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Lady Violette

The Romantic Lifestyle

Archive for April, 2012

Restoring Vintage Reptile Purses & Skin Bags From the 1950’s Using Vintage Scarves for Handles & Ties

Saturday, April 28th, 2012

Lady Violette de Courcy's Collection of Vintage 1950's Reptile Handbags with Scarf Wrapped Handles

I have several reptile skin handbags from the 1950s that are in good condition except for one thing – without exception the handles were all unusable because they were made out of a thin strip of leather with the reptile skin glued over the top. That skin had deteriorated from use, age, and the glue used when they were made. In many cases it was too cracked and had broken off and it looked terrible. This is why other people threw these handbags away and I managed to get them for very reasonable prices.

My first try was to take them to a good shoe and leather repair shop to find out what they could do to replace the handles. I actually visited three shops for estimates. The verdict was unacceptable as they could not, match the skins and any other repairs they suggested wouldn’t be as pretty and would cost way too much – more for fixing one bag than I had already invested in my entire collection of 6 of them! I didn’t think these shops were being very creative!

I love the styles of these purses. Very lady like and formal and to be carried not flung over your shoulder. They are just so feminine and civilized. And, of course this is currently in style on the runways if anyone cares about that. New ones are being designed by all the big names and cost a small fortune.

Late 1940’s Vintage Crocodile Skin Bag With Scarf Wrapped Around Damaged Handle & Tied at One End

Of course I developed my own solution – both affordable and pretty as can be while remaining well suited to the original era of these purses. I am getting asked about it and getting compliments on my bags every day I use them. So here is what I did.

Example One: The Crocodile bag pictured above had a badly split, but still attached handle. I simply took a very long and tough oblong shaped scarf which is a synthetic chiffon from India in a leopard skin print and pulled it through the metal link on one end of the handle until it reached the middle of the scarf (so both ends were equal lengths. I then double wrapped the handle by wrapping one end around, then overlapping it by wrapping the other end around until I got the entire handle covered. At the end I tied a secure and attractive knot to hold the scarf in place and create the decorative scarf tie ends as shown. None of this gets in the way of opening or closing the bag. The handle is now reinforced and no one can see that it is broken under the fabric. This took a lot of fabric. The scarf I used is 76 ” long and 18″ wide!

Vintage 1950's Navy Bag From France With Handle Repaired Using a Belt & Scarf

Example Two: The elegant navy bag above is actually leather, not snakeskin. I love the hardware on it! It is a burnished gold with little stars embossed on it like a piece of elegant costume jewelry. It’s leather handle was unusable. I had to remove it. I was left with a metal ring on end to which the original handle had been attached. The circumference of the metal rings was not very big.

My solution was to take a very thin vintage belt that I happened to already have that would fit through the rings. It also happened to be red and it is what is now under the scarf. It doesn’t match the bag at all but it doesn’t have to as it is completely covered  by the scarf. The job of the belt is to create a strong secure handle. I simply pulled it through and buckled it! The buckle is hidden under the scarf at the V on top of the handle. The length is perfect buckled on the smallest size of an S length belt.

I then took a large square silk scarf in a pretty complimentary print, folded it in a triangular half, then brought each end inwards to the center folding to create a long skinny scarf folded rectangle with the points at each end (such as you would to tie it around your neck) and pulled the scarf through the belt halves at the top of the V in the middle of the handle. I secured the scarf with a knot at the middle of the buckle, then began wrapping each side individually downward, tightly covering the belt and pulling its two sections together, until I got to each of the ends with equal scarf point lengths remaining. I carefully knotted them to look about the same and dangle down artistically on each side of the bag. This makes a very secure handle with double strong leather straps inside the silk scarf wrap. I think it is also very attractive. The scarf I used is slippery shiny soft silk and is a huge square. It is a small geometric print with large paisleys on it and a navy border around the edges. It just happened to work out well for this particular bag.

Vintage 50's Snake Skin Bag With New Handle Made of a Silk Cord Belt Decorated with a Chiffon Square Scarf Tie

Example Three: This Bag is in Perfect Condition Now! I removed the completely broken down original handle and pulled a brown silk cord belt I just happened to have through the metal loops doubled it and knotted it at the correct length letting the ends with the decorative knots on them hang down on one side. I then took a small vintage 50’s silk chiffon square scarf in complimentary browns, gold, orange, white, and green colors and pulled it through the knot and tied it into a fluffy little floppy bow to decorate the one end of the purse. Voila! I have given this purse a new life and I didn’t spend any money on expensive repairs.

The cost of the above purse and renovation was: $9.95 for the purse at an estate sale. (Good price due to broken strap!) 99 cents for scarf at a thrift shop. And the cord belt I already had on my miscellaneous belt rack. I spent $11 total on this lovely spring bag! It is very clean inside and even has its original coin purse, mirror and comb intact!

Beautiful Real Black Patent Leather Vintage 1960's Bag From England

Example Four: Here is Real Black Patent Leather Purse. It is from England and I think it was made in the 1960’s. It is large and roomy and perfectly clean inside. The handles on this one were in great shape with no problems at all. The clasp is a pretty silver with an embossed design like a piece of jewelry. This bag needed no repairs. It is gleaming white leather inside. I doubt if it was used very much being that there isn’t a scratch on it. I got it an an estate sale for a very good price because the kids selling it thought it was terribly out of style. I offered $10 and they accepted. I got it home and I liked it but it did remind me of my grandma! She always says “Get me my handbag, Dear…” and it is huge black bag quite similar to this full of everything under the sun. It weighs a ton the way she packs it up. She takes it to town sitting on the passenger seat of her Oldsmobile and it gets her through the day! It gets its own seat. She would never put it on the floor. It gets its own chair at restaurants too! That is how large and important it is to her.

Anyway, for days when I have to carry around 50 pounds of daily gear myself, I now have this bag to remind me of my Grandma! I wanted to jazz it up though which is why I tied  on this perfect for spring shiny black silk square scarf in a big pink dahlia print. I wear a lot of pink and this ties it all together with the shiny black bag and black patent leather pumps. The scarf brings the giant bag up to date and gives it a now fashionable Mad Men Style vibe. I can see Joan Henderson carrying this to the office in one of her bright pink wiggle dresses circa 1960. The scarf choice is perfect for this bag as it also has little jacquard polka dots in black on black which you can just barely see in this photograph.

I simply tied this large silk square scarf in a self knot loop pulling the ends through once and let the silken tails flow long and gracefully down to the front on one side. Tying a scarf to your bag makes you more conscious of how you tote your purse and forces you to behave in a more ladylike manner to show off the both the scarf and the bag. It is good self discipline. Like finishing school for the carrying your scarf tied purse.

Palizzio New York Snakeskin Bag Decorated with a 1950's Scarf Tied on One Side

Example Five: This is a beautiful late 1950’s vintage snakeskin bag from Palizzio New York. It is in good condition except that the handle is getting the same kinds of age related problems described above and will soon probably go. I am being careful with it. I will wrap the entire handle when it becomes necessary. For now I am decorating it simply with a same vintage large silk square scarf tied in a soft and sensual large floppy bow on one side.

I have a big hatbox full of vintage scarves in many shapes and colors that I ruffle through for an appropriate match to tie on my purses, baskets, in my hair or around my neck. I also use them as sashes, wrap my jewelry in them to keep it clean and safe and a bit padded, put them over small tables and sometimes drape them over a lampshade to soften the light or add a touch of color to a room with the light glowing through the colors of the scarf fabric. Scarves have a million uses! I use them to wrap bundles and presents, as bracelets and necklaces, as a sling when I broke my arm. I have even learned to tie large ones as skirts, dresses and halter tops. They make great summer wear. I love using them as shawls and stoles and as wrap around skirts. For these reasons one can never have too many of them. There is warmth in the winter months too. It always helps to have a warm scarf around your neck or a shawl draped over the shoulders of your woolen coat to make you even warmer.

I believe everyone needs an ample scarf collection. I find most of mine in thrift stores and consignment shops. I get amazingly nice ones for very reasonable prices from these sources. I look at the scarf racks every time I go into these places. I have even found really beautiful designer scarves this way. I even have three gorgeous Hermes scarves that I found in thrift stores. But, honestly, many non famous designer scarves are just as beautiful as those made by big names. I always look for cotton, silk, pure wool, Pashima, cashmere, wool challis  and occasionally blends. But the natural fibers tend to produce superior bows and stay tied better. Scarves are one of the best buys you can find in thrift shops. Only yesterday I picked up 6 of them for 99 cents each. This was at least $150 worth of scarves had I purchased them as new retail merchandise. And they are all in perfect condition. I make it a practice to buy vintage only if it is clean and in very good condition. I think many scarves are given as gifts and are often not even worn. Then, when people clean out they pitch them. This is to our great advantage as vintage and thrift store shoppers because we can find real beauties for exceptionally good values. And scarves can transform your wardrobe very easily as you will have seen if you are following all my scarf tying and scarf using posts in this blog. I actually call them my transformers.

Palizzio Very New York Snakeskin Purse - Vintage 1950's - With a Scarf Wrapped Repaired Handle

Example Six: A beautiful Snakeskin bag from Palizzio’s Very New York collection circa 1950’s in a black and brown combination with gold hardware. The handle on this purse was completely damaged – broken, cracked. unusable. I removed it and replaced it with a narrow vintage belt, then pulled a long chiffon print scarf through the ring on one side and braided it around the belt from one side to the other completely concealing the supporting structure of the underlying belt in the wrapped fabric. I did a two strand braid using the belt as the third braid strand. You will be able to figure that out if you know how to braid using three strands. Just start in and the method will become apparent as you work. When I got to the end of wrapping the handle I tied what was left into the bow at the side and additionally embellished it with a butterfly brooch. The Butterfly looks like he just flew in and landed on the flowered scarf! The scarf I used here is silk chiffon 76″ long x 18 ‘ wide. It has a black background and is printed with yellow, medium blue, cream and red accents in stylized flower and paisley patterns.

As far as what types of scarves to use for each bag and handle, this is pretty hard to advise without seeing the purse you intend to wrap and the selection of scarves you have at your disposal. I can suggest that you will need to use large scarves as the wrapping, braiding and tying uses up a lot of fabric. As I was beginning to do this I tended to choose smaller scarves and it wasn’t always working. I would end up without enough scarf at the end to tie a nice decorative bow or streamer. The best advise I have is to experiment. And don’t get discouraged if you don’t get it right with the first attempt. I have had to work at some bags with a couple of scarves to end up with one I liked to use.

I have wrapped each of these bags ahead of time so that they are ready for me to shift my contents into quickly when I want to change out my purse for a different one. That way I do not have to fiddle around trying to get a perfect wrap and bow tie job done as I am trying to rush out the door and get some place on time. I keep my entire collection of purses and bags all tied up and ready for use. I also keep my hatbox of vintage scarves all cleaned and pressed and folded at the ready for use when needed.

Black Vintage 50's Snakeskin Bag with Vintage Cacharel Silk Foral Print Scarf & Antique Onyx, Silver & Marcasite Brooch

Example Seven: This is a very sweet small black snakeskin purse with silver hardware. It is vintage 1950’s. The original handle is still barely functional.I decided to decorate this one with a small silk 18″ square floral printed Cacharel scarf to make it ready for spring. The scarf is black with a lavender inner border and pastel flowers that resemble little violas. Some have light silky grey bits in the flowers that I think look nice with the silver accents on the bag. A plain pretty scarf didn’t seem like quite enough decoration so I added the my antique silver and onyx brooch/pendant also trimmed with sparkly marcasite stones. I am only using it this way because it has a good safety setting so I know it won’t come off and get easily lost! You could also sew a nice decorative button on over the knot if you had one you liked to use there. This handle will last awhile longer but, as you can see in the photo it is bending where the snakeskin is creasing. These are the places that show the aging effects of the drying skins and eventually break through. There isn’t really anything you can do to prevent these age related effects from eventually happening. I just recommend keeping an eye on your bag handles and silk scarf wrapping them when it becomes necessary. By no means throw out these beautiful purses just because the handles aren’t perfect any longer!

Handle repair alternatives: I looked into attaching chains to use as handles but I didn’t like the heavy metal hanging down over the snakeskin and I thought it could easily damage the rest of the purse. The character wasn’t right either, to my way of thinking, on a feminine vintage purse. I prefer the look of a soft and feminine silk scarf. I also thought about making a beaded handle and I may eventually try that. I have seen a raffia wrapped one that someone else did. She used the raffia you can purchase to use for tying up presents and making bows and wrapped the handle as I do with the scarves. She finished it off with a big poufy raffia bow and lots of extra raffia ends sticking out. She called it a festive look for hitting the clubs in Miami with her retro 50’s snakeskin bag. It would be cute with the right outfit! I am in cold Seattle and not hitting Miami clubs so I need a more day to day social, going shopping, going to work, or attending a meeting looking purse. The scarf ties on my lady like snakeskin, crocodile, alligator and leather purses work well for me with my style of vintage coats, dresses and suits. I think they look both lady like, fashionable and professional which is the look I want to pull off. I get lots of compliments on the look I achieve so I can only guess it must be accomplishing the effect I want and working out the way I want it to. What people say to you out on the streets is always a good gauge of how well your fashion choices are actually working!

In the summer I go all out tying my colorful vintage basket purses with bright and cheery scarves. I’ve shown some of those on my past blog posts and will do more as summer approaches. If you want to see all my scarf tying posts search for them on this blog. Ditto my vintage purse posts. I have done quite a few. I am always putting up more as I am a big scarf wearing fan. Everybody can learn to use their scarves. There is no reason to have them languishing in a dresser drawer or eventually giving them away to a thrift store! Get them out and use and enjoy them!

My Personal Spring Collection of Seven Vintage Scarf Tied Skin Bags

Inspiration: Here is my entire lineup of seven vintage reptile, patent and leather bags that are now tied up with vintage scarves and ready to use. Four of these had seriously damaged handles and could not be used at all until I had done them over in this way. Now they are all ready to grab and go! (By the way do not use leather cleaner on reptile bags! It ruins them. I use only a dampened with water soft cotton cloth.) Personally I really like the shapes of these purses. Again, they are so finished looking, lady like and girly. This is a perfect example of restoring, redoing, reusing and enjoying nice things from the past isn’t it?

 

 

 

 

 

 

 

Identifying Types of Lace – Alencon Lace on an Exquisite Silk Satin Dress

Wednesday, April 25th, 2012

Vintage 1980's Flutter Sleeved Silk Satin Dress Trimmed in Alencon Lace

I have recently become interested in figuring out what kind of lace is in items in my collection. Here is a lovely silk satin crepe dress – vintage 1980’s – that features an Alencon lace border around the bottom of the skirt and additional appliques of matching lace at locations of hips, shoulders and the back closure.

Closeup Photo of the Alencon Lace Border

Here is a closeup of the lace border on the hem. It is 50 inches in circumference and 5.5 inches wide which is a considerable amount of this very valuable and exquisite lace.

Note the Glass Seed Beads and Glass Rice Shaped Pearl Beads Added to further Enhance the Lace.

The beading was added to enhance the lavish lace decoration after the lace was applied to the dress. The hips are further enhanced with matching Alencon lace appliques which additionally are embroidered with the beads and little hanging beads shaped like Baroque pearl teardrops.

The Appliques of Alencon Lace on the Hips Also Feature Hanging Pearl Drops

These little suspended pearl beads actually swing and add movement to the dress as the wearer moves. The detailing is extraordinary! It is common to use small amounts of this lovely lace in this way to embellish bridal veils and gowns, make lace cuff bracelets and decorate sashes, thereby enjoying the beauty of small amounts of this lace which is very expensive in large pieces or quantities. I have found it listed at about $150 a yard and higher lately. That was before the addition of beads and pearls!

The Side View of the Dress Showing Lace Embellishments on the Hips, as Well as the Hemline Border and at the Shoulder.

Here is a side view of the decorations at the hips.

Alencon Lace Applique Decorating the Shoulder.

Here is a closeup photo of the flutter style double layer sleeves.

The Shoulder Applique Showing the Addition of the Beads

And a closeup of the shoulder area Alencon lace applique.

Beautiful Tiny Scalloped Hem Detailing Compliments the Alencon Lace on the Satin Crepe Flutter Sleeves

Note the lovely tiny scalloped hemming on the edges of the flower-like sleeves making them tie in with the flowers in the lace motif!

The Back View of the Dress.

And finally, the back view of this lovely well made dress with a tiny bit of bead embellished Alencon lace used to decorate the back single button closure as a final accent in subtle beauty.

Signed LDavis Ltd

I know nothing yet about the designer/maker of this dress but here is the designer’s label ~ the artist’s signature to this artistic dress creation. Please let me know if you know anything about this designer. I have looked all over the internet and have not been able to locate them. I would like to know more. His or her work is incredible! And deserves appreciation!

This classic dress is a size 10 in contemporary Misses sizing. It is listed for sale in my Etsy Store ladyviolettedecourcy.

You can access the listing by visiting http://www.etsy.com/listing/98344007/exquistie-ecru-silk-satin-antique-beaded

More coming on Alencon Lace soon ……..

An Esquisite Irish Crochet Dress From The Turn of the Century Featuring Roses and Shamrocks in the Hand Crocheted Lace Medalians

Tuesday, April 24th, 2012

A Linen Dress Featuring Irish Crochet From the Turn of the Century - in its Original Condition as I Found It.

I have just picked up a real treasure. I love finding such lost beauties. With a lot of restoration work it appears to be salvageable. The style is from the the early 1900’s. The embroidery on the linen is known as eyelet embroidery and was very popular at this time. The lace edging on the sleeves and the narrow inserts are crochet lace. This has been confirmed by lace collector and expert Shirley Whitcomb whom I asked to help me identify the laces and techniques used in this dress. She also suggests the lace book suggested below should you want to learn more about lace. I assked her to recommend some sources to me so I could better educate myself as I have suddenly become lace fascinated!

Close Up of an Irish Crochet Lace Medallion

The larger medallion inserts are Irish Crochet that was inspired by the 17th century Gros Point needle lace-like my wedding gown. (I will post pictures of this soon.) Only all of this lace is handmade crochet lace. You can identify Irish Crochet lace by the shamrocks and the multi petaled roses.

Note the Shamrocks and the Roses

An excellent guide to lace identification is “Guide to Lace and Linens” by Elizabeth Kurella. She has written a number of very good books on the subject.To purchase it go on www.lacemerchant.com.  It is so amazing to hold some of the older laces and feel the love and patience that went into each stitch. It is a very under appreciated art form- probably because it was made by women.

The Back is Fastened With Metal Hooks and Eyes and is Pleated to Accommdate a Bustle

This dress has pleating in the back to accommodate a  bustle. There has already been a lot of repair work done at one time in its history. This project appears to have been abandoned before it was completed because the dress is currently in rough shape: unable to be fastened up the back, no hem or fabric left on it for a hem, just a torn and frayed edge where the hem border and fabric about three inches deep was removed

Note the Carefully Repaired Areas Under The Arms! A Sewing Lesson in Themselves!

The areas under the arms have been patched quite expertly and the original hem has been taken out – probably to get matching material for repairing other sections. I will have a lot of patching and extending to do to bring the dress back to life…

Much of the dress is originally constructed by hand and will have to carefully stitched back together by hand. Areas of broken crochet thread will have to be invisibly redone. And the hem will have to be repaired by attaching a new piece of fabric where the original one was cut off and used to restore the underarm areas.

The Bodice Heavily Decorated with Crochet Lace.

Here is a close up of the bodice. These photos are my before photos showing the original condition of the dress when I discovered it.

We will eventually be able to compare them to my restored version when I get it put back together.

To be continued!

 

 

 

Dainty Victorian Lace Vintage Cotton Gloves ~ An Inspiring Recent Lady Violette Flea Market Find

Saturday, April 21st, 2012

A pair of fine cotton knit lace long dainty Victorian gloves perfect for a garden party!                                                                                                                        

I recently found this amazing pair of delicate cotton lace gloves. They must be from the turn of the twentieth century. They are a machine made fine cotton knit with several different lace patterns going up the arms – almost like a sampler of different lace designs. I have had several photos taken to show the design and construction. The gloves are very old – near to falling apart – so can only be used as study pieces in the service of making similar pieces.

Note how the gloves fastened at the wrist with two snaps ....

They fasten on the inside of the wrist with two snaps – now nearly disintegrated – but this was where a lady would undo the glove and roll it back ( or have her escort assist her in doing so) to expose just her hand for eating or drinking at the garden party – without removing the gloves, a custom I described in a recent previous post.

Note the three lines of decorative ecru stitches on the back of the hand ...

I like the three lines of decorative ecru colored stitches on the back of the hand – I assume they assisted in shaping the glove as well as adorning it.

The gloves are about a modern size 6 – very small – and have hardly any give. They are in good condition considering their age, but not tough enough to last for more than one wearing. There are a few holes which have been expertly mended by hand ~ a touch I happen to like myself as it adds to their authenticity as a treasure of the original owner. Therefore I have decided to save them as study pieces. I intend to create a hand knitted summer glove pattern that is inspired by this lovely pair of vintage gloves. I am currently searching for the right yarn to use for this endeavor. Does anybody out there have any ideas on an appropriate yarn? I will be happy to take suggestions. When I finish making my pattern I will post it on my blog for other people to use.

Utterly beautiful feminine long vintage Victorian gloves

These gloves were knit as a flat piece, then sewn together. There is a seam up the outside of the arm, then along the inside edge of each finger. The seams  are very hard to see when the glove is worn which is as it should be. The thumb is also knit as part of the original piece but seamed together at the side gussets during the finishing process. The seams are finally cut very close to the edges upon finishing them so that they fit close up against the hand and become nearly invisible. All in all it is a very elegant and you are unaware of the seaming and construction of these gloves when you are wearing them.

The final effect is one of elegance and refinement.

I intend to knit my modern version on five needles in the round to avoid seaming. I also intend to use very small needles – probably size 0 to 00 – and the finest yarn I can find. This original pair has become a bit stiff with age – like a pair of cotton sock does. I am hoping to avoid that by using a blended yarn with some nylon in it for durability. I also intend to use small glass pearl buttons instead of snaps. I have ordered the tiny buttons already. The original snaps were made of the kind of metal that oxidized over time and now looks really bad! Pearl buttons and button holes should be a big improvement!

I think these gloves would also be lovely made up in bright colored yarns for winter use ~ such as royal blue or magenta. That will be period accurate as well because such colors were proper during the time these gloves were originally made. They were made in bright colors to show off the new dyes at the beginning of the industrial revolution. I hope to made a bright blue pair to wear with my long black velvet hooded opera cape lined in blue silk plaid to wear to next winter’s holiday parties. I will honestly have to start making them in the summer if I am to get them done in time for the holiday season.

“That which above all yields the sweetest smell in the air is the violet.” Sir Francis Bacon

Thursday, April 19th, 2012

This is what I thought too as I stepped outside this morning where my lawn has been overtaken with little blooming violets. They are so lovely! And smell so good. I cannot mow the lawn and damage them. But I feel it is appropriate for lady Violette to have a lawn of solid violets instead of grass. I am providing a safe sanctuary where they can grow and bloom undisturbed. And Sir Francis Bacon’s lines are one of my favorite quotes, especially at this time of the year!

Vintage Violet Easter Spool Bunny ~ Happy Violette Easter!

Sunday, April 8th, 2012

Delightful Little Violet Easter Bunny Made From a Vintage Wooden Thread Spool!

I was looking for something delightful and old fashioned to make with children ages 4 and 6 to put in Easter baskets when I came across this delightful little spool bunny. He is so sweet! And a perfect Vintage Violette make-it-yourself art project! I was enchanted. And he is easy to make! So, here he is, to wish you a Happy Easter! Spool Bunnies. and directions to make them from vintage wooden thread spools and bits of felt. Happy Easter Everybody!

This and other cute craft projects are from the website Fun in the Making. net.

Violet Ice Cream Recipe! A Lady Violette Dream Desert

Saturday, April 7th, 2012

Violet Ice Cream ~ A Lady Violette Dream Desert

I am dedicated to all things Violet and sharing them and found this Recipe for Violet Ice Cream  on Meera Freeman’s blog yesterday. I’m trying to get organized to make it this weekend. I literally have thousands of violets blooming in my yard. They are scattered throughout the grass as well as the flower beds which is alright with me!

Here is what she says:

After quite a bit of thought and fiddling around, I finally came up with a violet ice-cream recipe.  Not too much colour… very subtle flavour, most of it coming as an after-taste, like most perfumes  (think truffle, jasmine… an ethereal waft that floats between the nostrils and the tip of your tongue).

Violet Ice-cream

4 egg yolks
135g sugar
400 ml full cream milk
100 ml heavy cream, chilled
1 tbsp Monin violet syrup
1 tbsp violet liqueur (Creme de Violettes)
2 drops pink food colouring
2 drops blue food colouring

Heat the milk with half the sugar taking care not to let it boil.
Beat the yolks with the remaining sugar until the mixture is thick and white.
Slowly pour the heated milk over the yolk mixture, beating well.
Return the mixture to the saucepan and simmer, whisking continuously, until the mixture thickens slightly and coats the back of a spoon.
Make sure it doesn’t boil.  If you have a candy thermometer, the temperature of the mixture should reach 85°C.  Remove from the heat immediately. Stir well and add the chilled cream. Flavour with the violet syrup and liqueur and tint with the food colouring.
Cool completely and churn in an ice-cream churn.
Garnish with fresh or crystallised violets.

This is almost a frozen Violette Cocktail as it is flavored with violet liquor! It sounds so delicious!

I am grateful to Meera Freeman who is a cooking teacher and cookbook writer and photographer for coming up with this elegant recipe as it  sounds pretty grand to me! Thanks Meera!

Violet, Violet Leaf & Ionones in Perfumes

Friday, April 6th, 2012

Violets, Violet Leaves and Ionones Used in Making Perfumes

Flowers are blooming as spring is finally coming and I have the loveliest little violets blooming in my garden.

I always want  to enjoy them all year long so search for perfumes that feature them. Here is a good description of violets used in the making of perfumes and how they work that I thought might interest people who love violets. The Perfume Shrine blog explains their use in Perfumery Materials: Violets, Violet Leaf & Ionones,

I was very lucky to find a vintage bottle of Caron’s Fleurs de Rocailles yesterday – from France in the 1960s and still good. The original formulation in a rare lovely glass bottle with stopper. I am happy! How I love vintage shopping! I admit it! And I will give you a tip, the vintage perfumes are often better than the newer versions. It is quite possible to find old ones in the original pretty bottles with still perfect contents. I have been doing it for years and have amassed quite a good collection at very reasonable prices, too.

You can find them at estate sales, thrift shops, and antique malls. People who don’t really like the scent or enjoy perfume, or are allergic to it, will sell them for a fraction of the price in perfume shops or department stores. The trick is, to keep your eyes open and your nose alert!Find a seller who hated his grandmother’s or mother’s perfume! And doesn’t appreciate the pretty little glass bottles!

You can always test the perfumes in stores to find out which ones you like. I have no trouble remembering the scents and how they are supposed to smell so I can easily tell if a vintage perfume is still good. You can learn to do this through experience. Good luck! As the weather improves yard sales will begin as well and bring more opportunities to find great perfumes at great prices…