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Lady Violette

The Romantic Lifestyle

Archive for February, 2011

The Cost of Knitting is Always a Concern! A Couple of Cute & Affordable Projects…

Friday, February 25th, 2011

Lady Violette's Vintage Violet Knitted and Felted Clutch & Raspberry Lace Up Like a Corset Gauntlets

The cost of yarns to make a knitted project is always a concern so I called The Weaving Works  in Seattle where I often buy my yarns to check on the current cost of the yarns I used in these two little projects.

Brown Sheep’s Lamb’s Pride Bulky costs $8.15 per skien. Manos del Uraguay’s Wool Classica costs $ $15.25 per skein in solid colors as I used here or $17.25 in varigated colors.

My cost to make the gauntlets pictured was $15.25 for the ball of Manos. I used a bit of leftover yarn from my little Lady Violette Vintage Violet Clutch Purse for the lacings.

The cost of yarn for the clutch purse was $8.15.

You can make both the gauntlets and the purse for a total yarn cost of $23.40! Not bad is it?

The vintage buttons I used were in my button box and cannot be bought. You can use any buttons you already have or find some specifically for decorating your project. I often buy some inexpensive item at a thrift store or rummage sale just for the buttons because they are much less expensive that way than buying them new from fabric stores. I recommend having an eye out for buttons at all times. I have found old stock on cards in junk stores for 15 cents a card. I buy them if I like them because I know I will find a great use for them at some point.

These two projects are affordable, cute, usable and easy to make.

You can substitute yarns as well. If you are going to felt one for the clutch be sure to use all wool. Synthetics will not felt properly. For the gauntlets, anything that gives you a comparable gauge will work. My gauge for the gauntlets is 5 sts per inch. I did knit the Manos tighter than the suggested gauge on the yarn tag in order to get the effect I wanted.

These yarns can be purchased at weavingworks.com in Seattle.

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Lady Violette’s Design for Knitted Raspberry Colored Gauntlets

Friday, February 25th, 2011

Lady Violette's Lace Up LIke a Corset Raspberry Gauntlets

I have just finished designing and knitting this pair of gauntlets which cover the arm from wrist to elbow and are laced together like a corset which allows a flirtatious bit of skin to show through. These are made to fit with negative ease and it took me a couple of tries to get the sizing down (small enough) as I wanted a good tight fit with stress across the lacings to give me the best looking laced up effect.

This was an experiment. I was not sure if it would turn out! But I love them and will now make them again and carefully document the process so I can share it. The yarn I used is left over Manos del Uraguay Wool Classica and required less that one full skein. I recommend winding one skein into two balls of equal size before starting a pair of these so you are sure to end the first one before you have knit over 1/2 the skein’s worth of yarn. The same way one divides a skein of sock yarn.

I used Brown Sheep’s Lamb’s Pride Bulky for the Lacings. The stitches at the end of the gauntlets are left live on purpose. I laced the Brown Sheep Lamb’s Pride Bulky yarn through them so I could try on the gloves for fit and it looked so cute that I decided to leave them live and utilize the lace effect of those stitches rolling a bit and creating a tiny ruffle on the end.

These must be made to measure for the person they are for. You need to make them a very tight fit. I made these up as I knit and did not write down the pattern but they turned out really well after some initial struggle with the sizing, so I have bought some more yarn and will make another pair and document the pattern, then post it. I will then be able to give exact directions for making personalized measurements.(I do get mad at myself when I don’t document the pattern the first time through. But I get carried away with the process and don’t take good notes. It is actually easier for me to write a pattern when I make a thing the second time as I am doing it very deliberately so that someone else will be able to understand it. Now that I am posting it on my blog I will take pictures as I go to illustrate the process as well.

I find it hard to know if I am doing something correctly when I don’t have an in process photo to check my progress against. Most knitting patterns only give you a finished photo to look at. I want to provide a few pictures of the step by step process of a garment underway …. so I am going to experiment with that on this little gauntlet.

This is a nice small project as it can be done quickly, doesn’t require a huge investment in yarn and is fairly easy to make. Then there is the added cuteness factor!

I used size 7 and size 6 needles. Manos del Uraguay Wool Classica for the main part of the gauntlet and Brown Sheep’s Lamb’s Pride Bulky for the lacings. Any yarn of the similar weight should work and you could use ribbon for the laces instead of bulky yarn. I had intended to use ribbon, but when I did my try on with the Brown Sheep’s Lamb’s Pride Bulky yarn lacings I liked the way the yarns look together so much that I decided to leave it in.

I will post the pattern and a photo of the gauntlet on a model soon.

The cost to make a project is always a concern so I called The Weaving Works in Seattle where I often buy my yarns to check on the current cost of these yarns. Brown Sheep’s Lamb’s Pride Bulky costs $8.15 per skien. Manos del Uraguay’s Wool Classica costs $ $15.25 per skein in solid colors as I used here or $17.25 in varigated colors. My cost to make the gauntlets pictured was $15,25 for the ball of Manos. I used a bit of leftover yarn from my little Lady Violette Vintage Violet Clutch Purse for the lacings. The cost of yarn for that purse was $8.15. You can make both the gauntlets and the purse for a total yarn cost of $23.40! Not bad is it? I will post this information as “Cost of Knitting” with an additional photo of both projects shown together for those who are interested.

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Blue Morning Glory – So Art Deco!

Friday, February 25th, 2011

Blue Morning Glory ~ Art Deco Beauty

These are amazing flowers! So blue and so delicate! I came across this photo this morning so I decided to post it to cheer myself up! I took the photo on a trip to California last summer where these were blooming in  profusion against a hill of jungle growth. I have tried growing them in Seattle without luck.

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The White Shawl “Scrunched” to make a Fresh Stylized Flower Blooming in the Cold and Snowy Dead of Winter!

Friday, February 25th, 2011

White Shawl with Schrunchy Flower Styled by Tricia James

Here is yet another variation on the same basic wrap of the white shawl – this time “Scrunched” with a brown taffeta hair scrunchy. This flowery variation blew me away!

Tricia took a cloth covered hair scrunchy edged in beads, and pulled a section of the shawl through it, then fanned it out to create a Stylized Flower on one shoulder. After shaping it with her fingers she secured the “flower” with one corsage sized long straight pin, hiding the pearl pin head in the folds of the flower.

It is snowing outside and this is a way you can make and wear a fresh flower corsage in spite of the weather! And what a clever way to actually use that stack of seldom worn hair scrunchies made of pretty fabrics that have accumulated in a drawer! I must have 1/2 a dozen of them in various colors that I am now excited to try out as flowers on scarves!

Tricia will come back next week to help me write up directions for tying and styling these scarves which I will then post for you to follow. Meanwhile you can visit International Scarf Stylist Tricia James at scarfgenie.com

I am going to make myself some hair scrunchies  just for the purpose of wearing them as cloth shawl flowers. This seems like a great way to utilize a small bit of pretty fabric, doesn’t it? When I figure out how to make them I will post the instructions as well.

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Snowed In & Sewing Today! What is in my mind’s eye as a costume designer?

Friday, February 25th, 2011

The Amazing Vintage 60's Giant Paisley Print Silk Fabric

It is dark and ominous out, cold skies, crows circling, dustings of snow occurred during the night.  The roads are deserted. It is weirdly overly quiet and still. A big snow is predicted! It snowed about 3″ during the night. So the rooftops are white and the grass lawns are white, but, so far, the roads are still black, and we have been getting only flurries …

But something is coming … it feels spooky… so I got prepared, last night, to stay home and sew all day! Now we are waiting for the storm to begin…

A huge black crow just swooped past my window…It is cold and drafty… awful… and I am happy to be inside!

But I wonder if he is spying on me! Does he know what I am doing in here? They always seem to be watching! They are everywhere! Maybe they have a bird’s eye view of the design process! I went to the fabirc store yesterday and they were circling around above the parking lot when I left! What is it with these huge black birds? I feel like I’m in a Hitchcock movie!

I am currently working on two costumes for, Princess WOW! to wear in upcoming  concerts. I have decided to document my design process, as if to give a telescopic view of how a costume for a performer evolves.

I want to describe and show what happens, in my mind’s eye and in my imagination as a designer, when I conceive of a design and execute a costume.

This one began with discussion of Princess WOW’s current work. She described how she is dressing in bright colors and styles reminiscent of the flower children of the late 60’s because these costumes instantly charm  people and make them happy. She explained that she uses the hippie styles and bright colors, to get people’s attention, get them to stop, take notice, then interact with her. Her entertaining and colorful costumes get them to smile,  then stop and listen to what she has to say and ultimately join in her efforts. These efforts are, ultimately, to make the world a better, happier, more functional place. These are the same ideals that propelled people in the late 60’s and early 70’s at the height of the hippie movement. The flower children of 1968 wanted the same thing for the world. They were idealists.

As Princess WOW! described her work I remembered that I had this amazing vintage 60’s giant paisley silk fabric pictured above. I have had it, packed away, just waiting for the right project for years! The colors are bright & beautiful. The paisleys are huge about 9″ to 13″ in length. The weight and drape of the silk is right for a costume of the sort she would like to wear. I could picture the entire thing in my mind’s eye, as they say, as she described her needs. I also just happened, luckily, to have quite a lot of this amazing fabric!

I could envision a long empire waisted , flower child/ princess gown with huge beautiful billowing ecclesiastical sleeves,  ~ part Elizabethan, part Chinese, part Penelope Tree 1968 fantasy flower child in a David Bailey photo shoot perched precariously on a Himalayan mountain peak, and part fairy tale princess.

I could instantly imagine people saying WOW! when they saw the giant silk paisley print pictured above as the long gathered skirt and the full sleeves of this amazing concoction combined with a strong, acid bright and highly textured magenta silk shantung crossed over in the front for the bodice. Then the whole dress lined and accented in a softer slightly lighter shade of magenta crepe de chine that would show here and there, now and then. I could imagine the inside of the gown as secretly beautiful and unusual as the outside! I say secretly so, because only the designer and the wearer of the finished gown will see the lining, and  the way the costume is structured and executed on the inside. And the way it is decorated, on the inside, just for them, with ribbons and tiny flowers made of ribbons.

The way a gown is made and how it is put together is extremely important in achieving the end result.  It gives it structure and body support for the figure within and makes a world of difference in the finished and final effect. I often add special touches that only the designer and the wearer will ever consciously realize are there. The wearer/performer gains confidence and self assurance from these details. She must be able to slip into her dress and go onto the stage without any further concerns as to how the dress may fit or move or look during her performance. She must be able to forget about all of that and simply concentrate on her music or her dancing or her acting …As a dancer I wore many performance costumes myself and became very aware of what was needed. As a performer one must be able to forget her costume when she is wearing it. It has to become a natural part of her.

I knew, in my mind, as described above, exactly what I wanted to do! This further included;

the addition of a giant obi sash/belt to be tied at the empire waist just under the bust, in a soft bias cut yellow ochre fabric with long trailing sashes,

making an optional use sequined silk organza overlay for the skirt (which will essentially easily create a second version of the costume that looks completely different from the first version) and can be used during concert to achieve an alternate effect easily,

outlining (and thereby enhancing the shimmering effect from the stage lights) the giant paisleys pictured above with tiny beads and sequins which I would have to sew on one by one by hand,

accenting that magical glittering effect even further, by strategically hand applying more of  sequins on the top layer of the organza overskirt.

Well, It is snowing today, and I am working on the costume!

And – at the end of the day, – when I look at the photo, again, of the paisley fabric I can also see large colorful Japanese carp swimming in a pond with bright flowers floating in it. And a beautiful crested bird. All of these images will influence  the formal final version of the dress when it is finished.

In this case,the concert costume designs arose from  discussion about what the flower children wore in 1968 and tangential associations I made between my experiences and the needs of the client, Princess WOW!

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