Eternaelle was well received by both the public and the press in both the initial Amsterdam ballet school production and the professional revised world premiere staged for the de Basil Ballets Russes and premiered in Sydney at the Theatre Royal on the 29th of July in 1940.

Mr. Schwezoff notably performed the role of the Old General in the popular David Lichine ballet Graduation Ball during this 1937 – 1940 Australian tour of the de Basil Ballets Russes. Fortunately some photos of him and other notorious cast members in these performances exist in the records of the Australian Public Library.

If anyone reading this has further information about Igor Schwezoff or photographs of him and his works I would love to be notified as I am trying to complie all the biographical information I can about him. Please post a comment if you know more!

Mr. Schwezoff ultimately worked in major ballet companies all over the world and became one of the most important and influential teachers in New York City. His classes were frequented by many well known professional ballet dancers. He passed away in 1982 at the age of 78.

 

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Ballerina Tamara Toumanova Wearing a Vintage Fur Coat in a Dress Rehearsal

Sunday, April 28th, 2013

Tamara Toumanova trying to keep warm on the freezing cold stage during a dress rehearsal of Aurora's Wedding from The Sleeping Beauty

While researching a ballet in the 1937 Ballets Russes Repretoire I came across this charming photo of ballerina Tamara Toumanova wearing a vintage fur jacket while trying to keep warm on a freezing stage during a dress rehearsal for Aurora’s Wedding scene in The Sleeping Beauty. The cavernous old theaters were often very cold which is one reason ballerinas and opera singers needed to have a cozy fur coat on hand at all times! I love this photo because it illustrates such a practical and personal use for a fur coat!

This image is from the Geoffrey Ingram collection of ballet photographs from the Ballets Russes Australian tour, 1936-1940 and features Tamara Toumanova, Michael Panaieff, Anton Vlassoff and Oleg Tupine, 1940.

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It’s Spring So Let’s All Get Inpired to Wear Hats Again & Consider the Princess WOW! Hat Collection Funding Campaign on Indiegogo, too!

Tuesday, March 5th, 2013

A Classic Handmade Feather Beret From Lady Violette's Personal Hat Collection in Brown and Green Handmade by Millinery Artist/ Designer Princess WOW!

I was going through my own collection of hats this weekend while getting out some pretty ones for the spring season when I received a notice from my milliner friend Princess WOW! about her Indiegogo campaign efforts. She wanted my help to spread the word. I am glad to do so through this post, but I also want to get people back into the mood to wear hats! Easter is around the corner – a classic time to wear a pretty hat and hats just generally inspire people, cheer them up and make them feel better. As the flowers begin to bloom again in the spring women should take inspiration from them to bloom beautifully in pretty hats and colorful scarves as well! It is a wide open opportunity to express ourselves in the performance art of wearing a hat which is always fun, easy and a lift for the spirits of both the wearer and those viewing her wearing the hats! Hats, are an innocent and easy way to bring people pleasure. Wearing a hat is fun and takes some personal style and confidence – as demonstrated by the young lady in the picture at the end of this post.

Making hats is a special skill ,as is marketing them, as you can find out by reading this: Mindy Fradkin attended New York’s prestigious Fashion Institute of Technology to learn to make hats in the classic way from old school masters of the craft. She is now Princess WOW! – A Milliner Extraordinaire –  working to raise money for her new collection of beautiful artistic hats through an Indiegogo fundraising campaign. This is a worthy cause if you love hats, hat makers and designers and you can participate on a small or large level. Here is the link to the campaign which is an interesting thing to know about in itself. I am hearing more and more about artists and businesses raising money for their projects in this manner and having read her funding campaign now understand more about how these work. If you are curious about that as well as helping her raise the funds she needs I suggest you check it out too! Mindy Fradkin is Princess WOW! the hat designer, and she has done a good job putting her proposal together. I have known her for years and own over 20 of her beautiful timeless hats myself.  I can testify to her design brilliance and reliability. Of course it costs money to put together a collection and even more to attend high end craft shows where people can go to see and buy your hats. There is much more detail to the millinery business than putting decorations on a hat! Go here to read about what she needs to do and gain appreciation for the business side of millinery as well the beauty of handmade hats.  //igg.me/at/princesswowhats.

I love wearing hats myself and have amassed quite a collection of artist made and vintage ones over the last two decades. I have been a personal client of Princess WOWS! hats since the early 1990’s! I wrote an article about what happens to me when I wear one of her hats for a magazine in New York years ago.  Here it is again, to get you into the mood of wearing a Princess WOW! hat yourself.

“Confessions of a Head Turner” – or What Happens When I Wear a Beautiful Hat.

“Confessions of a Head Turner ” was originally  written by Lady Violette for Princess WOW! when she was primarily  known as Mindy Fradkin’s Important Hats. It was published in 1995 in Breukelen Magazine in NYC  with accompanying photos of  Lady Violette wearing Mindy’s hats. It still holds true and it is still fun, so we decided to bring it out for contemplation if you find yourself considering wearing hats again this spring and summer as we do. (We being Lady Violette & Princess WOW! and our young model Mademoiselle Coco.)

Over the years we became good friends through out mutual love of hats and our design work together. It is also interesting to note that, years after I originally wrote this piece, Princess WOW! met her husband, artist Roland Mousaa, because he saw her wearing one of her hats while waiting in a line to be seated at a restaurant. Just as I wrote, something special always happens when you wear her hats! A real life adventure!

Now Mindy Fradkin is Princess WOW! and her main focus has changed from making hats to her work for The Smile Revolution but she still makes and wears her own hats in her concerts and performances and for private clients. Lady Violette has taken good care of all her Important Hats and Princess WOW! hats and still wears them regularly. We love hats! And spring is coming! A new hat for Easter has always been a tradition! So, it has gotten me  thinking a lot about hats ~  Hats off to Princess WOW!  And a stroll down memory lane with ~

“The Confessions of  Head Turner”

I love to wear Mindy’s Important Hats. I never go without an Important Hat. I have two dozen of them. They make adventures happen.

I meet men. Men follow me. I feel mysterious, like a heroine in a novel. Like Zelda Fitzgerald or Greta Garbo. In an Important Hat you create an indelible impression… you become an enigma, unforgettable, memorable…

It’s evocative of romance and another time. A hat is an emphatic statement. Jewelry is more subtle, smaller, meant for close up. A hat can be seen across a street or restaurant. At a distance in a gallery or museum. It casts the wearer’s magic spell…

In giving up hats, women gave up coquetry. Mindy’s hats bring it back, but they are not vintage, not ingenue. They are totally modern & sophisticated, they’re history, too…

They’re true art, completely original form and construction. The simplest looking design transforms a face.

She is the Rodin of the sculptured hat.

When you wear her hats heads turn.

I began collecting Mindy’s hats if 1992. Now I can’t stop!! Each hat represents a different facet of my inner personality to the viewer. They allow me to express the different aspects of my character.

Together Mindy and I continue to discover more ~ a great talent in a designer for her client.

Thank you Mindy for presenting my many inner characters to me and to the the world… To love me you (I mean anyone,) must know me. Your hats project aspects of my inner soul to the outside world (when I choose to do so by wearing one.)

Lady Violet de Courcy, Ballet Dancer, Jewelry Designer, Writer and Mindy’s Muse

Mindy Fradkin-Mousaa, now The Princess of WOW! & renowned hat designer and comedienne performs using her hats, in shows and concerts and at “Hat Happenings” regularly around New York City. She also currently works for The Smile Revolution raising conscious awareness for the healing power of a genuine smile. She is a singer, songwriter, and concert promoter but still creates wonderful extravagant hats for private clients and participates in select craft shows  You can contact her at:

www.theprincessofwow.com

For INSPIRATION here is something to think about! Madamoiselle Coco below, who is 4 years old, wisely says, “You can wear hats anytime and all the time.”  Here she wears a white vintage hat with a veil while out doing errands on a Saturday morning.  She says “You can always wear a hat. It makes every occasion special. You do not need a special event or an occasion such as a wedding to wear one! ” Here she is getting a manicure at the local village salon where her unique personal style and lovely vintage veiled hat garnered quite a few compliments! This stylish young lady already has a collection of special hats! “When you wear a lovely hat people smile at you and stop to talk to you and compliment you on it. They tell you how much they like it and they want to meet you! Sometimes they even tell you that seeing you in your hat makes them feel happy! Wearing a hat is definitely worthwhile!”

A lovely young lady - Mademoiselle Coco - wearing a vintage hat with veil shows us that we can wear hats as we go about our regular activities everyday!

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