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Lady Violette

The Romantic Lifestyle

Posts Tagged ‘The Lady Violette Shoe Collection’

Sharing Collections of Delicate Antique Textiles & Vintage Shoes ~ A Few Important Words of Caution

Saturday, August 20th, 2011

On Parade ~ Six Pairs of Treasured Vintage Alligator Shoes From the Lady Violette Shoe Collection. On the Left From Front to Back: DeLiso Debs, Herbert Levine, Anne Klein. On the Right From Front to Back: Andrew Geller, Via Spiga, Foot Flairs

I am eager to share my enthusiasm for vintage shoes and clothing with anyone who is interested. And I am always happy to share my knowledge and my collections – as long as nothing bad happens to them! I am delighted to be able to blog about them and post pictures and discuss the details with people online. I am pleased that this venue for sharing has evolved because it is so much safer and easier on the vulnerable vintage clothing and shoes to share them this way. Lending your physical collections out can be risky and hard on the delicate items. Please be warned by my past experiences.

Green Vintage Alligator Shoes by Maraolo ~ circa 1980's

I learned this the hard way when I loaned three dozen pairs of prize vintage one of a kind shoes to a venerable institution for display. They displayed them in light boxes which were supposed to be archival and safe for delicate dyes, cloth and leathers. Unfortunately, their museum light boxes turned out to be regular light. Even more unfortunately the dyes in my shoes were bleached or the colors turned by the strong light and the delicate old leathers dried out and shriveled up in some cases. The fabric shoes were bleached out beyond recognition. Just as your skin would be by over exposure to the sun. Remember, leather is skin!

All the shoes loaned out in that display were completely ruined. Fortunately, I had insurance, but it was an awful experience. And the shoes I lost can never be replaced. The worst of it is that I had carefully inquired to be sure the light boxes were safe and the shoes would be protected before they went on display and I was assured, beyond the shadow of a doubt, that the light boxes were museum safe. As it turned out, the people in charge of the loaning and display contracts did not know what they were talking about!

Unfortunately I have heard horror stories of owners of delicate vintage clothing and accessories loaning them to local museums and department stores to display in their exterior facing store windows. The antiques are exposed to natural sunlight in store window displays. The sun exposure lasts all day, day after day. And, within a very short time, (it can happen in just one day!) the delicate old clothing and accessories are bleached and damaged beyond recognition by the sun! And permanently ruined. I think it is absolutely tragic to have something exquisite that has lasted decades or generations or centuries ruined in an instant of carelessness! It is completely irresponsible and tragic!

A large and very well known (and extremely successful) store in my city expanded a few years ago and sent out a call to the local citizenry for “interesting fashion objects that might have been bought there over the last 100 years” to put on display during the month of their grand opening. People with interesting items to loan sprang out of nowhere. The array of unique things was amazing and filled every store window. People were eager to participate and contribute to this bit of local history. Special things like Grandma’s wedding dress with a 30 foot train and Grandpa’s wedding tuxedo from 1910 were graciously loaned for their historical relevance and sentimental value.

Alligator Pumps by Foot Flairs ~ circa 1950's

Incidentally no one was compensated for loaning out their priceless family and personal treasures. Unfortunately, every article was returned to the owners, after being on display for a month, with terrible sun damage. The department store did not take any responsibility for any of this. They did not even apologize! Instead, they would not answer phone calls or inquiries or respond to calls or letters from concerned and disappointed owners when they received their damaged antique textiles back after the show. No one knew what to do because this place who had borrowed and displayed the items was well known and well respected in the community and therefore, expected to be responsible and know what they were doing! They didn’t. And when it came right down to it, they didn’t care!

Alligator Springolators By Beth Levine ~ circa 1950's

The same thing, essentially,  happened to me when my vintage shoes were returned to me, damaged, after I loaned them out for display as described above! Had I heard about the antique clothing incident prior to my own experience I would have been much more guarded that I was. I only learned about the above people who loaned things for the ill-fated window displays after my own shoe loan fiasco!

What I learned from this experience is that big businesses and corporations love to associate themselves with interesting people who have interesting collections that make them (the stores in this case) look good. These corporations are completely self serving. If something goes wrong, as in the cases with the antique clothing described above, or my vintage shoes being on display, they vanish, taking no responsibility for the items or individuals involved. This was all very unfortunate. Not to mention impolite and inconsiderate!

Another thing I learned from this is never to let other people handle my collections when I am not present. They will not be respectful or careful enough. No matter what they say! They do not have the knowledge or experience in most cases to handle valuable and delicate antiques with proper care. Now, if other people want to view or photograph my collections, I insist on being present so I can watch over the entire process.

I also insist on being paid for my time. After the shoe collection fiasco described here I also make sure the collection is adequately insured. However, insurance doesn’t completely protect one – it cannot even replace items like these because there are no replacements to be had! It can only compensate you with a little money if you are lucky, for irreplaceable items you have lost. This isn’t enough to make it worth it. I know because I have been through it.

Photograph by Frederic Lehrman, styled by Violette de Courcy.

Shoes from The Lady Violette Shoe Collection.

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Storing and Caring For Vintage Shoes

Friday, August 19th, 2011

Six Pairs of Treasures Vintage Alligator Shoes in the Lady Violette Shoe Collection

You might wonder how I store the vast number of shoes in my collection?

This is constantly evolving. I have some shoes, flats, mules, ballets and slipper types, stored in traditional hanging shoe bags on the backs of my closet doors. I have the shoes I wear often stacked in shoe boxes or standing, ready to wear, in neat rows on the floors of my closet. Special shoes that I do not use often are stored in either their original shoe boxes neatly stacked according to maker and designer or color or style, or in the cases of shoes that do not have their original boxes, stored in new shoe boxes all the same size and color carefully labeled on both the top and one end of the box.I have a closet under a stairway in my house that is pretty big so all these shoe boxes are stored stacked in it. It is still roomy enough to get in there to get them out! I do not want to acquire so many that I cannot get at them! For this reason I am editing constantly. I decide to weed out some shoes for one reason or another. It is hard. They are all beautiful. Right now I have about 10 pairs for sale in my Etsy vintage store. They are great, just don’t go with my collection. When you collect you have to be very serious and have discipline. You cannot keep everything!

Because I am currently attempting to photo document all the shoes in my collection I am also going through all of them and repacking them carefully to be sure I have them properly stored. Some old and delicate shoes require me to keep them in archival cloth wrapping rather than tissue paper. I use old scarves for this purpose or pieces of clean cotton cloth cut into squares or rectangles with pinking sheers. I pre-wash the cotton fabric before cutting it into wrapping size pieces to remove any chemicals that could adversely effect the shoes.

Archival storage boxes should be used for very old and delicate shoes. I am in the process of researching the best source of such boxes now.

Shoes in boxes take up more room than they do without boxes. However it is important not to let the shoes knock against each other or get scratched or squashed. Shoes are actually quite delicate and require special handling. When moving large numbers of shoes I have packed them, all in their individual boxes, into large moving boxes. That seems to be the best way to do it so that every surface is protected.

Someone asked me recently if I had those gigantic fancy closets that you see in celebrity homes in magazines with rows and rows of shoes lined up on custom built shelves. The answer is no! I do not! I cannot afford to build such closets in terms of space or financial cost. I also should caution people about storing shoes that way because they are exposed to both light and dust. It is best to keep them covered and stored in darkness in their boxes so that light does not deteriorate the colors or fabric or leather surfaces.

Take good care of your vintage shoes! Think of keeping each special pair of shoes wrapped up in its little blanket carefully tucked into its own little box sleeping peacefully until you are ready to use it again.

Another important point is keeping your vintage shoes clean and dry. After wearing a pair clean it off if necessary, then let it air out completely for a day before putting it away. This way it should last many more decades. Of course, when I acquire a new pair of old shoes I clean them up if necessary and take them to my shoe repair shop if they need any repairs or renovations. Most of them do need cleaning and work when I receive them.

I wear a lot of my shoes. Carefully! I do not wear them out if it is raining, or to walk in tall wet grass for instance! I am cautious about what I expose them to and often carry an extra pair of less special shoes with me if I need to switch into them. I do not wear the oldest ones if they are in danger of falling apart. But, for the most part, I have found that aware wearing of the shoes seems to be good for them. After all they were made to be worn and enjoyed. And I certainly enjoy them!

With proper restoration and care vintage shoes you acquire and collect should last a long time.

The shoes in the photo are a small sampling of my vintage alligator shoe collection. All of them will be discussed and shown in detail in future posts.

Photo by Fredrich Lehrman, styled by Violette de Courcy.

Shoes from the Lady Violette de Courcy Shoe Collection

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The Art or Lack of it on Shoeboxes! Some of DeLiso Debs Curious Vintage Boxes…

Wednesday, August 17th, 2011

I’ve shown several pairs of vintage DeLiso Debs by Palter DeLiso here on my blog and I also happen to have two vintage DeLiso boxes. It is always desirable to keep the original shoe boxes if possible but seldom happened in the vintage shoes in my experience. The boxes were originally only meant to house the shoes, protect them in transport and keep them clean until they reached their owner. Many people threw them away and stored their shoes in closets or hanging shoe bags. I am lucky (I guess,  but don’t decide until you see the way they look!) to have two of the early versions of the DeLiso Debs (or however you spell it!) boxes.

I recall seeing a dull gray blue cardboard one with white writing on it that came from the 40’s. I do not have one of those at this time. But the majority of the DeLiso boxes I have seen were either the orange or the blue or the gold version of the orange& pink one pictured below. This was what I call their Mid-Century Modern box design and I think it was the most popular and well known of the DeLiso boxes. It was first introduced in the 1950’s and stayed in use in one color version or another for a couple of decades. It became recognizable to the ladies who bought DeLiso Debs as their box.

Nowadays this packaging and branding is considered very important. Keep that thought in mind as you read on and ponder what they did next!

A Vintage 1950's Mid-Century Modern DeLiso Debs Shoe Box

The actual orange & pink box in this picture above was given to me with a different pair of shoes in it! A non-DeLiso pair of shoes! That is weird, but that is what happened. I know the brown Alligator shoes pictured would have come in a similar box so I am admittedly cheating a bit by sticking this pair of shoes in the box for the sake of a more interesting picture! It you look carefully the label on the end of the box says it originally housed a pair of black shoes! I know these came in the same era and the same style and color of box so, this is legitimate for the purpose of illustration. I have seen the same box design in a blue & aqua version and a gold & yellow version. The DeLiso logo was the same on all of these box colors – only the colors of the boxes changed.

I call this box design the Mid-Century Modern DeLiso Debs Shoe Box . (Please note, that is my name for it, not an official company name.) The company used this box for several decades. I find it cute and recognizable as the DeLiso Debs shoe box. The company grew and became more and more popular and successful.

The Horror of the "New DeLiso Box " - Circa late 1970's

Then, suddenly, in the late 1970’s, somebody in advertising suggested DeLiso change both their boxes and their name and the way they spelled it! They updated their image and boxes to the unbelievably horrible version in the yellow, gold and brown cardboard box shown above! They took the Debs out of the name! They respelled the name in ugly lettering. The eliminated all class and all vintage charm from the name, the label and the box!

Note the change in presentation of the name and how it is spelled. This was constantly changing and it never seemed to settle down. The only advantage to that was that a customer never had to worry if she was or was not spelling it correctly. It became terribly confusing. And it still is. It is as if all the letters that spell DeLiso have been agitating in a washing machine cycle for several decades. Where ever the letters land when the agitator stops is the way we’ll spell it today! This drives me nuts when I am trying to write about the company! It’s like the Dutch language, constantly evolving!

I wish the old box had crushed the new one and risen to prominence again!

I hate the 1970’s box! But, as far as I know there was not another box or container design after that. And the visual horrors do not end there! Wait until you see what they did to the inside of the shoes they made after that!

 

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Amalfi by Rangoni’s Famous Delicate T~Strap Design With Feminine Flower Trim Popular in the 1950’s & Early 1960’s

Tuesday, August 16th, 2011

 

An exquisitely graceful Amalfi style decorated with a charming flower.

Amalfi made some of the prettiest most feminine shoes of the early 1950’s ~ 1960’s. This delicate T-strap trimmed with a flower is made of  rich coppery brown suede accented with metallic leather is a lovely example ~ and yet another example of a very desirable and attractive brown shoe! They were made in Italy of course.

Amalfi's had lovely lines and always featured feminine touches.

 

I like brown shoes! Maybe because I also like chocolate! I associate brown with delicious chocolate and luxury leather goods! Amalfi’s shoes were always luxurious.

 

Alluring Amalfi's created desire in women's hearts ~ after all, what woman doesn't long for shoes, chocolate and flowers?

 

My mother found reason’s to buy them, like this pair, because it matched her auburn hair and an emerald green pair because it looked so good with her Titian hair. Of course owning and wearing beautiful shoes and handbags made her happy. She was very fastidious about her shoes and bags, selecting the exact right ones to wear each day with every suit or dress.

The soft velvety copper brown suede and smooth metallic leather are such a complimentary combination!

 

In the mid sixties my mother took a trip to Italy with her sisters and her father for the express purpose of buying shoes and purses. At least that is why the women went along. My grandfather went to study the architecture and took them with him for the experience. They dutifully toured buildings and museums for a couple of hours a day and shopped for the rest. He dutifully paid for all their purchase! Lucky girls! He joked on their return about how little energy they had for studying and how much they had for exploring the shops! He also loved fine leather good and shoes and came back with several pairs of custom made boots.  He was a great appreciator of the Italian design and craftsmanship.

Ever after that sojourn my mother referred to her auburn hair as Titian because it sounded so much more romantic and European! After they returned to the United States they could continue to enjoy aspects of Italy each day by wearing the shoes and handbags they had brought home. It cheered them up and kept them going.  My mother always said, “You should wear the best shoes you can get! It will make people treat you with respect.” My grandfather always said, “You should buy the best shoes you can because they will last a long time!” Both have proven correct in my experience!

Ugo Rangoni began his shoe company in the early 1930’s in Florance in two rooms of his house. Within a few years he had become so well known for his workmanship that he was making shoes for Christian Dior and other couture designers. In the 1950’s he invented the T~strap design like the ones shown above and it was so popular he sold over two million pairs. There were variations on the design and its adornment and colors but the basic shoe was thus.

Note: Rangoni was credited with inventing the T~strap but I think he just made his version very popular. Because I know, for a fact, that variations on the T~strap design existed in the 1920’s and 30’s and were made by other designers. It has long been a popular style for dance shoes because the straps keep the shoes on while dancing as well as flattering the foot and ankle.

I have other vintage Amalfi shoes in my collection as well as other T~strap designs from Amalfi and other designers. I also have a beautiful pair of elegant vintage Amalfi boots in the most delicious caramel color I will be sharing soon. It is rare to find vintage Amalfi’s in these charming old designs. They were notoriously comfortable and were often used until they wore out completely. As far as I can find out the alluring and delicate vintage styles of yesteryear are no longer being manufactured, thus, if you happen to come across a vintage pair and love them you should get it. They are very rare! There aren’t many left because they were loved to pieces!

The Amalfi by Rangoni company is still in production, now in a big factory in Florence. They are now known for casual and comfortable shoes still made to the highest standards of Italian workmanship, rather than the whimsical couture creations of yesteryear. They have their own shops in major cities and are sold in shoe stores all over the world as well as online. They are beautiful practical shoes of high quality and still very desirable.

Photographs by Fredric Lehrman.

Styled by Violette de Courcy.

Shoes from The Lady Violette Shoe Collection.

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Stephane Kelian’s Contemporary Wine Suede Parisian Peep Toe Pumps Inspired by 40’s Vintage Film Heroines

Monday, August 15th, 2011

Stephane Kelian's Parisian Peep Toe Beauty!

Here is a beautiful wine suede peep toe pump by contemporary Parisian designer Stephane Kelian. Every bit as elegant as any Hollywood movie star’s shoes from the 1940’s.

Exquisite & Unusual Design & Coloring Undoubtedly Inspired by Vintage Sensibilitie!

The lining and the trim on the toes is a bronze metallic leather making an unexpected and sophisticated  combination of colors. Perfect pumps to wear with vintage or modern clothing.

Shoe Shapes Inspire Abstract Sculptural Interpretations ...

These shoes have lovely lines that accentuate the curve of the foot in the most subtle ways and beg to be photographed as art pieces and displayed as sculpture when not being worn.

Classic Profiles!

Something this lovely begs to be looked at all the time! When not being worn, I display my favorite shoes as art pieces throughout my house so I can enjoy them more often.

Conversation Pieces!

Worn or displayed as fine art people love shoes. Just seeing them, appreciating them and talking about them opens up the most interesting interactions. Beautiful shoes inspire people!

Photographs by Fredric Lehrman. Styled by Violette de Courcy. Shoes from The Lady Violette Shoe Collection.

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