Image 01

Lady Violette

The Romantic Lifestyle

Posts Tagged ‘Vintage Fur’

The First Perfumes Created to Wear with Furs Were Named After Three Furs: Ermine, Sable, and Chinchilla – the Most Luxurious Furs in the World: Sequel #2 Sable

Thursday, August 29th, 2024

Sequel #2: Sable /Zibeline

ROYAL BARGUZIN RUSSIAN SABLE FUR EXTRA LONG COAT WITH FLARED TRUMPET BOTTOM
by David Appel Furs

Sequel #2: Sable/ Zibeline

Zibeline Parfum de Weil was one of the three original perfumes created in 1928 by Fourrures Weil in Paris to enhance the experience of wearing luxury furs. Zibeline is French for sable. Furs tended to develop a musky/ musty scent over time and a wealthy client had asked the furriers if there was a perfume one could use to mask this tendency without causing damage to the fur itself. This seemed like a great idea to Claude Weil and it just so happened his daughter, Jacqueline Fraysse, was a perfumer! So, together, combining their expertise, they set out to develop just such perfumes and this led to the formation of a new company Parums Weil. Their creations for scenting furs safely were an imediate success with the European luxury clientele of the period. There were three perfumes – each simply named after the fur you were intended to wear it with: Ermine/ Hermine, Sable/ Zibeline and Chinchilla/ Chinchilla Royale. The concept and the product was an immediate success.

What did this trio of fur perfumes smell like? An advertisement of the time described them thus:  Hermine- a sweet tropical floral scent, Chinchilla Royal- a jasmine/rose blend and Zibeline- a grand floral chypre with deep vetiver/oak notes. In this sequel I will I will mainly be discussing Zibeline/ Sable.

In addition to my interest in vintage fashion and perfumes I am a history buff. I am very interested in how history influenced the fashions of its time. The tight knit Weil family were furriers by trade for several generations. They became perfumers by destiny. Since 1920 the furrier brothers, Alfred, Jacques and Marcel Weil experienced great success as fur designers in Paris at Les Fourrures Weil. This was during the electrifying emancipating atmosphere of the Jazz Age in 1920s Paris! In 1927 when a client requested a perfume to sweeten fur without damaging it Parfums Weil was born. The Weil family was Jewish and in 1940 fled the war, closing up their Paris shop. They moved to Bordeaux for a short time. Marcel Weil died of pneumonia in 1933. The father, the surviving brothers and Jacqueline came to the US where they bought out their US distributors in New York and used the space to open their first perfumery/ shop. It was located on Fifth Avenue in the heart of Manhattan. They could not have had a better location. They actually manufactured two of their most successful scents, Cassandra and Zibeline right there on sight. Cassandre was a solo creation of Jacqueline – an anise like fragrance with a hint of fruit and florals released in 1936. Jacqueline had a knack for creating new and unusual perfumes that appealed to women and kept creating one successful scent after another.

An ad from 1936

Jacqueline Fraysse was one of the rare early 20th century female perfumers of note. She must have been an interesting person. She worked in a male dominated field at a time when most women stayed home, or if they were adventurous, needy or otherwise inclined, they became “entertainers” of one kind or another – actresses, dancers, nightclub performers, etc. They might, in many circumstances have worked in shops or worked in other people’s homes. She was, it seems, lucky to have a family who recognized and encouraged her creative talents and provided an atmosphere and conditions in which she could pursue them. She came of age in 1920s Paris in the Jazz Age and then moved to New York. Yet all the while she lived and worked under the protection and watchful eyes of her furrier/ perfumer father and brothers. Based upon the quality of the perfumes she created and judging from their success in the marketplace she flourished even throughout the difficult years of the depression and war that followed. Her father and brothers were good businessmen and successful at marketing the family enterprise. I admire the fact that they included her contribution giving her credit for her talents and participation. In so many families the women do not get recognition for their contribution to the family business and are relegated to the invisible background so this is admirable and worthy of mention.

Perfumes Weil had grown successful in Paris to the point of opening a sizable factory and export business as well as their fashionable and financially successful fur and perfume salons. When the Nazi’s occupied France they took over Perfumes Weil and gave it to a wealthy Nazi Baron and his Nazi socialite girlfriend to operate. The evil Nazis went so far as to take out enormous vicious ads saying that the perfumes they were making were the originals and buyers should beware of cheap imitations being produced by imposters in other non-official locations notably New York where the real Weils were now residing and making the real thing. It was messy to say the least. Needless to say the Baron and his mistress were not well suited to running a perfume making operation and it was not successful in their hands. Luckily, when the war was over the Weils were able to return to France and regain control of their original company. They had an amazing knack for survival.

Through all of this turmoil of this historical period – from the Jazz age through the depression and the events of WWII – the appeal of the Zibeline/ Sable fragrance also survived and continued to expand. Of the three original Weil fur perfumes released in 1928 Zibeline/ Sable was ultimately the most popular. Women were wearing it for all occasions not only when wearing their furs.

Let’s take a look at the animal and his luxurious fur that inspired it – The Russian Sable.

This lush beautiful coat is made of Barguzin Sable from Russia the most sought after and valuable sable in the world. In the photo above it is modeled by the original owner in his natural snowy habitat.

This little guy is a Golden Sable. Sable comes in a variety of natural colors included dark brown with black tips, greyish brown, gold, and taupe. The different colors come from different areas.

The sable ( Martes zibeline) is a species of marten, a small omnivorous mammal primarily inhabiting the forest environments of Russia, from the Ural Mountains throughout Siberia, and northern Mongolia. Its habitat also borders from eastern Kazakhstan, China, North Korea and Hokkaido, Japan.

The name “sable” originates from Slavic languages and entered Western European languages through the medieval fur trade. Sables are small, omnivorous mammals that inhabit dense forests in regions like Russia, Mongolia, and China. They are known for their luxurious fur, which ranges from light to dark brown and is softer and silkier than that of American Martens. Sables resemble pine martens in size and appearance but have more elongated heads, longer ears, and shorter tails. They are skilled climbers and primarily hunt by sound and scent. Mating occurs between June and August, and litters typically have two or three offspring. Sable fur has been highly valued in the fur trade since the early Middle Ages, and its popularity has driven hunting and conservation efforts. Today, sable fur is often used to decorate clothing items, and the species has no special conservation status according to the IUCN Red List.

The name appears to be of Slavic origin and entered most Western European languages via the early medievil fur trade. Thus the Russian sobol and Polish sobal became the Dutch sable, the French zibeline, Spanish cibelina, cebellina. The Portuguese zibeline and Medieval Latin zibellina derive from the Italian form zibelino.

The term has become a generic description for some black-furred animal breeds, such as sable cats or rabbits, and for the color black in heraldry.

Males measure 38–56 centimetres (15–22 in) in body length, with a tail measuring 9–12 centimetres (3.5–4.7 in), and weigh 880–1,800 grams (1.94–3.97 lb). Females have a body length of 35–51 centimetres (14–20 in), with a tail length of 7.2–11.5 centimetres (2.8–4.5 in). The winter pelage is longer and more luxurious than the summer coat. Different subspecies display geographic variations of fur color , which ranges from light to dark brown, with individual coloring being lighter ventrally and darker on the back and legs. Japanese sables in particular are marked with black on their legs and feet. Individuals also display a light patch of fur on their throat which may be gray, white, or pale yellow. The fur is softer and silkier than that of American martens.

Sables inhabit dense forests dominated by spruce, pine, larch, Siberian cedar, and birch in both lowland and mountainous terrain. They defend home territories that may be anything from 4 to 30 square kilometers (1.5 to 11.6 sq mi) in size, depending on local terrain and food availability. However, when resources are scarce they may move considerable distances in search of food, with travel rates of 6 to 12 kilometers (3.7 to 7.5 mi) per day having been recorded.

Sables live in burrows near riverbanks and in the thickest parts of woods. These burrows are commonly made more secure by being dug among tree roots. They are good climbers of cliffs and trees. They are primarily crepuscular, hunting during the hours of twilight, but become more active in the day during the mating season. Their dens are well hidden, and lined by grass and shed fur, but may be temporary, especially during the winter, when the animal travels more widely in search of prey.

Sables are omnivores and their diet varies seasonally. In the summer, they eat large numbers of mountain hare and other small mammals. In winter, when they are confined to their retreats by frost and snow, they feed on wild berries, rodents, hares, and even small musk deer. They also hunt small  weasels, ermine, and birds. Sometimes, sables follow the tracks of wolves and bears and feed on the remains of their kills. They eat gastropods such as slugs, which they rub on the ground in order to remove the mucus. Sables also occasionally eat fish, which they catch with their front paws.

They hunt primarily by sound and scent, and they have an acute sense of hearing. Sables mark their territory with scent produced in glands on the abdomen.  Predators of sable include a number of larger carnivores, such as wolves, foxes, wolverines, tigers, lynxes, eagles and large owls.  

Mating generally occurs between June and August 15, though the date varies geographically. When courting, sables run, jump and “rumble” similarly to cats. Males dig meter long shallow grooves in the snow, frequently accompanied by urination. Males fight each other violently for females. Females enter estrus in spring. Mating can last as long as eight hours. After insemination the blastocyst does not implant into the uterine wall of the female. Instead, implantation occurs eight months later although gestation lasts 245 to 298 days, embryonic development requires only 25–30 days. Sables birth in tree hollows, where they build nests composed of moss, leaves, and dried grass. Litters number one to seven young, although litters of two or three are most common. Males assist females by defending their territories and providing food.

Sables are born with eyes closed and skin covered in a very thin layer of hair. Newborn cubs weigh between 25 and 35 grams (0.88 and 1.23 oz) and average 10 to 12 centimeters (3.9 to 4.7 in) in length.[ They open their eyes between 30 and 36 days, and leave the nest shortly afterwards. At seven weeks, the young are weaned and given regurgitated food. They reach sexual maturity at the age of two years. They have been reported to live for up to twenty two years on fur farms, and up to eighteen years in the wild.

Sables can interbreed with pine Martens. This has been observed in the wild, where the two species overlap in the Ural Mountains, and is sometimes deliberately encouraged on fur farms. The resulting hybrid, referred to as a kidus, is slightly smaller than a pure sable, with coarser fur, but otherwise similar markings, and a long bushy tail. Kiduses are typically sterile although there has been one recorded instance of a female kidus successfully breeding with a male pine marten.

The Russian variety yields the most luxurious highest priced fur. Wild sable pelts are superior to those raised on farms.

In Russia, the sable’s distribution is largely the result of mass re-introductions involving 19,000 animals between 1940 and 1965. Their range extends northward to the tree line, and extends south to 55–60° latitude in western Siberia, and 42° in the mountainous areas of eastern Asia. Their western distribution encompasses the Ural Mountains where they are sympatric with the European pine marten They are also found on Sakhalin.

In Mongolia, sables occur in the Altai Mountains and in the surrounding forests of Lake Hovsgol, the latter being contiguous with the Trans-Baikal boreal forest region from which the most valuable sable pelts come. In China, sables occur in a limited area of the Xinjiang Uygar Autonomous Region. In northeastern China, sables are now limited to the Greater Khingan Range. In eastern Heilongjiang, the persistence of sables is suspected in the Lesser Khingan Range. Sables also occur in Hokkaido and on the Korean peninsula.

Larch taiga on the slopes of Lesser Khingan – sable compatable territory.

Because of the variable appearance of the sable in different geographic localities, there has been some debate over the exact number of subspecies that can be clearly identified. Mammal Species of the World recognises seventeen different subspecies,  but other recent scholarly sources have identified anything from seven to thirty.

Sable fur has been a highly valued item in the fur trade since the early Middle Ages and is generally considered to have the most beautiful and richly tinted pelt among martens. Sable fur is unique because it retains its smoothness in every direction it is stroked. The fur of other animals feels rough stroked against the grain. A wealthy 17th-century Russian diplomat once described the sable as “A beast that the Ancient Greeks and Romans called the Golden Fleece. Russian sables would typically be skinned over the mouth with no incision being made on the body. The feet would be retained, so as to keep as much fur as possible. Byzantine priests would wear sable for their rituals.

In England sable fur was held in great esteem. Henry I was presented with a wreath of black sable by the Bishop of Lincoln, for no less than £100, a considerable sum at the time. Sable fur was a favourite of Henry VIII, who once received five sets of sable fur worth £400 from Emperor Charles V. Henry later decreed that sable fur was to be worn only by nobles exceeding the rank of viscount. The Russian conquest of Siberia was largely spurred by the availability of sables. Ivan Grozny once demanded an annual tribute of 30,000 sable pelts from the newly conquered Kazan Tatars though they never sent more than a thousand, as Russia at the time was unable to enforce the tribute due to wars with Sweden and Poland. The best skins were obtained in Irkutsk and Kamchatka.

When Genghis Khan married his first wife, Borte Ujin, his mother Hoelun  received a coat of sable furs from the girl’s parents. This was reportedly a very noble gift, serving not only an aesthetic need but also a practical one. Shortly after, when the young Shigi Qutuqu was found wandering a destroyed Tatar camp, he was recognised to be of noble descent because of his sable-lined silk jerkin.

According to Atkinson’s Travels in Asiatic Russia, Barguzin on Lake Baikal was famed for its sables. The fur of this population is a deep jet black with white tipped hair. Eighty to ninety dollars were sometimes demanded by hunters for a single skin. In 1916, the first Marie reserve in the Russian Empire was created—known as the Barguzin National Reserve —precisely to preserve and increase the numbers of Barguzin sable. Sable fur would continue to be the most favoured fur in Russia, until the discovery of sea otters in the Kamchatka  peninsula, whose fur was considered even more valuable. Sable furs were coveted by the nobility of the Russian Empire with very few skins ever being found outside the country during that period. Some, however, would be privately obtained by Jewish traders and brought annually to the Leipzig fair. Sometimes, sable hunting was a job given to convicts exiled to Siberia.

Imperial Russian fur companies produced 25,000 skins annually, with nearly ninety percent of the produce being exported to France and Germany. The civic robes of the Lord Mayor and Corporation of London, which were worn on State occasions, were trimmed with sable. As with minks and martens, sables were commonly caught in steel traps.  Intensified hunting in Russia in the 19th and early 20th century caused a severe-enough decline in numbers that a five-year ban on hunting was instituted in 1935, followed by a winter-limited licensed hunt. These restrictions together with the development of sable farms have allowed the species to recolonize much of its former range and attain healthy numbers.

The Soviet Union allowed Old Believer communities to continue their traditional way of life on the condition that they hand over all sable skins they produced. The dissolution of the Soviet Union led to an increase of hunting and poaching in the 1990s, in part because wild caught Russian furs are considered the most luxurious and demand the highest prices on the international market. Currently, the species has no special conservation status according to the ICUN Red List though the isolated Japanese subspecies M. zibellina brachyurus is listed as “data-deficient”.

Because of its great expense, sable fur is typically integrated into various clothes fashions: to decorate collars, sleeves, hems and hats see, for example, the shtreimel.

The so-called kolinsky sable haired brushes used for watercolor or oil painting are not manufactured from sable hair, but from that of the Siberian weasel.

If you want a sable garment today there are several ways to go. You can buy a new fur garment or have one custom made. If it is long and custom designed it will be beautiful and very expensive, possibly costing as much as a house! Here are a few examples. Prices are usually only available via special request because sable is like gold and the prices can fluctuate with the market. If a garment is specially made for a client the price would also be determined by how many pelts are used and what size a garment is made as well as how detailed the design is . Some possibilities to consider would include: A knee length casual but elegant city coat. A luxurious long brocade evening coat trimmed in Russian sable with a large collar that doubles as a hood. A contemporary light brown sable maxi coat that will make a modern woman feel like a queen! A modern but classic black cashmere coat with Golden Sable Collar and Cuffs. If a full coat is too expensive one can still enjoy the luxury of sable with a sable trimmed design. 3/4 length coats and jackets with a casual ambience are also available.

There are, of course, elegant manly sable styles available for modern men as well.

The Soviet Union honored the sable with a postage stamp in 1967!

If you are going to wear sable/ zimbeline fur in current times and you want to wear the special perfume designed to wear with it in 1928 by Weil you can still do so because bottles of vintage Zimbeline perfume are still regularly showing up Ebay and Etsy. Weil kept producing it for decades.

The original bottle at the beginning of this post is the oldest and probably the most expensive, but there were other bottles as well. Here are pictures of some different bottle designs you might find. Zibeline was also released as a bath oil which could be used in the bath or as “part of a lady’s toilette” by dabbing a small amount of the precious oil onto one’s skin at a strategic point such as the wrist or cleavage

I always look at what is available in vintage pre-owned furs as an option when I am considering adding a new fur to my personal collection. You can often find one that you will really like for a fraction of the cost of a new piece. So, let’s take a look at some pre-loved options currently on the market.

Here is a really nice full length Dark Brown Russian Sable, Royal Crown Quality, full length coat priced at $6,500. It is gorgeous! Dark, clean. shiny, lush and in excellent condition! It is being sold by Barb The Fur Lady on Etsy and has been recently appraised for $79,000 which is the retail replacement value the buyer can put on her home owners insurance policy.

The coat is a beauty! And a terrific bargain if it is your size and a style you are looking for. It is listed as a a size M – L (10 – 12) I wish it was my size!

From the same seller I also found a lovely Russian Sable Flat fur stole , priced at $2,500 and appraised for insurance purposes at $19,000. It is in immaculate condition and ready to attend a gala event! One wonderful thing about a stole like this is that it will fit just about anyone so you don’t need to worry about the size being too large or too small. It would make a wonderful gift for a special someone and you would not need to worry about whether it was going to fit them or not!

Barb The Fur Lady on Etsy also has several other sable/ zimbeline stoles available in her shop at this time. I suggest you visit her and search for sable to view them. And while you are there look at her other fur items. If you love furs you will undoubtedly find something stunning.

I have acquired several vintage furs for my own collection from Barb

Buyers should be aware when shopping for a pre-owned or vintage fur that is costs a seller a goodly extra amount to have a fur cleaned and appraised. This is something you might have to pay for yourself after buying a per-loved fur item if a seller has not done it. It should be done by a professional furrier. I will provide the name of the furrier I use at the end of this post should you need such services. Ideally a fur garment will fit you and be ready to wear when you acquire it, but this is not always the case. Sometimes repairs, alterations and cleaning are needed. I have bought several vintage furs myself that needed restoration work and alterations done. They were pretty styles and the fur was basically in good shape when I acquired them, but after my furrier cleaned and glazed them they looked spectacular and fit me like they had been custom made. 

I was able to get vintage furs in styles I loved that looked as beautiful as new ones after being reconditioned and they cost me a fraction of the price of a new one! I use Swiss furrier Rene’ Vogel for all my fur related needs. He does identification of mystery furs, alterations, cleaning, remodeling and appraisals. I highly recommend his work. 

You can reach professional Swiss Furrier Rene Vogel via email  Rene’ Vogel <rdcvogel@msn.com> or by phone at (425)322-9638 to schedule appointments for all your fur related needs. 

I want to make it clear to my readers that I chose to write about Rene’ Vogel to share information I have learned from him about furs and to provide them access to him as a reliable professional furrier should they wish to find one. Rene’ is not paying me to write about him. 

I want to thank Barbara Koich AKA, Barb ” The Fur Lady” on Etsy, for letting me write about her furs and sharing her photos and information on the beautiful fur items listed in her Etsy Shop. She carries high quality hand picked vintage furs of all kinds and can be trusted for the exceptional quality of her pieces and her excellent customer service. I regularly shop there for furs myself because I know they will be high quality. Check out her shop! 

Rare and beautiful historic clothing and accessories, jewelry, vintage furs, leather goods and vintage fragrances are for sale in my online shops. If you see something on this blog that you are interested in buying, but do not find it for sale in my shops message me on Etsy or Ebay and I will get back to you about availability. I check messages daily and can always prepare a special listing for you if you do not find it already listed in the shops. Some perfumes, vintage furs and fur trimmed items are currently listed for sale and others will be listed as they are ready to sell. Items are always in process of being readied for listing so all inventory is not already listed and photographed. Feel free to message me on Ebay or Etsy if you are seeking something in particular as I may have it or be able to find it for you. There are contact seller buttons on all listings in the stores which allow you to write me messages. 

Ebay: ladyviolettedecourcy

Etsy: LadyVioletteBoutique 

Poshmark: cocoviolette

FashionConservatory: Lady Violette Boutique

Share

Keeping cheetahs and leopards as pets was also fashionable from the 1920s – 1960s

Wednesday, August 21st, 2024

I also found photos from that time period of celebrities keeping cheetahs and leopards as pets. I wonder what ultimately happened to these exotic pets. We don’t hear about that.

Now we know that keeping wild animals as pets is dangerous as well as cruel. Cheetahs and leopards especially need a lot of space to exercise and require specialized care. Fortunately is is now illegal to own a cheetah or a leopard as a pet in most countries. What happened to those animals? Clearly things were getting out of hand!

In the 1920s – 1960s it was fashionable to pose with one of the most exotic animals – the cheetah. Wealthy socialites often kept these big cats as pets, paraded them around on leashes, and even took them to parties and on cruise ships when they took trips. Some celebrities of the time, including the ladies above were photographed with their pet big cats.

Gene Tierney often dressed in wild cat printed fabrics and real leopard and cheetah skins as well.

I have to wonder if she thought she was making the big cats more comfortable by dressing like them or if she was making them uncomfortable.

Share

Vintage Weil Perfumes Specifically Created to Wear With Vintage Furs

Monday, August 19th, 2024

In 1920’s Paris The Fourrures Weil, founded in 1912, by three furrier brothers, Jacques, Marcel and Alfred Weil were well known for their elegant designs in fur. Weil Furriers was a family business with an elite clientele. A customer of theirs asked them if there was a specific type of perfume one could wear with real furs that would enhance the fur wearing experience and, importantly, be safe to wear with furs. Back then furs tended to acquire their own smell, a musty animalistic odor and this client wanted to mask that with an appealing scent that would not damage the furs.

It just so happened that several members of the Weil family were also interested in Perfumes and creating them so they set about developing specialized scents for this sector of the luxury marketplace. That market was, specifically, Perfumes to Wear with ones Expensive Fur Coats to Enhance the Fur Wearing Experience. Parfums Weil was launched in 1927. The original idea was to pleasantly scent fur coats but this quickly evolved into developing other regular types of perfumes as well. All perfumes that were sold between 1927 and 1954 came in glass bottles made by Baccarat.

In 1928 Weil Furriers developed and introduced a line of 3 Perfumes in Paris for the fur scenting purpose. The perfumes were named after the luxurious furs they were meant to enhance: They were Chinchilla Royal to wear with soft grey chinchilla, Zibeline to wear with rich brown Sable, and Hermine to wear with elegant white Ermine. This was a new concept in the luxury perfume industry and became an overnight success with the wealthy fur wearing clients of Weil Furriers Paris. It also launched the Weil Perfumes as a company separate from Weil Furriers that gradually produced its own line of regular perfumes.

The original vintage perfumes intended to be worn with furs came in beautiful sculptural glass bottles with ground glass stoppers manufactured by Baccarat such as the one pictured below.

This is a print advertisement showing early boxes and bottles for Zibeline and Chinchilla Royal: note the line drawings depicting the fur animals: Zimbeline for Sable and Chinchilla for Chinchilla Royal. The glass bottles came with elegant ground glass stoppers and one could also purchase atomizers to spray on the perfume in a light mist which the furriers recommended doing in their directions on how to use these fragrances to scent your furs.

Following are images of fur fashions from the 1920s and one from Weil Furriers in the 1940s to illustrate the furs worn in that era. I always find such gorgeous photos an inspiration in putting together outfits to wear now whether going all out vintage or just a little! Enjoy!

Rare and beautiful historic clothing and accessories and vintage fragrances are for sale in my online shops. If you see something on this blog that you are interested in buying, but do not find it for sale in my shops message me on Etsy or Ebay and I will get back to you about availability. I check messages daily and can always prepare a special listing for you if you do not find it already listed in the shops. Some perfumes and vintage furs and fur trimmed items are currently listed for sale in my shops and others will be listed as they are ready to sell. Items are always in process of being readied for listing so all inventory is not already listed and photographed. Feel free to message me on Ebay or Etsy if you are seeking something in particular as I may have it or be able to find it for you. There are contact seller buttons on all listings in the stores which allow you to write me messages. 

Ebay: ladyviolettedecourcy

Etsy: LadyVioletteBoutique 

Poshmark: cocoviolette

FashionConservatory: Lady Violette Boutique

Share

Vintage Perfumes Created to Wear with Furs – Dioressence by Christian Dior

Wednesday, August 14th, 2024

In 1969 French couture designer Christian Dior commissioned perfumer Guy Robert to create a perfume to be worn with his furs. He had done a series of luxe fur coats, evening furs and day designs with fur trims for his Fall/Winter 1969 Collection and wanted a special scent to accent them. He considered this perfume to be a fragrant accessory to wear with his furs.

Dior requested a scent in his own words that would be “intensely animalic, sensual and brutal!” He wanted it to run counter to the luminous blends that had made Dior perfumes famous up to that point. They came up with Dioressence, a deliciously rich chypre, very powerful and tenacious, and quite different than anything the house of Dior had previously issued. It caused a sensation when it came out and has become famous as one of the greatest perfumes of all time. Women liked its balance of earthy depth and elegance. It combined the fleshy ripeness of animalic notes with the autumnal warmth of patchouli and moss. Wrapped in jasmine and rose it had a glamorous and exotic aura, but remained surprisingly pleasing and easy to wear. It became very popular.

The original formula of Dioressence issued in 1969 was available from Dior and in high end stores like Saks Fifth Avenue for 10 years.

Here is one of the early ads for Dioressence.

I also noticed that this vintage Dior ad seems to be inspired by the painting “Repose” by John White Alexander (1895). Just a bit of art trivia for you.  

 In 1979 the Dior company decided to update the original formula of Dioressence for a relaunch. This new fragrance was created by Max Gavarry, and it followed the same general outlines as the original Dioressence but it was made plusher and sweeter. The rich glitter of warm spices was enriched, and the dense pungency of ambergris in the ’69 version was substantially reduced. Most vintage Dioressence on the market today is from this 1979 relaunch.

Vintage Chinchilla Stole – a timeless vintage fur that will always be the epitome of elegance.

In the original 1969 launch Dioressence By Dior was marketed as the height of luxury, the ultimate in sensuality and sophistication meant to enhance the experience of wearing a beautiful fur and being a beautiful woman. But times were changing ….. and there was no reason you could not wear Dioressence when not wearing a fur. And, hopefully, they would sell a lot more of this exotic scent if it could be worn anytime with anything.

Vintage Mink Stole – and Vintage Christian Dior Jewelry – exquisite vintage elegance is always in style!

Thus the Dior company issued this description of their 1979 version:

“Bring an aura of mystery and magic to your days and nights with Dioressence by Christian Dior. This women’s fragrance is undeniably feminine and enchanting, making it the perfect choice for evening use. It blends notes of bergamot and orange with fruity notes, patchouli and green notes for a distinctive result. Choose this breathtaking fragrance when you want to captivate a crowd without lifting a finger. Its memorable essence turns heads wherever you go.”

It is interesting to note that the original purpose of the 1969 version as a fragrance accessory to wear with furs was no longer used in the 1979 and later promotions and advertising campaigns! This is partly because wearing fur had now become a questionable practice due to the efforts of animal rights activists, thus Dior had to de-emphasize the original purpose of the scent and come up with a new ones in order to keep selling the perfume. It was fine to emphasize wearing this perfume any time you wanted to wear it because there was no reason it could only be worn with furs! They go on to say, “This spicy beauty with a green rose top note is delightful. It teases with its spicy warmth, before enveloping its wearer in a cool veil of moss and vetiver. ”

The 1979 version came in the above spray flacon and remained and remains to this day a lovely choice to wear with furs or anything else! In the 1980s I was very aware of the existence of this perfume but not the fact that it had originally been created to wear with furs!

I have been wearing this 1979 version for a week as my daily perfume while I have worked on this post. I absolutely love it! It makes me feel as if I am in my own magic world – a place removed from the stresses and pressures of modern life – mysterious and special. It smells lovely – not at all heavy, but very long lasting. On me it even lasts through showers and becomes deeper and more special over a couple of days. It makes me feel relaxed and peaceful similar to how I feel visiting a garden in a summer evening after the heat of the day has passed.

Fast forward to the current times – I am writing this post in August of 2024.

In the late 1980s the Dior company began experiencing financial difficulties. Incidentally, I worked for the company during that time and through the 1990s. I attended Dior’s perfume training school but the fact that Dioressence was originally designed in 1969 to wear with furs was never mentioned! The company seems to have forgotten this most interesting history. Again, in the late 80s many of the perfumes from Dior were reformulated using cheaper ingredients for economy or replacing banned ingredients because they were required to do so by law. Alas, due to decisions by the accountants at Dior, Dioressence was again reformulated. Thus we got the 3rd version that is available today on the commercial retail perfume market.

Dioressence has been through multiple reformulations:

  1. The first and the original Barbaric version was created in 1969 by Guy Robert
  2. The second spicier version was created in 1979 by Max Gavarry
  3. The third currently available version which is on the market today 2024 and is not attributed to anyone in particular but seems to have gradually morphed into being little by little as Dior executives cut costs. This is the one that bears little relationship to either Robert’s or Gavarry’s creations.
  4. The fourth version is coming soon as Francoise Demachy, Dior’s current in house perfumer is currently working on a new version of Dioressence.

This brings me to consider the name of this perfume – Dioressence. Doesn’t this seem to say this perfume is the essence of Christian Dior and to dig deeper – the essence of society at the time it was created? Perhaps all these different versions are defining the essence of Dior and the society at the times they came out. It is the job of fashion houses to both make trends and follow them. For example the 1969 version was a barbaric perfume for the 1970s – the age of sex drugs and Rock ‘n Roll. Liberalism before it got bogged down and restrictive. If you were going to be cool and hip and a woman that is the vibe you wanted for better or for worse. It was the time of danger – the time when women were forced to embrace danger. Woodstock happened in 1968 and the world was alive with the sound of music. I feel that 1969 was a year in which they could see ahead and predict what would be happening in the 70s.

The 1979 version calmed down on the barbaric level but became spicier – thus a spicy oriental – a big perfume for the opulent 1980s – with its extreme more is more fashions with their their over-the-top silhouettes, big shoulders, teased hair, saturated colors, puffed sleeves, flashy skirts, spandex, velour, shiny satin, voluminous parachute pants and power suits. The 80s was a bold excess decade, peak Japan, leveraged buyouts, the movie Wall Street, Gordon Gecco, “Greed is Good”, corporate buyouts, cocaine, yuppies, the focus was less on free love, but more decadent in a way. A woman needed to smell good if she was going to stand out amidst all that!

The supermodel phenomenon started in the late 80s and exploded in the 90s co-inciding with a growing media landscape and increasing pop culture interest in fashion.

Mid 80s – the 90s was the Aids Scare, in the late 80s and early 90s Dior was experiencing financial constraints, in the 90s the US was in an economic slump, the UK was in a recession as well. Subdued style suddenly made sense so the revival of minimalism came forward as luxury style. The opulence of the 1980s was taken over in the 90s by a revival of luxury. John Galliano was hired as Creative Director by Dior to revive luxury and bring people back to Dior – get them interested in Luxury again. That was in 1995. And this he achieved from 1996 – 2011.

In popular culture fashion in the 90s engaged in a wide variety of styles, that cycled in and out very quickly. There was always something new, always something a bit controversial, something for everyone. There was reinvention and restlessness in the fashion of the 90s – minimalism, revival of luxury, retro-revivals, grunge, deconstruction and the avant-garde, environmentalism and the global wardrobe. There was hip-hop, rave culture and sports-inspired style. This is the period from which the third generation of Dioressence, the one still available is stores, evolved.

Fashion is and always has always been a signifier of social status and self-expression and a sign of the times – so it will be interesting to see what the upcoming fourth version of Dioressence becomes.

Back to the history of Dioressence:

Guy Robert, was the legendary nose responsible for creating the original barbaric Dioressence in 1969. In The Emperor of Scent, Chandler Burr recounts Luca Turin telling the story of how Dior executives asked Robert to create a fragrance that was “animalic”, would live up to the slogan le parfum barbare, and would be called Dioressence (p. 146, paperback edition). The rest was up to Robert. He didn’t have a firm direction for the fragrance until kismet intervened and Robert washed his ambergris-coated hands with soap impregnated with the scent of a Miss Dior knock-off. Voila! Animal and elegance with a clear tie to Dior.

Burr goes on to record Turin’s response to the current, reformulated version of Dioressence – the third and currently sold version, “t’s now a lie, a total lie to the original, to what it was.” Later, Turin wrote in his now defunct blog, “The last time the word barbare was used in earnest in perfumery was in the 1969 slogan of Dioressence, and that was the genuine article with a weird, scary, overripe, almost garbage-like note.” I read all of this before I ever smelled Dioressence, but I was still eager to smell it, no matter what the version. A “weird, scary” note? Who could resist that? What, on earth, did that description mean?

Burr continues, saying, ” I arranged for a sample of vintage 1969 version of Dioressence through a swap, and eagerly sprayed it on my arm. It kicked off with an intriguing mix of soap and rot. The rot was not musky like body odor, but decomposed, like the vague dead squirrel smell I catch here and there in Guerlain Jicky and Shalimar. The rot smell faded to the background, and a gorgeous floral bouquet, languorous and spicy, nudged in, supremely blended and supremely French in feel. For all its richness, Dioressence wasn’t heavy, and even though the sample was only of the Eau de Toilette, it lasted for hours. I had to have a bottle of it.”

So, he acquired a bottle of the version number three , the one currently available today, and he said, “Yes, my new bottle of the reformulated Dioressence was a bitter disappointment. I felt robbed. The sample I’d first tried and fell in love with must have been vintage. Instead of a compelling, odd, but beautiful scent, I had a bottle of pleasant, rosy, spicy, soapy fragrance that lasted on the skin two hours, tops. I should have been warned when I saw that Dior had moved away from its original barbare description of Dioressence toward the innocuous “mysterious Orient” theme.”

Dior’s website currently, in August 2024, describes Dioressence as a “spicy oriental” and lists its top notes as aldehydes, greens and fruit; its heart as jasmine, geranium, cinnamon, carnation, orris, ylang ylang and tuberose; and its base as patchouli, oak moss, vetiver, vanilla and musk.

All I can say is: Dior, shame on you. I see that recently Dior decided to make the classic fragrances (Miss Dior, Diorella, Diorissimo, and Dioressence) more exclusive in the United States by selling them only at Saks Fifth Avenue. Dior also recently released three expensive, limited edition fragrances (La Collection Particuliere). None of these moves toward repositioning Dior perfume as truly top shelf will succeed as long as the juice is a cheap imitation of its original glory. I’d rather pay twice as much for a vintage bottle of Dioressence (which will last me twice as long having twice the persistence, by the way) than buy a new bottle any day. Poor Guy Robert. 

Dioressence : Today

Unfortunately, as Dior suffered financial hardships in the late 1980s, the quality of the formula began to decline, and the version you can find in stores today is a legacy of that period. Little by little the barbaric perfume has morphed into a sheer green infusion of moss and soapy rose. It’s pleasant, but bland. Even the current Christian Dior in-house perfumer Francois Demachy admitted in an interview that he also dislikes the current Dioressence, ( that is the on e being sold now in 2024) which bears little relationship to either Robert’s 1969 or Gavarry’s 1979 creations. This interview is from a Russian issue of GQ and frankly addresses and explains the problems perfumers and consumers are having with current releases of the famous old perfumes. It is very worth reading.

Some people blame the changing fashions, others point to the severity of current fragrance regulations. Guy Robert only shrugged his shoulders and said, “The fashion now is to be afraid, we used these so-called dangerous ingredients for hundreds of years, and nothing happened.”

Apparently, Francois Demachy is currently working on a new version of Dioressence, and I hope that one day we might find this fragrance made, again, with quality ingredients and with at least a hint of a tantalizing barbaric streak! When is is launched it will be version four.

Coming next: Images of the Brutal Furs from Dior’s 1969 Fall/Winter Collection!

Meanwhile: I advise you to hunt down, collect, wear and enjoy your favorite vintage perfumes.

Rare and beautiful historic clothing and accessories and vintage fragrances are for sale in my online shops. I also offer a collection of vintage Christian Dior jewelry and vintage furs. If you see something on this blog that you are interested in buying, but do not find it for sale in my shops message me on Etsy or Ebay and I will get back to you about availability. I check messages daily and can always prepare a special listing for you if you do not find it already listed in the shops. Some perfumes and vintage furs and fur trimmed items are currently listed for sale in my shops and others will be listed as they are ready to sell. Items are always in process of being readied for listing so all inventory is not already listed and photographed. Feel free to message me on Ebay or Etsy if you are seeking something in particular as I may have it or be able to find it for you. There are contact seller buttons on all listings in the stores which allow you to write me messages. 

Ebay: ladyviolettedecourcy

Etsy: LadyVioletteBoutique 

Poshmark: cocoviolette

FashionConservatory: Lady Violette Boutique

Share

Ballerina Tamara Toumanova Wearing a Vintage Fur Coat in a Dress Rehearsal

Sunday, April 28th, 2013

Tamara Toumanova trying to keep warm on the freezing cold stage during a dress rehearsal of Aurora's Wedding from The Sleeping Beauty

While researching a ballet in the 1937 Ballets Russes Repretoire I came across this charming photo of ballerina Tamara Toumanova wearing a vintage fur jacket while trying to keep warm on a freezing stage during a dress rehearsal for Aurora’s Wedding scene in The Sleeping Beauty. The cavernous old theaters were often very cold which is one reason ballerinas and opera singers needed to have a cozy fur coat on hand at all times! I love this photo because it illustrates such a practical and personal use for a fur coat!

This image is from the Geoffrey Ingram collection of ballet photographs from the Ballets Russes Australian tour, 1936-1940 and features Tamara Toumanova, Michael Panaieff, Anton Vlassoff and Oleg Tupine, 1940.

Share