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Lady Violette

The Romantic Lifestyle

Archive for August, 2011

Images of Garolini Shoes in The Lady Violette Shoe Collection ~ A Wardrobe & Personal History of Five Pairs of Special 1970’s Garolini Shoes.

Saturday, August 27th, 2011

I am in the process of going through all the shoes in my collection to photograph and inventory them and  take stock generally of what I have. After writing about the Poached Moose Shoes made by Garolini yesterday I decided it would be a good idea to take a look at all the Garolini shoes that I have and post pictures of them on the same page. So here goes!

I decided to list my five pairs of Garolini shoes as a seasonal shoe wardrobe for an imaginary fashionable 1970’s woman living in New York City who loved Garolini shoes and owned all five of these pairs! I have listed the shoes, what type of 1970’s appropriate high end designer clothes and jewelry she would have worn them with and some places where she would have worn them. What fun our fashionable 1970’s NYC friend must have had dressing up each day!

Classic Black Silk Satin Evening Pump by Garolini 1972! 

The first is an elegant black silk satin evening pump lined in silver and trimmed in sparkling crystals! Something our fashionable woman could wear with her slinky black Halston cocktail dress and her diamonds. They were her “practical Italian workhorses” that could also be worn with long gowns to black tie events at Lincoln Center.

Shining Silver Garolini Slingbacks for the 70's Disco

Next: A shining silver kidskin slingback pump was popular footwear for the Studio 54 disco scene paired with slinky solid color jersey dresses and Elsa Peretti’s silver jewelry from Tiffany.

Creamy Leather Garolini Cutaway Sandal with Delicate Ankle Straps was Perfect Wedding Footwear!

A stylish 70’s wedding called for a dressy feminine cream colored high heeled sandal to wear with an elegant cream lace designer gown and miles of Mikimoto Cultured Pearls.

A Perfectly Elegant Burgundy Leather Garolini Peep Toe Slingback Pump with Graceful Three Inch Heels.

For a fashionable 1970’s shopping spree and lunch with friends at Saks Fifth Avenue this elegant burgundy pump could be paired with a tweed designer suit one day and a floral print silk dress the next. The rich deep wine color was a beautiful foil for her piles of real gold Italian jewelry, matching designer leather handbag, large lens designer sunglasses and couture silk scarves. The burgundy colored Garolini leather even smelled like expensive perfume!

Garolini's Poached Moose Hide Pumps Were Made as a Specially Commissioned Gift for this Client in 1970.

She could wear them with subtle understated confidence with her Calvin Klien cashmere suit and border printed silk wrap dresses while attending both town and country meetings. This extra special personal pair of Garolinis was soft and comfortable and relaxed business could be conducted in utmost style, grace and comfort while wearing them. The custom designed moose hide pumps served as a secret talisman. The soft dove gray leather served as a perfect background for her collection of fine art jewelry made of stones and metals by international jewelry artists.

Story to be continued…

Photographs by Fredric Lehrman.

Shoes from The Lady Violette Shoe Collection.

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Garolini Custom Made Soft Grey Moose Hide Pumps ~ early 1970s

Thursday, August 25th, 2011

The Poached Moose Hide Pumps

Clients could get shoes custom made to order in the 1970’s from the Garolini workshops in Italy. This pair of soft gray moose hide suede pumps is one such example. My grandfather had four pairs of them designed and made for my grandmother, my mother, and my two aunts. There is an interesting story behind these shoes.

Grandpa was a sheep and cattle rancher in Idaho. His ranch was called The Eldorado Land and Livestock Company. It was a large operation. He raised organic sheep and cattle and farmed many crops including famous Idaho potatoes, sugar beets, raspberries, wheat, corn and alfalfa. His center of operations was a large ranch in southern Idaho near  a small town named Melba after a family cousin. His operation was huge and he owned and operated several adjacent ranches.

Every June the family took their livestock to beautiful Bear Valley in the northern part of the state of Idaho to the summer grazing lands. Bear Valley is a National  Sate Park run by the Federal Bureau of Land Management. My grandfather was one of five ranchers who had a 99 year family lease with  grazing rights on this Federal Land. He had built a large summer house ~ which was a giant log cabin lodge ~ for his family to stay in and supervise the livestock operation during the summers. He employed Basque sheep herders who were also master leather workers on his ranches. He was a fan of fine leather goods. The Basque tanned hides and made many beautiful articles – saddles, bridles, harnesses, chaps, leather pack bags and feed bags, luggage, purses, and boots and shoes. One man made amazing soft and tough light gray moose hide moccasins for everyone in the family who all wore them as house slippers. It was because of these moccasins that my grandfather eventually decided moose hide would be a suitable material for ladies’ luxury shoes.

Grandpa decided that moose hide might be a good material for ladies' luxury shoes!

As soon as school was out my brother and I were sent from Portland, OR ~ where we lived with out parents during the school year ~  to summer on the ranches in Idaho. After about two weeks “down below” as my grandmother called it, on the main Southern Idaho ranch, where it was very hot and infested with rattle snakes on the Snake River, we would be taken North up to the Mountains to Bear Valley, where it was much cooler, to assist with the summer livestock drive. We spent about 8 weeks there, in the most beautiful pristine and isolated alpine meadows and forests you can possibly imagine. We lived in the “cabin” which was a beautiful two-story four bedroom hand built log house. There was no electricity and there were no people for miles. We had fresh clear water piped into the house from the icy cold mountain stream, a wood stove, kerosene lamps, several fireplaces, and a treadle sewing machine. In my opinion it was absolutely luxurious. We had all necessities and many luxuries and it was clean and exquisitely beautiful. We lived at the top of an Alpine meadow full of colorful wildflowers and blue butterflies. Wild strawberries and huckleberries grew profusely. There were many kinds of edible flowers, roots and berries one could gather and eat in salads or use as accent dishes on their own. My grandfather taught me to identify and use them. We caught fresh natural trout and white fish in the stream and ate them daily. And we made bread and pancakes from sour dough started that my grandfather’s mother had brought with her when he emigrated to the United States from Denmark as a seven year old boy.

The big log house was built on the edge of a meadow near a fir woods. Just inside the cover of the woods, where you could see it at a comfortably long distance from the kitchen window, my grandfather had set up a salt lick to attract deer so we could observe them.  As soon as they realized we were safe they came every morning and we sat at the kitchen table, sipping hot chocolate, and quietly observing them. There were usually a couple of small spotted fawns as well as the adults. It was peaceful and beautiful.

We had horses and our grandfather would take us out on two day pack trips to explore the wilderness area. It was very remote.  He and his herd men had a lot of work and responsibility, which we, as grades school aged children did not, but, we were required to work at anything suitable they assigned us to do. In my case it was helping with cooking and caring for the herd dogs which I really enjoyed. When time allowed and opportunities presented themselves, he would take us to do wonderful things like fishing or huckleberry picking, or to observe a herd of about 200 wild moose grazing in a remote mountain meadow. We would hide quietly in the trees and watch them for several hours. It was a magnificent experience. I remember tall ethereal and lacey purple fire weed flowers blooming in the lush meadow grasses. Small blue alpine butterflies were plentiful.

I thought this must be one of the most beautiful places in the world and looked forward to going there every summer. The area was not open to the public. You could only enter it with permits from the Forestry Department. It was completely closed to campers and tourists. As young children we knew we were very privileged to be able to spend time there. The area was remote so there were certain dangers. There was no electricity, there were no phones or telegraphs. We were completely isolated and dependent on the adults in out family who were experienced and  knew the ways of the woods and the wildlife.  The uniqueness of our situation was impressed upon us. We knew we were lucky. We were in the unique position of spending out school year in a city with cultural and educational advantages, and out summers in the country on a working farm and in the mountain wilderness. We had the best of both possible worlds.

Personally, in Bear Valley, at that time of my life,  I felt like I was in heaven. In contrast, my mother and my aunts hated the place. It must be remembered that the adult women were responsible for taking care of small children and feeding hard working men without modern conveniences like washing machines and stoves. Everything had to be done by scratch. Clothes, and cloth diapers, had to be washed by hand with washboards in tubs in the sink using water boiled on the wooden stove. All the cooking had to be done on the wood stove. My mother was a professional nurse and if anyone got sick or injured she was responsible for sewing them up or taking care of emergencies. Things did happen. My grandfather had been a wagon train scout in his early teens in the the late 1800’s before homesteading in Idaho and building up his livestock and ranching business. Now that I am an adult women I can completely understand my mother’s feelings. She had to go there for a couple of months each summer to help with the family business and she fulfilled her obligations, but she preferred her nice house in the city with all her modern comforts and conveniences and access to her friends. She missed her telephone, her phonograph and records, the movies, cocktails and her clothes. And she said, more than once, that she missed wearing nice shoes while she was stuck up in the mountains!

You couldn't wear pretty feminine dress pumps like these while you were up in the mountains!

Bear Valley was a Designated Wildlife Preserve. Thus hunting was illegal. My grandfather was very much involved with the Bureau of Land Management and the National Forest Service in conservation efforts. He went to Washington  DC as a consultant for the National Park Service and the Bureau of Land Management. National and state level forestry service and conservation people and organizations consulted with him regularly. Interesting people and top level officials were always coming by to meet with him. He was well known for his professionalism and commitment to the cause. He was 100% pro wildlife. He had unique hands on personal experience in all aspects of the wilderness. He was an expert.

Naturally, if someone violated any of the wildlife in the area, or the land, my Grandfather was enraged and flew into immediate action. The summer I was eight a poacher somehow entered the property and shot and killed a moose, then ~ probably afraid ~ left the carcass abandoned in a mountain meadow. My grandfather found it when he was riding out to check on his herds. It was a fresh kill. He was incensed. He and his herders brought the dead moose back to the to the herder’s campsite in the meadow near the log house. They searched for the poacher but never found him. They soon filed reports with the Idaho Forestry Department looking for the vandal. Wanted posters were put up everywhere in the small towns and forestry posts leading into the mountains trying to search him out, but he was never apprehended. Legally my grandfather and his men they were allowed to take possession of the  carcass.  They were determined to use the entire thing. I was impressed by how huge it was. They expertly skinned and butchered it, processed the meat and tanned the hide. That winter we ate a lot of moose steaks and moose burgers. Moose is very tough and has a strong game flavor. My grandfather was angry that a huge beautiful moose had been shot, but seemed determined to use every bit of it. Being who he was, there was no way he would allow an ounce of any part of it to go to waste.

My mother and my aunts were not delighted that they had to help process all this moose meat, nor that they were going to have to figure out creative ways to prepare and use it.  There were hundreds and hundreds of pound of it! They correctly visioned that they were going to have to coax their children to eat it all through the next winter in order to please their father. And they did. They would have preferred to go to Safeway once a week and buy steaks wrapped up in neat see through modern grocery store display packages. Instead they had meat lockers full of organic sides of beef, entire pigs, slabs of bacon, large cuts of lamb,  white butcher paper wrapped chuck or pot roasts and two pound packages of tough moose and bear burger that they had to coerce their children into eating.

The Basque sheep herders, on the other hand, were delighted to have the large and luxurious moose hide to work with and went right to work to properly process it. Moose hide is special. It is very soft when properly cured. Also very strong and has a lovely soft,  almost powdery, dove gray color. And apparently, it is waterproof, or ended up being so when they got through working on it.

At the end of the summer we were sent home to Portland on the train (from the Boise, Idaho train station) with metal footlockers packed full of frozen organic beef and lamb tucked under our feet in the coach section as we rode home just in time to start school in the fall. Our father was a college professor in Portland and our mother was a nurse. My rancher grandfather was sure that they would never be able to get us proper meat or enough of it to get through the winter with proper nutrition so he sent us home with enough to fill two meat lockers at the end of every summer. This year we had a third foot locker full of ground moose burgers and moose steaks. All this meat was frozen rock solid when we left Idaho. The train ride was 16 hours long. The meat was expertly packed and still stone hard when we got home to Portland. My father would pick us, and the hundreds of pounds of meat ,up at the Multnomah County Train Station in downtown Portland and swing by Peterson’s Meat Market where the family kept a sub zero frozen meat locker on the way home. The first stop was always to drop off the meat. I had to walk to the meat market a couple of times a week, go into the freezing locker, and get out the packages of frozen meat for the weeks meals and carry it home. I was responsible for picking up and putting the right cuts of meat out to thaw on a schedule coordinated with my mother so that it would be ready to prepare meals according to her menu plans when she was ready to cook it. She was an ardent practitioner of Juliet Child’s French Cooking. Her best friend was Adelle Davis, the health food maven.

Thanks to my grandfather’s ranching and farming expertise and my grandmother’s and mother’s great cooking we had fantastic food and I grew up learning to cook very well from scratch. Our lives were all about raising, preparing and eating great food!

What on earth, you must be wondering, does any of this have to do with the pair of Garolini shoes pictured at the beginning of this post?

Well, lots actually!

My mother and her two sisters were born and raised on the Ranch of the Eldorado Land and Livestock Company in Southern Idaho. Her father was an outdoors man who became a very successful and wealthy rancher. He wanted to provide his wive and three daughters with all  good things: educations, travel and exposure to society and the arts, fashion and culture. He sent them to college. And he sent them to live for extended periods with our relatives in Texas who worked for Nieman Marcus as top fashion models and designer clothing buyers in Europe. He expected his daughters to help out now and then in the family ranching business ~ in ways like going to Bear Valley in the summer as described above. They dutifully did as he requested. Mostly out of respect for his desires and to humor him. You had to do things his way for him to be happy with your efforts.

Every two or three years Grandpa would take his wife and three daughters on a really grand vacation as a reward for how well he was doing in his ranching business. He never invited or included their husbands or children ~ his grandchildren (that would have been me, so I missed out!) This was Grandpa’s way of bonding with his immediate family and sharing his success with them. They traveled to Egypt, China, Japan, South America, Hawaii, Brazil, Mexico, Africa, Italy, Scandinavia, Australia, Greenland, England, Scotland, France, Spain and eventually Italy. He arranged to study agricultural  practices or wine making, or diamond mining, or some other practice or methods related to his own businesses on each trip so that he could write off his travel expenses. He expected his daughters to research every place and thing they would visit, and develop detailed itineraries before they left. They did so dutifully. And it was well worth it for their spectacular vacations and travel experiences.

On their travels they stayed in the world’s fanciest resorts and best hotels. Grandpa played the role of a Grand Old School American Businessman while his wife and three daughters thoroughly enjoyed themselves touring castles and museums, dining in fine restaurants and shopping. A grand time was had by all. Each trip lasted three of four weeks after which the girls returned home decked out in all manner of ethnic or European designer finery, furs, African diamonds, Scandinavian silver, fine Brazilian cowboy boots, etc. and, finally, after one spectacular trip, the finest in Italian leather goods and shoes!

Grandpa had lasts of his feet made in Argentina and ordered fancy custom made cowboy boots of exotic leathers made every year. He had rows and rows of them. He had cowboy hats made in Panama, saddles and tack in Spain, tailored clothing in London, a huge opal ring in Australia, leather luggage in Mexico, etc. He had fine cigars sent from Honduras. He played the guitar and someone somewhere had made him a beautiful custom instrument. He loved to reward himself with world travel and he loved to bring back wonderful luxuries from his sojourns.

When in Italy, in 1970, Grandpa and his wife and daughters had visited the Garolini Shoe Factory, and, as was his want, he had found out that one could get personal lasts made and have shoes custom made to fit their own feet to their own design specifications. The entire family had lasts made of their feet. When Grandpa got home he sent enough of the poached Bear Valley moose hide to the Garolini factory to make four pairs of ladies shoes. He asked them to make a pair of moose hide pumps for his wife and each of his three daughters as Christmas presents. Thus it was that Garolini designed and made four custom pairs of the soft gray moose hide pumps pictured above ~ one pair for my grandmother, and one pair each for my mother, and my two aunts.

The moose hide shoes are really lovely and feminine in person. They are a subtle soft dove gray color and velvety soft in texture ~ taking full advantage of the natural coloring and textural characteristics of the moose hide. The inside is the unlined raw suede wrong side of the hide and is very soft and comfortable on your foot. The shoes feature a punctured design for decoration and ventilation. My grandfather requested this characteristic in the design as it gets very hot in the summers in Southern Idaho and he thought it would be good for his wife and three daughters’ feet. The leather soles are edged in a fine black line and the tasteful 3 inch high heels are made with stacked leather soles also colored black to accent the gray moose hide uppers. The throat of the shoe is finished off with a 3/8″ piping of smooth gray kidskin dyed to match the moose hide exactly but of a smoother shinier texture. The insole is made in light gray leather and signed Garolini in silver script, made in Italy.

The Family Heirloom Moose Hide Shoes ~ Christmas 1970

This was a limited edition of four pairs of these shoes made to order for the women in the Rex Sylvainius Jensen Family. Three pairs were worn a great deal and I do not know their whereabouts. They have probably been discarded along the way. My mother only wore hers a few times and kept them very carefully. That is the pair I have. And I am fortunate that it fits me! As I inherited her feet! She thought these shoes were really special and wore them in the house on the carpets when people would come over for dinner. They were definitely conversation pieces!

My grandparents especially liked having things custom made as gifts for family members from materials harvested, produced. or raised on their ranches. For example, they had their sheep shorn, sent the raw wool to the Pendelton Woolen Mills in Pendelton, Oregon to be washed, carded and carefully spun into wool for custom made, dyed and personalized blankets. It was nice, for instance, as a little girl, to get an apricot colored blanket at Christmas made from Bessie’s wool with my name embroidered on it in a flowing green chain stitch.

These old fashioned refined personal gestures seemed so thoughtful!

Photographs by Fredric Lehrman.

Shoes from the Lady Violette Shoe Collection.

 

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La Dolce Vita ~ Classic 1970 Garolini Evening Sandals in Cream Leather Fashioned Like Cut Work Linen Lace

Thursday, August 25th, 2011

Cream Leather Evening Sandal ~ by Garolini circa 1970

The Italian company Garolini made beautiful feminine shoes that were extremely popular in the 1970’s high fashion world. Shoes for La Dolce Vita! Here is a lovely pair done in cream leather with delicate straps wrapping around the heel and buckling at the ankle. The vamp is designed, cut and stitched to look like leather cut linen lace. I think these shoes work beautifully with this Moygashal Linen Cut Work Lace Dress from the same time period! A perfect wedding ensemble! The dress is actually going to be worn as a wedding dress on September 6th, in New York. The perfect girl and the perfect dress found each other!

Vintage Moygashal Linen Cut Work Lace Dress

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My Amazing Quest for Beautiful Liberty of London Vintage Ties

Sunday, August 21st, 2011

Beautiful Banners ~ Liberty of London Vintage Ties - Circa 1960's

A while back I wrote a post about my Liberty of London Scarf collection. That is one of my favorite blog posts I have done yet!

After doing it I received a nice response from the Liberty of London Social Media Team complimenting me on my scarf collection, writing and photographs.  They seamed really pleased that I had the collection of their vintage scarves and had put up the photos to share them. I have been thinking about  that ever since as I have several other Liberty items. I love the fabrics. I realize I have scarves, skirts, blouses, and now men’s ties! I even have some makeup in packages designed by Liberty of London in collaboration with Mac Cosmetics.

This is What to Look for On the Flip Side Liberty of London Men's Ties - the Fabrics and the Labels

Because the scarves go so beautifully and comfortably around women’s necks I felt it was logical to explore what went around men’s necks next! I have seen artistic and fashionable men wear one of the Liberty of London Scarves occasionally and personally I think it looks great ~ but, let’s face it, not many men are wearing ascots these days! That was popular in Victorian times and in the 1940’s and 50’s. Men are getting really casual about their dress in the last couple of decades. They hardly even wear ties anymore! But they were in fashion for everyman in the middle of the last century! Doesn’t that phrase sound long ago? I feel like I just said something straight out of Oscar Wilde! The Importance of Being Ernest, perhaps, because I am earnest about this!

A Sampling of Liberty of London Vintage Ties - circa mid 1950's - mid 1960's ~ From Top to Bottom and Narrow to Wide

In the 1950’s, 60’s and very early 70’s Liberty of London made elegant ties for men out of their signature prints and fabrics. The earlier ones were traditional rather narrow width styles in the 1950’s and 60’s, elegantly done, in paisleys and small traditional silk prints and often utilized many of the subdued English Arts and Crafts type botanical prints in silks and wools. These suited the traditional English Tailored Gentleman Style of dressing very well.

In Chronological Order ~ Fanning Left to Right the Two on the Left are From the 1950's English Tailored Gentlemen's Style ~ the Two on the Right are From the Flower Child Style Eruption in the mid 1960's

Then, with the Flower Child Style eruption in the 1960’s bold full blown colorful flower patterns became popular. Liberty of London’s ties were often wider and more dramatic in both shape and coloring.  They were made from some of the more flamboyant archival floral prints from the Liberty of London Fabric Collection. I have seen them done in cotton, silk, and wool challis. The Liberty designers also issued new prints to meet the 1960’s fashion world’s demand for color and big flowers. Liberty’s style was particularly suited for this opportunity! As the demand for these more flamboyant men’s ties emerged some women’s scarves were also issued in brighter palettes for the more fashion forward. Somebody in the marketing department of Liberty was very wisely looking ahead ~ making sure to attract a younger clientele for the present and future success of the company. Liberty of London has always been very aware of its market combined with what is happening in the society at any given time. That is one of their very strong points as a company.

Note the Labels on These Flamboyant Mid 1960's Liberty of London Ties! By Now They Were Notating Which Prints They Used Were New and Which Were Taken From Their Archival Designs. Note the Customization of Their Tie Linings As Well!

The mainstream fashion world’s high point for popularity for mens’ Liberty of London ties was the 1960’s. They were coveted by hip dressers in the fashion forward cities in the United States, Canada and Western Europe. That fad died down in 1970’s,  but Liberty, of course, continued to make traditional ties as they always had for their English Tailored Gentlemen Style customers. Elegant, subdued and distinctive these ties could be spotted a mile away by those in the know. I saw them now and then on distinguished gentlemen.

This is a good point to mention that the Liberty of London Company is very British and steadfast in the sense that they always can be relied upon to consistently produce certain types of old reliable items that their permanent admirers want – fashion fads notwithstanding.

I became really interested in exploring the Liberty of London print ties right after writing my blog post on the Liberty scarves. I had long been aware of them, but I had never owned any before that. Two things happened to whet my appetite for finding some. My general resurgence of interest in all things Liberty of London because of my scarf tying and writing post and secondly, the fact that a friend of mine asked me to help him shop for and co~ordinate a business wardrobe. We went shopping for men’s clothes for 2 days – in a big hurry because he had to leave for Tokyo for a week of meetings, and being in IT in Seattle, had been dressing casually for work for the last 10 years. He had no dress clothes! We had to do everything at once. That is hard and I do not recommend it. You ideally need to allow more time to co~ordinate things and get alterations done!

We flew into action. I must admit I am very good at this and I really enjoy personal wardrobe consulting. I knew what stores to go to for what brands and what was on sale. This man is very tall and thin and has a hard time finding ready made shirts and jackets with long enough sleeves and slim bodies ~ as well as pants with small waists and long enough inseams. This is one reason he hates going shopping and puts it off as long as possible. We bought everything! And after getting the main pieces down we got to the fun part ~ selecting ties. Until we looked at the prices! The new silk designer ties are really expensive! As much as, or more than, women’s designer scarves! My friend had sticker shock! We had to buy three because we had no time to search for bargains. He had to get alterations done and leave town packed by the next day. I had an alterations connection who was willing to do a rush job. We got him packed, and off to Tokyo looking fantastic with enough clothes for a week of business meetings in the very critical Tokyo design and advertising world where the men are very fashion conscious. They even flash their labels to show you who designed what they are wearing. They are absolute competitive fashion sharks! The modern day version of the dandies of the French court.

His clothes worked out. Everything was a hit. While he did business in Tokyo I got busy learning about vintage ties. I went online and searched for vintage tie dealers and looked at their offerings and prices. They were considerably less expensive than the boutique and department store ties we had just looked at and had to buy in the shops due to the rush we were in. I memorized the desirable designer names and absorbed their looks. I made myself a mental tie dictionary. Ties are complicated! And very sophisticated. New ones, as I mentioned above, are very costly. I decided to hit the local thrift shops, consignment and vintage shops to see what I could find. Ties are something I like to see, feel and inspect in person. ties are very sensual.

I live in Seattle, WA. Men have not been dressing up much for work in the IT industry here for decades. For me this was very fortunate. No one was buying ties and there were lots to be had. Especially lots of awful ones! These little resale shops were loaded with possibilities! This was how I began my Liberty Tie Collection. I searched for vintage ties, knowing what kind I was hoping to find and after looking at about 1,000 truly, finally, found one Liberty of London vintage tie!

I was spurred on! About 500 ties later, I found another one! About 2,000 ties after that, yet another! And so on. Last week, I had four and decided it was time to photograph them to write this post. So I did. Then, driving home from town last night, I stopped at the Goodwill and jackpot! I found yet another one! I now have five! Altogether 5 Liberty of London vintage ties. 5! I am so excited! And, just so you know, I have to get excited to write about these things!

And I must admit I have also picked up many other ties that are really nice from different designers as well.  I now have a basic collection of about 40, altogether, great men’s vintage ties. Why? You may wonder, being a woman? Well, because I like the fabrics and the way they are made, and I decided it would be fun to have them around to loan to my male friends who are always needing help with their clothes! I am also figuring out ways to use them myself and think I will incorporate them into my own wardrobe in some very feminine menswear inspired looks this fall and winter. Something to look forward to! Hopefully I will blog about that! I will certainly try!

I decided the time was ripe, I must write about my Liberty of London Vintage Tie Quest this this very weekend.

Study the Front Side as Well as The Flip Side ~ Inspect the Ties Carefully ~ if Buying Vintage You Want to be Sure the Tie You Pick is in Pristine Condition

As I drove home I thought about this: Vintage shopping takes time. You cannot go to a store because you know you need something and find it right then and there. You have to have a lot of patience and search and search. Over time. I cannot emphasize how long it takes to put together a decent collection of wearable art in this way. It is a constant work in progress. And it requires tremendous self discipline. I am always editing up. I have a rule, I have a limited amount of physical space and I must take as much out of my collections and get rid of it as I bring into them. Thus I am sorting and recycling constantly. I have kept many items for decades and some for only a few months. The hunt is part of the fun. You never know what will be around the next corner, what you may find, what new desire this might kindle within you. And, when you get one of these desires going you have to keep it smoldering in the back of your mind constantly, in order to keep the quest for finding it it fueled. Somehow, sending the message that you want something old and odd or unusual helps it to appear on your horizon. This really works! But you must have patience. Sometimes it takes two years or longer for something special to appear.

The Subtler Colorations of Traditional Silks From the 1950's Liberty of London Styles.

This is how it was, as you have read, with the Liberty Vintage Ties!

Then, all of a sudden, as I was driving home I remembered this:

About two years ago, when I was rushing around doing household errands in Target of all places, in Seattle, Washington, I remembered I had seen some men’s Liberty of London print ties for sale! They were part of the Liberty of London for Target collaboration that produced a variety of popular lifestyle accessories, from lamp shades, through throw pillows, clothing and my favorite ~ screen printed bicycles for women and children! I was busy. I was not paying attention. I did not look very hard. I did not buy anything from Liberty of London issued in collaboration with Target that day. In fact, at the time the Target/Liberty campaign was going on I didn’t get into it at all! I missed out on the entire thing! I wish I hadn’t! But I must say, I live in an area where Target is not very active. Very little of that companies special campaigns merchandise make it into the stores in my area. I have since become aware of this because some people I know are collaborating with Target merchandising and PR on developing on their I-phone Application.  In fact, one of those very people is the man whom I was helping with his trip to Tokyo business wardrobe.

This guy is a computer person. He is an IT professional. He is also a gamer. He has long teased me for my penchant for vintage shopping and collecting. He recently observed that thrifting is like gaming – it is all about the hunt, the unknown, the quest, what you will find around the next corner when you go out looking, and what that will lead you onto next. The reward, we vintage shoppers get, in our game, is the treasure we find to add to our collection at a price we are willing to pay. He has observed that people who are “addicted” to thrifting are similar to gamers in this way. He uses this as justification for spending much time gaming, of course! Time I think he should be spending some of shopping so that his wardrobe is ready when he needs it!

Collection of Liberty of London Vintage Scarves ~ Circa 1960's

I do know some thrift shoppers who love to shop because they find it “so relaxing.” these people buy something of everything. I am different. I actually find thrift shopping quite stressfull. I think this is because I am honing in on a particularly small areas of highly specialized and hard to find items. Rare stuff that one hardly ever comes across. And I am way over the thrill of looking through tons of garbage to possibly find it. I actually do not like to have too much stuff around. And all of it must be orderly and neat and in very good condition. I turn down 90% of what I find because it is not pristine enough to fit my standards.

I clean and repair everything as soon as I acquire it if that is necessary. I don’t want to have anything dirty or needing renovation lying around. This, in my opinion, is the advanced stage of successful collecting! These are the ways I have managed to assemble my own collections. I would say that operating within limitations is generally a good guideline. In this case I was looking specifically for the men’s version of the Liberty of London neck pieces ~the ties ~ made in the same time period as my women’s vintage Liberty of London scarves. I was also looking for about the same number of them ~ four or five. I often actually set out with a number like this in mind as I don’t want to feel overwhelmed by having to find or take care of too many. I find that I use and enjoy things if I have numbers of them that are under control.

Photographs of the ties are by Fredric Lehrman

Photographs of the scarves are by Violette de Courcy

 

 

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Sharing Collections of Delicate Antique Textiles & Vintage Shoes ~ A Few Important Words of Caution

Saturday, August 20th, 2011

On Parade ~ Six Pairs of Treasured Vintage Alligator Shoes From the Lady Violette Shoe Collection. On the Left From Front to Back: DeLiso Debs, Herbert Levine, Anne Klein. On the Right From Front to Back: Andrew Geller, Via Spiga, Foot Flairs

I am eager to share my enthusiasm for vintage shoes and clothing with anyone who is interested. And I am always happy to share my knowledge and my collections – as long as nothing bad happens to them! I am delighted to be able to blog about them and post pictures and discuss the details with people online. I am pleased that this venue for sharing has evolved because it is so much safer and easier on the vulnerable vintage clothing and shoes to share them this way. Lending your physical collections out can be risky and hard on the delicate items. Please be warned by my past experiences.

Green Vintage Alligator Shoes by Maraolo ~ circa 1980's

I learned this the hard way when I loaned three dozen pairs of prize vintage one of a kind shoes to a venerable institution for display. They displayed them in light boxes which were supposed to be archival and safe for delicate dyes, cloth and leathers. Unfortunately, their museum light boxes turned out to be regular light. Even more unfortunately the dyes in my shoes were bleached or the colors turned by the strong light and the delicate old leathers dried out and shriveled up in some cases. The fabric shoes were bleached out beyond recognition. Just as your skin would be by over exposure to the sun. Remember, leather is skin!

All the shoes loaned out in that display were completely ruined. Fortunately, I had insurance, but it was an awful experience. And the shoes I lost can never be replaced. The worst of it is that I had carefully inquired to be sure the light boxes were safe and the shoes would be protected before they went on display and I was assured, beyond the shadow of a doubt, that the light boxes were museum safe. As it turned out, the people in charge of the loaning and display contracts did not know what they were talking about!

Unfortunately I have heard horror stories of owners of delicate vintage clothing and accessories loaning them to local museums and department stores to display in their exterior facing store windows. The antiques are exposed to natural sunlight in store window displays. The sun exposure lasts all day, day after day. And, within a very short time, (it can happen in just one day!) the delicate old clothing and accessories are bleached and damaged beyond recognition by the sun! And permanently ruined. I think it is absolutely tragic to have something exquisite that has lasted decades or generations or centuries ruined in an instant of carelessness! It is completely irresponsible and tragic!

A large and very well known (and extremely successful) store in my city expanded a few years ago and sent out a call to the local citizenry for “interesting fashion objects that might have been bought there over the last 100 years” to put on display during the month of their grand opening. People with interesting items to loan sprang out of nowhere. The array of unique things was amazing and filled every store window. People were eager to participate and contribute to this bit of local history. Special things like Grandma’s wedding dress with a 30 foot train and Grandpa’s wedding tuxedo from 1910 were graciously loaned for their historical relevance and sentimental value.

Alligator Pumps by Foot Flairs ~ circa 1950's

Incidentally no one was compensated for loaning out their priceless family and personal treasures. Unfortunately, every article was returned to the owners, after being on display for a month, with terrible sun damage. The department store did not take any responsibility for any of this. They did not even apologize! Instead, they would not answer phone calls or inquiries or respond to calls or letters from concerned and disappointed owners when they received their damaged antique textiles back after the show. No one knew what to do because this place who had borrowed and displayed the items was well known and well respected in the community and therefore, expected to be responsible and know what they were doing! They didn’t. And when it came right down to it, they didn’t care!

Alligator Springolators By Beth Levine ~ circa 1950's

The same thing, essentially,  happened to me when my vintage shoes were returned to me, damaged, after I loaned them out for display as described above! Had I heard about the antique clothing incident prior to my own experience I would have been much more guarded that I was. I only learned about the above people who loaned things for the ill-fated window displays after my own shoe loan fiasco!

What I learned from this experience is that big businesses and corporations love to associate themselves with interesting people who have interesting collections that make them (the stores in this case) look good. These corporations are completely self serving. If something goes wrong, as in the cases with the antique clothing described above, or my vintage shoes being on display, they vanish, taking no responsibility for the items or individuals involved. This was all very unfortunate. Not to mention impolite and inconsiderate!

Another thing I learned from this is never to let other people handle my collections when I am not present. They will not be respectful or careful enough. No matter what they say! They do not have the knowledge or experience in most cases to handle valuable and delicate antiques with proper care. Now, if other people want to view or photograph my collections, I insist on being present so I can watch over the entire process.

I also insist on being paid for my time. After the shoe collection fiasco described here I also make sure the collection is adequately insured. However, insurance doesn’t completely protect one – it cannot even replace items like these because there are no replacements to be had! It can only compensate you with a little money if you are lucky, for irreplaceable items you have lost. This isn’t enough to make it worth it. I know because I have been through it.

Photograph by Frederic Lehrman, styled by Violette de Courcy.

Shoes from The Lady Violette Shoe Collection.

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