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Lady Violette

The Romantic Lifestyle

Posts Tagged ‘History’

Collecting, Cleaning & Caring for Vintage Gloves ~ With Some Advice & Photos From Circa in Australia

Friday, March 23rd, 2012

A Clothesline Full of Freshly Laundered Colored Vintage Gloves From Circa Vintage Clothing ~ photo Nicole Jenkins

While looking for more information on fitting, finding, and caring for vintage gloves I came across these wonderful photograph and a source of more information from Nicole Jenkins of Circa Vintage Clothing in Australia. Nicole writes extensively about The Joy of Gloves, explaining some past fashion history, telling how gloves were fitted, as I explained previously, to your shoe size, what length to wear with which dress style, how to clean them, etc. She also carries some new vintage style cloth gloves in her store in larger sizes so that ladies whose feet are larger than a size 8 can – luckily – find gloves that will fit! I am going to contact her right away to find out what she currently has in stock! I am always searching for real vintage gloves and nice modern ones with vintage style. * I did check out the store and she currently has 21 pairs of beautiful vintage gloves in stock! Just gorgeous and beautifully photographed too! go to Circa Vintage Clothing on the link above and search for gloves to view them.

Crescendoe Fashion glove Advertisement ~ Circa 1951

My grandmother and my mother often wore cream or white leather gloves for special occasions and I distinctively remember them telling me how to put them on and how to care for them. You were to ease the glove on carefully like a second skin. At first it seemed a bit tight, but as it warmed to your body temperature it would stretch and mold to your hand to “fit like a kid glove.”

If the glove became just the slightest bit soiled you were to change to another pair. You were advised to wash the soiled ones as soon as possible, while wearing them on your hands, as if you were washing your hands, in very gentle soap, in a basin of lukewarm water. Rinse thoroughly, remove from your hands with care and roll up in a clean dry white towel to absorb excess water. You could blow into them, as if blowing up a balloon, to puff them up a bit from the inside. Then you were to lay them out, flat, away from heat and sunlight, to dry. When almost dry, preferably not quite completely dry, you were to put them back on and ease them over your hand, smoothing out the fingers and lengthening them, to cover you hand comfortably. The gloves looked a bit wrinkly after hand washing, but looked fine and elegant again after a few minutes on the warm human hand had eased out the wrinkles. With proper hand washing and care a high quality pair would last a long time. I still have several pairs that have lasted 40 ~ 50 years and are in excellent condition. Of course colored gloves should always be washed and dried separately from white ones lest the dye run and inadvertently tint the white and cream ones! Washing directions from a 1940’s Woman’s Home companion will be posted on my blog tomorrow complete with photo illustrations.

In the Joy of Gloves Nicole Jenkins tells of collections of gloves she has come across when buying entire wardrobes for her shop. That must be fun! Reading this made me remember reading a biography of film actress Vivian Leigh. Miss Leigh loved white gloves and generally went through about three pairs a day, as she changed them regularly to keep them pristine. The most amazing thing was, that when she died, 500 pairs were found, neatly lined up in drawers in her dressing room!

I would absolutely love to have 500 pairs of vintage gloves arranged and ready to wear like that!

On that note I will end this post with Nicole Jenkin’s photo of her freshly laundered white gloves hung out to dry!

Freshly Laundered White Gloves ~ photo Nicole Jenkins

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A Beautiful Handmade Quilt of Vintage Gloves by Artist Susan Lenz

Wednesday, March 21st, 2012

Handed Down ~ a quilt made of vintage gloves by artist Susan Lenz

Today I found a fascinating work of art~ a quilt made by artist Susan Lenz using vintage textiles including a paisley shawl, and many pairs of vintage gloves.

Visit her blog artbysusanlenz for the story. This would be a great use for gloves you may have inherited or collected that are too small to wear! I love it!

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A Vintage Glove Lover’s Tips for Fitting, Buying, Wearing and Collecting Vintage & Contemporary Fashion Gloves

Thursday, March 15th, 2012

Vintage Violette Gloves

I love vintage gloves myself and am fortunate to have a friend who was a real glove seller in the days gloves were a fashion mainstay. In my quest for gloves I have discussed the fitting and finding of vintage gloves with her and want to share the valuable information she has to offer.

I have recently been trying to buy vintage gloves online. Sizing and condition are always difficult to access without being able to inspect the gloves and try them on in person. Often the online sellers do not know the sizes of the gloves they have up for sale and do not know anything about measuring or fitting gloves. Thus, I have had some successes in buying vintage gloves online and and some failures!

In an attempt to get better at this I have been researching the topic of fitting gloves – both vintage and contemporary. I am talking about finer designer gloves and hand made gloves of all materials.

Fortunately I have an elegant 96 year old friend, Eloise, who worked for I. Magnin and Nordstrom Best for decades. At I. Magnin she sold gloves! Leather, ones, cloth ones – all types and styles from famous designers and glove companies during the heyday of fashion gloves. She began her retail career right out of high school at the age of 17. I decided to ask her to share her knowledge and experience.

Eloise told me that they always advised people to buy gloves the same size as a woman’s shoe size. They often had to help gentlemen (her word!) buy them as gifts. She never had them returned as this worked. They always fit. She remembers that the lady who received the gloves as a gift would often come in wearing them! In those days a good sales lady also kept a record of all her customer’s sizes and often had them conveniently written on a card to give to husbands (or other gentlemen!) Gloves were a very popular luxury gift item. How nice!

I wear a 6.5 to 7 shoe depending on style and maker and sure enough I wear the same in gloves – depending on style and maker. I like to keep my nails longish. She said they advised women to go a size larger for long nails if needed for finger length. Of course, one must keep in mind that the gloves will get bigger all over, not just in the length of the fingers, as you go up in size. 

I tried this, but my hands are too slim through the palm and I cannot go bigger than a 7. Thus, I have several size 6.5 and several size 7 pairs that fit. These are all European designer gloves, many leather.  Eloise – wears the same size and we both tried on a pile of her vintage gloves to test this.Sure enough, she was right!

Christian Dior fits perfectly in size 6.5 and has longer fingers than some of the others. Hermes also fits perfectly in 6.5. These two brands ran a tiny bit larger than some of the others.

I recently bought a new pair of Ralph Lauren leather designer gloves this winter and had to get size Small. They are nowadays labeled S,M, and L – not sold in as refined and exact sizing as they used to be. However, some companies are still making their gloves in classic sizes. It is valuable information to know your correct glove size nowadays when buying new designer gloves as well as vintage gloves. I visited the Neiman Marcus website and expensive leather gloves from Europe are still sold there under the classic sizing methods.

“And men, it is valuable for you to know your woman’s glove size in case you want to get her an always appropriate gift of gloves!” from Eloise. She says that the stores told them to tell the customers that gloves were always an appropriate gift for a woman. They are warm, practical, considerate, elegant and luxurious, and not as personal or expensive as a piece of jewelry! A pair of lovely gloves is an appropriate gift for every lady in your life – your sweetheart or wife, your mother, your aunt, your grandmother, your secretary, your teacher, your daughter or niece. It is great gift for birthdays, Christmas, Valentines day! Could this be why there are still so many vintage gloves available? Were they received as gifts and tucked away for special occasions or seldom worn? Eloise says it was perfectly normal for women to own dozens of pairs. After all, until the late 1960’s, you never went out without wearing a pair! 

Most modern gloves are just huge on me! Way too wide through the palm. In fact they are so loose they actually fall off easily. Price does not make a difference here! I tried on many pairs of gloves this winter from many pricey companies and high end stores. I searched and searched and the only pair I found that would stay on and I liked were the Ralph Lauren  pair I bought.

I am a perfect candidate for vintage gloves because I need the narrow palm width. When I find a pair in good condition that fits I am very happy! 

The only problem with some vintage leather gloves I have had is that the thread used to sew them has rotted. I slipped my hands into a beautiful pair of elbow length brown suede gloves from the 1950’s and they split. They were not too small. Eloise explained to me that two things happen, the thread rots and the leather also gets old and ready to go. Same as with vintage leather and fur coats.

After Eloise worked at I.Magnin’s she married a furrier. She helped in his business and even learned to make fur coats. She now teaches designing and sewing leather and fur coats at a college in Seattle. Her husband had to close down his furrier business in the 1980’s due to lack of demand. 

After her first husband, the furrier, died, Eloise began dating his best friend whose wife had also passed away. Two years ago they got married! He was the former head of a department the University of WA. and very well off. He is 2 yrs older than Eloise. She told me to say this! “Tell younger women there are still plenty of nice eligible men out there! ”

They are an adorable couple! They are both very healthy. They attribute this to good living! They travel a lot, but when home go for early morning walks at 6:30 AM in the dead of winter for 6 miles every day! She gets to wear her fur coats to stay warm! (They are not running into any PETA fanatics on their early morning walks!) They invited me to join them! I cannot do it and get to work on time! They are quite amazing. She is peppier and prettier than many 28 year olds!
Eloise wears her gorgeous designer clothes, accumulated throughout her retail career, daily. She is still a vintage size 10 which is really tiny and trim. She is a great seamstress and has a sewing room where she is always working on some cute project. The last time I visited she was making a wide belt out of a vintage real leopard skin. She has quite a few priceless fur pelts left over from the furrier business. She has helped me to identify the types of fur in several of my own vintage fur coats.

Please note, those of you who love animals, Eloise also loves them. She respects the furs she has and takes very good care of them as her way of showing her love. She is not buying new fur pelts.

Eloise is a gold mine of first hand knowledge and experience related to vintage fashion and clothing. She is also a great example of feminine charm!
When she remarried she moved into her new husband’s home and had to downsize a bit. She gave me over 200 vintage sewing patterns – all of which she had made for herself over the years. She likes to design and sew her own clothes and does a fantastic job. Fur coats too! She makes them! Every pattern she gave me was marked with the date she made it and the occasion she made it for. And a sample of the fabric she used was attached to the pattern envelope. It was so interesting! Her entire life was documented in her sewing patterns. I now have this amazing documentation and am keeping it safe! I want to make some of the dresses.

The first pattern in the collection was her graduation dress from high school and the last was a Vogue pattern for a tasteful black and white Oscar de la Renta cocktail dress from the late 1990’s. Her high school graduation dress was more like a ball gown would be today! It was a floor length peach silk satin bias cut evening dress with a smocked bodice, dramatic puffed sleeves and a wide sash tied in a huge bow down the back. The year was 1933! She also saved the dress! And she gave it to me! It is perfectly preserved. I could wear it tonight if I had an occasion to wear it to! With long white gloves, of course!

But back to gloves and glove fitting!

Eloise’s advice on gloves is to start with your shoe size. This is what they did with the gloves that are now vintage gloves when they were initially selling them.  She was trained to fit them properly when she began selling gloves at I. Magnin when she was 17! Of course there will be some exceptions of women with different sized feet and hands, but it is a good guideline that is statistically quite reliable. 

I think this is great information on glove fitting advice. I have just begun to tell people about it, but we need to spread the word.

I want to buy more vintage gloves but it is very hard to buy them when the online sellers cannot identify the size or condition of the gloves (as far as rotten thread and skins!) I have now bought 2 pairs that were too old to wear and split immediately. 

Obviously this is not because I have huge hands! My glove size is 6.5 or 7 and I wear a size 5 ring and have thin hands!

By the way I have seen gloves listed online in their original plastic bags. Eloise also told me that the gloves came in originally in plastic bags, but this was just intended to keep them clean in shipping and until they were sold. Not for permanent storage because the plastic bags are non archival – which has contributed to the rotting thread problem. People really should have taken them out of those bags and stored them in a drawer. She recommends wrapped in a silk or cotton scarf.

They also had satin glove boxes or silk envelope type containers back in the day in which to store your gloves. It is interesting to see the original plastic bags with the glove company name on it, but the gloves themselves should not be kept in those plastic bags! If you have the original plastic bag you should remove the gloves and keep it, separated from the gloves, in an envelope made of archival paper.

Also, from Eloise and based on my own experience as well: Measuring the glove laid out flat tells us very little about the size and fit. All the materials including different types of cloth and leather stretch or mold differently on the hand – the pro glove makers knew about this and their sizing back in the day was reliable and based on these varying and differing materials that they used. Complex! But it makes perfect sense!

Personally, I wear a 6.5 to 7 N shoe depending on style and maker and sure enough I wear the same in gloves – depending on style and maker. I like to keep my nails longish. She said they advised women to go a size larger for long nails if needed for finger length. 

I tried this, but my hands are too slim through the palm and I cannot go bigger than a 7. Thus, I have several size 6.5 and several size 7 pairs that fit. These are all European designer gloves, many leather.

Eloise- wears the same size and we both tried on a pile of her vintage gloves to test this. She has over 100 pairs! 

Christian Dior fits perfectly in size 6.5 and has longer fingers than some of the others. Hermes also fits perfectly in 6.5. 

I recently bought a pair of new Ralph Lauren designer leather gloves this winter and had to get size Small. Contemporary size Small is vintage size 6.5 – 7. Most modern gloves are just huge on me!

This information on vintage gloves and glove fitting is based on my own personal research and experience and the experience of my 96 year old friend Eloise, who sold fine gloves for many decades. We are only offering to share our personal experience. That is all it is, personal experience. that we have found valuable and think will help other women.

I was told, recently, by an old man who is selling vintage gloves on his website that, “That information doesn’t apply anymore!” How would he know? We tested it and it worked for us! We are women and we like to wear vintage gloves! A lady selling gloves in her online store wrote me and said, “Well, that was then, we have all gotten much bigger!”  I also disagree with her statement! Some people may have gotten bigger, but some have stayed small! I have and so has Eloise and I know plenty of younger women who are fairly small! I am pretty sure these sellers are not wearing the gloves themselves!

I also know that there were medium and larger sized vintage gloves as well. I have come across many pairs that are too big for me. People of all sizes have always existed! This information is provided to help those who wear a bigger size 8 or 9 shoe and glove, or larger, find the correct size as well! It should apply to anyone. It is the place to start when you are beginning the search for vintage and contemporary gloves that will fit and are in good enough condition to wear now!

Eloise also suggests: “Put a little bit of talcum powder on your clean dry hands in order to help you slide them into a pair of tight white leather gloves. After you get the gloves on the heat of your hand will naturally stretch your glove a little bit and mold the leather to a perfect fit. This is a good thing to do after washing a pair of leather gloves to get them on and softened up to wear again. Be sure they are completely dry beforehand!

She goes on to explain,  A fine leather glove should fit snugly and should not bag on the hand. Fine, soft glove leather will mold to the hand and stretch with it. This is where the phrase, “It fits like a glove!” came from. When removing a glove do not pull on the cuff, instead, fold back the cuff at the wrist of the glove and gently ease it off the hand and over your fingers.

What is button length? In the world of gloves the length of the glove from the base of the thumb at the wrist, or from the beginning of the thumb gusset, (which is the same starting point) to the hem of the cuff is measured in a term called “buttons” where one button is slightly longer than an inch. This term is derived from an antique French glove maker’s unit of measure. In other words, a four button glove is not decorated with four buttons, (although it could be as well!) it is approximately four inches (actually a tad bit more than four inches) from the base of its thumb to its hem!

Consequently the length of a glove is traditionally expressed in “buttons”, the antique French unit of glove measure which is slightly longer than one inch. It originally must have come from the spacing between the placement of buttons. Button measures are customarily taken from the bottom of the thumb seam or gusset to the top of the glove, and the actual length of the glove in inches from longest fingertip to cuff is 6 to 7 inches longer than the length in buttons. The various traditional lengths are:

2-button: Also known as “shorties”, these are wrist-length gloves, generally 8 to 9 inches long – from fingertips to cuff.

4-button: These gloves are 10 to 11 inches long and cover the wrist, reaching a couple of inches up onto the forearm.

6-button: 12 to 13 inches long, these gloves reach well up onto the forearm. Many “gauntlet” type gloves (i.e., these gloves with flared armpieces in the style of equestrian gauntlets) are this length. A favorite vintage length for daytime wear. In vintage fashion these were worn over ones coat or dress sleeve or, as a dramatic fashion statement in the 1940’s. against a bare arm with a short sleeved dress.

8-button: 14 to 15 inches long, this type of glove reaches to the upper forearm. This is also known as the “three-quarter” length glove, and is the style most closely associated with the actresses in the 50’s who often wore this length with sleeveless or strapless evening gowns.

12-button: Approximately 18 to 19 inches long, this type of glove reaches up to and just over the wearer’s elbow. Known as “elbow-length” in common parlance, and many have mousquetaire wrist openings, but not to be confused with:

16-button: 22 to 23 inches long – this is the classic  length for an opera glove and as a general rule comes with the mousquetaire wrist opening.

21-button: 27 to 29 inches long, this glove generally reaches all the way to the wearer’s armpits. This is possibly the most dramatic length of glove, and is generally worn only with strapless or sleeveless evening outfits. It is so long it almost doubles as a sleeve!

What is a mousquetaire? – It is the buttoned opening at the wrist of the fitted long opera glove. It allowed one to remove the hand and fold it back in order to eat or drink, usually with the assistance of one’s escort, then replace the glove for the remainder of the evening. You also needed this opening in order to put on and remove the gloves. A button hook was sometimes needed to button or undo the little buttons as well. These very long gloves were put on at home and usually worn for the entire evening as they were difficult to both don and remove!

Eloise and I will provide more information soon on the wearing and etiquette of vintage gloves.

For more interesting information visit Wikipedia on the Evening Glove.

In this article and several others I have found reference to measuring your hand for glove size with directions on how to do so. Eloise and I both tested this and also got the exact same results as we got with the shoe size is the same as glove size method! We also had several other women try it with the same results! The measurement method yielded the same size as the shoe size comparison method!

Good luck finding gloves that fit. And, if you have other glove fitting information please share it with us!

 

 

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Classic Museum Quality Child’s Vintage Scandinavian Sweater ~ A Successful Restoration Story

Saturday, December 10th, 2011

Classic Vintage Child's Norwegian Sweater~ Successfully Rescued & Restored From a Rag Pile

I am an avid knitter and am always on the lookout for amazing hand knit vintage sweaters that I can rescue from oblivion. I love hand knits and cannot bear to see them abandoned and unappreciated! I especially cherish children’s sweaters which were made with love by a grandmother, auntie or mother long ago. I know what is involved in making them since I knit myself and finding one and returning it to it’s original splendor is very exciting! Seeing it worn by children in my family and appreciated again is the icing on the cake!

The Inside of This Sweater is as Beautifully Done, Technically, as the Outside ~ a Really Good Example for Modern Knitters of the Stranding on the Backside of Two Color Fairisle Knitting

I recently found this little boy’s Norwegian sweater in a filthy thrift shop. It was dirty, and terribly damaged. And only $2. But it was a total disaster. I should have taken before pictures, but I was in a hurry to clean and repair it to send to a little boy as a present!I needed to get it to him quickly so he could use it before he outgrew it. As we know little children grow like weeds so no time was to be wasted!

First off, I gathered up the live unraveling stitches on safety pins, then I washed it very carefully in cold water by hand, as I was afraid of moth or other infestation. I washed it over and over to get the disgusting amount of dirt out of the wool. It is made of beautiful quality old style yarn – of the nice stiff type that is now very hard to find. It still contains its natural oils.

The Intricate Snowflake and Geometric Pattern Covers the Entire Sweater ~ Back and Front ~ Beautifully

The navy is a very dark inky shade, almost black, also impossible to find! I know as I searched every local yarn shop with the tattered, but now clean, little sweater looking for matching yarn to use for the extensive repairs needed. I could not find a match. I also want to find this type of yarn for my own knitting. Thus, if anyone reading this has a source I would be grateful if you would inform me of it.

The Sleeves Were Full of Holes When I Acquired the Sweater, But Now They Look as Good as New!

The ribbing on the wrists was unraveling and torn, the ribbing at the neckline was coming out and the sweater had holes in the elbows, the button placket and the back. It looked like it had been worn as the main winter coat by some child and his three older brothers before him as a hand-me-down and never mended or washed! But old wool wears like iron, fortunately!

Unable to match the yarn in it I finally had to unknit sections of the sweater in order to get enough of the navy main color yarn to make the necessary repairs. I undid all the ribbing at the bottom and both cuffs and then picked up the live stitches and reknit them using the resulting salvaged yarn and making the new ribbing sections shorter than the originals had been. The ribbing at the bottom of the sweater and the cuffs of both sleeves is now about an  inch shorter than originally. And it looks as good as new!You cannot tell that I have reworked it. I know this was often done during the mend and make do era. People also used to save a bit of the yarn and extend the ribbing to make the sweater larger as the child grew bigger.

Interestingly the B.K.S. Handmade in Norway label was still hanging by one thread so I resewed it on to retain the authenticity of the sweater.I think B.K. S. must be the initials of the woman or man who knitted this sweater. This nice touch makes me think I should get such a label made to sew inside the items I knit myself. I try to do as good a job as this and I want them to become heirlooms for my own family in the future.

Label of Knitter and Pewter Reindeer Button

The vintage pewter reindeer buttons are real beauties. And I was charmed by the fact that an extra was attached to the chest of the sweater with a red and navy striped grosgrain ribbon like a little military medal. The maker provided this extra button in case the child who got the sweater lost one! Fortunately none of the buttons were lost.

This Amazingly Detailed Sweater is Made to Fit a Boy of About 4-5 Years Old. Note the extra Button Sewn Onto a Striped Ribbon Like a Military Medal in Case the Child Lost a Button!

I took pictures of the sweater from all angles and both inside and outside to keep a nice record of how the fairisle work was done. It was both beautifully and expertly done. This is a textbook example of Norwegian knitting. It is worthy of a place in the Scandinavian Heritage Museum. I think it was made in the late 1940s or early 1950’s. It is a real treasure! Now restored to it’s rightful original splendor! I only wish the original knitter were able to know how much I appreciate her (or his) work! I would love to be able to tell her (or him) that myself! She (or he) so deserves it! I hope posting it on my blog garners the admiration and attention it deserves.

Expert Color Work! It Looks as Pretty on the Inside as it Does on the Outside ~ At least to an Avid Knitter!

I will include photographs of the stranding closeup so you can compare the way it looks on both sides. Here goes!

Fairisle Work ~ Another Detailed Shot of The Stranding

I shipped it off the restored sweater to the lucky little boy I repaired it for just in time for Xmas. He will wear it, his little brother will wear it and it will be a treasured heirloom in our family now for a few more generations! I made them new sweaters too. I love making small ones because they work up so fast! It is good practice in these difficult techniques prior to taking on an adult size sweater. I often tackle a little one for a family member before taking on the challenge of doing an adult one. After this repair job I feel quite ready to undertake a full size Norwegian sweater. I just have to find the perfect pattern. I want to do an adult one for myself and a man’s size with reindeer and snowflakes on it.

The Finished Restoration of This Museum Quality Child's Size 5 Year Old Sweater

I think this pattern is perfect for a child’s sweater. Does anybody out there have great classic vintage Norwegian sweater patterns for adults? Or know of a good source? I am looking now. Any suggestions will be most appreciated. I would like to find hat and mitten and glove patterns as well. And yes, I really will make them!

The red and white baby blanket under the Norwegian sweater in the photographs is my present for a new baby who is coming into the world in February! It is never too soon to start making hand knits and crochet heirlooms for the next generation! I am determined that they grow up with handmade knits so they enjoy them and learn to appreciate them! I did and that is what got me started as a knitter.

I was taught to knit by my grandma when I was only 4 years old. I was fascinated by it and couldn’t put the needles down! She later told me that she taught us to knit so she could busy us  and get her own work done! She said it kept us occupied for hours enabling her to work on her own sewing and knitting! Brilliant!

Under her supervision I very proudly made my very first scarf for my grandpa for Christmas when I was five! It was copen blue wool and consisted of knit and purl stitches only. She made me rip it out and reknit it until it was absolutely perfect! He wore it for years and told everyone that I made it! He even wore reading in  bed on cold nights and tied it around his bedpost so he could have it ready if a chill came on! They were very encouraging and supportive of the craft of knitting. They were sheep ranchers so their interest ran deep! They raised their own wool on their ranch in Southern Idaho. They sent it to the Pendelton Woolen Mills to be processed.

When I was a little older I went to the Pendelton Mill myself on Saturdays where they had knitting classes for children and teenagers. We were allowed to choose yarn for our projects from the overruns of the mil. It was a goldmine of fine wool in beautiful colors. I remember making my first sweater out of a beautiful emerald green merino held double with green mohair all the way from Italy. The yarn was free if you were a student there so cost was no object. The mill was interested in developing future knitters and demand for their products. I know of no such program these days! I attended those classes when I was in the 1st, 2nd, 3rd and 4th grades. Then we moved away from the area. The teachers were excellent and I still remember what I learned there! It was an excellent  basic foundation. Amazingly I was only 6 to 10 years old when I took those classes. My mother went to the advanced adult knitting groups and they created amazing items some of which I still have and will photograph and post on my blog in the near future.

I decided yesterday that I should photograph these beautiful vintage sweaters and share them with others. Once again, the exquisite vintage needlework produced by these women deserves to be seen!

And One More Fairwell Picture of the Norwegian Sweater Because I Cannot Resist!

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Violette Evening Gowns in Delicate Violet, Lavender and Lilac Colors

Thursday, November 3rd, 2011

Marcia Cross Looking Beautiful in a Beautiful Light Lavender~Violet Evening Gown

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I’m always on the lookout for pictures of beautiful examples of successfully designed and beautifully worn evening gowns and party dresses in variations of my signature color violet.

Any variation of violet qualifies. Thus violet, lilac, lavender, pansy purple, deep velvet purple, even blue~white, blue~violet, pink~violet, and yellow~violet colors could qualify as real violet flowers actually occur in the wild in all these variations. The colors of violets are very flattering on women of all natural colorings. I believe this is because violet is the color of a flower, thus a natural color. It is the color that attracts bees and butterflies the most  ~ which is why so many flowers naturally occur in variations of this color!

Violet van be delicate, as demonstrated in this ultra~feminine tiered tulle gown by actress Marcia Cross, or strong and sophisticated. Marcia looks delicate and young in this gorgeous dress! It is an almost frosty shade of cool light violet and looks beautiful with her pale pink~toned complexion. She wore a much different makeup palette than she usually does to compliment this dress. Her makeup is specially chosen to compliment and co~ordinate with her coloring and her gown in delicate cool tones, with a pink~violet lipstick, cool pink blush and violet and lavender eye shadows. She normally wears apricot tones to compliment her red~head coloring, but she looks wonderful in this violet inspired makeup in this gorgeous flower~like dress.

Christian Dior famously said, “I design flower women.” when he came out with his New Look Collection. When I saw Marcia Cross in this amazing dress I immediately thought of his famous saying because I telt she epitomized his idea. I think Dior would have approved of this design and the way she wears it. Of course it is a beautiful dress on its own, but she makes it even more beautiful because she wears it perfectly.

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