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Lady Violette

The Romantic Lifestyle

Posts Tagged ‘Crazy Quilting’

A Fashion Ode to Janis Joplin Jacket Part II ~ Philosophy & Ensemble

Saturday, September 29th, 2012

The Ode to Janis Joplin Jacket Inside Worn Outside is a Customized Vintage Fur Coat Made For Janis Joplin

The Ode to Janis Joplin Jacket ~ a Customized Vintage Fur Coat, Eight Strand Ode to Janis Joplin Love Bead Necklace, and The Styled for Janis Joplin Vintage 1930's Persian Lamb and Fur Felt Hat.

 

I recently posted photos of this Fantastic Ode to Janis Joplin Jacket in my first post about her contribution to fashion  The Fantastic Ode to Janis Joplin Jacket ~ One Way to Use Vintage Ties and Furs.

The Back of The Ode to Janis Joplin Jacket Inside Worn Outside

Today I am showing the rest of the opulent characteristic of Janis Joplin Ensemble and The Janis Joplin Accessories that go with it.

The Front of the Ode to Janis Joplin Jacket with the Fur Side Out

Janis loved beads and piled on many strands at once. She was even photographed for Rolling Stone wearing only her necklaces and joked that you couldn’t tell she was nude because she was covered with beads.

The Magnificent Ode to Janis Joplin Necklace

Here is the beautiful eight strand Ode to Janis Joplin Bead Necklace of silver, marcasite, garnets, Swarovsky crystals, rubies, and antique and contemporary glass artist lamp work beads. The ornate clasp is antique silver studded with marcasites.

The Antique Silver & Marcasite Clasp on the Ode to Janis Joplin Necklace

The Ode to Janis Joplin Necklace Over a Wine Silk Burnout Velvet Blouse & Midnight Blue Velvet Tiered Gypsy Style Skirt

The necklace is worn over a wine burnout silk velvet blouse with a dark blue velvet bohemian style three tiered gypsy skirt.

The Crazy Quilted Inside of The Ode to Janis Joplin Jacket is Made of Many Kinds of Beautiful Antique Fabrics and Pieces of Needlework Which Make It a Unique Piece of Bohemian Style Handmade Textile Art.

Janis loved opulent fabrics in deep rich colors.

Legendary Ode to Janis Joplin Antique Black Leather Boots

Janis also loved collected and wore antique boots.

Ode to Janis Joplin Real Victorian Brown Leather Boots

Here is a brown pair of real Victorian Boot Janis Joplin loved and a black pair.

Janis was notoriously quoted in ” FASHION NEWS: I went out & bought myself a $35 pair of boots. Oh they are so groovey!! They’re old-fashioned in their style-tight w/buttons up the front. Black. FANTASTIC! When I get back, I’m going to rent a sewing machine & make myself some sort of beautiful/outlandish dress to go w/them. ”
– Janis Joplin, September 1966

The Ode to Janis Joplin Jacket & The One of a Kind Eight Strand Ode to Janis Joplin Bead Necklace Worn with A Characteristic Janis Joplin Style Ensemble of a Wine Burnout Velvet Blouse and a Midnight Blue Velvet Skirt is Opulent and Amazing!

Here ~ in the gorgeous exotic fabrics Janis Joplin loved ~ is the Ode to Janis Joplin Jacket with the full ensemble of vintage midnight blue velvet three tiered gypsy skirt, vintage wine burnout velvet blouse, custom made one of a kind eight strand Ode to Janice Joplin Necklace of love beads, real Victorian boots and two men’s silk ties worn overlapping each other as a neck scarf. Her fans loved her homemade dresses, skirts and bell bottom pants, and piles of jewelry. And, of course, her customized vintage real fur jackets and hats.

Ode to Janis Joplin Vintage 1930's New Orleans Hat Trimmed in Persian Lamb and Custom Decorated for Janis with Burgundy Ostrich Feathers and A Jeweled Antique Brooch

To top off her outfits Janis often wore vintage fur or felt hats. This Ode to Janis Joplin Hat is originally from New Orleans and is trimmed in curly black Persian lamb fur and decorated with a fantastic jeweled antique brooch, and ostrich feathers! It was picked up at a thrift shop on a jazz festival tour of New Orleans and further embellished with her trademark curling ostrich feathers dyed a rich pink red and a gigantic jeweled brooch. Like everything she owned it is personalized and one of a kind. Janis loved to add colorful ostrich feathers in this form or in elaborate feather boas pinned into her hair.

Janis Joplin sewed! And she shopped in thrift stores. She sought out fabrics, notions and vintage clothes that inspired her. She put things together in her own way. Because she was on stage she inspired the people who saw her live in the 1960s to do the same thing for themselves in their own way. Everything was individually  done in this way of dressing and one of a kind, This look was very personal. You had to create much of it yourself from found objects so how you combined things became highly personal. You could not go out to a mall and successfully create such a look.  Janis Joplin made and designed many of her own costumes. She also worked with a designer friend to help execute her ideas as she became more successful. She always dressed as a performer ~ simply because she liked to ~ both on and off stage. For her life was really a continual performance. And she dressed accordingly. To her clothing was another form of her artistic expression and she derived great joy in expressing herself this way.

Her fans loved her style. Her influence on the way people dressed in the 60s effected the entire world. She became one of the 100 most influential people in fashion of all time. Because of the way she herself dressed and how much people liked that. Other people wanted to express themselves and their own individuality in a similar way. How she dressed epitomized  freedom of choice and self expression and inspired the rest of the world to do the same. No one copied her exactly. That was not the point of her influence. The main point she got across to other people was it is a good thing to be yourself and dress in your own way.

She collected fabrics. She loved exotic materials such as silks, velvets, brocades and metallic jerseys. She wore luxurious leathers, furs, and many beads and jewels.~ particularly armloads of bracelets and many rings on every fingers all at the same time.  She wore fluffy colorfully dyed ostrich feather boas in her free flowing long naturally wavy hair. The custom made Ode to Janis Joplin Jacket is hand sewn and skillfully embroidery stitched with many of these types of collected fabrics, including ribbons, hand crocheted lace doilies, embroidered birds and flowers and thrifted Italian silks taken from vintage men’s neckties. People loved Janis Joplin for her music and for her fashion sense. And most of all for her sense of freedom of self.

Janis Joplin’s self made image and often home made style and fashion choices perfectly symbolized what was going on in the world and society at the time. She became the bohemian fashion queen of the hippie movement. She had been ridiculed as unattractive and ugly during her high school years and it must have been tremendously empowering for her ~ in a good way ~ to be admired and respected for her artistic taste and fashion sense! She would probably be amazed to know what long lasting effect she has had on fashion today. Janis Joplin was also innocent and pure in her fashion choices because they came from her heart and soul in the same way her music did. It was improvised spontaneously in the same way she interpreted her songs. Janis always put her own unique twist on things!  Her fashions were in no way commercial or mass produced. Her lovely clothes were lovingly chosen and made either by herself or by other artists. She spearheaded a movement to dress the way you wanted to that swept across the world. In her way she was the ultimate dress reformist. And she accomplished this as a side line to her music and unintentionally. She became tremendously influential in fashion just by doing her own thing.

Slashed Fur Sleeves Patched With Silk From Vintage Italian Designer Neckties.

“Do Your Own Thing” incidentally became a catch phrase of the times! And the basic theme and message of many songs and stage musicals like Hair, and Do Your Own Thing, and OH! Calcutta. I think Janis would have loved that! Janis Joplin’s style was not commercially created by stylists and promotion experts.  She did not have a huge clothing budget or makeup artists and hair stylists following her around at all times. She did not get done up with hours and hours of preparation for interviews and personal appearances. She refused to wear makeup because she hated the way it looked and felt and she allowed her hair to naturally do its own thing – which meant grow and be wavy and simply put some scarves or feather boas in it to add color and volume.

I think she got dressed like some 3 – 5 year old girls do! They have a closet full of clothes and a costume box and left to their own devices put on and mix up colors and styles wearing whatever appeals to them with no care for what others think every time they get dressed. They often look great in a mix of colors and accessories worn in unconventional ways. It is all done quite spontaneously and I hear grown ups say, “Wow! That looks great! I wish we could wear those things and those colors and fabrics together!” And the mother of the child says, “I don’t choose her clothes or accessories. she does it all herself!”  I, personally believe that Janis Joplin got dressed in this same way. And, as she made more money and could afford to buy what she wanted she became all the more colorful and free and self expressive in her clothing choices.

These were simple natural choices for her that were fun and lighthearted and easy for her to accomplish. She had a tremendous natural ease and vulnerability and that was very appealing. It came through in her singing and dancing of course, but it was also how she looked. It amazes me to consider this in contrast to the singers of today – such as Lady Gaga, Boyonce, Gwen Stefani, Rhianna, Madonna and many others who have such commercialized, highly manufactured, expensive to produce and high maintenance personal and stage styles. Janis had none of this “Professional Help.” It is important to realize that she was completely responsible for creating her look herself. I find it hard to see the person under the modern stars styling whereas Janis Joplin was personally completely exposed at all times.

In The Ode to Janis Joplin Jacket- Slashed Furs Reveal Black Cloth Sections of Inner Darkness Beneath the Outer Layers. Rich Deep Colors of Soft Silk Like the Depths of Janis Joplin's Voice and Amazingly Warm and Beautiful Yet Damaged and Vulnerable Furs Enable the Artist to Wear Her Soul On Her Sleeves.

Janice Joplin sang as if she cut herself open and showed us the very insides of her own self and soul in her music in every performance she did. This was the essence of her style and way of dressing as well. Thus, in the Ode to Janis Joplin Jacket the slashed skin sleeves and torn furs revealing sky colored satin embellished with birds embroidered in psychedelic colors of thread perched next to dark rich silks and patches of exotic brocade that symbolize the person and artist Janis Joplin was to those who saw her in the clothing. There are some important patches of personal darkness too in exposed inner sections of black fabric that are open to view under the the torn away outer sections of the amazingly warm and beautiful, yet vulnerable and damaged fur. The Ode to Janis Joplin Jacket is really just like she was ~ original, unusual, delicate, beautiful but rough and exquisite and raw and different all at the same time.

It is important to note that Janis had no aversion to wearing real furs or leather and openly did both. She also loved animals and most notoriously owned a beautiful and affectionate sheep dog. Janis loved her dog. And other furry animals. As far as I know she only wore vintage furs made from pelts of animals killed long before that she rescued from thrift shops. I think she felt, as I do, that rescuing an old fur and giving it new life by wearing it or making it into a beautiful new article of clothing was a way of honoring the already long dead animal from whom it came.

Two Beautiful Men;s Vintage Silk Ties Are Overlapped and Used as a Woman's Scarf Encircling the Lapels of the Ode to Janis Joplin Jacket. The Navy Paisley Tie ifs Vintage Liberty of London and The Wine Colored Floral is Vintage From the Metropolitan Museum of Art Collection.

In Janis Joplin’s  characteristically creative personal way of repurposing materials she loved beautiful thrifted silk men’s ties – a vintage navy blue paisley patterned one from Liberty of London and a vintage burgundy floral one from the Metropolitan Museum of Art Collection are overlapped and used as a woman’s scarf to frame the neckline lapels on the fur side of the Ode to Janis Joplin Jacket. This “scarf of ties”  treatment works in nicely with the crazy quilting of velvets, brocades, lace, ribbons, embroidery and antique silks used in the jacket. some of the silk patches in the jacket came from old neckties as well.

Janice influenced other people to do their own thing and express themselves through their clothes as much as she did. Many people, especially in the 1960s and 70s did so really well. Because, like she did, they “got down! ” They got down and dressed themselves with things they found and made and put together in their own way.They created their own version of an artistic and eclectic look. And this really worked. People were very often beautifully and very individually dressed  in that time. It was a very experimental period. People wore things they really loved with boldness and confidence. It was wonderful to see the things they came up with.

Ever since she came on the scene she has been copied commercially. The mass market has tried to benefit from her style and vision by mass producing cheap imitation versions of her look. They usually look like chap imitations too! It is not exactly a mass produced look! To achieve it and pull off something with a similar success you have to get to the soul of the matter of self dressing. You can do it inexpensively or using expensive fabrics and jewels. You can do anything as long as it is honest and original, preferably self made, found or artist made. It is best done by artists that are your friends or do work that is meaningful to you personally.

You will not be able to go to a mall and assemble pieces to give you such a look. If you do that, or follow the conservative commercial version of “Getting The Janis Joplin Look” as advised in a teen or adult woman’s fashion magazines and certain advice online your attempt to achieve the real Janis Joplin Look will fail completely! I have seen some ridiculous articles and advice columns in magazines and online with utterly tepid versions of the look. You cannot be conservative about this. You have to be absolutely fearless as Janis was. She actually often used very fine luxurious fabrics, furs, beads and jewelry and had a passion for beautiful old high quality boots. She found many of her beautiful fabrics and clothes antique and second hand and this can still be done. As an artist Janis gave old things a new life in her assemblages. Her clothes and outfits were actually artistic collages of wearable items and they became art with her interpretation. Again and again and again her fashion interpretations were like her musical interpretations ~ original and unique with a very personal twist. That is the secret to achieving her look. If you can do that for yourself you will be able to achieve a truly Janis Joplin inspired personal look.

All the Ode to Janis Joplin Clothing and Accessories pictured are from Lady Violette de Courcy’s personal collection, The Lady Violette de Courcy Vintage Clothing Collection.  She is a writer, art and vintage clothing collector and fashion historian.

Photos for this article are by Violette de Courcy

A Fahion Ode to Janis Joplin Jacket & One Way To Use Vintage Ties and Furs

Saturday, September 8th, 2012

The Amazing Lining Side of the Janis Joplin Jacket

The Front of The Ode to Janis Joplin Jacket ~ Crazy Quilted Fabric Side Out

Recently I decided to treat myself to a night of reviewing every recording of Janis Joplin now known to mankind. This took all of one night until wee hours of the morning. And WOW! was she great. As great and as gritty and wonderful as ever. In the process I came across some absolutely ridiculously bad modern fashion advice posts advising young girls who were not there at the time Janis was alive and ticking on how to achieve her Hippie Goddess look. They were bad. I mean just awful! Not the real deal at all And it made me furious.

For example they showed 6 foot tall 16 year old blond models with short haircuts wearing tons of makeup and pale silver grey sequined silk bell bottoms with a modern grey silk chiffon tank top. The bell bottoms were very subdued and conservative and cost $600. The tank top was bland and conservative and cost $1000. Another look was a plain white blouse with jeans. Plain and dull! Again mass produced, conservative and expensive. Janice would have puked to put it mildly. She hated this kind of shit big time. She dressed in colorful rough style hippie chic clothes made of velvets and silks and wore lots of love beads and feathers in her hair and piles of bracelets. She also wore leathers and furs. Everything she wore was colorful and had a rough edge because she had a rough edge. She was thrown together. If she didn’t start out that way she got that way by the end of the night. Why? Because she was a hard rocker, a soulful singer and she lived and worked her clothes into the ground. She was not immaculately groomed and clean. She was not styled to death like today’s singers. She often wore jeans, a shirt of some kind and a leather vest. She was kind of a mess. She was often ridiculed for her disheveled looks. In the beginning she wore simple dresses, but, by the end she was wearing velvets and beads and colorful silks and vintage fur jackets and piles of jewelry. By the end she was a tattered and torn hippie girl in full blown rebel hippie attire. She did briefly hire a costume designer/stylist but she also fired her soon after for some disagreements over lifestyle. Probably good advice she didn’t take as it turned out. Janice was not one to be told what to do. She was a full blown individual. This was why she was great but it also brought her to her unfortunate too early demise. Every time I think about that I get really sad and depressed. There was nobody else like her and there never will be again. This amazing jacket is the same. There is only one and there will never another ~ just like its talented namesake. Long live her Blessed Legend!

Janis Joplin In Her Furs With Her Famous Painted Car

Therefore, I want to show you this wonderful WOW! crazy quilted vintage fur jacket that I have had for many years. It reminds me of the great Janis Joplin and her fashions so I have named it after her. It is something I am sure she would have worn. If she were still here today I would make sure to give her this fabulous jacket. Alas, she is not so we will have to appreciate it in her memory….

Detail of the Left Shoulder on the Fur Side of the Ode to Janis Joplin Jacket.The Silk Patches Are Made of Recycled Vintage Silk Ties Hand Stitched Into Place. The Slashes in the Fur Pelts Are Intentional to the Deconstructed Design of the Piece.

It began as a fur jacket in the 30s or 40s. Then, in the 60’s somebody began to crazy quilt it to create an amazing piece of wearable art. The patches are made up of old silk ties, crocheted vintage doilies, needle point pieces, embroidered birds on silk ~ probably old pieces from China, newer silky burgundy satin fabric to line the sleeves, and other interesting bits and pieces in true crazy quilt style. Some of the bigger pieces of the patch worked lining side were stitched together on a zigzag sewing machine, but most pieces are hand sewn together. The seams are then hand embroidered over with several different types of embroidery stitches to cover the seaming and add to the decorative effect. The sewing and embroidery are technically very nicely executed. The various techniques and fabrics used in this creation are true to the techniques of Victorian Crazy Quilting.

The Back of the Crazy Quilted Side of the Reversible Janis Joplin Vintage Fur Jacket

The jacket can be worn with either side out. I have shown it both ways on my dress form. With the lining and patchwork crazy quilted side out you get a crazy quilted jacket with fur showing through here and there and very soft fur on the inside.

The Front View of the Fur Side of the Janis Joplin Vintage Fur Crazy Quilt Jacket

With the crazy quilted side on the inside and the fur side out you get a most interesting semi deconstructed fur jacket with occasional vintage silk jacquard pieces. I say deconstructed because the fur of the jacket is slashed in some places. This was either done purposely or occurred on its own due to the age and condition of the fur pelts. The fur is delicate at this point in time. It tears easily if you want to tear the pelts apart to make them more ragged. I have handled it carefully in order to preserve it in its current very attractive and incredibly interesting state. It is truly gorgeous and a real conversation piece.

The fur is soft and supple. It isn’t dry or losing its hairs. However the leather under it seems to be fragile and could be tearing of its own age related accord. This makes me wonder if the artist who created this coat began her crazy quilting process in order to patch the fur jacket and artistically extend its life for her own use as well as for the overall crazy quilted artistic look of the piece. I also wonder if she wanted a way to use the pretty silks in vintage ties she had collected. I think she did. As a woman I am always on the lookout for way in which I can use the fabric in men’s ties I have accumulated for myself. It seems like such a waste to me to let men have all the fun of wearing those beautiful fabrics! I want to participate!

Some of the Gorgeous Vintage Silk Tie Fabrics

I actually really like the look of the slashes in the fur with the black vintage fabric originally used to back it showing through. It is very cool looking. Sometimes the maker sewed into it with colored threads and stitches of her choice in random places. It appears to me that the original artist who turned this jacket into the piece of art that it is today was treating it as a work in progress and continually added patches and embroidery as she saw fit or as it became necessary to reinforce a slashed or torn section of the fur. One could certainly continue working on the coat in this manner if she is a talented seamstress. Alternatively one can wear it as is or display it on a dress form or hung on a wall as a piece of textile art. I have hung it on the wall in my bedroom as an ode to Janis Joplin for the last few months. I am sure that dear sweet talented wonderful Janis would have loved this jacket!

A Slashed Fur Sleeve Creatively embellished Embellished With Fabric From Silk Ties!

There is currently a rather large slash on the fur side of the right sleeve. Currently it looks really cool on, but it may need to be reinforced in the future with an additional patch made of a bit of silk tie material or some fabric glue to attach the fur pelt to the fabric underneath it. I will be consulting my furrier friend Dorothy who is an expert on such matters and on sewing with vintage furs as to how to handle this. The left sleeve also features several slashes. the attractive black fabric shows beneath these slashes on both arms. These slashes have been on the sleeves the entire time I have owned the jacket. I acquired it in 1978. I have both worn it occasionally and used it as hanging wall art since that time. I have been careful of it and the condition is the same today as it was when I initially acquired it. It reminds me of Janis in a million ways.

Two Sturdy Fur Hooks Close the Jacket at the Center Front of the Stand Up Style Collar and At The Bust Holding it Together Inconspicuously At The Center Front.

The jacket closes with two sturdy metal vintage fur hooks in the center front. It is a very warm and very dramatic coat. I have worn it over a patch worked silk halter top with no sleeves or a sleeveless silk camisole. It is plenty warm with a thin blouse or top worn underneath even on the coldest day. I wore it with jeans and wine leather vintage boots. I wore my long straight hair parted down the middle hanging freely. I think it is a perfect statement piece to wear to an avant garde art gallery opening or to an art party or a rock concert. And I think it would be a great piece to wear to a Janis Joplin memorial event in her honor. It could be worn over a velvet skirt in true Janis style or a silky printed dress. Just channel Janis to figure out an outfit that would work with it! Listening to her music helps in this process…….

Fabrics in the Crazy Quilted Sections of the Janis Joplin Jacket Include Doilies, Embroidered Silks, Needlepoint Pieces, Crochet, and Other Choice Textile Tidbits as Well as Vintage Silk Ties and Rich Burgundy Satin all Juxtaposed with the Vintage Furs.

This gorgeous one of a kind jacket is a wonderful example of wearable art created with upcycled vintage silk ties.

I want to point out that this is originally an old fur jacket from the 1930s or 40s. I am not sure what type of fur it is, but am in the process of trying to find out. I will most likely be able to get it identified by my friend Dorothy who is in her late 90s and worked in a high end fur shop for decades both designing, sewing and selling real fur coats and other pieces when fashionable real fur was in its heyday. This is an important fact to note! This is not a jacket made of new fur! It is a vintage real fur jacket whose life has been extended tenfold by a dedicated fabric artist and talented seamstress who combined it with other beautiful vintage fabrics salvaged from various vintage sources and lovingly hand stitched to create a new work of art. In its unique way it pays honorable homage to the little animals whose fur was used in the creation of the original coat and honors them by making their furs into a work of art extended to last as long as they will hold up.

Very Old Needle Point Flowers Are Skillfully Incorporated Into the Patchwork Design.

By patching and sewing and re~sewing and overlapping and strategically placing the original furs over and over again the life of this fur coat has been extended much longer than it would originally have lasted. It has become the ultimate statement in recycled clothing and fabrics and wearable art. It is not only wearable art it is worthy of hanging on one’s wall as a unique modern art piece in its own right. It pays homage to the animals whose fur were used in its creation as much as it does to the champion of original hippie style Ms Janis Joplin herself!

An Antique Hand Crocheted, Cross Stitched and Over Embroidered Doily That Has Been Put Into The Back Lining as a Featured Piece of The Ode To Janis Joplin Jacket

Who was the talented and determined artist/seamstress who turned this coat into a crazy quilted modern art piece? Unfortunately I do not know. I acquired the jacket in the late 1970’s. Therefore I know it was created as it now exists prior to 1978. I firmly believe it to be a lovingly handmade jacket created by an artistic soul as an ongoing piece of textile art for her own personal use during the 1960’s and 70’s. I know it is handmade, I know it is not a product of the later Grunge era. It exudes hippy era cool. It is the real thing! I know Janis Joplin herself would have loved it and would have worn it had it been hers and that it is from her era and undoubtedly inspired by her personal style and her music and that is why I have named it after her.

A Colorful Hand Embroidered Chinese Bird on Pale Pink Silk Cloth Embellishes the Left Front of the Crazy Quilted Side of the Jacket. I Like To Think of Him as The Gift of Song

Fortunately this beautiful whimsical coat has outlasted its inspiration and namesake. It is well cared for and is in clean beautiful condition as well. Its current vintage condition is the result of its age and the age of the fur pelts used in its creation. The slashed and torn pelts are an integral part of the design and are an intentional characteristic of this vintage work of wearable art.

Size: It is a size XS to S and will fit a woman of modern size 0 to 4. It would have fit Janis as she was a small woman. She was not a 6 foot tall blond Scandinavian model type! I do not recommend anyone ever wearing it over thick sweaters or beaded tops as they might catch on the slashed sections of the furs. I recommend wearing it over slippery fabrics such silk or satin blouses or tops and dresses and bare skin. It is very warm over such base pieces even in the dead of winter. One should  refrain from wearing it over jagged jewelry as well. It would be best to put on smooth pieces of jewelry  after putting on the jacket. Flowing and soft silk scarves make hippie era appropriate accessories and will not damage the delicate fabrics, slashed furs and embroideries in this fragile piece. An art piece jacket like this should be handled with care and respect for its age and the delicate materials and amazing amount of time required in its creation. If handled with care one will  get many more years of enjoyment out of this piece as I have since I personally acquired it in 1978. It has brought me many years of enjoyment and will do so for anyone who owns if it is well cared for.

The Front Collar Area of The Fur Side of the Janis Joplin Jacket - Quintessential Janis Joplin! Just Add a Silky Vintage Scarf to Coordinate With the Outfit You Are Wearing With This Spectacular Jacket And You will Be Done

Should any repairs ever need to be made I recommend using pieces of fabric from vintage ties to do so and stitching them into the piece by hand. I will always include several vintage ties with this jacket that could be appropriate to use for future repairs if needed. I have known women who owned and wore pieces of this type over the years and they were consistently making little adjustments and repairs to the garments as needed. This is part of the process of owning and enjoying such a piece and not at all negative or damaging to the piece. In fact it is part of maintaining such a piece of vintage textile or wearable art. You will find that you will be able to add your own charming touches to this jacket or one made in this manner as time goes by. It is perfectly appropriate to sew on a ribbon or beads or a piece of velvet that strikes your fancy as time goes by. Families who have inherited crazy quilts are also advised to do this! Constant additions of interesting bits of fabric and trims are encouraged in the crazy quilting process.

An Example of the Real Janis Joplin Style at Her Fashion Peak

If Janis were alive today I would give her this jacket! I know she would have loved it! It is as unusual, vulnerable, one of a kind, inspired, damaged, fantastic, soulful, ragged, rough, amazing, beautiful and original as she was.

I love you Janis! You are amazing! And you continue to inspire!

If you are reading this and are not familiar with Janis Joplin’s music I encourage you to look into it, listen to her and get to know what she was about.