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Lady Violette

The Romantic Lifestyle

Posts Tagged ‘Vintage Scarves’

Vintage Skunk Fur Stole & Muff ~ Circa 1940s ~ Vintage Fur Identification: Natural Undyed Black/ Brown and White Skunk Fur

Sunday, October 28th, 2012

Natural Skunk Fur Stole and Matching Muff ~ C 1940s ~ From the Lady Violette Vintage Fur Collection

I have an extensive collection of vintage furs and people always wonder what kinds of furs they are. Some are quite unusual and seldom seen these days. I have decided to research all of them thoroughly and have consulted a professional furrier Rene Vogel for authentification. Mr. Vogel is a second generation Swiss custom furrier who was the house furrier for Nordstroms when they were still selling furs and I. Magnin when they were still in business and selling furs. He has decades of experience having been in the business himself since 1969, as well as growing up around it because his father was also a furrier. He is very familiar with the styles and types of furs worn over the past decades in both Europe and America. Rene Vogel now works independently by appointment and his business is Furs by Rene. He is located in the Seattle area. He can be reached at 425- 322-9638. He does custom designs, restyles, alterations, repairs, storage and cleaning. His email is rdcvogel@msn.com

Jacques Nam ~ Polar Bear Fur Coat & Coats of Fur for Children ~ 1912

I plan to work my way through my own collection of furs and post each fur with extensive photos and a description in the hope of helping people to make correct identification of furs they have or would perhaps eventually like to acquire! And for the purpose of correct historical identification of the furs used in creating these spectacular vintage fashions. I think the use of furs is a fascinating part of our social history. At this point I will explain that I do not buy or wear new leather or fur clothing, I only recycle vintage. Many of the furs I have now I inherited from family members and elderly friends who know I have an interest in them. My interest is in identifying the furs accurately, preserving and repairing them if necessary, wearing them when it is appropriate, and education about furs and their place in history and society ~ in other words, social studies. I do advocate wearing a recycled fur if you wish to wear one and I feel we show our respect for the animals used in the making of these old furs by learning about them and caring for them properly. I personally feel it shows more respect to an animal who was made into a fur coat years ago to wear it respectfully than to bury it in a landfill before its beauty and useful life have naturally expired. Wearing an antique of vintage fur out in public gives you an opportunity to educate people on the topic of furs and the preservation of endangered species. I see this as an animal rights and environmental education opportunity.

Skunk Stole Made of 24 Skunk Pelts & Matching Muff Made of 6 Skunk Pelts

This fabulous vintage 1940s fur ensemble is a very dramatic black/ brown and white skunk stole and muff. The stole is comprised of 24 skunk pelts arranged with 3 pelts sewn together side by side width wise by eight pelts lengthwise creating a rectangular stole that is 13 ” wide by 86 ” long. The matching muff is comprised of 6 skunk pelts joined side by side and formed into cylinder which is lined in heavy black satin and stuffed with down feathers. The natural pattern of white against black/ brown fur in the skunks coats creates an interesting zigzag effect when the pelts are joined together side by side.  The coloration in this ensemble is natural, not dyed. It is black with very dark brown undertones and cream patterning when you hold it in bright natural light. In the photo below the skunk fur muff is placed on a black ultra suede upholstered sofa and is in bright natural light which allows you to see that it has brown tones within the black ones.

Cozy Muff is a Cylinder of 6 Skunk Pelts Joined Side by Side, Lined in Black Satin and Stuffed with Down Feathers to Keep Your Hands Warm! There is a Black Bakelite Bangle Attached so You Can Secure The Muff By Wearing it on Your Wrist Like a Bracelet. It is Beautifully Warm!

Skunk was often dyed solid blue black in order to disguise its identity and called ” American Sable” because some people did not like the identity of a skunk associated with their elegant fur garment. Personally I really like the natural coloring and the pattern produced by joining the skins side by side and end to end. I also like the softness of the natural coloring versus dark blue/ black because it is more flattering to my skin tone and easier to wear than stark blue/ black.

Back View of Vintage Natural Skunk Stole Circa 1940s

Here is a back view of this stole on a mannequin showing the length and proportion it had when worn. It is 86 ” long by 13″ wide ~ a glamorous and generous size for wrapping around the shoulders or draping for a highly dramatic entrance to an event over a bias cut 1940s evening gown. In writing this piece I choose to call this a stole but it can also be considered a scarf and a shawl when you are deciding how to style and wear it. You could even use it as a gigantic muffler or as a throw over a piece of furniture in your interior decor. There is an art to using furs and if you get creative you can figure out many ways to wear them and other interesting ways to use them. It is important to recognize the furriers skill as an art form and experiment with ways to wear his creations.

In former more elegant time periods it seems that women dressed with a great deal more attention to the beautiful effects they were creating and the lasting impressions they made. The ability to do this was considered a valuable talent and a respected female accomplishment. It was viewed positively as one of the feminine arts. Of course many men did this too. In my opinion many more men used to give attention to the way they dressed than they do so today.

Jacques Nam ~ Evening Coat Trimmed in Skunk Fur and Tailor Made Children's Clothes

Many men and women were employed in the professions that helped these fashionable women to achieve their great degree of elegance.  Consider the couture designers of clothing and furs, the jewelers, the textile manufacturers, the perfumers, the shoe designers, the milliners or hat makers, in fact the designers of every item these refined and beautiful people consumed and needed! Consider the craftsmen and trades people who supported the fur industry ~ the trappers, the tanners, the taxidermists, the fur dealers, the trade companies, the exporters and importers, the furriers, the seamstresses, the stores and shops and sales staff and models and photographers and illustrators and fashion editors! And so on, as there are undoubtedly many more categories of middle men and support people than I have quickly thought of here. The amount of work involved in the fur industry in the past and and the numbers of people employed by it and involved in executing it is amazing to contemplate in retrospect. The fur part of the fashion industry has been as large and complex as any other part of the fashion industry in past eras. Now it is barely hanging on.

It is a now dying art form and profession and most of the furriers have closed shop in American cities. It is difficult to find a professional furrier to work with you anymore. I learned today that the only one left working in Portland, OR is Nicholas Ungar and the only one I know of in Seattle is Rene Vogel. The others have had to close down due to lack of demand for real furs. You may read in the press that fur is suddenly in demand again, but there is not enough demand to keep a small professional craftsman in a relatively large city in the United States in business. What is shown in a European fashion magazine’s artistic photo layout is no real indication of what is happening on a business level for these artisans and small business people. Antique dealers who sold vintage furs in Seattle four years ago have completely stopped and the last exclusive Fur shop in Bellevue, WA closed 2 years ago due to lack of adequate sales to stay in business. The department stores no longer have fur salons. All of them used to.

Jacques Nam ~ Fox Fur Stole ~ 1912

This is why I consider my beautiful vintage furs to be real treasures. They are rare and lovely and, in my opinion very worth the difficulty and expense of collecting, caring for, storing and maintaining. It is important to point out, here, that the furs need to be regularly cleaned to maintain the suppleness of the leather and keep the pelts from drying out and disintegrating. That means once every couple of years at least. During the summer they need to be put in cold storage for temperature and humidity control. It costs about $100 to clean a fur garment and about $60 a year to store it professionally during the summer season. You must also repair any little damages or stresses such as torn pocket edges or little splits that occur in the pelts as soon as you discover them. This must be done by a professional ~ the furrier ~ in order to be done properly. We need these guys! Furs are really quite delicate and need to be treated accordingly. They should be hung on wide padded hangers in a cool dark place with plenty of air circulation. They should not be exposed to light as they will oxidize and change color ~ very quickly. Like fine art which they are, too, they need to be stored in the dark.

There are a lot of details and lots to remember about caring for and wearing vintage furs but it is all interesting and ultimately well worth it! Like any area of special interest collecting vintage furs requires discipline and commitment. Like caring for a live pet requires love and attention, so does properly maintaining your fur and the way I see it doing so is also respecting the animals from which it came.

Jacques Nam ~ Sable Fur Scarf ~ Dress with White Fur Cuffs and a fur Trimmed Hat ~ 1912

I envision several ways of wearing my skunk fur stole and muff; first as an elegant evening wrap over a dark black/brown full length bias cut 1940s evening gown; second as a warm shawl and extravagant extra layer of warmth wrapped over my 1950s brown and black with cream tweed skirt suit along with the matching skunk fur muff to keep my elegantly vintage gloved hands even warmer; and third and finally, as a deco patterned black and white fur scarf over a slim calf length black wool coat with a high black fur collar and deep black fur cuffs as they did in Paris at the turn of the twentieth century. In those days they often mixed fur types and colors to achieve unusual color and textural combinations and proportions and it worked beautifully. They also combined furs with textiles in ways we would consider unusual today to great dramatic effect. Studying the way furs were worn in history gives you many new ideas on ways to use a vintage fur if you have one. Inspiration can be taken from any place and any time period. If you have any vintage piece I encourage you to experiment to find ways to wear it combined with contemporary items for a look all your own that is distinctively new and one of a kind to you today. The three outfits I create for myself with my skunk  fur stole and muff and other clothing that I own each draw their inspiration from different past fashion eras. I do not copy those eras to the letter. I draw from them and apply them to myself to achieve a look that I feel is appropriate to my personal style and life today.

 

Jacques Nam ~ Chinchilla Toque and Scarf ~ 1912

After I finish photographing and documenting my furs and identifying what types of furs they all are. I intend to style them and photograph them on human models showing several different and relevant ways in which each one can be styled and worn today. I like to experiment with this ahead of having to be somewhere all dressed up on a schedule! I find preparing and planing in advance really saves me time and cuts down on stress when getting ready for an event. And I also enjoy the planning and experimentation part of dressing. I do not enjoy being pressured however so I try to prepare in advance! Remember, “Rushing is not glamorous!”  is one of my favorite quotes.I think it is a great luxury to be able to get ready in a leisurely manner.

Side View Shows the Repetitive Art Deco Pattern Created When the Skunk Skins are Joined Together Side by Side and End to End.

A side ways view above shows the repetitive patterns of the skunk skins in the little V shapes that are created when the furrier joined them together. I think the designs of the joined furs look very Art Deco. I imagine descending a curving staircase in that long black/ brown satin bias cut 1940s evening gown wrapped in this beauty or making a red carpet entrance in it ~ Just imagine the photo opportunities!  I think the press would go insane! Or at the very least mad! An actress would definitely catch their attention if she were wearing these unusual pieces on the red carpet today! They are so simple, yet so elegant and all because of the natural beauty of the humble little skunk!

Any actresses out there, or their stylists, please contact me and arrange to use my skunk fur ensemble for such an event rather than having a new one made. I in no way wish to advocate the creation of a new skunk fur ensemble by showing this vintage one on my blog. Alternatively it might be possible to make a similar one out of faux fur, but I have personally never seen faux fur of this type.

Jacques Nam ~ Evening Dress with Polecat Fur Mantle Trimmed in White Fur~ 1912

My authentic skunk stole and matching muff are lined in a black satin with an embossed  leaf pattern. The stole bears a small label sewn in the side seam for the the Seattle store Jay Jacobs Seattle where it was originally sold. It has the original owners monogram initials HV appliqued on the lining. I find it interesting that they sewed in the owner’s initials as an applique that could be easily applied with a few well placed stitches or removed easily by picking out the threads that hold it in place and changed to another owners initials should this garment change hands! I’ll have to look into changing them to my own! Jay Jacobs Stores existed from 1941 to 1999. This ensemble was created and sold in the early 194os.

I acquired this skunk set about 20 years ago from an elderly friend of my mothers who was no longer able use it. She had worked at Jay Jacobs first store store in the early 1940s and bought it during that time. I have found elderly lady friends to be a great source of older fur styles. They are often happy that I show interest in the furs they treasured and the periods of time when they acquired and wore them. I have acquired several beautiful furs and other articles of vintage finery this way. I always promise to keep their fur, take good care of it and wear it out, to special events as they would have done back in the day. I promise, essentially, to treat it like a beloved pet. And I wear it when I go to visit them which they love!

In the olden days skunk would sometimes smell, well, a little bit skunky, if it got wet! However the furriers found a way to eliminate the natural odor of the skunk animal so an elegant wearer was only identifiable by her French couture perfume.

The interesting historical tidbit on skunk fur below is courtesy of the Vintage Fashion Guild’s Fur Resource on skunk where close up photos of several colors of skunk fur and several other vintage garments made of skunk pelts are also pictured. This section was written by Pauline Cameron and Katie Kelmsley.

“Skunk fur is rather long, with coarse, glossy guard hairs of about one to two inches, which have the qualities of strength and longevity. Normally the under-fur is grayish underneath the black guard hairs and white underneath the white guard hairs. If the more valuable all-black pelts were not used or available, the entire pelt was dyed a uniform, glossy black.

Jacques Nam ~ Badger Fur Trimmed Tunic, Skirt,and Printed Stole ~ 1912

Skunk fur has been used in the fur industry as early as the mid 1800’s, gradually increasing in popularity into the 1900’s when it exceeded production of the most traded fur – Muskrat. As the United States recovered from the Great Depression a strong market for fur trimmed cloth coats created a demand for skunk, with pelts doubling in price into the early 1940’s. Previous to the 1950’s it was sold under different names including Alaskan Sable, and American Sable.
After the identity of the fur was known, Skunk took a dive in popularity. This continued into the early 1970’s at which time the offbeat, unconventionality of it seemed to restore its appeal for a brief time after which it went out of use again. An upsurge in the popularity of Skunk fur has taken place with fashion houses such as Prada and Fendi using the black or brown-and-white varieties in items from handbags to throws and long, sweeping coats.

The hop growers loved the skunk because they ate the hop grubs that damaged the hop vines. The hop growers of the state, centered in Madison County, petitioned the State Legislature to pass a law giving the skunk a closed season. Thus the skunk became the first New York State furbearer to have legal protection!” “Many times a farm boy could earn more in a season’s trapping than his father made in a year on the farm. Skunks saved some farms during the Depression by the income from their pelts.“ Norman Evans, Stories From Old Georgetown.”

 

Jacques Nam - Full length Coats Trimmed in Beaver, Otter, Opossum or Ermine and a Long Fur Boa or Scarf~ 1912

Scarves, Stoles and Muffs in Skunk were also popular in fashionable cities in Europe in the early 1900s. The French fur fashion illustrator Jacques Nam did charming drawings for fashion plates and magazines depicting elegant women wrapped in in furs surrounded by the animals from which they were made as if they were darling personal pets. The greatest value in these pictures is seeing how the fur garments were initially meant to be worn when the designs were conceived and the clothing was made and accurate pictures of the animals whose pelts were used. Jacques Nam’s animals are very accurately rendered even though it is his fantasy that a woman would be walking her pet skunks, muskrats or leopards along the boulevard like two pet dogs while wearing an ensemble of a skunk stole and muff! You can get a lot of charming ideas of ways to wear your vintage furs by looking at his work.

Jacques Nam ~ an Evening Mantle in Mink with an Ermine Cape Collar ~ 1912

Note the fur stoles and muffs on the center woman below. That one makes me want to wear my skunk set with a straight long black dress and an amazing large brimmed black vintage hat trimmed in a cream ribbons and a soft tuft of black and brown feathers chosen to compliment the natural colors in the skunk fur. And dainty little shoes in a combination of cream and black with brown feathered shoe clips… Pictures like this make my imagination run wild on ways to wear my vintage furs!

Google Images gallery of Jacques Nam’s work.

Jacques Nam's Illustration of Fur Stole and Muff ~ about 1912

Finally I want to point out that I have included the Artist Jacques Nam’s illustrations in order to introduce you to his work and trigger your imagination in how to wear vintage fur styles. Much of his work is sheer exotic fantasy and would be great fun to own and wear, but, if one decided to reproduce it today I feel it would be best to do so in faux furs. I think this is entirely possible to do using vintage patterns available on Etsy and eBay.

I saw a Polish Folk Festival fashion show of native Polish costumes a couple of weeks ago. One of the men’s full length wool capes was trimmed using a 1940s woman’s vintage squirrel evening stole to make a wide shawl collar at the top, almost like a second short cape, that just covered  the man’s shoulders. Thus a vintage woman’s stole was used to make a contemporary man’s fur trimmed cape. And it was gorgeous! The costume designer had recycled the original stole, using every bit of a second hand fur to create an elegant wide fur collar on a new garment. It was absolutely stunning! This is a perfect example of using an old fur garment to inspire you to create a successful new one! I spoke to her after the event and she told me she had bought the shawl at the Goodwill for $37! I am just waiting until I have two similar pieces to put together to create a sweeping floor length wool cape with a vintage fur collar!

Beaded and Metallic Gold Embroidered Black Velvet Evening Handbag, Belt, Buttons, Scarf/Shawl ~ A Vintage Ensemble Inspired by Matching Accessories from India Circa 1930’s in Razia Zardozi Style

Sunday, July 24th, 2011

Vintage Ensemble Featuring Accessories From India Decorated in Metallic Embroidery & Glass Beads & Stones ~ Silk Satin Evening Dress, Black Silk & Velvet Belt with Gold Embroidery, Sheer Black Silk Chiffon Scarf/Shawl Trimmed with Gold Edgings & Red Glass Stones, and Embroidered East Indian Evening Bag ~ all circa 1930. On the Table a Pair of Black Suede Evening Pumps Trimmed with a Satin Bow by Palter De Lisa circa 1950 with Large Black Velvet, Pearl and Metallic Gold Embroidered Buttons Used as Shoe Clips. Jewelry by Liz Palacios San Francisco.

I am posting more photos of the Vintage Black Velvet Indian Embroidered & Metallic Beaded Evening Purses and adding pictures of the matching accessory items ~ belt, evening scarf/stole/shawl, and buttons ~ of the same textile technique/ ethnic art form so you can view them as I described them in my post yesterday. I am often inspired to put together an entire look by a key piece, such as one of these evening bags, or by a technique used to create a textile or embellishment. I love this look! It reminds me of English  Elizabethan gowns, the glamorous movie stars of the 1930’s and graceful East Indian women in saris all at the same time. I have borrowed a little something from each of them to achieve my own unique look with items from my eclectic collection.

The Three Embroidered Evening Clutches that Constitute My Mini Collection of 1930's Indian Embroidered & Beaded Evening BagsI am often asked where I find the items in my collections and I am going to try to explain that as often as possible. It is not an easy answer ~ I don't just go to one place and buy them! They are hard to find, It often takes years of searching and a good trained eye to spot them. I patiently sift through immense amounts of junk to eventually locate just one treasure - I go to antique stores - where you find things at the highest prices, because they often know what they have. I also shop flea markets, fun because you never know what you might find there. Thrift stores, charity shops, church bazaars, rummage sales, hospital donation shops, the Goodwill, (but I don't find much there as they are now selling anything they recognize as special on their eBay stores.) The Salvation Army is doing eBay as well. I buy and sell on eBay sometimes, but I feel it is very difficult. I prefer to see, inspect, hold and decide on an item in person. Garage and yard sales, estate sales, sometimes auctions, antique malls with many dealers in small booths, consignment shops, estate sales, asking friends if I know they are moving, or not interested in those goodies they inherited in a trunk when Grandma dies, elderly friends who are downsizing and moving into retirement homes, the retirement homes themselves often hold senior sales where the residents can sell things they are no longer using and do not have space for. These are a great source for well cared for vintage hats, purses, costume jewelry, treasured sets of fancy antique dishes, vases, even old wedding dresses. I even got a sewing machine and button hole attachment at one of these. The people are nice and love to see their things go to young women who appreciate them.

Embroidered Evening Handbag #1 ~ Circa 1930

 

 

 

Embroidered Evening Handbag #2 ~ India Circa 1930

 

 

 

 

I am one of those younger women whose taste can be summed up like this: If your grandmother liked it I probably will too. So these ladies love me! I have bought something they had on display and started to talk to them and they make appointments with me to come back to see other things they think I might like that they hadn’t brought along to this sale. They love to have me over to tea and show me things and tell me all about the stories of their youth, when they wore the items and what life used to be like back in the old days. I also enjoy this! I have ended up making some wonderful friends and great connections by spending the time listening to these women tell me the stories. One lady, of 96 years had just recently remarried! She was like a young bride of 28! Full of joy, but also full of the wisdom of her age. She had moved out of a large home to live with her new husband and had had to downsize considerably. She was selling many of her belongings on Craig’s list. I answered her add for a Singer Featherweight 221 sewing machine. During the discussion she told me she had sewed all her own clothes for many years and still had all the patterns. I expressed interest! She was really pleased! When she returned from her honeymoon I visited her in her new home and she gave me her life in sewing patterns. And the stories of each outfit she had made and the fabrics she had used. I have Dorothy’s life in her sewing patterns! And it is an amazing story. I am planning to post this story on my blog at some point.

Embroidered India Evening Handbag #3 ~ Circa 1930

These Indian Handbags came respectively from a #1) thrift store in Seattle, WA, in 2002, #2) an elderly lady who was moving in Portland, OR, in 2000, and #3) a church charity store in Houston, Texas in 1998.

Collecting vintage items is both fun and frustrating. One of my friends who is in IT and is an online gamer compares it to World of Warcraft for guys! He says it is all about the joy of the hunt. You never know what you may find! what unique and fantastic treasure may be lurking around the corner!  Once he came up with this explanation I seemed to be able to be more tolerant of his interest in gaming and he understood why I like going to estate sales and antique malls and charity and  thrift stores! But he won’t go with me! He has not got the patience for it. Thus he doesn’t get the rewards – except for the current favor I have done him by showing him that you can find fantastic designer and vintage silk men’s ties in the same types of places I find my treasures! And these are good for the times you have to dress up in business suits and look good and don’t want to spend $130 t0 $180 on a new tie! The vintage ties are often more beautiful and in great condition. And I find them for $2 to $12 versus the $80 To $200 range in better men’s stores.

Besides, recycling is so good for the environment! these lovely items from the past are in good shape and beautifully made and deserve to be used and appreciated again! And your style is so much more fascinating and original if you mix new and old together to create something totally original and unique!

The Three Exotic East Indian Evening Handbags Juxtaposed ~ Circa 1930's ~ Black Velvet Decorated with Metallic Embroidery, Cabochon Stones and Glass Beads

So, here are the Three Vintage Indian Circa 1930’s Handbags, again, and I will also list the matching accessory items I have found over the years: A slim velvet evening belt trimmed in the same metallic embroidery, two large buttons which can be used to fasten a black jacket or cape or to decorate a pair of evening pumps, and a sheer black silk chiffon scarf/stole/shawl trimmed with matching embroidery and stones at each end to wrap around your neck or drape seductively around your shoulders! I saw a gorgeous black velvet evening jacket completely covered in this metallic embroidery and cabochon stones and beads attributed to the 1930’s in a thrift shop in Philladelphia. It was totally encrusted and weighed a ton. It was also an extra large size and extremely expensive. Due to the huge size and weight of the piece I couldn’t even consider it! I am small and it would have drowned me, but the decorative work was utterly amazing! I mention this so that you know these pieces exist and you might be lucky enough to find one! I think the jacket was priced at about $500. It looked as if it had never been worn. I think these kinds of items survived because they were very dressy and people only wore them for special occasions then kept them carefully wrapped and boxed up in a drawer or closet. This is good for us as they have survived in good shape for us to rediscover and use again!

Shoes Trimmed with Buttons as Shoe Clips

The pretty evening bags surface from time to time. I think they were popular gift items too and also were given as Christmas, birthday, anniversary and Valentine’s Day presents. I have a theory that beautiful bags, gloves, scarves, men’s silk ties, lingerie and costume jewelry often fell into that category and being valued as special occasion treasures were worn very little. I have often found them in their original boxes or paper wrappings with the gift card enclosed ! ~ from 80 years ago!

Details ~ Handbag, Belt & Shawl

This is utterly amazing! I posted a blog about my three Indian Evening Bags yesterday, and began to write and photograph this piece. Then I had to go to an appointment and found another one that very afternoon in a horribly junky little thrift store in Kirkland, WA. It was just dumped into the filthy purse bins in the back of the store. Fortunately it hadn’t been crushed! But it was very dirty. I brought it home and cleaned it up and now it looks quite good! It is different that these three! It has more green stones. I have to mend it a bit, but then I will post photos so you can see it. I’ll post a photo of all four of them so you can see how the designs differ. I love the fact that they are handmade and no two seem to be alike!

Beautiful Vintage Embroidered and Beaded Black Velvet Evening Bags From India – Circa 1930

Thursday, July 21st, 2011

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Three Vintage Evening Bags from India Circa 1930's are black velvet decorated with metallic silver and gold embroidery accented with glass beads and cabochons. The small evening purses are envelope style clutches with optional braid shoulder straps which can be tucked inside to hand carry the bag. These were elegant pieces used to accessorize black evening outfits and look equally lovely today worn with any Little Black Dress - long or short - and some delicate gold and colored stone jewelry. Narrow black velvet belts decorated with the same type of embroidered design and buttons about one inch in diameter were also available to add as matching accents to your dress and evening jacket. I have also seen sheer black silk chiffon stoles decorated with a band of the matching metallic embroidery and stones on each end. None of these evening purses are labeled so I have no further information as to the source they originally come from. I have found them in different times in different places. Just beautiful! And I can imagine how lovely an evening gown worn with the matching belt and stole would be! The buttons could be used on a jacket or as clips to decorate a pair of sexy black heels! Assembling such an elegant circa 1930's evening ensemble is something inspiring to work toward in my constant quest for quintessential vintage glamour!